{"id":8884,"date":"2016-03-28T18:33:05","date_gmt":"2016-03-28T16:33:05","guid":{"rendered":"https:\/\/www.revistarambla.com\/rita-la-familia-y-la-mantequilla\/"},"modified":"2022-10-21T17:37:46","modified_gmt":"2022-10-21T15:37:46","slug":"rita-la-familia-y-la-mantequilla","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/rita-la-familia-y-la-mantequilla\/","title":{"rendered":"Rita, la familia y la mantequilla"},"content":{"rendered":"

M\u00e1s all\u00e1 de por alguna que otra invasi\u00f3n, los espa\u00f1oles siempre hemos estado pendientes de la frontera con Francia fundamentalmente por dos motivos: el exilio o la vendimia. Ambos manten\u00edan plena vigencia a principios de los 70, sin embargo una tercera raz\u00f3n vino a sum\u00e1rseles por aquellos a\u00f1os. Se trataba de las peregrinaciones cin\u00e9filas a Perpignan en busca de aires m\u00e1s liberales donde ver aquellos filmes que la censura franquista consideraba no aptos para nuestra mirada tutelada todav\u00eda por el nacionalcatolicismo.<\/p>\n

\"alt\"<\/p>\n

Si un t\u00edtulo<\/span> concreta<\/span> las<\/span> fantas\u00edas<\/span> er\u00f3ticas<\/span> de los peregrinos<\/span> del celuloide<\/span> de aquellos<\/span> a\u00f1os<\/span>, ese<\/span> es<\/span>, sin lugar<\/span> a dudas<\/span>, el m\u00edtico<\/span> \u00daltimo<\/span> tango en Par\u00eds<\/span><\/em><\/strong> que<\/span> Bernardo Bertolucci<\/span><\/strong> estrenaba<\/span> all\u00e1<\/span> por<\/span> 1972. Y si<\/span> una<\/span> escena<\/span> se qued\u00f3<\/span> grabada<\/span> para<\/span> siempre<\/span> en sus<\/span> retinas fue<\/span> aquella<\/span> en que<\/span> un degradado<\/span> y perdido<\/span> Marlon Brando<\/strong> aprovechaba<\/span> la potencialidad<\/span> lubricante<\/span> de la mantequilla<\/span> para<\/span> someter<\/span> a la carnosa<\/span> Maria Schneider<\/strong> a una<\/span> pr\u00e1ctica<\/span> de sexoanal<\/span> que<\/span> por<\/span> estas<\/span> tierras<\/span> se consideraba<\/span> m\u00e1s<\/span> bien<\/span> enfermiza<\/span>. Pero<\/span> el impacto<\/span> de la secuencia<\/span> no se deb\u00eda<\/span> s\u00f3lo<\/span> a sus<\/span> im\u00e1genes<\/span> t\u00f3rridas<\/span>, sino<\/span> que<\/span> se ve\u00eda<\/span> intensificado<\/span> por<\/span> el corrosivo<\/span> discurso<\/span> sobre<\/span> la familia<\/span> que<\/span> Brando obligaba<\/span> a repetir<\/span> a la joven<\/span> mientras<\/span> la forzaba<\/span>:\u201csanta<\/span> instituci\u00f3n<\/span> ideada<\/span> para<\/span> inculcar<\/span> la virtud<\/span> entre<\/span> los salvajes<\/span>. Santa familia<\/span>, iglesia<\/span> de buenos<\/span> ciudadanos<\/span> donde<\/span> los ni\u00f1os<\/span> son torturados<\/span> hasta<\/span> que<\/span> mienten<\/span> por<\/span> primera<\/span> vez\u2026\u201d<\/span><\/strong>.<\/p>\n

