{"id":8527,"date":"2015-12-18T10:04:34","date_gmt":"2015-12-18T10:04:34","guid":{"rendered":"https:\/\/www.revistarambla.com\/techo-y-comida-juan-miguel-del-castillo-2015\/"},"modified":"2021-04-10T19:07:12","modified_gmt":"2021-04-10T17:07:12","slug":"techo-y-comida-juan-miguel-del-castillo-2015","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/techo-y-comida-juan-miguel-del-castillo-2015\/","title":{"rendered":"‘Techo y comida’ de Juan Miguel del Castillo"},"content":{"rendered":"

Ya no puedes dormir, te has olvidado del hambre que pasas y del fr\u00edo del invierno, pero de los nervios, de la angustia, del aire que no te llega a los pulmones no te puedes olvidar porque te obligan a incorporarte de la cama para no ahogarte. Roc\u00edo es una joven de apenas 25 a\u00f1os, con un hijo a cuestas, sin pareja, sin trabajo, sin formaci\u00f3n, sin dinero, que debe 4 \u00f3 5 meses de alquiler de la vivienda de la que, antes o despu\u00e9s ser\u00e1 desahuciada. Para Roc\u00edo los d\u00edas se hacen muy largos estirando los pocos euros que lleva encima para conseguir algo de comida para su hijo, para aparentar cierta normalidad que la va consumiendo por dentro, pero si los d\u00edas son largos las noches son eternas, en la oscuridad del dormitorio el silencio se transforma en monstruos imposibles de vencer. El hambre, la miseria, la fatiga, un futuro sin posibilidades son sus compa\u00f1eros.<\/p>\n

\"alt\"<\/p>\n

Casualmente<\/span>\u00a0 o no, esta<\/span> pel\u00edcula<\/span> se estrena<\/span> en el momento<\/span> m\u00e1s<\/span> indicado<\/span>, en plena campa\u00f1a<\/span> electoral. Ya<\/span> sabemos<\/span> que<\/span> no se va<\/span> a proyectar<\/span> en cine de barrio, que<\/span> la cultura<\/span> hace<\/span> tiempo<\/span> que<\/span> dej\u00f3<\/span> de servir<\/span> para<\/span> remover conciencias<\/span>, cambiar<\/span> votos<\/span>, crear<\/span> corrientes<\/span> de opini\u00f3n<\/span>. Ahora<\/span> lo que<\/span> se lleva<\/span> es<\/span> el slogan, el mercadeo<\/span> de votos<\/span>, las<\/span> frases<\/span> hechas<\/span> cuanto<\/span> m\u00e1s<\/span> huecas<\/span> y vac\u00edas<\/span> mejor<\/span>, el discurso<\/span> victorioso<\/span> aunque<\/span> tras<\/span> la puerta<\/span> lo que<\/span> rezuma<\/span> el pa\u00eds<\/span> es<\/span> hambre<\/span>, fr\u00edo<\/span>, paro<\/span>, desprecio<\/span>, recortes<\/span>. Los villanos<\/span> se han<\/span> hecho<\/span> con el poder<\/span> y nos dan<\/span> clases<\/span> de democracia<\/span> sin haber<\/span> le\u00eddo<\/span> el m\u00e1s<\/span> m\u00ednimo<\/span> libro<\/span> de teor\u00eda<\/span> democr\u00e1tica<\/span>, ahora<\/span> reivindican<\/span> como<\/span> sacrosanta<\/span> la constituci\u00f3n<\/span> los mismos<\/span> que<\/span> en su<\/span> momento<\/span> hicieron<\/span> campa\u00f1a<\/span> por<\/span> el no o por<\/span> la abstenci\u00f3n<\/span>.\u00a0 Y por<\/span> el camino<\/span> van quedando<\/span> cad\u00e1veres<\/span>, personas que<\/span> malviven<\/span> con trabajos<\/span> miserables, con sueldos<\/span> ruinosos<\/span>, que<\/span> se desloman<\/span> a trabajar<\/span> para<\/span> permanecer<\/span> anclados<\/span> en la pobreza<\/span>. Y mientras<\/span> todos<\/span> nos dejamos<\/span> manipular<\/span>, las<\/span> televisiones<\/span> dan<\/span> las<\/span> im\u00e1genes<\/span> y las<\/span> frases<\/span> que<\/span> imponen<\/span> los partidos<\/span>, y nadie<\/span> habla<\/span> de sus<\/span> programas<\/span> electorales<\/span>, todo<\/span> se convierte<\/span> en propaganda y reproche<\/span>, pero<\/span> a Roc\u00edo<\/span> no la va<\/span> a convencer<\/span> nadie<\/span> de que<\/span> votando<\/span> se arreglan<\/span> sus<\/span> problemas<\/span>.<\/p>\n

