{"id":8433,"date":"2015-12-03T20:16:09","date_gmt":"2015-12-03T20:16:09","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-puente-de-los-espias\/"},"modified":"2021-04-11T17:49:48","modified_gmt":"2021-04-11T15:49:48","slug":"el-puente-de-los-espias","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-puente-de-los-espias\/","title":{"rendered":"‘El puente de los esp\u00edas’"},"content":{"rendered":"

\"alt\"<\/b><\/span><\/p>\n

El puente de los esp\u00edas <\/em>nos transporta<\/span> a los tiempos<\/span> de la guerra<\/span> fr\u00eda<\/span>, una<\/span> pel\u00edcula<\/span> de esp\u00edas<\/span> al estilo<\/span> de los cl\u00e1sicos<\/span>, con unos<\/span> \u201ch\u00e9roes\u201d<\/span> tan humanizados<\/span> como<\/span> cotidianos<\/span> en el cine de Spielberg.<\/span><\/p>\n

Un nuevo<\/span> apunte<\/span> a la reciente<\/span>\u00a0historia<\/span> estadounidense<\/span>. Estamos<\/span> en los a\u00f1os<\/span>\u00a050, despu\u00e9s<\/span> del ajusticiamiento<\/span> del matrimonio<\/span> Rosenberg acusados<\/span> de espionaje<\/span> a favor de la URSS<\/span>, el enemigo<\/span> de los USA en los a\u00f1os<\/span> de posguerra<\/span>. Empieza<\/span>\u00a0una<\/span>\u00a0guerra<\/span> oculta<\/span> que<\/span> se denomin\u00f3<\/span> la guerra<\/span> fr\u00eda<\/span>, con una<\/span> psicosis<\/span> de guerra<\/span> nuclear y acusaciones<\/span> por<\/span> parte<\/span> del Mccartismo<\/span> a todo<\/span> liberal de izquierdas<\/span>, desde<\/span> Hollywood hasta<\/span> el ejercito<\/span>, muchos<\/span> estadounidenses<\/span> fueron<\/span> investigados<\/span>, acusados<\/span> y encerrados<\/span> en prisi\u00f3n<\/span>. En ese<\/span> contexto<\/span> de psicosis<\/span>\u00a0se inicia<\/span> la pel\u00edcula<\/span> de Spielberg.\u00a0<\/span><\/p>\n

Rudolf Abel (Mark Rylance<\/span>) parece<\/span> un tranquilo<\/span> jubilado<\/span>, un pintor<\/span> callejero<\/span> que<\/span> apenas<\/span> llama la atenci\u00f3n<\/span>, que<\/span> pasea<\/span> solitario<\/span> por<\/span> las<\/span> calles<\/span> de Nueva<\/span> York. Pero<\/span> esconde<\/span> un secreto<\/span> que<\/span> el FBI descubre<\/span>, es<\/span> un esp\u00eda<\/span> sovi\u00e9tico<\/span> que<\/span> ha estado<\/span> robando<\/span> secretos<\/span> de los USA. Los medios<\/span> de comunicaci\u00f3n<\/span>, el gobierno<\/span> y la justicia<\/span> exigen<\/span> un castigo<\/span> ejemplar<\/span>, pero<\/span> los valores<\/span> democr\u00e1ticos<\/span> del pa\u00eds<\/span> est\u00e1n<\/span> por<\/span> encima<\/span> de esa<\/span> guerra<\/span> fr\u00eda<\/span>. Aunque<\/span>\u00a0el esp\u00eda<\/span>\u00a0est\u00e1<\/span>\u00a0sentenciado<\/span> de antemano<\/span>, tiene<\/span> que<\/span> haber<\/span>\u00a0un juicio<\/span> y un abogado<\/span> defensor<\/span>. Un prometedor<\/span> abogado<\/span> de seguros<\/span>, antiguo<\/span> pasante<\/span> del juicio<\/span> de Nuremberg es<\/span> el escogido<\/span>, James Donovan (Tom Hanks) acepta<\/span> a rega\u00f1adientes<\/span> ser<\/span> el abogado<\/span> del esp\u00eda<\/span>, su<\/span> decisi\u00f3n<\/span> es<\/span> m\u00e1s<\/span> una<\/span> obligaci\u00f3n<\/span> que<\/span> una<\/span> elecci\u00f3n<\/span>, su<\/span> familia<\/span> y sus<\/span> amigos no entender\u00e1n<\/span> esa<\/span> decisi\u00f3n<\/span>, pero<\/span> el deber<\/span> y sus<\/span> valores<\/span> democr\u00e1ticos<\/span> le llevaran<\/span> a defender al espia<\/span> Rudolf Abel.<\/span><\/p>\n

