{"id":8393,"date":"2015-11-26T07:03:22","date_gmt":"2015-11-26T07:03:22","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-objetivo-no-es-reir-es-mala-ostia\/"},"modified":"2021-04-11T18:08:26","modified_gmt":"2021-04-11T16:08:26","slug":"el-objetivo-no-es-reir-es-mala-ostia","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-objetivo-no-es-reir-es-mala-ostia\/","title":{"rendered":"El objetivo no es re\u00edr, es \u00abmala ostia\u00bb"},"content":{"rendered":"

El humor es una de las armas m\u00e1s peligrosas para denunciar los abusos y las injusticias que comete el poder. As\u00ed lo demuestra, por ejemplo, el documental franc\u00e9s precisamente titulado en Espa\u00f1a como El humor como arma<\/em> y que proyect\u00f3 La 2 a principios de este a\u00f1o poco despu\u00e9s del atentado de Par\u00eds en la redacci\u00f3n de la revista sat\u00edrica Charlie Hebdo<\/em> (un recuerdo que vive ahora m\u00e1s que nunca en las memorias de los franceses).<\/p>\n

\"alt\"<\/p>\n

As\u00ed<\/span>, partiendo<\/span> de esta<\/span> premisa<\/span>, el Col\u00b7legi<\/span> de Periodistes<\/span> de Catalunya<\/span> se plante\u00f3<\/span> las<\/span> siguientes<\/span> preguntas<\/span>: \u201c\u00bfCu\u00e1l<\/span> es<\/span> la percepci\u00f3n<\/span> internacional<\/span> alrededor<\/span> de la situaci\u00f3n<\/span> de los derechos<\/span> laborales<\/span>? \u00bfSe respetan<\/span> los derechos<\/span> laborales<\/span> de las<\/span> personas trabajadoras<\/span>?\u201d Con estos<\/span> interrogantes<\/span> en mente<\/span>, esta<\/span> instituci\u00f3n<\/span> lanz\u00f3<\/span> al mundo<\/span> la convocatoria<\/span> del Primer Concurso<\/span> Internacional<\/span> de Humor Gr\u00e1fico<\/span> sobre<\/span> Derechos<\/span> Laborales<\/span> (entre<\/span> el 9 de julio<\/span> y el 31 de agosto<\/span>). La respuesta<\/span> fue<\/span> un \u00e9xito<\/span>: m\u00e1s<\/span> de 700 obras<\/span> de 265 autores<\/span> y autoras<\/span> desde<\/span> 56 estados<\/span> del mundo<\/span> (China, Chipre<\/span>, Cuba, Costa Rica, B\u00e9lgica<\/span>, Canad\u00e1<\/span>, Estados<\/span> Unidos<\/span>, entre<\/span> muchos<\/span> otros<\/span>).<\/p>\n

Organizado<\/span> por<\/span> la CGT<\/span> de Catalu\u00f1a<\/span> y la Associaci\u00f3<\/span> Oliva<\/span>, el certamen<\/span> cont\u00f3<\/span> con un jurado<\/span> compuesto<\/span> por<\/span> 5 personalidades<\/span> que<\/span> ten\u00edan<\/span> que<\/span> seleccionar<\/span>, entre<\/span> m\u00e1s<\/span> de 13 kilos de papel<\/span>, los 7 trabajos<\/span> que<\/span> ser\u00edan<\/span> premiados<\/span>. Esta<\/span> compleja<\/span> tarea<\/span> les correspondi\u00f3<\/span> al periodista<\/span> cr\u00edtico<\/span> marroqu\u00ed<\/span> Ali Lmrabet<\/span>, al caricaturista<\/span> catal\u00e1n<\/span> Jaume<\/span> Capdevila<\/span> (conocido<\/span> por<\/span> el pseud\u00f3nimo<\/span> Kap<\/span>), a la abogada<\/span> Mireia<\/span> Baz<\/span>, al trabajador<\/span> social y miembro<\/span> de la CGT<\/span> Mois\u00e8s<\/span> Rial y, finalmente<\/span>, a la colaboradora<\/span> de la asociaci\u00f3n<\/span> Oliva<\/span> Paloma<\/span> Fuentes.<\/p>\n