\u201cTecho<\/span> y comida\u201d<\/span> es<\/span> cine ideol\u00f3gico<\/span>, si<\/span>, y cine pol\u00edtico<\/span>, y cine social, algo<\/span> que<\/span> no por<\/span> ello<\/span> determina<\/span> que<\/span> sea cine bueno<\/span>, pero<\/span> lo que<\/span> s\u00ed<\/span> es<\/span>, es<\/span> necesario<\/span>. Acostumbrados<\/span> al apag\u00f3n<\/span> informativo<\/span> hace<\/span> meses<\/span> que<\/span> las<\/span> televisiones<\/span> y peri\u00f3dicos<\/span> amigos se han<\/span> olvidado<\/span> de los parados<\/span> y los pobres<\/span> de este<\/span> pa\u00eds<\/span>, de aquellos<\/span> que<\/span> necesitan<\/span> un verdadero<\/span> rescate<\/span> frente<\/span> al saqueo<\/span> bancario<\/span> e industrial, como<\/span> si<\/span> no existieran<\/span>, aquello<\/span> de lo que<\/span> no se habla<\/span> desaparece<\/span>, y as\u00ed<\/span> ha desaparecido<\/span> B\u00e1rcenas<\/span>, la Gurtel<\/span>, la politizaci\u00f3n<\/span> de los altos organismos<\/span> de la naci\u00f3n<\/span>, Bankia<\/span>, los sobres<\/span> llenos<\/span> de dinero<\/span>, las<\/span> contabilidades<\/span> paralelas<\/span>, la sede<\/span> del partido<\/span> del gobierno<\/span> registrada<\/span> por<\/span> la polic\u00eda<\/span>, el despido<\/span> en diferido<\/span> en forma de simulaci\u00f3n<\/span>. El pa\u00eds<\/span> se ha anestesiado<\/span> a fuerza<\/span> de f\u00fatbol<\/span> y pol\u00edticos<\/span> aparentando<\/span> ser<\/span> personas normales<\/span> haciendo<\/span> el panoli<\/span> en la televisi\u00f3n<\/span> en vez<\/span> de hablar<\/span> de pol\u00edtica<\/span> y de lo que<\/span> piensan<\/span> hacer<\/span>. Hu\u00e9rfanos<\/span> de periodistas<\/span> que<\/span> pregunten<\/span> las<\/span> verdades<\/span> del barquero<\/span> el cine tampoco<\/span> puede<\/span> sacar<\/span> pecho<\/span>, como<\/span> todos<\/span> los dem\u00e1s<\/span> han<\/span> optado<\/span> por<\/span> agachar<\/span> la cabeza<\/span> y hacer<\/span> cine amable<\/span> y mucho<\/span> cine bastardo<\/span>. Si nos alejamos<\/span> del cine de trinchera<\/span>, del cine destinado<\/span> a la autoexhibici\u00f3n<\/span>, del francotirador<\/span>\u00a0 aislado<\/span>, es<\/span> como<\/span> si<\/span> estos<\/span> \u00faltimos<\/span> seis<\/span> a\u00f1os<\/span> el cine espa\u00f1ol<\/span> se hubiera<\/span> alejado<\/span> a\u00fan<\/span>\u00a0 m\u00e1s<\/span> de la realidad<\/span>, como<\/span> si<\/span> el pa\u00eds<\/span> no rodara<\/span> pendiente<\/span> abajo<\/span> aplastando<\/span> a sus<\/span> ciudadanos<\/span>. Por<\/span> eso<\/span> pel\u00edculas<\/span> como<\/span> \u201cTecho<\/span> y comida\u201d<\/span> se vuelven<\/span> imprescindibles<\/span>, m\u00e1s<\/span> por<\/span> su<\/span> rareza<\/span> que<\/span> por<\/span> su<\/span> calidad<\/span> intr\u00ednseca<\/span>.<\/p>\n

