{"id":8659,"date":"2016-01-16T04:55:33","date_gmt":"2016-01-16T04:55:33","guid":{"rendered":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/"},"modified":"2021-04-10T18:05:11","modified_gmt":"2021-04-10T16:05:11","slug":"eisenstein-en-guanajuato","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/eisenstein-en-guanajuato\/","title":{"rendered":"Eisenstein en Guanajuato"},"content":{"rendered":"

Sinopsis<\/span> de la distribuidora<\/span>:<\/em><\/strong><\/p>\n

Eisenstein<\/span> in Guanajuato<\/span> cuenta<\/span> el viaje<\/span> que<\/span> realiza<\/span> a M\u00e9xico<\/span> Serg\u00e9i<\/span> Eisenstein<\/span> a los 33 a\u00f1os<\/span> en 1931 para<\/span> rodar<\/span> su<\/span> pel\u00edcula<\/span> \u00a1Que<\/span> viva M\u00e9xico<\/span>! El viaje<\/span> sirve<\/span> a Eisenstein<\/span> para<\/span> poder<\/span> abrirse<\/span> a los dem\u00e1s<\/span> y asumir<\/span> su<\/span> homosexualidad<\/span>, significando<\/span> M\u00e9xico<\/span> un antes y un despu\u00e9s<\/span> en su<\/span> vida<\/span>, tanto<\/span> privada<\/span> como<\/span> cinematogr\u00e1fica<\/span>, afectando<\/span> a partir<\/span> de este<\/span> momento<\/span> a la forma de realizar<\/span> sus<\/span> pel\u00edculas<\/span>. <\/em><\/p>\n

\"alt\"<\/strong><\/p>\n

Del sentido<\/span> del Bi\u00f3pic<\/span>:<\/strong><\/p>\n

Un nuevo<\/span> biopic<\/span> en la saga de \u00faltimos<\/span> biopics<\/span> cinematogr\u00e1ficos<\/span> que<\/span> nos presentan<\/span> esos<\/span> frescos v\u00edvidos<\/span> que<\/span> representan<\/span> las<\/span> vidas<\/span> destacadas<\/span>, donde<\/span> entra<\/span> desde<\/span> la vida<\/span> de Marilyn hasta<\/span> la de Pasolini<\/span>. El inter\u00e9s<\/span> del bi\u00f3pic<\/span> reside obviamente<\/span> en rescatar<\/span> una<\/span> figura<\/span> c\u00e9lebre<\/span> para<\/span> situarla<\/span> en los reflejos<\/span> y pliegues<\/span> del contexto<\/span> de su<\/span> \u00e9poca<\/span> y para<\/span> celebrar<\/span> junto<\/span> a sus<\/span> fans actuales<\/span> las<\/span> maneras<\/span> originales<\/span> y \u00fanicas<\/span> del h\u00e9roe<\/span>\/hero\u00edna<\/span>.<\/p>\n

En el caso<\/span> de Einsenstein<\/span> en Guanajuato<\/span><\/strong> asistimos<\/span> no solo al bi\u00f3pic<\/span> del c\u00e9lebre<\/span> realizador<\/span> ruso<\/span>, sino<\/span> tambi\u00e9n<\/span> a una<\/span> nueva<\/span> apuesta<\/span> del director de cine Peter Greenaway<\/span> que<\/span> logra<\/span> nunca<\/span> dejar<\/span> indiferente<\/span> al espectador<\/span> en sus<\/span> pel\u00edculas<\/span>.<\/p>\n

