{"id":8474,"date":"2015-12-11T05:06:23","date_gmt":"2015-12-11T05:06:23","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-arte-a-bajo-coste\/"},"modified":"2021-04-11T17:28:08","modified_gmt":"2021-04-11T15:28:08","slug":"el-arte-a-bajo-coste","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-arte-a-bajo-coste\/","title":{"rendered":"El arte a bajo coste"},"content":{"rendered":"

\"alt\"<\/p>\n

\u00bfY si<\/span> tus<\/span> genitales<\/span> tuvieran<\/span> precio<\/span> en el mercado<\/span>? \u00bfY si<\/span> tu<\/span> vagina valiera<\/span> 12.000? \u00bfEs<\/span> poco<\/span>? \u00bfEs<\/span> mucho<\/span>? Para la cantaora<\/span> y actriz<\/span> Julia de Castro es<\/span> un insulto<\/span> a su<\/span> persona y act\u00faa<\/span> en consecuencia<\/span>. De esta<\/span> manera<\/span>, la cantante<\/span> se convierte<\/span> en una<\/span> criminal al robar<\/span> el retrato<\/span> que<\/span> Oscar Tusquets<\/span> pint\u00f3<\/span> sobre<\/span> ella<\/span> y que<\/span> est\u00e1<\/span> expuesto<\/span> en la galer\u00eda<\/span> de arte<\/span> Can Framis<\/span>, en Gl\u00f2ries<\/span>. \u201c\u00a1\u00bfMi co\u00f1o<\/span> vale 12.000 euros<\/span>?!\u201d, grita<\/span> indignada<\/span> de Castro. Vestida<\/span> solamente<\/span> con una<\/span> chaquetilla<\/span> de torero, un colgante<\/span> con la cruz<\/span> de Cristo y unos<\/span> tacones<\/span> altos que<\/span> no le hacen<\/span> perder<\/span> el equilibrio<\/span> en ning\u00fan<\/span> momento<\/span>, la cupletista<\/span> avilesa<\/span> coge<\/span> su<\/span> <\/em>cuadro<\/span> y baja<\/span> la elegante<\/span> escalera<\/span> hacia<\/span> el p\u00fablico<\/span> que<\/span> contempla<\/span> las<\/span> obras<\/span> de arte<\/span> del lugar<\/span>, copas<\/span> de champ\u00e1n<\/span> en mano<\/span>. Nadie<\/span> la mira<\/span> con desaprobaci\u00f3n<\/span>, ni<\/span> desprecio<\/span> ni<\/span>, tan siquiera<\/span>, con sorpresa<\/span>. La gente<\/span> sonr\u00ede<\/span> mientras<\/span> de Castro se pasea<\/span> distinguida<\/span>, con el pubis al aire<\/span> sujetando<\/span> su<\/span> <\/em>cuadro<\/span>. Los ojos<\/span> van al sexo<\/span> cubierto<\/span> de pelo<\/span> negro<\/span> rizado<\/span> y los pechos<\/span> que<\/span> se entrev\u00e9n<\/span> grandes<\/span>. Pero<\/span> no es<\/span> una<\/span> performance, como<\/span> la gente<\/span> cree<\/span>, confundida<\/span> e inmersa<\/span> en el esquizofr\u00e9nico<\/span> arte<\/span> contempor\u00e1neo<\/span> donde<\/span> todo<\/span> vale, sin reglas<\/span>. Es<\/span> un acto<\/span> de denuncia<\/span> porque<\/span> la artista<\/span> (y su<\/span> vagina) cuesta<\/span> 12.000 para<\/span> quien<\/span> quiera<\/span> tenerla<\/span> en forma de cuadro<\/span> colgado<\/span> en el sal\u00f3n<\/span> de su<\/span> casa. Este<\/span> es<\/span> el punto<\/span> de partida<\/span> de la breve<\/span> historia<\/span> de 28 minutos<\/span> que<\/span> cuenta<\/span> el director y escritor<\/span> Javier Giner<\/span> en Julia de Castro, De la Pur\u00edssima<\/span>: Anatom\u00eda<\/span> de una<\/span> criminal, <\/em>una<\/span> docu-ficci\u00f3n<\/span> proyectada<\/span> en la cuarta<\/span> edici\u00f3n<\/span> del Festival de Cine Low Cost de Barcelona que<\/span> tuvo<\/span> lugar<\/span> el mi\u00e9rcoles<\/span> 2 de diciembre<\/span> en el (llen\u00edsimo<\/span>) claustro<\/span> del Arts Santa M\u00f2nica<\/span>.<\/p>\n

