{"id":8897,"date":"2016-04-06T04:06:04","date_gmt":"2016-04-06T04:06:04","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-wikipedia-el-horror-y-el-olvido\/"},"modified":"2021-04-09T17:27:36","modified_gmt":"2021-04-09T15:27:36","slug":"la-wikipedia-el-horror-y-el-olvido","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-wikipedia-el-horror-y-el-olvido\/","title":{"rendered":"La Wikipedia, el horror y el olvido"},"content":{"rendered":"

La brutalidad<\/span> nos fascina<\/span> y nos espanta<\/span> a la vez<\/span>. Esa<\/span> contradictoria<\/span> reacci\u00f3n<\/span> nos provoca<\/span> una<\/span> atracci\u00f3n<\/span> hipn\u00f3tica<\/span> y explica<\/span> la importancia<\/span> que<\/span> la crueldad<\/span> desempe\u00f1a<\/span> en los ritos<\/span> religiosos<\/span>. La iconograf\u00eda<\/span> del catolicismo<\/span>, por<\/span> ejemplo<\/span>, fue<\/span> configurando<\/span> su<\/span> santoral<\/span> con la acumulaci\u00f3n<\/span> de martirios<\/span>, decapitaciones<\/span>, degollaciones<\/span>, descuartizamientos<\/span> y la m\u00e1s<\/span> variada<\/span> gama<\/span> de tormentos<\/span>. La representaci\u00f3n<\/span> misma<\/span> de su<\/span> inspirador<\/span> divino<\/span>, Jesucristo<\/span>, es<\/span> recordada<\/span> por<\/span> su<\/span> sufrimiento<\/span> final, por<\/span> el azote<\/span> ultrajante<\/span>, por<\/span> las<\/span> espinas<\/span> rasgando<\/span> su<\/span> frente<\/span>, por<\/span> los huesos<\/span> descoyuntados<\/span> en la cruz<\/span> o el hierro<\/span> penetrando<\/span> el costado<\/span>. El impacto<\/span> de esas<\/span> im\u00e1genes<\/span> es<\/span> tal<\/span> que<\/span> nos sojuzga<\/span>, como<\/span> muy<\/span> bien<\/span> aprendi\u00f3<\/span> una<\/span> jerarqu\u00eda<\/span> eclesi\u00e1stica<\/span> que<\/span> prefiri\u00f3<\/span> legitimar<\/span> su<\/span> autoridad<\/span> recurriendo<\/span> a este<\/span> imaginario<\/span> del dolor que<\/span> destacando<\/span> el regocijo<\/span> colectivo<\/span> de aspirar<\/span> al reparto<\/span> de los panes y los peces<\/span>, convertir<\/span> el agua<\/span> en vino, o maravillarnos<\/span> con la prodigiosa<\/span> capacidad<\/span> de andar<\/span> sobre<\/span> los mares<\/strong>.<\/p>\n

Sin embargo, esa<\/span> compleja<\/span> relaci\u00f3n<\/span> que<\/span> mantenemos<\/span> con la barbarie<\/span> hace<\/span> que<\/span> igual<\/span> que<\/span> en unas<\/span> ocasiones<\/span> su<\/span> presencia<\/span> se instala<\/span> imborrable<\/span> en nuestra<\/span> mente<\/span>, en otras<\/span> su<\/span> impacto<\/span> resulta<\/span> tan insufrible<\/span> que<\/span> optamos<\/span> por<\/span> extirparla<\/span> de la memoria<\/span>. Nos adentramos<\/span> entonces<\/span> por<\/span> el espacio<\/span> de las<\/span> amnesias<\/span> disociativas<\/span> con que<\/span> nuestro<\/span> inconsciente<\/span> nos protege<\/span> de los traumas del pasado<\/span>, o esos<\/span> desmayos<\/span> preventivos<\/span> que<\/span> nuestro<\/span> organismo<\/span> provoca<\/span> para<\/span> rescatarnos<\/span> del sufrimiento<\/span>. Si un c\u00famulo<\/span> de respuestas<\/span> qu\u00edmicas<\/span> y psicol\u00f3gicas<\/span> nos permite<\/span> comprender<\/span> por<\/span> qu\u00e9<\/span> unas<\/span> veces<\/span> nuestra<\/span> experiencia<\/span> individual del dolor nos conduce al recuerdo<\/span> mientras<\/span> que<\/span> en otras<\/span> ocasiones<\/span> nos empuja<\/span> al olvido<\/span>, cuando<\/span> la experiencia<\/span> es<\/span> colectiva<\/span>, esa<\/span> dicotom\u00eda<\/span> nos conduce a los enigm\u00e1ticos<\/span> territorios<\/span> del control social de la memoria<\/span> y el olvido<\/span><\/strong>.<\/p>\n