Los filmes<\/span> de Greenaway<\/span> se vinculan<\/span> con el mundo<\/span> de la tradici\u00f3n<\/span> art\u00edstica<\/span> y culta<\/span> tanto<\/span> por<\/span> lo que<\/span> hacen<\/span> a sus<\/span> historias<\/span> : El contrato<\/span> del dibujante<\/span> (1982); Los libros<\/span> de Prospero<\/span><\/em> (1991); como<\/span> por<\/span> la forma que<\/span> adoptan<\/span>. Este<\/span> sello<\/span> de pertenencia<\/span> a una<\/span> tradici\u00f3n<\/span> culta<\/span> en el marco<\/span> de una<\/span> industria<\/span> como<\/span> la del cine ha significado<\/span> para<\/span> Greenaway<\/span> el entrelazamiento<\/span> de una<\/span> manera<\/span> de hacer<\/span> cine cargada<\/span> y barroca<\/span>, que<\/span> supura<\/span> verbalidad<\/span> en los di\u00e1logos<\/span> y sobrecargada<\/span> de elementos<\/span> kitchs<\/span> que<\/span> se expresan<\/span> muchas<\/span> veces<\/span> en el uso<\/span> del color, en los encuadres<\/span> y en el tratamiento<\/span> digital de las<\/span> im\u00e1genes<\/span>. A mi gusto, en su<\/span> filmograf\u00eda<\/span> destaca<\/span> de The Pillow Book (1996), una<\/span> pel\u00edcula<\/span> donde<\/span> la influencia<\/span> de una<\/span> est\u00e9tica<\/span> de la contenci\u00f3n<\/span> permite<\/span> que<\/span> esta<\/span> bella<\/span> pel\u00edcula<\/span> rodada<\/span> y ambientada<\/span> en Jap\u00f3n<\/span> reluzca<\/span> de manera<\/span> especial y encuentre<\/span> una<\/span> armon\u00eda<\/span> est\u00e9tica<\/span> que<\/span> en muchas<\/span> otras<\/span> he echado<\/span> en falta<\/span>.<\/p>\n

Eisenstein<\/span> + Greenaway<\/span> = quien<\/span> sabe<\/span>.<\/strong><\/p>\n

As\u00ed<\/span> que<\/span> el reclamo<\/span> de Einsenstein<\/span> en Guanajuato<\/span><\/strong> no aplica<\/span> solo a la figura<\/span> del realizador<\/span> ruso<\/span>, sino<\/span> tambi\u00e9n<\/span> a su<\/span> realizador<\/span> ingl\u00e9s<\/span>, y la curiosidad<\/span> que<\/span> nos lleva<\/span> al cine a ver<\/span> esta<\/span> pel\u00edcula<\/span>, es<\/span> ver<\/span> como<\/span> suman<\/span> estas<\/span> dos figuras<\/span>.<\/p>\n

La pel\u00edcula<\/span> comienza<\/span> con una<\/span> voz<\/span> en off que<\/span> a manera<\/span> de documental nos introduce en la figura<\/span> de Einsenstein<\/span> y de su<\/span> viaje<\/span> a M\u00e9xico<\/span> para<\/span> rodar<\/span> esa<\/span> accidentada<\/span> experiencia<\/span> f\u00edlmica<\/span> que<\/span> fue<\/span> \u201cQue<\/span> viva M\u00e9xico\u201d<\/span>. Pero<\/span> inmediatamente<\/span> el documental da<\/span> paso<\/span> la representaci\u00f3n<\/span> actoral<\/span> de Einsenstein<\/span> en manos<\/span> del actor Elmer B\u00e4ck<\/span>, hermoso<\/span> en todos<\/span> sus<\/span> registros<\/span> sobre<\/span> el personaje<\/span>, que<\/span> nos sit\u00faa<\/span> frente<\/span> a un bohemio<\/span>, loco, y art\u00edsticamente<\/span> exc\u00e9ntrico<\/span> Einsenstein<\/span>. De manera<\/span> que<\/span> Greneway<\/span> nos va<\/span> a presentar<\/span> al c\u00e9lebre<\/span> director como<\/span> el cl\u00e1sico<\/span> \u201cgenio\u201d<\/span>, cargado<\/span> de caprichos<\/span>, delirios<\/span> y necesidades<\/span> ocultas<\/span> y descontroladas<\/span> que<\/span> deben<\/span> aflorar<\/span> a la superficie<\/span>.<\/p>\n