Por<\/span> aquellos<\/span> a\u00f1os<\/span>, la posibilidad<\/span> de ver<\/span> algo<\/span> as\u00ed<\/span> en un cine espa\u00f1ol<\/span> era tan ut\u00f3pica<\/span> como<\/span> so\u00f1ar<\/span> con la legalizaci\u00f3n<\/span> del partido<\/span> comunista<\/span>. Considerada<\/span> uno<\/span> de los pilares<\/span> del r\u00e9gimen<\/span>, la familia<\/span> ocupar\u00eda<\/span> un papel<\/span> importante<\/span> en el imaginario<\/span> espa\u00f1ol<\/span> de aquellos<\/span> a\u00f1os<\/span> gracias<\/span> a otra<\/span> pel\u00edcula<\/span>. Se trataba<\/span> de La gran<\/span> familia<\/span><\/em><\/strong> (1962), un filme<\/span> dirigido<\/span> por<\/span> Fernando Palacios<\/span><\/strong> y gui\u00f3n<\/span> de Pedro Mas\u00f3<\/span><\/strong>, donde<\/span> el gran<\/span> Alberto Closas<\/span><\/strong> y Amparo<\/span> Soler<\/span> Leal<\/span><\/strong> encarnaban<\/span> a una<\/span> nueva<\/span> clase<\/span> media que<\/span> aspiraba<\/span> a dejar<\/span> atr\u00e1s<\/span> las<\/span> sombras<\/span> de la posguerra<\/span> y a modernizar<\/span> las<\/span> costumbres<\/span>. Eso<\/span> s\u00ed<\/span>, siempre<\/span> dentro<\/span> de un casto<\/span> y cat\u00f3lico<\/span> orden<\/span>. Y eso<\/span>, por<\/span> supuesto<\/span>, no pasaba<\/span> precisamente<\/span> por<\/span> alterar<\/span> los usos<\/span> de la mantequilla<\/span>. Con secundarios<\/span> de lujo<\/span> como<\/span> Jos\u00e9<\/span> Luis L\u00f3pez<\/span> V\u00e1zquez<\/span><\/strong> o Pepe<\/span> Isbert<\/span><\/strong>, la pel\u00edcula<\/span> tendr\u00eda<\/span> tal<\/span> \u00e9xito<\/span> que<\/span> dar\u00eda<\/span> origen<\/span> a una<\/span> saga que<\/span> Mas\u00f3<\/span> intentar\u00eda<\/span> prolongar<\/span> hasta<\/span> 1999, aunque<\/span> para<\/span> entonces<\/span> la visi\u00f3n<\/span> de esta<\/span> instituci\u00f3n<\/span> hab\u00eda<\/span> cambiado<\/span> en el cine y la sociedad<\/span>. Poco<\/span> antes, un joven<\/span> Fernando Le\u00f3n<\/span> de Aranoa<\/span> ya<\/span> nos hab\u00eda<\/span> presentado<\/span> en su<\/span> Familia<\/span><\/em><\/strong> (1996), una<\/span> reflexi\u00f3n<\/span> m\u00e1s<\/span> cr\u00edtica<\/span>, de farsa<\/span> y simulacro<\/span>.<\/p>\n

No creo<\/span> que<\/span> Rita Barber\u00e1<\/span><\/strong> fuera<\/span> de las<\/span> primeras<\/span> en cruzar<\/span> la frontera<\/span> para<\/span> ver<\/span> la pel\u00edcula<\/span> de Bertolucci<\/span>. En aquella<\/span> \u00e9poca<\/span>, la joven<\/span> estaba<\/span> muy<\/span> ocupada<\/span> prepar\u00e1ndose<\/span> para<\/span> su<\/span> inminente<\/span> coronaci\u00f3n<\/span> en 1973 como<\/span> Musa del Humor, uno<\/span> de los primeros<\/span> cargos p\u00fablicos<\/span> que<\/span> ocupara<\/span> la futura<\/span> alcaldesa<\/span> de Valencia y hoy<\/span> senadora<\/span> atrincherada<\/span>. Tampoco<\/span> creo<\/span> que<\/span> compartiera<\/span> el discurso<\/span> de Brando sobre<\/span> la familia<\/span>. Resulta<\/span> m\u00e1s<\/span> f\u00e1cil<\/span> imaginarla<\/span>, eso<\/span> s\u00ed<\/span>, emocion\u00e1ndose<\/span> con la angustia<\/span> de Pepe<\/span> Isbert<\/span> buscando<\/span> a su<\/span> extraviado<\/span> nietecito<\/span> Chencho<\/span> <\/strong>y el resto<\/span> de vicisitudes<\/span> de esa<\/span> gran<\/span> familia<\/span> ideada<\/span> por<\/span> Mas\u00f3<\/span>. Luego<\/span>, la vida<\/span> con sus<\/span> caprichos<\/span> quiso<\/span> que<\/span> la muchacha<\/span> nunca<\/span> fundara<\/span> una<\/span> propia<\/span>, pero<\/span> la recta educaci\u00f3n<\/span> del se\u00f1or<\/span> Barber\u00e1<\/span> inculc\u00f3<\/span> a su<\/span> hija<\/span> los principios<\/span> firmes<\/span> de la familia<\/span>, la m\u00e1s<\/span> natural de las<\/span> instituciones<\/span>, una<\/span> verdad<\/span> tan f\u00e1cil<\/span> de entender<\/span> como<\/span> constatar<\/span> que<\/span> la mantequilla<\/span> est\u00e1<\/span> hecha<\/span> para<\/span> el pan, o la t\u00f3nica<\/span> para<\/span> la ginebra<\/span>.<\/p>\n