En el acto<\/span> p\u00fablico<\/span> celebrado<\/span> el pasado<\/span> 18 de noviembre<\/span> en la Aula<\/span> Ronda se reconocieron<\/span> los \u00a0diversos<\/span> trabajos<\/span> presentados<\/span> y la resoluci\u00f3n<\/span> del concurso<\/span>. Los diferentes<\/span> miembros<\/span> del jurado<\/span> dejaron<\/span> clara<\/span> su<\/span> frustraci\u00f3n<\/span> ante una<\/span> situaci\u00f3n<\/span> de cambios<\/span> legislativos<\/span> que<\/span> van a peor<\/span>, con la eliminaci\u00f3n<\/span> de derechos<\/span> fundamentales<\/span> y la precarizaci\u00f3n<\/span>. \u201cPresumimos<\/span> de vivir<\/span> en una<\/span> sociedad<\/span> democr\u00e1tica<\/span> de derechos<\/span> pero<\/span> no es<\/span> as\u00ed\u201d<\/span>, insisti\u00f3<\/span> Francesc<\/span> Sol, coordinador<\/span> del certamen<\/span> junto<\/span> a Mois\u00e8s<\/span> Rial.<\/p>\n

\"alt\"<\/p>\n

Tras<\/span> el an\u00e1lisis<\/span> de algunas<\/span> de las<\/span> obras<\/span>, nadie<\/span> del p\u00fablico<\/span> se ri\u00f3<\/span>. Al menos<\/span>, no en el sentido<\/span> positivo<\/span>. De hecho<\/span>, como<\/span> advirti\u00f3<\/span> Sol, \u201cel objetivo<\/span> no es<\/span> re\u00edr<\/span>, es<\/span> como<\/span> de mala<\/span> ostia\u201d<\/span>. Las creaciones<\/span> son representaciones<\/span> impactantes<\/span> (algunas<\/span> muy<\/span> alarmantes<\/span>) de la gravedad<\/span> de la situaci\u00f3n<\/span> por<\/span> la que<\/span> pasan<\/span> la gran<\/span> mayor\u00eda<\/span> de trabajadores<\/span> en todo<\/span> el mundo<\/span>. En este<\/span> sentido<\/span>, lo m\u00e1s<\/span> extraordinario<\/span> es<\/span> c\u00f3mo<\/span> se parecen<\/span> y c\u00f3mo<\/span> se repiten<\/span> estas<\/span> circunstancias<\/span> de precariedad<\/span> de una<\/span> punta<\/span> del mundo<\/span> a otra<\/span>. Un motivo<\/span> o tema<\/span> recurrente<\/span> en las<\/span> creaciones<\/span> de los artistas<\/span> es<\/span> el trabajo<\/span> infantil<\/span>. Es<\/span> tan importante<\/span> su<\/span> presencia<\/span> en las<\/span> obras<\/span> de este<\/span> certamen<\/span> que<\/span> sus<\/span> coordinadores<\/span> est\u00e1n<\/span> pensando<\/span> en contar<\/span> con una<\/span> secci\u00f3n<\/span> dedicada<\/span> exclusivamente<\/span> a este<\/span> tema<\/span>. Con todo<\/span>, de cara<\/span> al futuro<\/span> hay algunas<\/span> cuestiones<\/span> en el aire<\/span> en cuanto<\/span> a la organizaci\u00f3n<\/span>. Sin embargo, lo que<\/span> tienen<\/span> claro<\/span> el jurado<\/span> y los coordinadores<\/span> es<\/span> celebrar<\/span> el certamen<\/span> cada<\/span> dos a\u00f1os<\/span> debido<\/span> al gran<\/span> volumen<\/span> de trabajo<\/span> que<\/span> supone<\/span>. Adem\u00e1s<\/span>, actualmente<\/span> los organizadores<\/span> est\u00e1n<\/span> ocupados<\/span> en el micro mecenazgo<\/span> a partir<\/span> de la plataforma<\/span> Verkami<\/span> (http:\/\/www.verkami.com\/projects\/13218-els-drets-laborals-al-mon-des-de-lhumor-grafic<\/span><\/a>) para<\/span> conseguir<\/span> proyectar<\/span> los trabajos<\/span> en forma de libros<\/span> y exposiciones<\/span>, as\u00ed<\/span> como<\/span> convertirlo<\/span> en material pedag\u00f3gico<\/span> para<\/span> las<\/span> escuelas<\/span>.<\/p>\n

