{"id":8463,"date":"2015-12-10T08:02:33","date_gmt":"2015-12-10T08:02:33","guid":{"rendered":"https:\/\/www.revistarambla.com\/inmoral-y-divertida\/"},"modified":"2021-04-11T17:32:35","modified_gmt":"2021-04-11T15:32:35","slug":"inmoral-y-divertida","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/inmoral-y-divertida\/","title":{"rendered":"Inmoral y divertida"},"content":{"rendered":"

\"alt\"<\/em><\/p>\n

Vanity Fair <\/em>nos deja<\/span> claro<\/span> desde<\/span> el primer momento<\/span> que<\/span> Becky Sharp era una<\/span> chica<\/span> tan inteligente<\/span> como<\/span> sinverg\u00fcenza<\/span>: fascinante<\/span>, seductora<\/span>, irreverente<\/span>, encantadora<\/span>, astuta<\/span>, quiz\u00e1<\/span> tambi\u00e9n<\/span> malvada<\/span>. Sea como<\/span> sea, lo cierto<\/span> es<\/span> que<\/span> empezamos<\/span> la lectura<\/span> (en la medida<\/span> en que<\/span> no tenemos<\/span> conocimiento<\/span> previo<\/span> de la trama<\/span>) con la curiosidad<\/span> despierta<\/span>: deseamos<\/span> saber c\u00f3mo<\/span> se producir\u00e1<\/span> (si<\/span> se produce) la condena<\/span> moral de la protagonista<\/span>, pues<\/span> si<\/span> Vanity Fair<\/em> se presenta<\/span> en efecto<\/span> como<\/span> A Novel without a Hero,<\/em> no es<\/span> porque<\/span> en ella<\/span> no haya<\/span> un h\u00e9roe<\/span> definido<\/span>, sino<\/span> porque<\/span> los candidatos<\/span> a h\u00e9roes<\/span> no est\u00e1n<\/span> a la altura<\/span>, y Becky Sharp no es<\/span> obviamente<\/span> una<\/span> hero\u00edna<\/span>.<\/p>\n

No, no es<\/span> una<\/span> hero\u00edna<\/span>. Becky avanza<\/span> flamante<\/span> por<\/span> la ruta<\/span> de la estafa<\/span> y la frivolidad<\/span>, aventajando<\/span> en astucia<\/span> y villan\u00eda<\/span> a todos<\/span> los que<\/span> la rodean<\/span>, hasta<\/span> tal<\/span> punto<\/span> que<\/span> su<\/span> marido<\/span> \u2013militar<\/span>, jugador<\/span>, duelista<\/span> y pendenciero\u2013<\/span> parece<\/span> un santo<\/span> a su<\/span> lado<\/span>. Pero<\/span> no nos enga\u00f1emos<\/span>. La s\u00e1tira<\/span> no recae<\/span> sobre<\/span> Rebeca<\/span>; la s\u00e1tira<\/span> recae<\/span> sobre<\/span> la sociedad<\/span> en su<\/span> conjunto<\/span>. Rebeca<\/span> tan solo es<\/span> el pez<\/span> que<\/span> mejor<\/span> nada en esas<\/span> aguas<\/span> ponzo\u00f1osas<\/span> que<\/span> forman<\/span> la charca<\/span> (la feria<\/span>) de las<\/span> vanidades<\/span>. La feria<\/span> misma<\/span> es<\/span> la verdadera<\/span> protagonista<\/span>, la verdadera<\/span> hero\u00edna<\/span> de la novela<\/span> de Thackeray<\/span>, y, evidentemente<\/span>, hablar<\/span> en t\u00e9rminos<\/span> de feria<\/span> ya<\/span> es<\/span> satirizar<\/span>. Por<\/span> eso<\/span> si<\/span> Rebeca<\/span> es<\/span> una<\/span> harp\u00eda<\/span>, una<\/span> oportunista<\/span> y una<\/span> depravada<\/span> \u2013y nadie<\/span> duda<\/span> un instante<\/span> que<\/span> sea todas<\/span> estas<\/span> cosas\u2013<\/span>, entonces<\/span> una<\/span> harp\u00eda<\/span> es<\/span> reina<\/span> indiscutible<\/span> en ese<\/span> mundo<\/span> de vanidades<\/span>.<\/p>\n