Del Einsenstein<\/span> que<\/span> todos<\/span> los alumnos<\/span> de cine conocimos<\/span> por<\/span> los libros<\/span> como<\/span> un obsesivo<\/span> organizador<\/span>, como<\/span> ese<\/span> artista-te\u00f3rico<\/span> que<\/span> escribi\u00f3<\/span> sobre<\/span> el sentido<\/span> del cine, del montaje<\/span>, del color y de la dial\u00e9ctica<\/span> de las<\/span> im\u00e1genes<\/span>, de ese<\/span> Einsenstein<\/span> que<\/span> quer\u00eda<\/span> filmar<\/span> el Capital de Marx mediante<\/span> la puesta<\/span> en pr\u00e1ctica<\/span> de su<\/span> montaje<\/span> conceptual, poco<\/span> queda<\/span> en el film de Greenaway<\/span>. De aquel<\/span> \u201ccient\u00edfico<\/span> del cine\u201d<\/em> que<\/span> a partir<\/span> del sentido<\/span> dial\u00e9ctico<\/span> de la historia<\/span> declaraba<\/span> que<\/span> en el cine el choque<\/span> de un plano<\/span> con el siguiente<\/span> siempre<\/span> genera un nuevo<\/span> concepto<\/span>, de manera<\/span> que<\/span> uno<\/span> mas<\/span> uno<\/span> son tres<\/span>, aqu\u00ed<\/span> no veremos<\/span> nada, o muy<\/span> poco<\/span>. La suma<\/span> de Greenaway<\/span>\u00a0 + Einsenstein<\/span> da<\/span> una<\/span> sumatoria<\/span> bastante<\/span> peculiar y poco<\/span> hist\u00f3rica<\/span>.<\/p>\n

De manera<\/span> que<\/span> Greenaway<\/span> apunta<\/span> hacia<\/span> otro<\/span> lado<\/span> de la historia<\/span>, y ese<\/span> lado<\/span> como<\/span> dec\u00edamos<\/span> es<\/span> el proceso<\/span> creativo<\/span> del genio<\/span>, esa<\/span> habitaci\u00f3n<\/span> desconocida<\/span> que<\/span> a manera<\/span> de inconciente<\/span> oculto<\/span> domina<\/span> la actividad<\/span> y resortes<\/span> del personaje<\/span>.<\/p>\n

En ese<\/span> M\u00e9xico<\/span> de cart\u00f3n<\/span> escenogr\u00e1fico<\/span> que<\/span> nos muestra<\/span> Greenaway<\/span> la mayor\u00eda<\/span> del film se desarrolla<\/span> en una<\/span> habitaci\u00f3n<\/span>, en una<\/span> c\u00e1mara<\/span> obscura<\/span> donde<\/span> el genio<\/span> enfrenta<\/span> el desconocimiento<\/span> absoluto<\/span> de su<\/span> cuerpo<\/span> y de su<\/span> sexualidad<\/span>. La seducci\u00f3n<\/span> a la que<\/span> asiste<\/span> y el reconocimiento<\/span> de su<\/span> sexualidad<\/span> reprimida<\/span>, el deseo<\/span> y el goce<\/span> representan<\/span> esos<\/span> \u201cDiez<\/span> d\u00edas<\/span> que<\/span> cambiaron<\/span> la vida<\/span> de Einsenstein\u201d<\/span><\/em>, subt\u00edtulo<\/span> de la pel\u00edcula<\/span>,\u00a0 en clara<\/span> referencia<\/span> al famoso<\/span> libro<\/span> sobre<\/span> la revoluci\u00f3n<\/span> sovi\u00e9tica<\/span> de \u201cLos diez<\/span> d\u00edas<\/span> que<\/span> cambiaron<\/span> al mundo\u201d<\/span>.<\/em><\/p>\n

