{"id":8283,"date":"2015-11-18T09:29:43","date_gmt":"2015-11-18T09:29:43","guid":{"rendered":"https:\/\/www.revistarambla.com\/finaliza-el-festival-de-casa-asia-2015\/"},"modified":"2021-04-12T17:48:03","modified_gmt":"2021-04-12T15:48:03","slug":"finaliza-el-festival-de-casa-asia-2015","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/finaliza-el-festival-de-casa-asia-2015\/","title":{"rendered":"Finaliza el festival de Casa Asia 2015"},"content":{"rendered":"

En los cines Girona<\/span> de Barcelona se han<\/span> proyectado<\/span> unas<\/span> 52 pel\u00edculas<\/span> que<\/span> representan<\/span> a la filmograf\u00eda<\/span> de m\u00e1s<\/span> de 20 pa\u00edses<\/span>. Una<\/span> buena<\/span> representaci\u00f3n<\/span> de pa\u00edses<\/span> que<\/span> normalmente<\/span> no estrenan<\/span> en las<\/span> salas<\/span> de cine comerciales<\/span>, pel\u00edculas<\/span> de diferentes<\/span> tem\u00e1ticas<\/span>: hist\u00f3ricos<\/span>, thrillers, condici\u00f3n<\/span> femenina<\/span>, denuncias<\/span> sociales<\/span>, fantas\u00eda<\/span>, animaci\u00f3n<\/span>, dramas, y pocas<\/span> comedias\u2026<\/span>\u00a0\u00a0Jap\u00f3n<\/span>, China, Corea<\/span> e Iran son las<\/span> que<\/span> aportan<\/span> m\u00e1s<\/span> pel\u00edculas<\/span>, algunas<\/span> de gran<\/span> calidad<\/span> \u00a0que<\/span> a buen<\/span> seguro<\/span> se podr\u00e1n<\/span> ver<\/span> en las<\/span> salas<\/span> comerciales<\/span>. Algunos<\/span> cambios<\/span> de programaci\u00f3n<\/span> y cambios<\/span> horarios<\/span> de \u00faltima<\/span> hora<\/span>, pero<\/span> con una<\/span> buena<\/span> asistencia<\/span> media, al menos<\/span> en las<\/span> sesiones<\/span> de las<\/span> 20 y 22 horas<\/span>, ya<\/span> que<\/span> no tengo<\/span> datos<\/span> de las<\/span> otras<\/span> sesiones<\/span>.<\/p>\n

\"alt\"<\/p>\n

Un certamen<\/span> que<\/span> concede premios<\/span> diversos<\/span>, el premio<\/span> a la mejor<\/span> pel\u00edcula<\/span> del festival Casa Asia 2015, ha sido<\/span> para<\/span> Haemoo<\/span> (Niebla<\/span>)<\/b>, primera<\/span> obra<\/span> del guionista<\/span> y ahora<\/span> director Bong Joon-ho<\/span>. Un trepidante<\/span> y crudo<\/span> thriller sin concesiones<\/span> que<\/span> mantiene<\/span> la tensi\u00f3n<\/span> desde<\/span> el primer minuto<\/span>. Un viejo<\/span> pesquero<\/span> capitaneado<\/span> por<\/span> Kang Chui-joo<\/span>, un patr\u00f3n<\/span> que<\/span> arrastra<\/span> una<\/span> crisis econ\u00f3mica<\/span> y personal, pero<\/span> como<\/span> la necesidad<\/span> obliga<\/span> acepta<\/span> un trabajo<\/span> equivocado<\/span>: el transporte<\/span> y traslado<\/span> de emigrantes<\/span> clandestinos<\/span> chino-coreanos<\/span>, desde<\/span> alta<\/span> mar a tierra<\/span>. Una<\/span> variopinta<\/span> tripulaci\u00f3n<\/span> se enfrentar\u00e1<\/span> a una<\/span> macabra<\/span> pesadilla<\/span>.<\/p>\n

Haemoo<\/span> nos deja<\/span> un drama que<\/span> mezcla<\/span>, necesidad<\/span>, amor, miseria<\/span>, mala<\/span> conciencia<\/span>, fatalidad<\/span> y muerte<\/span>. El resultado<\/span> es<\/span> un trabajo<\/span> fren\u00e9tico<\/span> lleno<\/span> de fuertes<\/span> escenas<\/span> y una<\/span> buena<\/span> interpretaci\u00f3n<\/span> coral, donde<\/span> destaca<\/span> Yun-seok<\/span> kim<\/span>, uno<\/span> de los mejores<\/span> actores<\/span> coreanos<\/span>. Pel\u00edcula<\/span> que<\/span> quiz\u00e1s<\/span> se ver\u00e1<\/span> en salas<\/span> comerciales<\/span>.<\/p>\n