El 16 de marzo<\/span> de 2014, Cl\u00e1udia<\/span> Silva Ferrerira<\/span><\/strong> gir\u00f3<\/span> una<\/span> esquina<\/span> en el suburbio<\/span> de Madureira<\/span>, en Rio de Janeiro, y se encontr\u00f3<\/span> con la muerte<\/span>. Una<\/span> pareja<\/span> de polic\u00edas<\/span> efectu\u00f3<\/span> varios<\/span> disparos<\/span> contra ella<\/span> al confundirla<\/span> con un supuesto<\/span> traficante<\/span>. Conscientes<\/span> del error, los agentes<\/span> procedieron<\/span> a evacuar<\/span> a la moribunda<\/span> Cl\u00e1udia<\/span>. Para ello<\/span> introdujeron<\/span> su<\/span> bulto<\/span> agonizante<\/span> en el maletero<\/span> del veh\u00edculo<\/span> policial<\/span>, cerraron<\/span> el cap\u00f3<\/span> y se dirigieron<\/span> supuestamente<\/span> a un centro<\/span> hospitalario<\/span>. Durante<\/span> el trayecto<\/span>, el maletero<\/span> se abri\u00f3<\/span> y el cuerpo<\/span> de Claudia qued\u00f3<\/span> colgando<\/span> durante<\/span> cientos<\/span> de metros, arrastrada<\/span> sobre<\/span> un asfalto<\/span> ardiente<\/span> que<\/span> le arrancaba<\/span> la piel<\/span> y desgarraba<\/span> su<\/span> carne<\/strong>. La imagen<\/span> dantesca<\/span> desataba<\/span> el horror entre<\/span> los automovilistas<\/span> sorprendidos<\/span> por<\/span> la dantesca<\/span> escena<\/span> que<\/span> algunos<\/span> rescatar\u00edan<\/span> con su<\/span> celular<\/span> para<\/span> alimentar<\/span> el monstruo<\/span> insaciable<\/span> de Youtube<\/span><\/strong>.<\/p>\n

Al cumplirse<\/span> dos a\u00f1os<\/span> de aquellos<\/span> hechos<\/span>, Priscila<\/span> Neri<\/span> <\/strong>quiso<\/span> rendir<\/span> homenaje<\/span> a la mujer<\/span> asesinada<\/span> y mantener<\/span> vivo el recuerdo<\/span> de este<\/span> caso<\/span> de violencia<\/span> policial<\/span>. Para ello<\/span>, esta<\/span> brasile\u00f1a<\/span> residente<\/span> en Nueva<\/span> York encendi\u00f3<\/span> su<\/span> ordenador<\/span> y comenz\u00f3<\/span> a escribir<\/span> el martirio<\/span> de Cl\u00e1udia<\/span> para<\/span> que<\/span> quedase<\/span> recogido<\/span> en ese<\/span> nuevo<\/span> santoral<\/span> que<\/span> es<\/span> la Wikipedia<\/strong>. Su aspiraci\u00f3n<\/span> choc\u00f3<\/span>, sin embargo, con los criterios<\/span> de otros<\/span> usuarios<\/span> que<\/span> consideraban<\/span> que<\/span> la biograf\u00eda<\/span> de aquella<\/span> mujer<\/span> carec\u00eda<\/span> de la relevancia<\/span> suficiente<\/span> como<\/span> para<\/span> incluirse<\/span> en la plataforma<\/span> y vetaron<\/span> su<\/span> presencia<\/span>. La alternativa<\/span> planteada<\/span> por<\/span> algunos<\/span> para<\/span> superar<\/span> el veto pasaba<\/span> por<\/span> borrar<\/span> el protagonismo<\/span> de la v\u00edctima<\/span>, cosific\u00e1ndolo<\/span> como<\/span> relato<\/span>: \u201cCl\u00e1udia<\/span> Silva Ferreira\u201d ser\u00eda<\/span> expulsada<\/span> de Wikipedia donde<\/span> s\u00f3lo<\/span> podr\u00eda<\/span> regresar<\/span> reconvertida<\/span> en \u201ccaso<\/span> de Cl\u00e1udia<\/span> Silva Ferreira\u201d.<\/p>\n