Qui\u00e9n<\/span> le iba<\/span> a decir<\/span> entonces<\/span> que<\/span> por<\/span> culpa de esa<\/span> sagrada<\/span> uni\u00f3<\/span>, acabar\u00eda<\/span> hoy<\/span> en el punto<\/span> de mira<\/span> de sus<\/span> enemigos<\/span> pol\u00edticos<\/span> e incluso<\/span>, c\u00f3mo<\/span> imaginarlo<\/span>, de alg\u00fan<\/span> irresponsable<\/span> juez<\/span>. Obviamente<\/span>, no es<\/span> responsabilidad<\/span> de la familia<\/span> de Rita, por<\/span> supuesto<\/span>, sinovde<\/span> la de Mar\u00eda<\/span> Jos\u00e9<\/span> Alc\u00f3n<\/span><\/strong>, otra<\/span> mujer<\/span> de bien<\/span> que<\/span> tampoco<\/span> se perdi\u00f3<\/span> ninguno<\/span> de las<\/span> pel\u00edculas<\/span> de Mas\u00f3<\/span> y que<\/span> se hubiera<\/span> horrorizado<\/span> con las<\/span> palabras<\/span> de Brando sodomizando<\/span> a la descarriada<\/span> Schneider. Una<\/span> mujer<\/span>, en fin, convencida<\/span> de que<\/span> en los momentos<\/span> dif\u00edciles<\/span> s\u00f3lo<\/span> se puede<\/span> confiar<\/span> en la familia<\/span>. Y a ella<\/span> se dirigi\u00f3<\/span> desorientada<\/span> despu\u00e9s<\/span> de que<\/span> desde<\/span> el partido<\/span> se le pidiera<\/span> jugar<\/span> al birlibirloque<\/span> con billetes<\/span> de 500 euros<\/span>. \u201cHan hecho<\/span> una<\/span> trampa<\/span> en el partido\u2026<\/span> \u00bfNo lo entiendes<\/span>, cari\u00f1o<\/span>?… corrupci\u00f3n<\/span> pol\u00edtica<\/span> total\u201d, le explicaba<\/span> a su<\/span> hijo<\/span> con la entra\u00f1able<\/span> dulzura<\/span> de una<\/span> botiguera<\/span><\/em> del barrio del Carmen disgustada<\/span> porque<\/span> falta<\/span> dinero<\/span> en la caja<\/span>. \u201cEs<\/span> muy<\/span> gordo<\/span> todo\u201d<\/span>, le contar\u00eda<\/span> a su<\/span> buena<\/span> hermana<\/span> que<\/span> siempre<\/span> estuvo<\/span> a su<\/span> lado<\/span> cuando<\/span> la necesit\u00f3\u2026<\/span><\/p>\n

C\u00f3mo iba a imaginar Rita que estas conversaciones de familia le iban a traer tantos quebraderos de cabeza. Desquiciada anda la pobre, intentando protegerse del injusto dedo acusador de la sospecha, clamando a los cuatro vientos su inocencia, viendo como los suyos reniegan de ella con menos escr\u00fapulos que San Pedro antes de que cantara el gallo. No es extra\u00f1o, pues, que en su desespero, la destronada alcaldesa ande estos d\u00edas enviando mensajes a sus renegados compa\u00f1eros: \u201cCuidado con lo que haces\u201d, \u201cTe has pasado mucho\u201d, \u201cEso se paga\u201d\u2026 Pero estas cosillas pasan hasta en las mejores familias. Tambi\u00e9n lo sabemos por el cine… algunas de estas familias en lugar de SMS son capaces de enviarte hasta una cabeza de caballo a los pies de tu cama.<\/p>","protected":false},"excerpt":{"rendered":"

M\u00e1s all\u00e1 de por alguna que otra invasi\u00f3n, los espa\u00f1oles siempre hemos estado pendientes de la frontera con Francia fundamentalmente por dos motivos: el exilio o la vendimia. Ambos manten\u00edan plena vigencia a principios de los 70, sin embargo una tercera raz\u00f3n vino a sum\u00e1rseles por aquellos a\u00f1os. Se trataba […]<\/p>\n","protected":false},"author":325,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72],"tags":[],"class_list":["post-8884","post","type-post","status-publish","format-standard","hentry","category-opinion"],"yoast_head":"\nRita, la familia y la mantequilla - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/rita-la-familia-y-la-mantequilla\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rita, la familia y la mantequilla - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"M\u00e1s all\u00e1 de por alguna que otra invasi\u00f3n, los espa\u00f1oles siempre hemos estado pendientes de la frontera con Francia fundamentalmente por dos motivos: el exilio o la vendimia. Ambos manten\u00edan plena vigencia a principios de los 70, sin embargo una tercera raz\u00f3n vino a sum\u00e1rseles por aquellos a\u00f1os. 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