Ahora<\/span> bien<\/span> (y esto<\/span> es<\/span> importante<\/span>), Becky no podr\u00eda<\/span> ser<\/span> jam\u00e1s<\/span> la figura<\/span> dominante<\/span> de la feria<\/span> si<\/span> no fuese<\/span> por<\/span> la propia<\/span> mezquindad<\/span> y la propia<\/span> vanidad<\/span> de los participantes<\/span>. Son las<\/span> propias<\/span> faltas<\/span>, las<\/span> man\u00edas<\/span>, las<\/span> obsesiones<\/span>, las<\/span> ambiciones<\/span> de la gente<\/span> que<\/span> pulula<\/span> a su<\/span> alrededor<\/span> lo que<\/span> Rebeca<\/span> explota<\/span> h\u00e1bilmente<\/span> para<\/span> lograr<\/span> sus<\/span> fines. La presunci\u00f3n<\/span> de Sir Pitt, la flaqueza<\/span> de Lady Jane, la boba<\/span> admiraci\u00f3n<\/span> de su<\/span> marido<\/span> no son sus<\/span> debilidades<\/span>, son las<\/span> debilidades<\/span> de la gente<\/span>; lo \u00fanico<\/span> que<\/span> Becky hace<\/span> es<\/span> poner<\/span> todo<\/span> eso<\/span> a su<\/span> servicio<\/span>. Porque<\/span> as\u00ed<\/span> son las<\/span> cosas<\/span>: despu\u00e9s<\/span> de lamentar<\/span> con alguna<\/span> frase<\/span> hecha<\/span> la muerte<\/span> de la vieja<\/span> t\u00eda<\/span> de turno<\/span> los personajes<\/span> llenan<\/span> sus<\/span> est\u00f3magos<\/span> con asado<\/span> de cordero<\/span> y vino de clarete<\/span>. Nada perturba<\/span> su<\/span> apetito<\/span>. Nada les impide<\/span> dormir<\/span>. As\u00ed<\/span> que<\/span> si<\/span> Becky es<\/span> inmoral<\/span>, por<\/span> lo menos<\/span> es<\/span> divertida<\/span>, mientras<\/span> que<\/span> los habitantes<\/span> de la feria<\/span> no solo son inmorales<\/span> sino<\/span> tambi\u00e9n<\/span> insulsos<\/span> y fariseos<\/span>, tal<\/span> y como<\/span> demuestran<\/span> (el novelista<\/span> lo demuestra<\/span>) sus<\/span> jam\u00e1s<\/span> perturbadas<\/span> ganas<\/span> de comer y de beber<\/span> a las<\/span> correspondientes<\/span> horas<\/span>, pase<\/span> lo que<\/span> pase<\/span> y muera<\/span> quien<\/span> se muera<\/span>.<\/p>\n

