{"id":8350,"date":"2015-11-23T06:10:49","date_gmt":"2015-11-23T06:10:49","guid":{"rendered":"https:\/\/www.revistarambla.com\/casi-como-ninos-antoine-boyer-y-samuelito\/"},"modified":"2021-04-12T17:21:47","modified_gmt":"2021-04-12T15:21:47","slug":"casi-como-ninos-antoine-boyer-y-samuelito","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/casi-como-ninos-antoine-boyer-y-samuelito\/","title":{"rendered":"Casi como ni\u00f1os: Antoine Boyer y Samuelito"},"content":{"rendered":"

Viernes<\/span> noche<\/span>. Viajo<\/span> a L’Hospitalet<\/span> para<\/span> asistir<\/span> al Concierto<\/span> Homenaje<\/span> a Paco<\/span> de Luc\u00eda<\/span> que<\/span> se celebra<\/span> en el Teatre<\/span> Joventut<\/span> , dentro<\/span> del marco<\/span> del Festival Django<\/span> LH<\/span> (organizado<\/span> por<\/span> un apasionado<\/span> Albert Bello) y descubrir<\/span> a Antoine Boyer y Samuelito<\/span>.<\/p>\n

Antoine Boyer ha bebido<\/span> de las<\/span> fuentes<\/span> m\u00e1s<\/span> aut\u00e9nticas<\/span> de jazz gitano<\/span>, aventajado<\/span> disc\u00edpulo<\/span> de Mandino<\/span> Reinhardt<\/span> y Francis-Alfred Moerman<\/span>. Tiene<\/span> varios<\/span> trabajos<\/span> publicados<\/span> y ha sido<\/span> premiado<\/span> en varias<\/span> ocasiones<\/span> con prestigiosos<\/span> galardones.Este a\u00f1o<\/span>, adem\u00e1s<\/span>, ha obtenido<\/span> el primer puesto<\/span> en el Concurso<\/span> de Guitarra<\/span> Cl\u00e1sica<\/span> Montigny<\/span>.<\/p>\n

Samuel Rouesnel<\/span>, \u201cSamuelito\u201d<\/span>, empieza<\/span> su<\/span> formaci\u00f3n<\/span> musical a la temprana<\/span> edad<\/span> de seis<\/span> a\u00f1os<\/span> estudiando<\/span> guitarra<\/span> cl\u00e1sica<\/span> en el conservatorio<\/span> de Caen<\/span>,su<\/span> ciudad<\/span> natal, y con ocho<\/span> ya<\/span> estaba<\/span> sumergi\u00e9ndose<\/span> en la m\u00fasica<\/span>, ritmos<\/span> y cultura<\/span> flamencos. Da<\/span> su<\/span> primer concierto<\/span> con 16 a\u00f1os<\/span>. En 2012 recibe<\/span> el Primer Premio<\/span> de Guitarra<\/span> Cl\u00e1sica<\/span> en el Concurso<\/span> de\u00a0 Albi<\/span>, en 2013 el Primer Premio<\/span> de\u00a0 Guitarra<\/span> Flamenca<\/span> de Albi<\/span>, y el mismo<\/span> a\u00f1o<\/span> el SegundoPremio<\/span> del Concours<\/span> International de Guitare<\/span> d’Antony<\/span>.<\/p>\n

En el teatro<\/span> se respira<\/span> un ambiente<\/span> familiar. Cuento<\/span> varios<\/span> infantes<\/span> que<\/span> sospecho<\/span> son alumnos<\/span> de la EMCA<\/span> (escola<\/span> de m\u00fasica-centre<\/span> de les arts de L’Hospitalet<\/span>, donde<\/span> Bello es<\/span> docente<\/span>).<\/p>\n

La sala<\/span> queda<\/span> a oscuras<\/span>. Se ilumina<\/span> el escenario<\/span> y entran<\/span> nuestros<\/span> dos artistas<\/span>. Antoine, pelo<\/span> emmara\u00f1ado<\/span>, y Samuelito<\/span> bien<\/span> peinado<\/span>. Ambos<\/span> rubios<\/span> y muy<\/span>, muy<\/span> j\u00f3venes<\/span>.<\/p>\n

El primer tema<\/span> es<\/span> de Paco<\/span> de Luc\u00eda<\/span>. Comienza<\/span> Samuelito<\/span> con firmeza<\/span> y desenvoltura<\/span> y sorprende<\/span>, cuando<\/span> se une<\/span>, la guitarra<\/span> de Antoine con un sonido<\/span> de metal susurrante<\/span> que<\/span> contrasta<\/span> con la determinaci\u00f3n<\/span> de la flamenca<\/span>. Se revelan<\/span> ambos<\/span> como<\/span> virtuosos. Virtuoso digitador<\/span> Samuelito<\/span>, prestidigitador<\/span> Antoine. Tierra el primero<\/span>, apasionado<\/span> en su<\/span> ejecuci\u00f3n<\/span>, y aire<\/span> el segundo<\/span>, amante<\/span> de disonancias<\/span> y ensortijados<\/span> juegos<\/span> arm\u00f3nicos<\/span>. Fuego los dos.<\/p>\n