De la revoluci\u00f3n<\/span> del sujeto<\/span>:<\/strong><\/p>\n

Greenaway<\/span> gira<\/span> entonces<\/span> la revoluci\u00f3n<\/span> hacia<\/span> dentro<\/span>, hacia<\/span> el sujeto<\/span>, y nos sumerge<\/span> en el \u00e1mbito<\/span> de lo reprimido<\/span> en nuestro<\/span> h\u00e9roe<\/span> sovi\u00e9tico<\/span> quien<\/span> concluye<\/span> la escena<\/span> del desvirgue<\/span> sexual con su<\/span> compa\u00f1ero<\/span> mexicano<\/span> con una<\/span> bandera<\/span> roja<\/span> en el culo<\/span>, a manera<\/span> de pomposa<\/span> cherry girl<\/em> de cabaret. Digamos<\/span> que<\/span> la escena<\/span> ser\u00eda<\/span> poco<\/span> marxista<\/span> a ojos<\/span> de Einsenstein<\/span>.<\/p>\n

As\u00ed<\/span> las<\/span> cosas<\/span>, el Eisenstein<\/span> de Greenaway<\/span> navega<\/span> por<\/span> las<\/span> aguas<\/span> del deseo<\/span> del realizador<\/span> ingl\u00e9s<\/span> m\u00e1s<\/span> que<\/span> por<\/span> las<\/span> del ruso<\/span> y sit\u00faa<\/span> la modernidad<\/span> del cine que<\/span> representaba<\/span> Eisenstein<\/span> a partir<\/span> del montaje<\/span> cinematogr\u00e1fico<\/span>, en el retoque<\/span> digital y en la multipantalla<\/span> que<\/span> tanto<\/span> gusta<\/span> ahora<\/span> a Greenaway<\/span>.<\/p>\n

En la pel\u00edcula<\/span>, Greenaway<\/span> abandona<\/span> toda<\/span> la doctrina<\/span> formal del cine de montaje<\/span> de Einsenstein<\/span> y juega<\/span> con toral<\/span> libertad<\/span> al cine de Abel Gance<\/span>, realizador<\/span> franc\u00e9s<\/span> coet\u00e1neo<\/span> de Einsenstein<\/span> que<\/span> en su<\/span> excepcional<\/span> Napole\u00f3n<\/span> (1925) jugaba<\/span> ya<\/span> con la multipantalla<\/span> partiendo<\/span> en tres<\/span> im\u00e1genes<\/span> la escena<\/span>.<\/p>\n

Mediante<\/span> estos<\/span> juegos<\/span> de imagen<\/span> digital, Greenaway<\/span> nos habla<\/span> de Einsenstein<\/span> utilizando<\/span> im\u00e1genes<\/span> de archivo<\/span> de sus<\/span> grandes<\/span> films \u201cEl Acorazado<\/span> Potemkin\u201d<\/span><\/em> o \u201cOctubre\u201d<\/span><\/em> pero<\/span> en clave<\/span> est\u00e9tica<\/span> h\u00edbrida<\/span>, con im\u00e1genes<\/span> propias<\/span> del barroco<\/span>, el kitch<\/span>, la superposici\u00f3n<\/span> y las<\/span> capas<\/span> de im\u00e1genes<\/span>, formas<\/span> propias<\/span> de la complejidad<\/span> de la imagen<\/span> anti-realista<\/span>, que<\/span> sin duda<\/span> en su<\/span> momento<\/span> Einsenstein<\/span> no cultiv\u00f3<\/span>, pero<\/span> que<\/span> Greenaway<\/span>, en un artificio<\/span> propio<\/span> de un cine cercano<\/span> al video de arte<\/span>, se toma<\/span> la enorme<\/span> y fruct\u00edfera<\/span> libertad<\/span> de utilizar<\/span>. As\u00ed<\/span> que<\/span> nadie<\/span> como<\/span> Greenaway<\/span> para<\/span> poder<\/span> utilizar<\/span> esta<\/span> est\u00e9tica<\/span> de la complejidad<\/span> en la imagen<\/span> pudiendo<\/span> construir<\/span> a\u00fan<\/span> un cine que<\/span> en su<\/span> narrativa<\/span>, car\u00e1cter<\/span> y propuesta<\/span> pueda<\/span> a\u00fan<\/span> pertenecer<\/span> y distribuirse<\/span> en \u00e1mbito<\/span> de la industria<\/span> cinematogr\u00e1fica<\/span>.<\/p>\n