El gran<\/span> testimonio<\/span> que<\/span> ha vivido<\/span> en su<\/span> propia<\/span> piel<\/span> los efectos<\/span> directos<\/span> de la represi\u00f3n<\/span> a la hora<\/span> de ejercer<\/span> la libertad<\/span> de expresi\u00f3n<\/span> es<\/span> el periodista<\/span> marroqu\u00ed<\/span> Ali Lmrabet<\/span> (Tetu\u00e1n<\/span>, 1959).\u00a0 Lmrabet<\/span> fue<\/span> acusado<\/span> en Marruecos<\/span> de diferentes<\/span> \u201ccr\u00edmenes\u201d<\/span> como<\/span> atentado<\/span> contra la integridad<\/span> y contra la monarqu\u00eda<\/span>, entre<\/span> muchos<\/span> otros<\/span>. Por<\/span> ejercer<\/span> su<\/span> trabajo<\/span> como<\/span> periodista<\/span> cr\u00edtico<\/span> a trav\u00e9s<\/span> de sus<\/span> dibujos<\/span>, en 2003 fue<\/span> condenado<\/span> a prisi\u00f3n<\/span> e inhabilitado<\/span> durante<\/span> 10 a\u00f1os<\/span> para<\/span> ejercer<\/span> su<\/span> profesi\u00f3n<\/span> (2005-2015), adem\u00e1s<\/span> de ser<\/span> el director de los semanarios<\/span> sat\u00edricos<\/span> censurados<\/span> Demain<\/span> Magazine <\/em>y Douman<\/span><\/em>. \u201cEn ning\u00fan<\/span> otro<\/span> pa\u00eds<\/span> pasa<\/span> esto<\/span>, soy el \u00fanico<\/span> periodista<\/span> del mundo<\/span> que<\/span> se encuentra<\/span> en esta<\/span> situaci\u00f3n\u201d<\/span>, declar\u00f3<\/span> Lmrabet<\/span> en el pasado<\/span> acto<\/span>. Esta<\/span> gran<\/span> injusticia<\/span> tuvo<\/span> proyecci\u00f3n<\/span> internacional<\/span>, especialmente<\/span> a ra\u00edz<\/span> de la huelga<\/span> de hambre<\/span> de Lmrabet<\/span> durante<\/span> 35 d\u00edas<\/span> ante el Consejo<\/span> de Derechos<\/span> Humanos<\/span> de la ONU<\/span> en Ginebra<\/span> despu\u00e9s<\/span> de que<\/span> las<\/span> autoridades<\/span> de su<\/span> ciudad<\/span> natal le denegasen<\/span> un certificado<\/span> de residencia<\/span> con el que<\/span> poder<\/span> renovar<\/span> el documento<\/span> de identidad<\/span> y el pasaporte<\/span>.<\/p>\n

Ahora<\/span>, tras<\/span> tantos<\/span> a\u00f1os<\/span> turbulentos<\/span> en defensa<\/span> de los derechos<\/span> de la libertad<\/span> de expresi\u00f3n<\/span>, Ali Lmrabet<\/span> tiene<\/span> clara<\/span> la respuesta<\/span> a la pregunta<\/span> \u201c\u00bfqu\u00e9<\/span> va<\/span> a hacer<\/span> ahora<\/span>? \u00bfLo dejar\u00e1<\/span>?\u201d. Rotundamente<\/span> responde<\/span> \u201cNo\u201d.<\/p>\n

\"alt\"<\/p>\n

\"alt\"<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

El humor es una de las armas m\u00e1s peligrosas para denunciar los abusos y las injusticias que comete el poder. As\u00ed lo demuestra, por ejemplo, el documental franc\u00e9s precisamente titulado en Espa\u00f1a como El humor como arma y que proyect\u00f3 La 2 a principios de este a\u00f1o poco despu\u00e9s del […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-8393","post","type-post","status-publish","format-standard","hentry","category-cultura"],"yoast_head":"\nEl objetivo no es re\u00edr, es "mala ostia" - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-objetivo-no-es-reir-es-mala-ostia\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El objetivo no es re\u00edr, es "mala ostia" - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"El humor es una de las armas m\u00e1s peligrosas para denunciar los abusos y las injusticias que comete el poder. As\u00ed lo demuestra, por ejemplo, el documental franc\u00e9s precisamente titulado en Espa\u00f1a como El humor como arma y que proyect\u00f3 La 2 a principios de este a\u00f1o poco despu\u00e9s del […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/el-objetivo-no-es-reir-es-mala-ostia\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/revistarambla\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-26T07:03:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-11T16:08:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i1.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/dibujo-revistarambla-00.jpg?fit=682%2C430&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"430\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"R@mbla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"R@mbla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/\"},\"author\":{\"name\":\"R@mbla\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\"},\"headline\":\"El objetivo no es re\u00edr, es \u00abmala ostia\u00bb\",\"datePublished\":\"2015-11-26T07:03:22+00:00\",\"dateModified\":\"2021-04-11T16:08:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/\"},\"wordCount\":825,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/dibujo-revistarambla-01.jpg\",\"articleSection\":[\"Cultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/el-objetivo-no-es-reir-es-mala-ostia\\\/\",\"name\":\"El objetivo no es re\u00edr, es \\\"mala ostia\\\" - 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