{"id":8580,"date":"2015-12-30T06:17:48","date_gmt":"2015-12-30T06:17:48","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-academia-de-las-musas-jose-luis-guerin\/"},"modified":"2021-04-10T18:42:47","modified_gmt":"2021-04-10T16:42:47","slug":"la-academia-de-las-musas-jose-luis-guerin","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-academia-de-las-musas-jose-luis-guerin\/","title":{"rendered":"‘La Academia de las Musas’ de Jos\u00e9 Luis Guerin"},"content":{"rendered":"

\"alt\"<\/p>\n

Sinopsis<\/span><\/em><\/strong>: Al terminar sus clases, el profesor es cuestionado por su esposa, recelosa del proyecto acad\u00e9mico que est\u00e1 tramando: una \u00abacademia de las musas\u00bb que, inspirada en referentes cl\u00e1sicos, deber\u00eda servir para regenerar el mundo a trav\u00e9s del compromiso con la poes\u00eda. El controvertido prop\u00f3sito desencadena una ronda de escenas en torno a la palabra y el deseo.<\/em><\/p>\n

La \u00faltima<\/span> pel\u00edcula<\/span> de JL<\/span> Guer\u00edn<\/span> es<\/span> una<\/span> maravilla<\/span>, o mejor<\/span> dicho<\/span>, un milagro<\/span>, y esto<\/span> se debe<\/span> a que<\/span> es<\/span> una<\/span> pel\u00edcula<\/span> que<\/span> se construye<\/span> a partir<\/span> del encuentro<\/span> fortuito<\/span> entre<\/span> un personaje<\/span> que<\/span> ama<\/span> la poes\u00eda<\/span> y otro<\/span> que<\/span> ama<\/span> el cine. De este<\/span> encuentro<\/span> azaroso<\/span> pero<\/span> sin duda<\/span> buscado<\/span>, resulta<\/span> un nuevo<\/span> trabajo<\/span> de Guer\u00edn<\/span> que<\/span> logra<\/span> aunar<\/span> las<\/span> tendencias<\/span> formales<\/span> de su<\/span> \u00faltimo<\/span> cine con la b\u00fasqueda<\/span> de una<\/span> po\u00e9tica<\/span> de lo bello<\/span> que<\/span> forma parte<\/span> de la impronta<\/span> de sus<\/span> pel\u00edculas<\/span>.<\/p>\n

En ese<\/span> encuentro<\/span> con lo bello<\/span> el espectador<\/span> recoge<\/span> y participa<\/span> de un mundo<\/span> donde<\/span> la palabra<\/span> expande<\/span> un mundo<\/span> de sensaciones<\/span> y sentires<\/span>, donde<\/span> poes\u00eda<\/span> y literatura<\/span> son capaces<\/span> de configurar<\/span> nuestra<\/span> sensibilidad<\/span> y saber y donde<\/span> aquello<\/span> rom\u00e1ntico-sexual-amoroso<\/span> que<\/span> acompa\u00f1a<\/span> la narrativa<\/span> del cine (una<\/span> pistola<\/span> y una<\/span> mujer<\/span>, seg\u00fan<\/span> el acervo<\/span> cl\u00e1sico<\/span>) nos permite<\/span> vivir<\/span> una<\/span> experiencia<\/span> cinematogr\u00e1fica<\/span> de primer orden<\/span>.<\/p>\n

La academia de las<\/span> <\/strong>musas<\/strong>se<\/span> acerca<\/span> en este<\/span> sentido<\/span> a ese<\/span> cine, que<\/span> con base en la mitolog\u00eda<\/span> griega<\/span> y el teatro<\/span> cl\u00e1sico<\/span>, es<\/span> capaz<\/span> de sugerir<\/span> un abanico<\/span> de las<\/span> emociones<\/span> que<\/span> nos gobiernan<\/span> y nos con-mueven<\/span>, aunque<\/span> en esta<\/span> pel\u00edcula<\/span> no hay teatro<\/span>, sino<\/span> relato<\/span> sobre<\/span> el teatro<\/span> y sobre<\/span> la etimolog\u00eda<\/span> de las<\/span> emociones<\/span>.<\/p>\n

