{"id":8792,"date":"2016-02-20T07:26:19","date_gmt":"2016-02-20T07:26:19","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-trompeta-de-maalouf-brillo-en-el-paralmlel\/"},"modified":"2022-10-22T16:52:12","modified_gmt":"2022-10-22T14:52:12","slug":"la-trompeta-de-maalouf-brillo-en-el-paralmlel","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-trompeta-de-maalouf-brillo-en-el-paralmlel\/","title":{"rendered":"La trompeta de Maalouf brill\u00f3 en el Paral\u00b7lel"},"content":{"rendered":"

Ibrahim Maalouf ha debutado este jueves en Barcelona<\/a> con su homenaje a la famosa cantante egipcia, Um Kalthum, en clave de jazz neoyorquino. El trompetista franco-liban\u00e9s deslumbr\u00f3, junto a una banda impecable, a una platea que desde hace tiempo esperaba su escala en la Ciudad condal.<\/p>\n

\"alt\"<\/strong><\/p>\n

Ibrahim Maalouf<\/span> es<\/span> el \u00fanico<\/span> trompetista<\/span> del mundo<\/span> que<\/span> interpreta<\/span> m\u00fasica<\/span> \u00e1rabe<\/span> con una<\/span> trompeta<\/span> especialmente<\/span> dise\u00f1ada<\/span> para<\/span> los makams<\/span>, antigua<\/span> m\u00fasica<\/span> tradicional<\/span> de Medio<\/span> Oriente<\/span>. Y es<\/span> que<\/span> la trompeta<\/span> llamada<\/span> de \u201ccuartos<\/span> de tono\u201d<\/span>– inventada<\/span> por<\/span> su<\/span> padre, tambi\u00e9n<\/span> c\u00e9lebre<\/span> m\u00fasico<\/span>, en los a\u00f1os<\/span> sesenta<\/span>– es<\/span> el instrumento<\/span> exacto<\/span> para<\/span> quien<\/span>, como<\/span> Maalouf<\/span>, busca<\/span> en el sonido<\/span> el cruce<\/span> de culturas<\/span>. Su larga<\/span> carrera<\/span> en el \u00e1mbito<\/span> cl\u00e1sico<\/span>, su<\/span> pasi\u00f3n<\/span> por<\/span> el jazz, sus<\/span> ra\u00edces<\/span> \u00e1rabes<\/span> y su<\/span> natural curiosidad<\/span> por<\/span> los estilos<\/span> m\u00e1s<\/span> modernos<\/span> llevan<\/span> a este<\/span> artista<\/span> franco-liban\u00e9s<\/span> a una<\/span> particular fusi\u00f3n<\/span> que<\/span> solo acepta<\/span> como<\/span> regla<\/span> la intuici\u00f3n<\/span> y la maestr\u00eda<\/span>.<\/p>\n

As\u00ed<\/span> lo ha demostrado<\/span> este<\/span> jueves<\/span> en su<\/span> debut en Barcelona, con un concierto<\/span> de casi<\/span> dos horas<\/span> en el Teatro<\/span> Apolo<\/span> que<\/span> ha emocionado<\/span> al ecl\u00e9ctico<\/span> auditorio<\/span>. Dentro<\/span> del Festival Mil\u00b7llenni<\/span>, Maalouf<\/span>\u00a0 ha presentado<\/span> su<\/span> \u00faltimo<\/span> \u00e1lbum<\/span> ‘Kalthoum<\/span>‘, un tributo<\/span> a la diva egipcia Um<\/span> Kalthum<\/span> con el que<\/span> logr\u00f3<\/span> derribar<\/span> otra<\/span> barrera<\/span>, la que<\/span> podr\u00eda<\/span> separar<\/span> a los cl\u00e1sicos<\/span> de la m\u00fasica<\/span><\/a> \u00e1rabe<\/span> del jazz neoyorquino<\/span>. Nada es<\/span> imposible<\/span> para<\/span> este<\/span> artista<\/span>, al menos<\/span> en el campo<\/span> de las<\/span> composiciones<\/span>. Maalouf<\/span> ha recreado<\/span> uno<\/span> de los mayores<\/span> \u00e9xitos<\/span> de la gran<\/span> cantante<\/span> egipcia<\/span>, la suite ‘Alf<\/span> leila<\/span> wa<\/span> leila<\/span>‘, en clave<\/span> de jazz moderno<\/span>, idea que<\/span>, seg\u00fan<\/span> \u00e9l<\/span> mismo<\/span> confes\u00f3<\/span> durante<\/span> el concierto<\/span>, escandaliz\u00f3<\/span> incluso<\/span> a algunos<\/span> miembros<\/span> de su<\/span> familia<\/span>.<\/p>\n