De Castro, ahora<\/span> convertida<\/span> en criminal, vaga<\/span> por<\/span> la capital catalana<\/span> para<\/span> encontrar<\/span> un hogar<\/span> para<\/span> su<\/span> cuadro<\/span>, un propietario<\/span> que<\/span> reconozca<\/span> una<\/span> buena<\/span> pieza<\/span> de arte<\/span> y est\u00e9<\/span> dispuesto<\/span> a pagar<\/span> un precio<\/span> m\u00e1s<\/span> razonable<\/span> que<\/span> 12.000 m\u00edseros<\/span> euros<\/span>. Las c\u00e1maras<\/span> y Giner<\/span> siguen<\/span> la cupletista<\/span> en su<\/span> aventura<\/span> metropolitana<\/span> y art\u00edstica<\/span>, formando<\/span> una<\/span> procesi\u00f3n<\/span> con Virgen<\/span> Mar\u00eda<\/span> y ni\u00f1o<\/span> Jes\u00fas<\/span> incluidos<\/span>. Imag\u00ednense<\/span> la escena<\/span>: una<\/span> \u201cloca\u201d<\/span> desnuda<\/span>, cubierta<\/span> tan solo por<\/span> un sujetador<\/span> bajo<\/span> la chaquetilla<\/span> torera<\/span>, un pl\u00e1stico<\/span> que<\/span> envuelve<\/span> sus<\/span> partes<\/span> y unos<\/span> tacones<\/span> altos y las<\/span> Ramblas<\/span> como<\/span> escenario<\/span>. La pel\u00edcula<\/span> Julia de Castro, De la Pur\u00edssima<\/span>: Anatom\u00eda<\/span> de una<\/span> criminal<\/em>, que<\/span> ha costado<\/span> unos<\/span> 100 euros<\/span>, es<\/span> el resultado<\/span> del seguimiento<\/span> de este<\/span> viaje<\/span> de la cantaora<\/span> durante<\/span> 3 d\u00edas<\/span> por<\/span> Barcelona, de la lucha<\/span> por<\/span> poner<\/span> en valor y un precio<\/span> al arte<\/span>, la frustraci\u00f3n<\/span> por<\/span> no conseguirlo<\/span> y la resignada<\/span> derrota<\/span> que<\/span> se desencadena<\/span> como<\/span> consecuencia<\/span>. \u201cHicimos<\/span> una<\/span> especie<\/span> de retiro<\/span> m\u00edstico<\/span> de 3 d\u00edas<\/span> en Barcelona, como<\/span> quien<\/span> se retira<\/span> a la monta\u00f1a<\/span> a escribir<\/span> un gui\u00f3n<\/span> o una<\/span> gran<\/span> novela\u201d<\/span>, cuenta<\/span> de Castro sobre<\/span> el rodaje<\/span>.<\/p>\n

La gracia<\/span> de esta<\/span> cinta<\/span> tambi\u00e9n<\/span> reside en la frontera<\/span> entre<\/span> realidad<\/span> y ficci\u00f3n<\/span>. Tal y como<\/span> apunta<\/span> el director de este<\/span> film, Javier Giner<\/span>, \u201chay partes<\/span> reales<\/span> y otras<\/span> no, era un juego<\/span> constante<\/span> que<\/span> \u00edbamos<\/span> creando<\/span> en el momento<\/span>. Cuando<\/span> empezamos<\/span>, no sab\u00edamos<\/span> qu\u00e9<\/span> final tendr\u00eda<\/span> el viaje\u201d<\/span>. El final del viaje<\/span> es<\/span> el retorno<\/span> de la pieza<\/span> de arte<\/span> a su<\/span> casa, de donde<\/span> tal<\/span> vez<\/span> no hubiera<\/span> tenido<\/span> que<\/span> salir<\/span> porque<\/span> tal<\/span> vez<\/span> el museo<\/span> o galer\u00eda<\/span> sea donde<\/span> tiene<\/span> que<\/span> estar<\/span> el arte<\/span> y no en un Cash Converters de la esquina<\/span>. El retrato<\/span>, dicen<\/span> los protagonistas<\/span>, puede<\/span> contemplarse<\/span> en la misma<\/span> galer\u00eda<\/span> donde<\/span> estuvo<\/span> desde<\/span> el principio<\/span> del relato<\/span>.<\/p>\n