La pel\u00edcula<\/span> se construye<\/span> a partir<\/span> de las<\/span> clases<\/span> de un profesor<\/span> de filolog\u00eda<\/span> que<\/span> relata<\/span> y analiza<\/span> el sentir<\/span> de los cl\u00e1sicos<\/span> sobre<\/span> las<\/span> emociones<\/span> que<\/span> forman<\/span> la base de nuestra<\/span> cultura<\/span>, y ese<\/span> relato<\/span> did\u00e1ctico<\/span> de la poes\u00eda<\/span> toma<\/span> paulatinamente<\/span> cuerpo<\/span> en la ficci\u00f3n<\/span> que<\/span> construye<\/span> Guer\u00edn<\/span>, donde<\/span> los protagonistas<\/span> de la historia<\/span> son a su<\/span> vez<\/span> vividos<\/span> por<\/span> la emoci\u00f3n<\/span> y el deseo<\/span>. En este<\/span> juego<\/span> de distintos<\/span> narradores<\/span> \u2013el profesor<\/span> y el director de la pel\u00edcula<\/span>– el espectador<\/span> asiste<\/span> tanto<\/span> a las<\/span> clases<\/span> del profesor<\/span>, reflexionando<\/span>, interiorizando<\/span> la belleza<\/span> de esos<\/span> textos<\/span>, a la vez<\/span> que<\/span> somos<\/span> capaces<\/span> de transitar<\/span> las<\/span> vivencias<\/span> de los actores<\/span> que<\/span> crean<\/span> el film. En este<\/span> juego<\/span> de reflexiones<\/span> y sentires<\/span> Guer\u00edn<\/span> est\u00e1<\/span> mucho<\/span> m\u00e1s<\/span> cerca<\/span> esta<\/span> vez<\/span> del \u00faltimo<\/span> Woody Allen que<\/span> de la \u201cnovelle<\/span> vague francesa\u201d<\/span>, y eso<\/span>, desde<\/span> mi punto<\/span> de vista se agradece<\/span>. Si en otras<\/span> pel\u00edculas<\/span> Guer\u00edn<\/span> intentaba<\/span> plasmar<\/span> su<\/span> esp\u00edritu<\/span> rom\u00e1ntico<\/span> a la manera<\/span> del cin\u00e9filo<\/span> adolescente<\/span> que<\/span> ama<\/span> a las<\/span> mujeres a la manera<\/span> del parisino<\/span> de los a\u00f1os<\/span> 60, en La academia de las<\/span> musas<\/span><\/strong> encuentra<\/span> en el discurso<\/span> del profesor<\/span> y en el clasicismo<\/span>, una<\/span> nueva<\/span> mirada<\/span> que<\/span> ampl\u00eda<\/span> el abanico<\/span> y la profundidad<\/span> del deseo<\/span> en los personajes<\/span> que<\/span> describe y que<\/span> habitan<\/span> su<\/span> cine.<\/p>\n

El autor<\/span> como<\/span> productor<\/span>.<\/strong><\/p>\n

Debemos<\/span> adem\u00e1s<\/span> entender<\/span> esta<\/span> pel\u00edcula<\/span> de Guer\u00edn<\/span> como<\/span> la consecuci\u00f3n<\/span> de una<\/span> b\u00fasqueda<\/span> en una<\/span> manera<\/span> de hacer<\/span> cine hoy<\/span> d\u00eda<\/span><\/em>, y donde<\/span> la apuesta<\/span> por<\/span> la austeridad<\/span>, por<\/span> la creaci\u00f3n<\/span> de un cine fuera<\/span> de la industria<\/span> y de sus<\/span> m\u00e9todos<\/span>, es<\/span> de una<\/span> radicalidad<\/span> absoluta<\/span>. Radicalidad<\/span> no quiere<\/span> decir<\/span> en este<\/span> caso<\/span> experimentaci\u00f3n<\/span> desenfrenada<\/span>, todo<\/span> lo contrario<\/span>, se trata<\/span> de una<\/span> de las<\/span> pel\u00edculas<\/span> con m\u00e1s<\/span> amor por<\/span> lo cl\u00e1sico<\/span> que<\/span> podemos<\/span> ver<\/span> hoy<\/span> d\u00eda<\/span> en cartelera<\/span>. Por<\/span> lo cl\u00e1sico<\/span> en la construcci\u00f3n<\/span> de una<\/span> narrativa<\/span> cinematogr\u00e1fica<\/span> y por<\/span> el clasicismo<\/span> como<\/span> base cultural, amor por<\/span> la lectura<\/span> y por<\/span> lo que<\/span> esta<\/span> es<\/span> capaz<\/span> de gestar<\/span> en cuanto<\/span> a un imaginario<\/span> sensible.<\/p>\n