Cuando<\/span> Rebeca<\/span> le descubre<\/span> a Amelia qui\u00e9n<\/span> era realmente<\/span> su<\/span> marido<\/span> (sin andarse<\/span> por<\/span> las<\/span> ramas<\/span>, sin emplear<\/span> palabras<\/span> dulces<\/span>) no podemos<\/span> sino<\/span> pensar<\/span>: bien<\/span> dicho<\/span>. Es<\/span> divertido<\/span> que<\/span> el narrador<\/span> nos permita<\/span> re\u00edrnos<\/span> de esa<\/span> pobre<\/span> ni\u00f1a<\/span> tonta<\/span> llam\u00e1ndola<\/span> al final de la novela<\/span> \u00abtierno<\/span> y dulce<\/span> par\u00e1sito<\/span>\u00bb. Porque<\/span> Becky podr\u00e1<\/span> ser<\/span> una<\/span> mujer<\/span> falsa<\/span> y sin escr\u00fapulos<\/span>, una<\/span> v\u00edbora<\/span> astuta<\/span>, pero<\/span> es<\/span> con Becky con quien<\/span> preferir\u00edamos<\/span> estar<\/span>, es<\/span> con ella<\/span> con quien<\/span> preferir\u00edamos<\/span> re\u00edrnos<\/span>, de ning\u00fan<\/span> modo<\/span> con sus<\/span> v\u00edctimas<\/span> (no con la ins\u00edpida<\/span> y simple Amelia), que<\/span> adem\u00e1s<\/span> parecen<\/span> estar<\/span> pidiendo<\/span> a gritos<\/span> ser<\/span> descuartizadas<\/span>. Nadie<\/span> se libra<\/span> de la s\u00e1tira<\/span>. Ni siquiera<\/span> el mayor Doblin<\/span>, quien<\/span> tiene<\/span> sin embargo las<\/span> dos cosas<\/span>, tanto<\/span> coraz\u00f3n<\/span> como<\/span> intelecto<\/span>, puede<\/span> evitar<\/span> ser<\/span> el blanco<\/span> de la cr\u00edtica<\/span>, pues<\/span> en el fondo<\/span> es<\/span> tan hip\u00f3crita<\/span> y vano<\/span> como<\/span> los otros<\/span>, por<\/span> m\u00e1s<\/span> que<\/span> se diga<\/span> que<\/span> no recurrir\u00eda<\/span> a la mentira<\/span> aun<\/span> cuando<\/span> le beneficiase<\/span>.<\/p>\n

Becky no es<\/span> la condenada<\/span>, sino<\/span> el mecanismo<\/span> del que<\/span> la novela<\/span> se sirve<\/span> para<\/span> condenarlo<\/span> todo<\/span>. Es<\/span> Becky quien<\/span> permite<\/span> que<\/span> la caricatura<\/span> sea tanto<\/span> m\u00e1s<\/span> mordaz<\/span>, la s\u00e1tira<\/span> tanto<\/span> m\u00e1s<\/span> merecida<\/span>. No en vano<\/span> el novelista<\/span> la retrata<\/span> no solo como<\/span> una<\/span> mujer<\/span> inteligente<\/span> y bien<\/span> informada<\/span> de la realidad<\/span> del mundo<\/span> en el que<\/span> vive, sino<\/span> tambi\u00e9n<\/span> como<\/span> una<\/span> gran<\/span> actriz<\/span>, una<\/span> gran<\/span> imitadora<\/span> c\u00f3mica<\/span> (los estudiantes<\/span> alemanes<\/span> se r\u00eden<\/span> de sus<\/span> imitaciones<\/span>). Ella es<\/span> el alma de la novela<\/span>, su<\/span> esp\u00edritu<\/span> sat\u00edrico<\/span> y ridiculizante<\/span>. Por<\/span> eso<\/span> no nos extra\u00f1a<\/span> que<\/span> el momento<\/span> clim\u00e1tico<\/span> en la carrera<\/span> de esa<\/span> Genial\u00edsima<\/span> Embustera<\/span> y Tremenda<\/span> Comediante<\/span> se sit\u00fae<\/span> justamente<\/span> en el contexto<\/span> de una<\/span> obra<\/span> de teatro<\/span>. Becky representa<\/span> a Clitemnestra<\/span> (\u00a1a qui\u00e9n<\/span> si<\/span> no!), la despiadada<\/span> mujer<\/span> de Agamen\u00f3n<\/span>, la esposa<\/span> sin escr\u00fapulos<\/span>, la madre-anti-madre<\/span>, la temible<\/span> asesina<\/span>, quien<\/span> no vacila<\/span> en agarrar<\/span> el acero<\/span> con sus<\/span> manos<\/span> cuando<\/span> al pobre<\/span> var\u00f3n<\/span> que<\/span> tiene<\/span> por<\/span> amante<\/span> le tiembla<\/span> vergonzosamente<\/span> el pulso<\/span>.<\/p>\n