Unos<\/span> inicios<\/span> de gran<\/span> realismo<\/span>, donde<\/span> Spielberg nos consigue<\/span> interesar<\/span> en ese<\/span> retazo<\/span> de historia<\/span> casi<\/span> olvidada<\/span> de la guerra<\/span> fr\u00eda<\/span> y de sus<\/span> an\u00f3nimos<\/span> protagonistas<\/span>, un juicio<\/span> ama\u00f1ado<\/span> con una<\/span> sentencia<\/span> prefijada<\/span> nos conduce a una<\/span> defensa<\/span> del ser<\/span> humano<\/span> al margen<\/span> de ideolog\u00edas<\/span>, los grandes<\/span> nombres<\/span>\u00a0de la historia<\/span>\u00a0dan<\/span> paso<\/span> a esos<\/span> subalternos<\/span> que<\/span> son los protagonistas<\/span>\u00a0reales<\/span> de la historia<\/span>. La dedicaci\u00f3n<\/span> y buen<\/span> hacer<\/span> del abogado<\/span> Donovan,\u00a0consigue<\/span> salvar<\/span> la vida<\/span> de Rudolf Abel, de una<\/span> sentencia<\/span> previsible<\/span> de muerte<\/span> se pasa<\/span> a una<\/span> reclusi\u00f3n<\/span> de 30 a\u00f1os<\/span>.<\/span><\/p>\n

Dos\u00a0a\u00f1os<\/span> despu\u00e9s<\/span> aparece<\/span>\u00a0otro<\/span>\u00a0de los\u00a0protagonistas<\/span> accidentales<\/span> de\u00a0\u00e9sta<\/span>\u00a0historia<\/span>, Gary Powers, un piloto-esp\u00eda<\/span> americano<\/span>\u00a0que<\/span> a los mandos<\/span> de un\u00a0avi\u00f3n<\/span>\u00a0esp\u00eda<\/span>\u00a0U2<\/span>,\u00a0fue<\/span> abatido<\/span> en\u00a0cielo<\/span> ruso<\/span> mientras<\/span> fotografiaba<\/span> su<\/span> territorio<\/span>. Las p\u00e1ginas<\/span> de prensa<\/span> se llenaron<\/span> de fotos del piloto<\/span> y sus<\/span> circunstancias<\/span>. Derribado<\/span>, detenido<\/span>, juzgado<\/span> y condenado<\/span> a 10 a\u00f1os<\/span> de c\u00e1rcel<\/span>. \u00a0<\/span><\/p>\n

As\u00ed<\/span> pasamos<\/span> del melodrama hist\u00f3rico<\/span>\u00a0real a la pantomima<\/span>, los protagonistas<\/span>\u00a0del drama lo viven<\/span>\u00a0como<\/span>\u00a0una<\/span> representaci\u00f3n<\/span> teatral<\/span> donde<\/span> la realidad<\/span> se trastoca<\/span>, los personajes<\/span> se vuelven<\/span> int\u00e9rpretes<\/span> de otra<\/span> historia<\/span> que<\/span> es<\/span> el eje<\/span> central de la pel\u00edcula<\/span>, las<\/span> negociaciones<\/span> del abogado<\/span> Donovan a tres<\/span> bandas<\/span>, (USA, Alemania<\/span> Oriental y la URSS<\/span>), para<\/span> conseguir<\/span> el canje<\/span> de Gary Powers por<\/span> el esp\u00eda<\/span> Rudolf Abel, el lugar<\/span>: el <\/span>puente<\/span> Glienicke<\/span> en Potsdam,\u00a0<\/span>el puente<\/span> de los esp\u00edas<\/span><\/b>.<\/span><\/p>\n