Es<\/span> posible<\/span> que<\/span> la pel\u00edcula<\/span> mereciera<\/span> varios<\/span> retoques<\/span>, que<\/span> en vez<\/span> de un particular fuera<\/span> un banco<\/span> arrasado<\/span> por<\/span> los buitres<\/span> el que<\/span> desahuciara<\/span> a nuestra<\/span> protagonista<\/span>, que<\/span> el ni\u00f1o<\/span> no dijera<\/span> cosas<\/span> tan maduras<\/span> y fuera<\/span> m\u00e1s<\/span> ni\u00f1o<\/span>, que<\/span> Roc\u00edo<\/span> (una<\/span> espl\u00e9ndida<\/span> Natalia de Molina) fuera<\/span> menos<\/span> ingenua<\/span>, pero<\/span> cuando<\/span> seguimos<\/span> a Roc\u00edo<\/span> por<\/span> ese<\/span> Jerez<\/span> del a\u00f1o<\/span> 2012 sentimos<\/span> las<\/span> punzadas<\/span> del hambre<\/span> que<\/span> pasa<\/span>, olemos<\/span> la basura<\/span> en la que<\/span> tiene<\/span> que<\/span> rebuscar<\/span> para<\/span> encontrar<\/span> algo<\/span> para<\/span> desayunar<\/span> al d\u00eda<\/span> siguiente<\/span>, nos rebela<\/span> el maltrato<\/span> del miserable que<\/span> por<\/span> cuatro<\/span> perras<\/span> quiere<\/span> explotarla<\/span> mientras<\/span> reparte<\/span> folletos<\/span> de un compro<\/span> oro<\/span>, nos angustia<\/span> pensar<\/span> c\u00f3mo<\/span> no hay una<\/span> instituci\u00f3n<\/span> p\u00fablica<\/span> que<\/span> asuma<\/span> los gastos<\/span> m\u00ednimos<\/span> de luz<\/span>, gas, agua<\/span> para<\/span> que<\/span> una<\/span> familia<\/span> sobreviva<\/span>, c\u00f3mo<\/span> se puede<\/span> tardar<\/span> meses<\/span> en tramitar<\/span> una<\/span> ayuda<\/span> de apenas<\/span> 400 \u20ac para<\/span> que<\/span> quien<\/span> nada tiene<\/span> pueda<\/span> sobrevivir<\/span> con lo b\u00e1sico<\/span>. Por<\/span> eso<\/span> empatizamos<\/span> con Roc\u00edo<\/span>, con su<\/span> cara<\/span> de miedo<\/span> permanente<\/span>, su<\/span> sonrisa<\/span> fr\u00e1gil<\/span> y vol\u00e1til<\/span>, con las<\/span> pocas<\/span> esperanzas<\/span> que<\/span> la quedan<\/span> pese<\/span> a su<\/span> juventud<\/span>, sufrimos<\/span> con la miseria<\/span> moral de un vecindario<\/span> dispuesto<\/span> a herir<\/span> donde<\/span> m\u00e1s<\/span> duele<\/span>, y nos avergonzamos<\/span> de un pa\u00eds<\/span> que<\/span>, muerto<\/span> de hambre<\/span>, se lanza<\/span> a la calle<\/span> a festejar<\/span> un triunfo<\/span> deportivo<\/span> mientras<\/span> sus<\/span> vecinos<\/span> se consumen<\/span> en el sufrimiento<\/span> de sus<\/span> necesidades<\/span> y los pol\u00edticos<\/span> se alegran<\/span> de que<\/span> nadie<\/span> les exija<\/span> ni<\/span> les reconvenga<\/span> nada. Roc\u00edo<\/span> va<\/span> a dejar<\/span> su<\/span> piso<\/span>, pero<\/span> lo que<\/span> no va<\/span> a perder<\/span> son sus<\/span> angustias<\/span>, las<\/span> mismas<\/span> con las<\/span> que<\/span> se mira<\/span> d\u00eda<\/span> a d\u00eda<\/span> en el espejo<\/span> y para<\/span> las<\/span> que<\/span> no tiene<\/span> respuesta<\/span>, y pese<\/span> a ello<\/span> sigue<\/span> creyendo<\/span> que<\/span> con una<\/span> vela, un rosario<\/span> o una<\/span> virgen<\/span> puede<\/span> caer<\/span> del cielo<\/span> el trabajo<\/span> que<\/span> necesita<\/span>, un pa\u00eds<\/span> lleno<\/span> de gente<\/span> necesitada<\/span>, supersticiosa<\/span>, que<\/span> volver\u00e1<\/span> a dar<\/span> la confianza<\/span> a los mismos<\/span> que<\/span> se la han<\/span> quitado<\/span> hace<\/span> a\u00f1os<\/span>, un pa\u00eds<\/span> del que<\/span> dan<\/span> ganas<\/span> de salir<\/span> corriendo<\/span> varias<\/span> veces<\/span> al d\u00eda<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Ya no puedes dormir, te has olvidado del hambre que pasas y del fr\u00edo del invierno, pero de los nervios, de la angustia, del aire que no te llega a los pulmones no te puedes olvidar porque te obligan a incorporarte de la cama para no ahogarte. Roc\u00edo es una […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8527","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\n'Techo y comida' de Juan Miguel del Castillo - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/techo-y-comida-juan-miguel-del-castillo-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Techo y comida' de Juan Miguel del Castillo - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Ya no puedes dormir, te has olvidado del hambre que pasas y del fr\u00edo del invierno, pero de los nervios, de la angustia, del aire que no te llega a los pulmones no te puedes olvidar porque te obligan a incorporarte de la cama para no ahogarte. 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