\"alt\"<\/p>\n

La pel\u00edcula<\/span> que<\/span> abri\u00f3<\/span> el certamen<\/span> fu\u00e9<\/span>, The Golden Era<\/b>, de la realizadora<\/span> Ann Hui<\/span>, un repaso<\/span> a la era dorada<\/span> china, antes del triunfo<\/span> de la revoluci\u00f3n<\/span>, donde<\/span> la directora<\/span> nos traslada<\/span> desde<\/span> principios<\/span> del siglo<\/span> XX, hasta<\/span> la invasi\u00f3n<\/span> japonesa<\/span> de China, esos<\/span> a\u00f1os<\/span> sirven<\/span> para<\/span> hacer<\/span> un biopic<\/span> de la escritora<\/span> Xiao<\/span> Hong, considerada<\/span> hoy<\/span> en d\u00eda<\/span> como<\/span> la mejor<\/span> escritora<\/span> de la china moderna<\/span>, una<\/span> recreaci\u00f3n<\/span> del mundo<\/span> intelectual<\/span> chino, poetas<\/span> y escritores<\/span> pasan<\/span> por<\/span> la vida<\/span> de esta<\/span> escritora<\/span> que<\/span> representa<\/span> una<\/span> nueva<\/span> mujer<\/span> en esa<\/span> China patriarcal<\/span> obsoleta<\/span>, a los que<\/span> no son expertos<\/span> en literatura<\/span> china les puede<\/span> sonar extra\u00f1os<\/span> el baile<\/span> de nombres<\/span> de los diferentes<\/span> personajes<\/span>\u00a0que<\/span> aparecen<\/span> en las<\/span> casi<\/span> tres<\/span> horas<\/span> de metraje<\/span>. El resultado<\/span> es<\/span> bueno<\/span>, con una<\/span> buena<\/span> ambientaci\u00f3n<\/span>, buenas<\/span> interpretaciones<\/span>, pero<\/span> demasiado<\/span> uniforme<\/span> y fr\u00eda<\/span>, con alg\u00fanos<\/span> t\u00f3picos<\/span> sobre<\/span> los artistas<\/span>, como<\/span> las<\/span> penurias<\/span> y calamidades<\/span> del escritor<\/span>.<\/p>\n

Una<\/span> pel\u00edcula<\/span>, donde<\/span> el protagonismo<\/span> de la escritora<\/span> Xiao<\/span> Hong queda<\/span> sepultado<\/span> entre<\/span> tanto<\/span> escritores<\/span> y poetas<\/span> que<\/span> llenan<\/span> las<\/span> distintas<\/span> secuencias<\/span> de The Golden Era, aportaci\u00f3n<\/span> destacada<\/span> del cine de Hong Kong.<\/p>\n

\"alt\"<\/b><\/p>\n

Miss Hokusai<\/span><\/b>, otra<\/span> de las<\/span> pel\u00edculas<\/span> premiadas<\/span> (por<\/span> los espectadores<\/span> jovenes<\/span>), es<\/span> una<\/span> pel\u00edcula<\/span> japonesa<\/span> de animaci\u00f3n<\/span> basada<\/span> en un manga<\/span>, Sarusuberi<\/span> de Hinako<\/span> Sugiura<\/span>. Esta<\/span> pel\u00edcula<\/span> la dirige<\/span> Keiichi<\/span> Hara, y sigue<\/span> casi<\/span> al pie de la letra<\/span> las<\/span> vi\u00f1etas<\/span> del c\u00f3mic<\/span>. Es<\/span> una<\/span> aproximaci\u00f3n<\/span> a O-Ei<\/span>, la hija<\/span> artista<\/span> del gran<\/span> maestro Hokusai<\/span>, uno<\/span> de los artistas<\/span> japoneses<\/span> m\u00e1s<\/span> prol\u00edfico<\/span> y famoso<\/span> de todos<\/span> los tiempos<\/span>. Son cortas<\/span> escenas<\/span> donde<\/span> los personajes<\/span> van mostrando<\/span> la manera<\/span> de trabajar<\/span> del maestro, su<\/span> relaci\u00f3n<\/span> con su<\/span> mujer<\/span> y sus<\/span> hijas<\/span>, con el mundo<\/span> y sus<\/span> disc\u00edpulos<\/span>, un personaje<\/span> cuya<\/span> maestr\u00eda<\/span> y capacidad<\/span> art\u00edstica<\/span> estaba<\/span> re\u00f1ida<\/span> con la falta<\/span> de sensibilidad<\/span> con su<\/span> entorno<\/span> familiar. E-Oi<\/span> puede<\/span> demostrar<\/span> que<\/span> tiene<\/span> dotes y capacidades<\/span> superiores<\/span> a los artistas<\/span> del momento<\/span>, pero<\/span> es<\/span> una<\/span> sombra<\/span> oculta<\/span> a los ojos<\/span> de su<\/span> padre, las<\/span> an\u00e9cdotas<\/span> se suceden<\/span> entre<\/span> la comedia<\/span> y el drama, con una<\/span> buena<\/span> animaci\u00f3n<\/span> que<\/span> juega<\/span> con el 3D y el dibujo<\/span> 2D<\/span>, con un homenaje<\/span> a la obra<\/span> de Hokusai<\/span>, con detalles<\/span> po\u00e9ticos<\/span> y poner<\/span> en un lugar<\/span> preferente<\/span> el valor como<\/span> artista<\/span> de O-Ei<\/span>, Miss Hokusai<\/span>.<\/p>\n