En esta<\/span> pel\u00edcula<\/span>, la m\u00fasica<\/span> no la firma John Williams, el habitual de Spielberg, sino<\/span> Thomas Newman. El guion<\/span> es<\/span> de Matt Charman<\/span>, reescrito<\/span> por<\/span> los hermanos<\/span> Coen<\/span>.\u00a0Una<\/span> interpretaci\u00f3n<\/span> cl\u00e1sica<\/span> de Tom Hanks, actor fetiche<\/span> de Spielberg, y una<\/span> sorprendente<\/span> actuaci\u00f3n<\/span> de Mark Rylance<\/span>, en ese<\/span> papel<\/span> de esp\u00eda<\/span> impasible<\/span> que<\/span> no se altera<\/span> ni<\/span> en sus<\/span> peores<\/span> momentos<\/span>,\u00a0ambientaci\u00f3n<\/span> muy<\/span> cuidada<\/span>, con una<\/span> reconstrucci\u00f3n<\/span> hist\u00f3rica<\/span> de los tejemanejes<\/span> de la guerra<\/span> fr\u00eda<\/span>, las<\/span> relaciones<\/span> dif\u00edciles<\/span> de los dos bloques<\/span> con sus<\/span> miedos<\/span> y sus<\/span> paranoias, el levantamiento<\/span> del muro<\/span> de Berl\u00edn<\/span> y la tensi\u00f3n<\/span> al borde<\/span> de la guerra<\/span> real. Pel\u00edcula<\/span> con muchas<\/span> escenas<\/span> de bella<\/span> factura<\/span>, con esos<\/span> paralelismos<\/span> visuales<\/span> del viaje<\/span> en metro, las<\/span> im\u00e1genes<\/span> en el peligroso<\/span> Berlin y en el libre<\/span> Nueva<\/span> York. Un thriller de ritmo<\/span> pausado<\/span> con tensi\u00f3n<\/span> contenida<\/span>,\u00a0 que<\/span> se aleja<\/span> de los arquetipos<\/span> al uso<\/span> de esas<\/span> pel\u00edculas<\/span> de acci\u00f3n<\/span> con superespias<\/span> ejecutivos<\/span>. El puente<\/span> de los esp\u00edas<\/span> recuerda<\/span> aquellas<\/span> pel\u00edculas<\/span> de espionaje<\/span> donde<\/span> los valores<\/span> de los \u201ch\u00e9roes\u201d<\/span> an\u00f3nimos<\/span> superan<\/span> la grandilocuencia<\/span> del poder<\/span> del estado<\/span> y sus<\/span> dirigentes<\/span>.<\/span><\/p>\n

Entretenida<\/span> pel\u00edcula<\/span> para<\/span> amenizar<\/span> estas<\/span> fiestas navide\u00f1as<\/span>, con la solvencia<\/span> de un director que<\/span> sabe<\/span> utilizar<\/span> los resortes<\/span> melodram\u00e1ticos<\/span> para<\/span> conseguir<\/span> arrastrar<\/span> al espectador<\/span> en esta<\/span> historia<\/span> basada<\/span> en hechos<\/span> reales<\/span>, con el sello<\/span> Spielberg. \u00a0 \u00a0 \u00a0<\/span><\/p>\n

Estreno<\/span>: 4 de diciembre<\/span> de 2015<\/span><\/p>\n

\"alt\"<\/span><\/p>\n

Director: Steven Spielberg<\/span><\/p>\n

Reparto<\/span>: Tom Hanks, Mark Rylance<\/span>, Scott Shepherd, Amy Ryan, Sebastian Koch, Alan Alda\u2026<\/span><\/span><\/p>","protected":false},"excerpt":{"rendered":"

‘El puente de los esp\u00edas’ nos transporta a los tiempos de la guerra fr\u00eda, una pel\u00edcula de esp\u00edas al estilo de los cl\u00e1sicos, con unos \u201ch\u00e9roes\u201d tan humanizados como cotidianos en el cine de Spielberg<\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8433","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\n'El puente de los esp\u00edas' - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-puente-de-los-espias\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'El puente de los esp\u00edas' - 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