La intenci\u00f3n<\/span> did\u00e1ctica<\/span> planea<\/span> a ratos<\/span> en la atm\u00f3sfera<\/span> de la pel\u00edcula<\/span>, donde<\/span> la presentaci\u00f3n<\/span> del cine de Einsenstein<\/span> se realiza<\/span> a partir<\/span> de la proyecci\u00f3n<\/span> del material de archivo<\/span> como<\/span> fondo<\/span> de una<\/span> orquesta<\/span> sinf\u00f3nica<\/span> ejecutando<\/span> en una<\/span> sala<\/span> el Ballet de Romeo y Julieta<\/span> de Prok\u00f3fiev<\/span>, m\u00fasico<\/span> que<\/span> trabaj\u00f3<\/span> estrechamente<\/span> con Eisenstein<\/span>, en una<\/span> apuesta<\/span> de una<\/span> belleza<\/span> enorme<\/span>.<\/p>\n

De manera<\/span> que<\/span> por<\/span> momentos<\/span> la pel\u00edcula<\/span> provoca<\/span> enorme<\/span> gozo<\/span> en sus<\/span> encuentros<\/span> y propuestas<\/span> formales<\/span>, y en otras<\/span> cansa<\/span> por<\/span> la sobre<\/span> carga<\/span> de sus<\/span> propuestas<\/span> formales<\/span>, pero<\/span> en esas<\/span> estamos<\/span>, para<\/span> Greenaway<\/span> un artista<\/span> es<\/span> aquel<\/span> que<\/span> no deja<\/span> indiferente<\/span> a nadie<\/span>. Tengan<\/span> por<\/span> seguro<\/span> que<\/span> en esta<\/span> pel\u00edcula<\/span> tambi\u00e9n<\/span> suceder\u00e1<\/span>.<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Sinopsis de la distribuidora: Eisenstein in Guanajuato cuenta el viaje que realiza a M\u00e9xico Serg\u00e9i Eisenstein a los 33 a\u00f1os en 1931 para rodar su pel\u00edcula \u00a1Que viva M\u00e9xico! El viaje sirve a Eisenstein para poder abrirse a los dem\u00e1s y asumir su homosexualidad, significando M\u00e9xico un antes y un […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8659","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nEisenstein en Guanajuato - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/eisenstein-en-guanajuato\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eisenstein en Guanajuato - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Sinopsis de la distribuidora: Eisenstein in Guanajuato cuenta el viaje que realiza a M\u00e9xico Serg\u00e9i Eisenstein a los 33 a\u00f1os en 1931 para rodar su pel\u00edcula \u00a1Que viva M\u00e9xico! El viaje sirve a Eisenstein para poder abrirse a los dem\u00e1s y asumir su homosexualidad, significando M\u00e9xico un antes y un […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/eisenstein-en-guanajuato\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/revistarambla\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-16T04:55:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-10T16:05:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla01.jpg?fit=682%2C468&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"468\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"R@mbla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"R@mbla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/\"},\"author\":{\"name\":\"R@mbla\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\"},\"headline\":\"Eisenstein en Guanajuato\",\"datePublished\":\"2016-01-16T04:55:33+00:00\",\"dateModified\":\"2021-04-10T16:05:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/\"},\"wordCount\":1244,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/Guanajuato_revRambla02.jpg\",\"articleSection\":[\"Cine & Series\",\"Cultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/\",\"name\":\"Eisenstein en Guanajuato - Revista Rambla\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/Guanajuato_revRambla02.jpg\",\"datePublished\":\"2016-01-16T04:55:33+00:00\",\"dateModified\":\"2021-04-10T16:05:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/Guanajuato_revRambla02.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/Guanajuato_revRambla02.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/eisenstein-en-guanajuato\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.revistarambla.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Eisenstein en Guanajuato\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"name\":\"Revista Rambla Barcelona\",\"description\":\"Periodismo independiente\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revistarambla.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\",\"name\":\"Revista Rambla\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"width\":1900,\"height\":600,\"caption\":\"Revista Rambla\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/revistarambla\\\/\",\"https:\\\/\\\/x.com\\\/revistarambla\",\"https:\\\/\\\/www.instagram.com\\\/revista_rambla\",\"https:\\\/\\\/es.linkedin.com\\\/company\\\/revista-rambla\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\",\"name\":\"R@mbla\",\"description\":\"Este art\u00edculo ha sido redactado y\\\/o validado por el equipo de redacci\u00f3n de Revista Rambla.