{"id":8479,"date":"2015-12-11T05:14:53","date_gmt":"2015-12-11T05:14:53","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-rey\/"},"modified":"2021-04-11T17:26:39","modified_gmt":"2021-04-11T15:26:39","slug":"el-rey","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-rey\/","title":{"rendered":"‘El Rey’"},"content":{"rendered":"

Un personaje de gran tama\u00f1o se retuerce en un magn\u00edfico sill\u00f3n, cedido por el teatro de La Abadia, mientras emite una extensa y completa gama de los m\u00e1s desagradables sonidos que puede producir un cuerpo humano en su \u00faltima fase de degradaci\u00f3n.<\/em><\/p>\n

\"alt\"<\/p>\n

As\u00ed<\/span> comienza<\/span> esta<\/span> extraordinaria<\/span> descripci\u00f3n<\/span> y revisi\u00f3n<\/span> de nuestra<\/span> no tan reciente<\/span> historia<\/span> que<\/span> nos prepara<\/span> para<\/span> poder<\/span> conocer<\/span> en todos<\/span> sus<\/span> \u00edntimos<\/span> detalles<\/span> y aspectos<\/span>, tanto<\/span> p\u00fablicos<\/span> como<\/span> privados<\/span>, al titular del sill\u00f3n<\/span>: el rey<\/span> Juan Carlos I de Borb\u00f3n<\/span>, hoy<\/span> rey<\/span> padre.<\/em><\/p>\n

Vemos<\/span> \u00a0a Franco con su<\/span> padre, el hijo<\/span> de Alfonso XIII, marcando<\/span> tanto<\/span> la educaci\u00f3n<\/span> como<\/span> las<\/span> formas<\/span> y residencias<\/span> del futuro<\/span> rey<\/span> de Espa\u00f1a<\/span>, y c\u00f3mo<\/span> se fue<\/span> cumpliendo<\/span>, casi<\/span> en su<\/span> totalidad<\/span>, hasta<\/span> la abdicaci\u00f3n<\/span> en 2014. Durante<\/span> este<\/span> periodo<\/span> de formaci\u00f3n<\/span> como<\/span> pr\u00edncipe<\/span> de Espa\u00f1a<\/span>, la obra<\/span> nos va<\/span> acercando<\/span> al final del franquismo<\/span>, cuya<\/span> \u00fanica<\/span> posibilidad<\/span> de supervivencia<\/span> s\u00f3lo<\/span> ten\u00eda<\/span> un personaje<\/span>: el almirante<\/span> Carrero<\/span> Blanco, rechazado<\/span> por<\/span> un sector del r\u00e9gimen<\/span> que<\/span> exige<\/span> cambiar<\/span> algo<\/span> para<\/span> que<\/span> nada cambie<\/span><\/em> , algo<\/span> que<\/span> queda<\/span> absolutamente<\/span> claro<\/span> cuando<\/span> podemos<\/span> ver<\/span> a Henry Kissinger, probablemente<\/span> el hombre m\u00e1s<\/span> poderoso<\/span> de Estados<\/span> Unidos<\/span>, decirle<\/span> al almirante<\/span>, ante la negativa<\/span> de \u00e9ste<\/span> a suceder<\/span> al caudillo<\/span>: te<\/span> van a matar<\/span>.<\/em> Hecho<\/span> que<\/span> sucedi\u00f3<\/span> hace<\/span> 42 a\u00f1os<\/span> (20 de diciembre<\/span> de 1973), afectando<\/span> bastante<\/span> por<\/span> razones<\/span> personales<\/span> al que<\/span> hace<\/span> esta<\/span> cr\u00f3nica<\/span> y que<\/span> posteriormente<\/span> se relacion\u00f3<\/span> con la CIA.<\/p>\n