\"alt\"<\/b><\/p>\n

A tale of Love<\/b>, pel\u00edcula<\/span> iran\u00ed<\/span>, dirigida<\/span> por<\/span> Ahmad Ramezan<\/span> Zadeh<\/span>, refleja<\/span> una<\/span> historia<\/span> del Kurdistan en los crudos<\/span> a\u00f1os<\/span> de la Guerra Irak-Iran<\/span>. Halabja<\/span> es<\/span> una<\/span> de las<\/span> poblaciones<\/span> que<\/span> fue<\/span> atacada<\/span> con armas<\/span> qu\u00edmicas<\/span>, un fot\u00f3grafo<\/span> refleja<\/span> el horror del genocidio<\/span> y al mismo<\/span> tiempo<\/span> se enamora<\/span> de una<\/span> bella<\/span> superviviente<\/span>. Pero<\/span> la felicidad<\/span> entre<\/span> tanto<\/span> desastre<\/span>, es<\/span> vol\u00e1til<\/span> y las<\/span> nostalgias<\/span> y la enfermedad<\/span> producida<\/span> por<\/span> las<\/span> secuelas<\/span> del bombardeo<\/span> qu\u00edmico<\/span> llevar\u00e1<\/span> a la pareja<\/span> a una<\/span> nueva<\/span> etapa<\/span> llena<\/span> de incertidumbres<\/span>. Pel\u00edcula<\/span> que<\/span> parece<\/span> un follet\u00edn<\/span> de tarde<\/span> de domingo<\/span> en TV, pero<\/span> que<\/span> sirve<\/span> para<\/span> reivindicar<\/span> los recuerdos<\/span> de ese<\/span> pueblo kurdo<\/span>, que<\/span>\u00a0desde<\/span>\u00a0siempre<\/span> ha sido<\/span> agredido<\/span> por<\/span> el poder<\/span> militar<\/span>, ya<\/span> sea Iraqu\u00ed<\/span>, Turco<\/span> o del ISIS.<\/p>\n

Otras<\/span> pel\u00edculas<\/span> podr\u00edan<\/span> tener<\/span> una<\/span> rese\u00f1a<\/span>, pero<\/span> s\u00f3lo<\/span> las<\/span> vistas en esos<\/span> cuatro<\/span> d\u00edas<\/span> merecen<\/span> estas<\/span> lineas<\/span>, las<\/span> otras<\/span> quiz\u00e1s<\/span> habr\u00e1n<\/span> sido<\/span> m\u00e1s<\/span> interesantes<\/span> y mejor<\/span> que<\/span> las<\/span> visionadas<\/span> pero<\/span> s\u00f3lo<\/span> hablamos<\/span> de lo visto<\/span>. Esperando<\/span> la nueva<\/span> edici\u00f3n<\/span> del festival Casa Asia 2016, agradecer<\/span> a los organizadores<\/span> la posibilidad<\/span> de ver<\/span> cine asi\u00e1tico<\/span> que<\/span>\u00a0la mayor\u00eda<\/span> de\u00a0veces<\/span>\u00a0es<\/span> un cine casi<\/span> invisible que<\/span> s\u00f3lo<\/span> se puede<\/span>\u00a0ver<\/span> en videos o en Internet.<\/p>\n

Pero<\/span> tambi\u00e9n<\/span>\u00a0hemos<\/span> visto<\/span> en Rambla<\/em><\/a><\/strong>\u00a0alguna<\/span>\u00a0pel\u00edcula<\/span>\u00a0que<\/span>\u00a0tienen<\/span> su<\/span> rese\u00f1a<\/span> en otras<\/span> p\u00e1ginas<\/span> de la revista<\/span>. Sharing <\/b>de Makoto<\/span> Shinozaki<\/span><\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

En los cines Girona de Barcelona se han proyectado unas 52 pel\u00edculas que representan a la filmograf\u00eda de m\u00e1s de 20 pa\u00edses. Una buena representaci\u00f3n de pa\u00edses que normalmente no estrenan en las salas de cine comerciales, pel\u00edculas de diferentes tem\u00e1ticas: hist\u00f3ricos, thrillers, condici\u00f3n femenina, denuncias sociales, fantas\u00eda, animaci\u00f3n, dramas, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8283","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nFinaliza el festival de Casa Asia 2015 - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/finaliza-el-festival-de-casa-asia-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Finaliza el festival de Casa Asia 2015 - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"En los cines Girona de Barcelona se han proyectado unas 52 pel\u00edculas que representan a la filmograf\u00eda de m\u00e1s de 20 pa\u00edses. 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