La Gran Farsante<\/span> es<\/span> desenmascarada<\/span> en una<\/span> repulsiva<\/span> escena<\/span> de adulterio<\/span> en la que<\/span> el antiguo<\/span> canalla<\/span> representa<\/span> el papel<\/span> de puro<\/span> y honesto<\/span> marido<\/span>. Como ocurre<\/span> tan a menudo<\/span>, la ambici\u00f3n<\/span> ha llegado<\/span> al tope de su<\/span> borrachera<\/span>, la piel<\/span> de la rana<\/span> se ha tensado<\/span> demasiado<\/span>, se ha vuelto<\/span> transparente<\/span>, y Rebeca<\/span> termina<\/span> m\u00e1s<\/span> o menos<\/span> all\u00ed<\/span> donde<\/span> empezaba<\/span>. Sin embargo la ca\u00edda<\/span> no es<\/span> sino<\/span> una<\/span> bufonada<\/span>, y es<\/span> ahora<\/span> cuando<\/span> Rebeca<\/span> es<\/span> m\u00e1s<\/span> realmente<\/span> ella<\/span> misma<\/span>: una<\/span> p\u00edcara<\/span> bohemia y vagabunda<\/span>, sin amigos ni<\/span> familia<\/span>, sin dinero<\/span>, vestida<\/span> con un vestido<\/span> viejo<\/span> y mucho<\/span> colorete<\/span>, pero<\/span> sin rastro<\/span> de amargura<\/span>, sobrellevando<\/span> su<\/span> suerte<\/span> con una<\/span> carcajada<\/span>.<\/p>\n

No, pensamos<\/span>; Thackeray<\/span> no castiga<\/span> a esa<\/span> Calculadora<\/span> Nata<\/span> que<\/span> es<\/span> Rebeca<\/span> Sharp, sino<\/span> que<\/span> la deja<\/span> bastante<\/span> bien<\/span> situada<\/span> al final de su<\/span> novela<\/span>. No pod\u00eda<\/span> ser<\/span> de otra<\/span> manera<\/span>. Becky era la Gran Nadadora<\/span>, la Gran Seductora<\/span>, la Gran Feriante<\/span>, la Reina de esa<\/span> \u00abferia<\/span>\u00bb que<\/span> en realidad<\/span> es<\/span> mercado<\/span>. Pues<\/span> si<\/span> comportarse<\/span> bien<\/span> \u2013pensaba<\/span> Becky\u2013 depende<\/span> de tener<\/span> suficiente<\/span> dinero<\/span> en el bolsillo<\/span> o, en su<\/span> defecto<\/span>, cr\u00e9dito<\/span> suficiente<\/span>, entonces<\/span> tal<\/span> vez<\/span> sea mejor<\/span> dejar<\/span> la bondad<\/span> para<\/span> otro<\/span> momento<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Vanity Fair nos deja claro desde el primer momento que Becky Sharp era una chica tan inteligente como sinverg\u00fcenza: fascinante, seductora, irreverente, encantadora, astuta, quiz\u00e1 tambi\u00e9n malvada. Sea como sea, lo cierto es que empezamos la lectura (en la medida en que no tenemos conocimiento previo de la trama) con […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-8463","post","type-post","status-publish","format-standard","hentry","category-cultura"],"yoast_head":"\nInmoral y divertida - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/inmoral-y-divertida\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inmoral y divertida - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Vanity Fair nos deja claro desde el primer momento que Becky Sharp era una chica tan inteligente como sinverg\u00fcenza: fascinante, seductora, irreverente, encantadora, astuta, quiz\u00e1 tambi\u00e9n malvada. 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