En el m\u00e1s<\/span> bien<\/span> reducido<\/span> pero<\/span> muy<\/span> bien<\/span> iluminado<\/span> escenario<\/span> del Teatro<\/span> del Barrio, seguimos<\/span> viendo<\/span> la miseria<\/span>, crueldad<\/span> y torpeza<\/span> de Francisco Franco, caudillo<\/span> de Espa\u00f1a<\/span> por<\/span> la gracia<\/span> de Dios<\/span><\/em>, como<\/span> figuraba<\/span> en las<\/span> monedas<\/span>, apretando<\/span> con enorme<\/span> placer y satisfacci\u00f3n<\/span>,\u00a0 el tornillo<\/span> del garrote vil<\/span><\/em> con el que<\/span> asesinaron<\/span> a Salvador Puig<\/span>\u00a0 Antich<\/span>, en la obra<\/span> se pronuncia<\/span> el nombre<\/span> de Salvador, en septiembre<\/span> de 1975, dos meses<\/span> antes de que<\/span> el dictador<\/span> muriera<\/span> sin que<\/span> nadie<\/span> le matara<\/span>. Esta<\/span> escena<\/span> afect\u00f3<\/span> por<\/span> su<\/span> crudeza<\/span> y realismo<\/span> al que<\/span> esto<\/span> escribe<\/span>, hasta<\/span> el punto<\/span> de tener<\/span> que<\/span> luchar<\/span> durante<\/span> unos<\/span> segundos<\/span> contra la emoci\u00f3n<\/span> y el deseo<\/span> de dejar<\/span> la sala<\/span>, pero<\/span> los recuerdos<\/span> que<\/span> me tra\u00eda<\/span> fueron<\/span> de nuevo<\/span> olvid\u00e1ndose<\/span> al poder<\/span> seguir<\/span> disfrutando<\/span> de la obra<\/span>.<\/p>\n

\"alt\"Muerto<\/span> el dictador<\/span>, el protagonista<\/span>, el Pr\u00edncipe<\/span> de Asturias<\/span> pasa<\/span> a ser<\/span> coronado<\/span> Juan Carlos I de Borb\u00f3n<\/span> rey<\/span> de Espa\u00f1a<\/span> y podemos<\/span> ver<\/span> como<\/span> Adolfo Su\u00e1rez<\/span> aparece<\/span> como<\/span> la gran<\/span> esperanza<\/span> del continuo dictadura-monarqu\u00eda-democracia<\/span>, continuo que<\/span> se interrumpe<\/span> bruscamente<\/span> el 23 F de 1981 por<\/span> el golpe<\/span> de Estado<\/span> militar<\/span> encabezado<\/span> por<\/span> Tejero<\/span> y en el cual<\/span> parece<\/span> que<\/span> se intenta<\/span> retroceder<\/span> a la dictadura-monarqu\u00eda<\/span>. L\u00f3gicamente<\/span> aparecen<\/span> las<\/span> figuras<\/span> del rey<\/span> y del g\u00e9neral<\/span> Armada, al que<\/span> tristemente<\/span> conoc\u00ed<\/span> como<\/span> coronel<\/span> en 1971 haciendo<\/span> la mili<\/span> tras<\/span> haber<\/span> dado el primer parte<\/span> por<\/span> escrito<\/span> por<\/span> malos<\/span> tratos<\/span> en el regimiento<\/span> de artiller\u00eda<\/span> antia\u00e9rea<\/span> de Getafe<\/span>. Personajes<\/span> tan poco<\/span> agradables<\/span> como<\/span> Garrigues<\/span> o el a\u00fan<\/span> m\u00e1s<\/span> desagradable<\/span> Mart\u00edn<\/span> Villa, lo digo<\/span> porque<\/span> en 1964, siendo<\/span> jefe<\/span> nacional<\/span> deL<\/span> SEU<\/span>, presidi\u00f3<\/span> un juicio<\/span> farsa<\/span> en la Facultad<\/span> de Ciencias<\/span> de la hoy<\/span> UCM<\/span>, en la que<\/span> se me expuls\u00f3<\/span> del SEU<\/span> y algo<\/span> m\u00e1s<\/span>.<\/p>\n