Radical en que<\/span> la pel\u00edcula<\/span> reconoce<\/span> sus<\/span> estrecheces<\/span> de producci\u00f3n<\/span> y necesita<\/span> entonces<\/span> buscar<\/span> una<\/span> forma que<\/span> le sea propia<\/span>, que<\/span> sirva<\/span> para<\/span> vehicular la historia<\/span> que<\/span> nos quiere<\/span> contar<\/span>. Aparecen<\/span> en pantalla<\/span> as\u00ed<\/span>, inter-t\u00edtulos<\/span> a la manera<\/span> del cine mudo<\/span>, fotogramas<\/span> en negro<\/span> que<\/span> cortan<\/span> un di\u00e1logo<\/span>, saltos<\/span> en el tiempo<\/span>, efectos<\/span> todos<\/span> que<\/span> no disturban<\/span> el relato<\/span>, sino<\/span> que<\/span> se hacen<\/span> necesarios<\/span> y que<\/span> dan<\/span> una<\/span> idea de producto<\/span> amateur que<\/span> le va<\/span> muy<\/span> bien<\/span> a la pel\u00edcula<\/span>.<\/p>\n

Son detalles<\/span> y maneras<\/span> del cine que<\/span> podemos<\/span> observar<\/span> desde<\/span> que<\/span> el cine digital ha permitido<\/span> grabar<\/span> a bajos<\/span> costes<\/span>, son formas<\/span> que<\/span> vemos<\/span> continuamente<\/span> en el documental. Lo interesante<\/span> en Guer\u00edn<\/span> es<\/span> que<\/span> con estos<\/span> medios<\/span> y una<\/span> forma propia<\/span> del documental construye<\/span> una<\/span> ficci\u00f3n<\/span> que<\/span> es<\/span> capaz<\/span> de llevar<\/span> aquello<\/span> que<\/span> se encuentra<\/span> en la calle<\/span> (en este<\/span> caso<\/span> en la universidad<\/span>), a la dimensi\u00f3n<\/span> del teatro<\/span> f\u00edlmico<\/span>.<\/p>\n

Radical tambi\u00e9n<\/span> en el sentido<\/span> que<\/span> Guer\u00edn<\/span> y su<\/span> peque\u00f1o<\/span> equipo<\/span> asumen<\/span> la producci\u00f3n<\/span>, post-producci\u00f3n<\/span> y distribuci\u00f3n<\/span> de su<\/span> pel\u00edcula<\/span>, saliendo<\/span> del camino<\/span> de las<\/span> corporaciones<\/span> y el entramado<\/span> industrial, para<\/span> entrar<\/span> en el complejo<\/span> y agraciado<\/span> mundo<\/span> de la auto-gesti\u00f3n<\/span>.<\/p>\n

En este<\/span> sentido<\/span> es<\/span> que<\/span> la posici\u00f3n<\/span> del \u201cautor<\/span> como<\/span> productor<\/span> \u201cadquiere<\/span> su<\/span> m\u00e1xima<\/span> responsabilidad<\/span>, asumiendo<\/span> su<\/span> forma, sus<\/span> posibilidades<\/span>, su<\/span> manera<\/span> de negarse<\/span> a trabajar<\/span> en aquello<\/span> que<\/span> la industria<\/span> considera<\/span> como<\/span> cine, pero<\/span> que<\/span> sin duda<\/span> cierra<\/span> puertas<\/span> a todo<\/span> un universo<\/span> de gente<\/span> de cine dispuesta<\/span> a mostrar<\/span> y hacer<\/span> vivir<\/span>. En ese<\/span> sentido<\/span> Guer\u00edn<\/span> se posiciona<\/span> y lo hace<\/span> francamente<\/span> bien<\/span>.<\/p>\n

Estreno<\/span>: 1 de enero<\/span> de 2016<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Sinopsis: Al terminar sus clases, el profesor es cuestionado por su esposa, recelosa del proyecto acad\u00e9mico que est\u00e1 tramando: una \u00abacademia de las musas\u00bb que, inspirada en referentes cl\u00e1sicos, deber\u00eda servir para regenerar el mundo a trav\u00e9s del compromiso con la poes\u00eda. El controvertido prop\u00f3sito desencadena una ronda de escenas […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8580","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\n'La Academia de las Musas' de Jos\u00e9 Luis Guerin - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-academia-de-las-musas-jose-luis-guerin\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'La Academia de las Musas' de Jos\u00e9 Luis Guerin - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Sinopsis: Al terminar sus clases, el profesor es cuestionado por su esposa, recelosa del proyecto acad\u00e9mico que est\u00e1 tramando: una \u00abacademia de las musas\u00bb que, inspirada en referentes cl\u00e1sicos, deber\u00eda servir para regenerar el mundo a trav\u00e9s del compromiso con la poes\u00eda. 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