De frustraci\u00f3n<\/span> y fracaso<\/span> tambi\u00e9n<\/span> habla<\/span> la pel\u00edcula<\/span> de Muerte<\/span> Horrible (pseud\u00f3nimo<\/span> del jovenc\u00edsimo<\/span> realizador<\/span> valenciano<\/span> Rub\u00e9n<\/span> Aja\u00fa<\/span>) Chica<\/span> muerte<\/span> vs ni\u00f1o<\/span> cuchillo<\/span>. <\/em>Aj\u00e1u<\/span> es<\/span>, junto<\/span> a voces<\/span> j\u00f3venes<\/span> como<\/span> Mar\u00eda<\/span> Mercromina<\/span> y Luna Miguel, uno<\/span> de los agentes<\/span> activos<\/span> del colectivo<\/span> po\u00e9tico<\/span> Los Perros<\/span> Rom\u00e1nticos<\/span>. El Festival de Cine Low Cost acoge<\/span> el estreno<\/span> de su<\/span> segundo<\/span> largo, un film tambi\u00e9n<\/span> breve<\/span> de 62 minutos<\/span> que<\/span> muestra<\/span> la agitada<\/span> y\u00a0 turbulenta<\/span> grabaci\u00f3n<\/span> de un remake<\/em> de la legendaria<\/span> serie<\/span> del mismo<\/span> t\u00edtulo<\/span> que<\/span> el proyecto<\/span>. O, mejor<\/span> dicho<\/span>, es<\/span> la historia<\/span> de intento<\/span> de grabaci\u00f3n<\/span> de una<\/span> serie<\/span> conocida<\/span> por<\/span> unos<\/span> pocos<\/span> freaks <\/em>entendidos<\/span>. Chica<\/span> muerte<\/span> vs ni\u00f1o<\/span> cuchillo<\/span> <\/em>ense\u00f1a<\/span> el duro<\/span> proceso<\/span> de creaci\u00f3n<\/span> de una<\/span> obra<\/span>, en este<\/span> caso<\/span> en forma de serial, y la desilusi\u00f3n<\/span> por<\/span> no conseguirlo<\/span> mediante<\/span> situaciones<\/span> dignas<\/span> del teatro<\/span> del absurdo<\/span>. Es<\/span> el fallo<\/span> a la hora<\/span> de narrar<\/span> una<\/span> historia<\/span>, es<\/span> la sucesi\u00f3n<\/span> de desgracias<\/span> en el proceso<\/span> y el cumplimiento<\/span> de la profec\u00eda<\/span> de \u201csi<\/span> algo<\/span> puede<\/span> salir<\/span> mal, saldr\u00e1<\/span> mal\u201d. \u201cMi vida<\/span>, como<\/span> la de todos<\/span>, es<\/span> una<\/span> sucesi\u00f3n<\/span> de buenos<\/span> y de jodidos<\/span> momentos\u201d<\/span>, resume ri\u00e9ndose<\/span> Muerte<\/span> Horrible su<\/span> trabajo<\/span>.<\/p>\n

Aunque<\/span> el mensaje<\/span> com\u00fan<\/span> o el tel\u00f3n<\/span> de fondo<\/span> de ambas<\/span> proyecciones<\/span> sea la complejidad<\/span> del engranaje<\/span> y de la maquinaria<\/span> para<\/span> narrar<\/span> y difundir<\/span> historias<\/span>, el humor, la iron\u00eda<\/span> y la cr\u00edtica<\/span> social no dejan<\/span> de ser<\/span> protagonistas<\/span> de los trabajos<\/span>. El Festival de Cine Low cost, es<\/span> el festival del perro<\/span> que<\/span> ladra<\/span> para<\/span> hacerse<\/span> o\u00edr<\/span>, como<\/span> los participantes<\/span> y sus<\/span> obras<\/span>. Comisariado<\/span> por<\/span> Miqui<\/span> Otero<\/span> y Desir\u00e9<\/span> de Fez, el festival es<\/span> una<\/span> reivindicaci\u00f3n<\/span> al cine de autor<\/span> y la denuncia<\/span> a una<\/span> industria<\/span> r\u00edgida<\/span> donde<\/span> escasean<\/span> las<\/span> ayudas<\/span> y abundan<\/span> los proyectos<\/span> que<\/span> mueren<\/span> antes de nacer<\/span>. El realizador<\/span> Javier Giner<\/span> advirti\u00f3<\/span> en el debate posterior a la proyecci\u00f3n<\/span> de su<\/span> pel\u00edcula<\/span> que<\/span> su<\/span> film sobre<\/span> de Castro cost\u00f3<\/span> 100 euros<\/span> porque<\/span> nadie<\/span> cobr\u00f3<\/span> por<\/span> su<\/span> trabajo<\/span>. \u201cSe est\u00e1n<\/span> dejando<\/span> desnudos<\/span> y hu\u00e9rfanos<\/span> a los que<\/span> se quieren<\/span> dedicar<\/span> al cine y necesitamos<\/span> espacios\u201d<\/span>, a\u00f1adi\u00f3<\/span> el director.<\/p>\n