Contin\u00faan<\/span> con una<\/span> composici\u00f3n<\/span> de Antoine de pasajes<\/span> difrenciados<\/span> y una<\/span> gran<\/span> fuerza<\/span> donde<\/span>, por<\/span> momentos<\/span>, parece<\/span> que<\/span> se cuele<\/span> un tango (argentino<\/span>).<\/p>\n

Ahora<\/span> nos anuncia<\/span> Samuelito<\/span> (que<\/span> es<\/span> el que<\/span> se dirige<\/span> a nosotros<\/span>, dado que<\/span> habla<\/span> castellano<\/span>) un tema<\/span>\u00a0\u00a0\u00a0\u00a0 del que<\/span> nos asegura<\/span> que<\/span> adivinaremos<\/span> el autor<\/span>. En los primeros<\/span> acordes<\/span> descubrimos<\/span> el Starman<\/span>, de Bowie. Parece<\/span> que<\/span> les divierte<\/span> versionar<\/span> este<\/span> tema<\/span>, de alguna<\/span> manera<\/span> les devuelve<\/span> a su<\/span> edad<\/span> real. Pero<\/span> qu\u00e9<\/span> juego<\/span>, qu\u00e9<\/span> viaje<\/span>.<\/p>\n

Samuelito<\/span> sue\u00f1a<\/span> que<\/span> una<\/span> guitarra<\/span> Manouche<\/span> llega<\/span> al flamenco y compone<\/span> con Antoine \u201cSi fuera<\/span> Realidad\u201d<\/span> una<\/span> canci\u00f3n<\/span> que<\/span> comienza<\/span> como<\/span> una<\/span> trova<\/span> y estalla<\/span> en rabiosa<\/span> buler\u00eda<\/span>.<\/p>\n

Se queda<\/span> solo Samuelito<\/span> para<\/span> enfrentarse<\/span> a un tanguillo<\/span> de Paco<\/span> de Luc\u00eda<\/span> (en un momento<\/span> llega<\/span> a jalearse<\/span> a s\u00ed<\/span> mismo<\/span>).<\/p>\n

Le llega<\/span> el turno<\/span> a Antoine de quedarse<\/span> solo. Tantea<\/span> el traste<\/span> antes de comenzar<\/span>, le habla<\/span>… y lo acompa\u00f1amos<\/span> en su<\/span> maravillosa<\/span> locura<\/span> de armonias<\/span> transgresoras<\/span> y vanguardistas<\/span>, nos lleva<\/span> volando<\/span> a su<\/span> mundo<\/span> complejo<\/span> de sofisticadas<\/span> texturas<\/span> y nos posa<\/span> delicadamente<\/span> en un fin\u00edsimo<\/span> pizzicato final.<\/p>\n

Algunos<\/span> temas<\/span> m\u00e1s<\/span> de Paco<\/span>, otro<\/span> de Antoine, por<\/span> supuesto<\/span> uno<\/span> de Reinhardt<\/span>, un Invierno<\/span> de Vivaldi aplaudid\u00edsimo<\/span>… y dos bises<\/span> por<\/span> aclamaci\u00f3n<\/span> (El \u201cSpain\u201d de Corea<\/span>, uno<\/span> de ellos<\/span>, que<\/span> te<\/span> quitaba<\/span> el sentido<\/span>).<\/p>\n

Me quito<\/span> el sombrero ante estos<\/span> dos artistas<\/span> que<\/span> transmiten<\/span> complicidad<\/span>, afecto<\/span> y admiraci\u00f3n<\/span> mutuos<\/span>. Un placer verlos<\/span>. Un placer haberlos<\/span> visto<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Viernes noche. Viajo a L’Hospitalet para asistir al Concierto Homenaje a Paco de Luc\u00eda que se celebra en el Teatre Joventut , dentro del marco del Festival Django LH (organizado por un apasionado Albert Bello) y descubrir a Antoine Boyer y Samuelito. Antoine Boyer ha bebido de las fuentes m\u00e1s […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-8350","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nCasi como ni\u00f1os: Antoine Boyer y Samuelito - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/casi-como-ninos-antoine-boyer-y-samuelito\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Casi como ni\u00f1os: Antoine Boyer y Samuelito - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Viernes noche. 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