Pero<\/span> cualquier<\/span> prejuicio<\/span> se acalla<\/span> cuando<\/span> comienza<\/span> a sonar la trompeta<\/span> entre<\/span> sus<\/span> dedos<\/span>. El virtuosismo<\/span> con el que<\/span> tanto<\/span> Maalouf<\/span> como<\/span> su<\/span> banda<\/span>– entre<\/span> los cuales<\/span> est\u00e1n<\/span> el bater\u00eda<\/span> Clarence Penn y el pianista<\/span> Frank Woeste<\/span>, unos<\/span> de los mejores<\/span> int\u00e9rpretes<\/span> de Nueva<\/span> York- tocaron<\/span> esta<\/span> pieza<\/span> m\u00edtica<\/span> de la m\u00fasica<\/span> egipcia,<\/span> a nadie<\/span> hizo<\/span> pensar<\/span> en escuelas<\/span> o banderas<\/span>. El p\u00fablico<\/span>, con cada<\/span> nota m\u00e1s<\/span> entregado<\/span>, acab\u00f3<\/span> aplaudiendo<\/span> en\u00e9rgicamente<\/span> al ritmo<\/span> de las<\/span> melod\u00edas<\/span> e, incluso<\/span>, participando<\/span> de una<\/span> creaci\u00f3n<\/span> colectiva<\/span> al final de la velada<\/span>.<\/p>\n

Tanto<\/span> al inicio<\/span> como<\/span> al cierre<\/span> de la actuaci\u00f3n<\/span>, Maalouf<\/span> invit\u00f3<\/span> a un m\u00fasico<\/span> de origen<\/span> sirio<\/span> al escenario<\/span> para<\/span> que<\/span> la m\u00fasica<\/span> cl\u00e1sica<\/span> \u00e1rabe<\/span> tambi\u00e9n<\/span> estuviera<\/span> presente<\/span> en toda<\/span> su<\/span> pureza<\/span>. Antes de arrancar<\/span> con el \u201cPrimer movimiento\u201d<\/span> de su<\/span> sinfon\u00eda-homenaje<\/span> a Um Kalthum<\/span>, los espectadores<\/span> pudieron<\/span> disfrutar<\/span> de la versi\u00f3n<\/span> original de la famosa<\/span> cantante<\/span> y tras<\/span> su<\/span> primer bis<\/span> el trompetista<\/span> volvi\u00f3<\/span> a convocar<\/span> al laudista<\/span> para<\/span> interpretar<\/span>, esta<\/span> vez<\/span>, al gran<\/span> mito<\/span> de la canci\u00f3n<\/span> libanesa<\/span>, Fairouz<\/span>.<\/p>\n

Sin escenograf\u00eda<\/span>, sin vestuarios<\/span> ni<\/span> luces<\/span> especiales<\/span>, sin ning\u00fan<\/span> efectismo<\/span> en la puesta<\/span> en escena<\/span>, el concierto<\/span> de Maalouf<\/span> y su<\/span> banda<\/span> hipnotiz\u00f3<\/span> a la platea<\/span> desde<\/span> el primer hasta<\/span> el \u00faltimo<\/span> minuto<\/span>. No hac\u00eda<\/span> falta<\/span> m\u00e1s<\/span>, nadie<\/span> ech\u00f3<\/span> de menos<\/span> las<\/span> lentejuelas<\/span>. Brill\u00f3<\/span> la m\u00fasica<\/span>, brill\u00f3<\/span> el humor, brill\u00f3<\/span> el respeto<\/span> y el arduo<\/span> trabajo<\/span> que<\/span> se sinti\u00f3<\/span> detr\u00e1s<\/span> de cada<\/span> melod\u00eda<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Ibrahim Maalouf ha debutado este jueves en Barcelona con su homenaje a la famosa cantante egipcia, Um Kalthum, en clave de jazz neoyorquino. El trompetista franco-liban\u00e9s deslumbr\u00f3, junto a una banda impecable, a una platea que desde hace tiempo esperaba su escala en la Ciudad condal. Ibrahim Maalouf es el […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":["post-8792","post","type-post","status-publish","format-standard","hentry","category-musica"],"yoast_head":"\nLa trompeta de Maalouf brill\u00f3 en el Paral\u00b7lel - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-trompeta-de-maalouf-brillo-en-el-paralmlel\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La trompeta de Maalouf brill\u00f3 en el Paral\u00b7lel - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Ibrahim Maalouf ha debutado este jueves en Barcelona con su homenaje a la famosa cantante egipcia, Um Kalthum, en clave de jazz neoyorquino. 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