Y para<\/span> demostrar<\/span> que<\/span> el cine low cost no es<\/span> una<\/span> invenci\u00f3n<\/span> de los j\u00f3venes<\/span> cineastas<\/span>, se proyect\u00f3<\/span> (muy<\/span> acertadamente<\/span>) la pel\u00edcula<\/span> Ditirambo<\/span> vela por<\/span> nosotros<\/span><\/em> que<\/span> dirigi\u00f3<\/span> Gonzalo Su\u00e1rez<\/span> en 1966. Con una<\/span> libertad<\/span> creativa<\/span> sin precedentes<\/span> en el cine espa\u00f1ol<\/span> y con el esp\u00edritu<\/span> amateur <\/em>o improvisado<\/span> de las<\/span> otras<\/span> pel\u00edculas<\/span>, el director asturiano<\/span> se atrevi\u00f3<\/span> a contar<\/span> una<\/span> historia<\/span> detectivesca<\/span> en el que<\/span> Jos\u00e9<\/span> Ditirambo<\/span>, alter ego <\/em>de Su\u00e1rez<\/span>, busca<\/span> la voz<\/span> del fantasma<\/span> que<\/span> le jura<\/span> amor verdadero<\/span>. Invitado<\/span> en la proyecci\u00f3n<\/span> de esta<\/span> vieja<\/span> cinta<\/span>, Su\u00e1rez<\/span> rez\u00f3<\/span> el discurso<\/span> de \u201ccualquier<\/span> tiempo<\/span> pasado<\/span> fue<\/span> mejor\u201d<\/span>, alegando<\/span> que<\/span> \u201cse ha perdido<\/span> la \u00e9pica<\/span> y todo<\/span> pasa<\/span> muy<\/span> r\u00e1pido\u201d<\/span>. Lo m\u00e1s<\/span> interesante<\/span> de su<\/span> discurso<\/span> fue<\/span>, tal<\/span> vez<\/span>, la necesidad<\/span> de recuperar<\/span> la figura<\/span> del guionista<\/span> y de todos<\/span> aquellos<\/span> que<\/span>, m\u00e1s<\/span> all\u00e1<\/span> del director, hacen<\/span> posible<\/span> el contar<\/span> la historia<\/span>, aunque<\/span> se fracase<\/span> o no en el intento<\/span>. \u201cHemos<\/span> olvidado<\/span> al personaje<\/span> que<\/span> est\u00e1<\/span> en la trastienda\u201d<\/span>, insisti\u00f3<\/span> el veterano<\/span> director.<\/p>\n

Pero<\/span> el controvertido<\/span> asturiano<\/span> tambi\u00e9n<\/span> puso<\/span> en el aire<\/span> una<\/span> cuesti\u00f3n<\/span> \u00e9pica<\/span> y rom\u00e1ntica<\/span>: \u201cNunca<\/span> es<\/span> f\u00e1cil<\/span> hacer<\/span> cine y no s\u00e9<\/span> si<\/span> debe<\/span> serlo\u201d<\/span>. Y es<\/span> que<\/span> tal<\/span> vez<\/span> en la dificultad<\/span> de hacer<\/span> cine resida<\/span> precisamente<\/span> la gran<\/span> obra<\/span> de arte<\/span>, claro<\/span> que<\/span> con algunas<\/span> monedas<\/span> en el bolsillo<\/span> tambi\u00e9n<\/span> puede<\/span> hacerse<\/span> un buen<\/span> trabajo<\/span>.<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

\u00bfY si tus genitales tuvieran precio en el mercado? \u00bfY si tu vagina valiera 12.000? \u00bfEs poco? \u00bfEs mucho? Para la cantaora y actriz Julia de Castro es un insulto a su persona y act\u00faa en consecuencia<\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8474","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nEl arte a bajo coste - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-arte-a-bajo-coste\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El arte a bajo coste - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"\u00bfY si tus genitales tuvieran precio en el mercado? \u00bfY si tu vagina valiera 12.000? \u00bfEs poco? \u00bfEs mucho? 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