Y es<\/span> cierto<\/span>, Cl\u00e1udia<\/span> Silva Ferreira fue<\/span> una<\/span> mujer<\/span> irrelevante<\/span>, que<\/span> cuidaba<\/span> de cuatro<\/span> hijos<\/span> y otros<\/span> tantos<\/span> sobrinos<\/span>, que<\/span> un d\u00eda<\/span> fue<\/span> a comprar<\/span> pan y se cruz\u00f3<\/span> con la muerte<\/span>. Demasiado<\/span> poco<\/span> para<\/span> ser<\/span> recordado<\/span>. Incluso<\/span> su<\/span> muerte<\/span> resulta<\/span> vulgar y com\u00fan<\/span> en los espacios<\/span> de su<\/span> existencia<\/span>, donde<\/span> el nerviosismo<\/span> de polic\u00edas<\/span>, bandas<\/span> y milicias<\/span> transforman<\/span> su<\/span> fatal presencia<\/span> en una<\/span> compa\u00f1\u00eda<\/span> tan cotidiana<\/span> como<\/span> la pobreza<\/span>. Al fin y al cabo<\/span>, el mundo<\/span> est\u00e1<\/span> lleno<\/span> de Cl\u00e1udias<\/span>. O de peque\u00f1os<\/span> como<\/span> Aylan<\/span> Kurdi<\/span><\/strong> que<\/span> simplemente<\/span> mueren<\/span> sobre<\/span> las<\/span> olas<\/span> del Mediterr\u00e1neo<\/span>. O como<\/span> despedazados<\/span> an\u00f3nimos<\/span> en el parque<\/span> Gulshan-e-Iqbal<\/span> de Lahore<\/strong>. Millares<\/span> de insignificantes<\/span> hombres, mujeres y ni\u00f1os<\/span>, sin el valor necesario<\/span> para<\/span> erigir<\/span> una<\/span> nueva<\/span> iglesia<\/span> en su<\/span> nombre<\/span> o ser<\/span> dignos<\/span> de una<\/span> hagiograf\u00eda<\/span>. Tan banales<\/span> que<\/span> ni<\/span> siquiera<\/span> son merecedores<\/span> de una<\/span> entrada<\/span> en la Wikipedia, ni<\/span> si<\/span> quiera<\/span> a t\u00edtulo<\/span> p\u00f3stumo<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

La brutalidad nos fascina y nos espanta a la vez. Esa contradictoria reacci\u00f3n nos provoca una atracci\u00f3n hipn\u00f3tica y explica la importancia que la crueldad desempe\u00f1a en los ritos religiosos. La iconograf\u00eda del catolicismo, por ejemplo, fue configurando su santoral con la acumulaci\u00f3n de martirios, decapitaciones, degollaciones, descuartizamientos y la […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72],"tags":[],"class_list":["post-8897","post","type-post","status-publish","format-standard","hentry","category-opinion"],"yoast_head":"\nLa Wikipedia, el horror y el olvido - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-wikipedia-el-horror-y-el-olvido\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Wikipedia, el horror y el olvido - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"La brutalidad nos fascina y nos espanta a la vez. Esa contradictoria reacci\u00f3n nos provoca una atracci\u00f3n hipn\u00f3tica y explica la importancia que la crueldad desempe\u00f1a en los ritos religiosos. 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