Con la presencia<\/span> de Felipe Gonz\u00e1lez<\/span>, la obra<\/span> va<\/span> derivando<\/span> hacia<\/span> la verdadera<\/span> personalidad<\/span> del Jefe<\/span> del Estado<\/span> y los efectos<\/span> emocionalmente<\/span> turbadores<\/span> que<\/span> se han<\/span> ido<\/span> produciendo<\/span> a lo largo del espect\u00e1culo<\/span> se van reduciendo<\/span> y dando<\/span> pi\u00e9<\/span> a verdaderas<\/span> satisfacciones<\/span> desde<\/span> el punto<\/span> de vista tanto<\/span> dram\u00e1tico<\/span>, como<\/span> hist\u00f3rico-pol\u00edtico<\/span>. Merece<\/span> la pena<\/span> resaltar<\/span> el momento<\/span> en el que<\/span> Jes\u00fas<\/span> Hermida<\/span>, el que<\/span> m\u00e1s<\/span> se esfuerza<\/span> en imitar<\/span> la voz<\/span> de su<\/span> personaje<\/span>, corre<\/span> escaleras<\/span> arriba<\/span> del teatro<\/span> y comienza<\/span> a interrogar<\/span> al rey<\/span> sobre<\/span> sus<\/span> negocios<\/span> y comisiones<\/span> por<\/span> la compra<\/span> y venta<\/span> de diferentes<\/span> productos<\/span> por<\/span> parte<\/span> del estado<\/span>, insistiendo<\/span> en la cantidad<\/span> cobrada<\/span> por<\/span> cada<\/span> barril<\/span> de petr\u00f3leo<\/span> importado<\/span> de Arabia Saud\u00ed<\/span>.<\/p>\n

En resumen<\/span>, un espect\u00e1culo<\/span> del m\u00e1ximo<\/span> contenido<\/span> dram\u00e1tico<\/span>, que<\/span> consigue<\/span> concentrar<\/span> en un reducido<\/span> espacio<\/span> con 120 butacas<\/span> y sin m\u00e1s<\/span> ayudas<\/span> que<\/span> un magn\u00edfico<\/span> sill\u00f3n<\/span> y una<\/span> buena<\/span> iluminaci\u00f3n<\/span>, casi<\/span> 80 a\u00f1os<\/span> de historia<\/span> de forma atractiva<\/span>, cre\u00edble<\/span>, pol\u00edticamente<\/span> formativa<\/span> y, ante todo<\/span>, con una<\/span> valent\u00eda<\/span> poco<\/span> habitual en nuestros<\/span> escenarios<\/span>. Todo<\/span> ello<\/span> gracias<\/span>, sobre<\/span> todo<\/span>, a la magn\u00edfica<\/span> labor interpretativa<\/span> de los tres<\/span> actores<\/span> Luis Bermejo<\/span> (rey<\/span>), Guillermo Toledo Alberto San Juan,\u00a0 que<\/span> interpretan<\/span> a m\u00e1s<\/span> de 10 personajes<\/span>, labor que<\/span> es<\/span> premiada<\/span> con un lleno<\/span> total y sus<\/span> much\u00edsimos<\/span> aplausos<\/span>.<\/p>\n

Desde<\/span> el 3 de noviembre<\/span> de 2015 al 31 de Enero<\/span> de 2016<\/strong><\/p>\n

Teatro<\/span> del barrio<\/strong><\/p>\n

Zorita<\/span> 20<\/strong><\/p>\n

Madrid<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Un personaje de gran tama\u00f1o se retuerce en un magn\u00edfico sill\u00f3n, cedido por el teatro de La Abadia, mientras emite una extensa y completa gama de los m\u00e1s desagradables sonidos que puede producir un cuerpo humano en su \u00faltima fase de degradaci\u00f3n. As\u00ed comienza esta extraordinaria descripci\u00f3n y revisi\u00f3n de […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,62],"tags":[],"class_list":["post-8479","post","type-post","status-publish","format-standard","hentry","category-cultura","category-teatro"],"yoast_head":"\n'El Rey' - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-rey\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'El Rey' - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Un personaje de gran tama\u00f1o se retuerce en un magn\u00edfico sill\u00f3n, cedido por el teatro de La Abadia, mientras emite una extensa y completa gama de los m\u00e1s desagradables sonidos que puede producir un cuerpo humano en su \u00faltima fase de degradaci\u00f3n. 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