\",\"sameAs\":[\"https:\\\/\\\/www.revistarambla.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/revistarambla\",\"https:\\\/\\\/x.com\\\/revistarambla\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Eisenstein en Guanajuato - Revista Rambla","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revistarambla.com\/en\/eisenstein-en-guanajuato\/","og_locale":"en_GB","og_type":"article","og_title":"Eisenstein en Guanajuato - Revista Rambla","og_description":"Sinopsis de la distribuidora: Eisenstein in Guanajuato cuenta el viaje que realiza a M\u00e9xico Serg\u00e9i Eisenstein a los 33 a\u00f1os en 1931 para rodar su pel\u00edcula \u00a1Que viva M\u00e9xico! El viaje sirve a Eisenstein para poder abrirse a los dem\u00e1s y asumir su homosexualidad, significando M\u00e9xico un antes y un […]","og_url":"https:\/\/www.revistarambla.com\/en\/eisenstein-en-guanajuato\/","og_site_name":"Revista Rambla","article_publisher":"https:\/\/www.facebook.com\/revistarambla\/","article_author":"https:\/\/www.facebook.com\/revistarambla","article_published_time":"2016-01-16T04:55:33+00:00","article_modified_time":"2021-04-10T16:05:11+00:00","og_image":[{"width":682,"height":468,"url":"https:\/\/i0.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla01.jpg?fit=682%2C468&ssl=1","type":"image\/jpeg"}],"author":"R@mbla","twitter_card":"summary_large_image","twitter_creator":"@revistarambla","twitter_site":"@revistarambla","twitter_misc":{"Written by":"R@mbla","Estimated reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#article","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/"},"author":{"name":"R@mbla","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c"},"headline":"Eisenstein en Guanajuato","datePublished":"2016-01-16T04:55:33+00:00","dateModified":"2021-04-10T16:05:11+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/"},"wordCount":1244,"commentCount":0,"publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"image":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla02.jpg","articleSection":["Cine & Series","Cultura"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/","url":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/","name":"Eisenstein en Guanajuato - Revista Rambla","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#primaryimage"},"image":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla02.jpg","datePublished":"2016-01-16T04:55:33+00:00","dateModified":"2021-04-10T16:05:11+00:00","breadcrumb":{"@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#primaryimage","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla02.jpg","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/01\/Guanajuato_revRambla02.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revistarambla.com\/eisenstein-en-guanajuato\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.revistarambla.com\/"},{"@type":"ListItem","position":2,"name":"Eisenstein en Guanajuato"}]},{"@type":"WebSite","@id":"https:\/\/www.revistarambla.com\/#website","url":"https:\/\/www.revistarambla.com\/","name":"Revista Rambla Barcelona","description":"Periodismo independiente","publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revistarambla.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.revistarambla.com\/#organization","name":"Revista Rambla","url":"https:\/\/www.revistarambla.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","width":1900,"height":600,"caption":"Revista Rambla"},"image":{"@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revistarambla\/","https:\/\/x.com\/revistarambla","https:\/\/www.instagram.com\/revista_rambla","https:\/\/es.linkedin.com\/company\/revista-rambla"]},{"@type":"Person","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c","name":"R@mbla","description":"Este art\u00edculo ha sido redactado y\/o validado por el equipo de redacci\u00f3n de Revista Rambla.","sameAs":["https:\/\/www.revistarambla.com\/","https:\/\/www.facebook.com\/revistarambla","https:\/\/x.com\/revistarambla"]}]}},"_links":{"self":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/8659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/comments?post=8659"}],"version-history":[{"count":0,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/8659\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/media?parent=8659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/categories?post=8659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/tags?post=8659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}