{"id":8263,"date":"2015-11-15T16:31:15","date_gmt":"2015-11-15T16:31:15","guid":{"rendered":"https:\/\/www.revistarambla.com\/contra-el-vicio-de-exigir-mucho-y-no-pagar-al-artista\/"},"modified":"2021-04-12T18:00:24","modified_gmt":"2021-04-12T16:00:24","slug":"contra-el-vicio-de-exigir-mucho-y-no-pagar-al-artista","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/contra-el-vicio-de-exigir-mucho-y-no-pagar-al-artista\/","title":{"rendered":"Contra el vicio de exigir mucho, y no pagar al artista"},"content":{"rendered":"

\"alt\"<\/p>\n

A Paganini<\/span>, cuando<\/span> llegaba<\/span> a una<\/span> ciudad<\/span> para<\/span> ofrecer<\/span> unos<\/span> conciertos<\/span>, toda<\/span> la alta<\/span> sociedad<\/span> le disputaba<\/span>. Era tan grande<\/span> su<\/span> fama<\/span>, que<\/span> no pod\u00eda<\/span> dar<\/span> un paso<\/span> sin que<\/span> se le acercara<\/span> el arist\u00f3crata<\/span> o burgu\u00e9s<\/span> de turno<\/span> a invitarle<\/span> a cenar<\/span> en su<\/span> palacio<\/span>. \u00abTraiga<\/span> su<\/span> viol\u00edn<\/span>\u00ab, a\u00f1ad\u00edan<\/span>, y \u00e9l<\/span> sol\u00eda<\/span> contestar<\/span>: \u00abNo, mi viol\u00edn<\/span> no sopa<\/span>\u00ab.<\/p>\n

Y es que la suposici\u00f3n de que el arte puede pagarse con una<\/span> palmada<\/span> en la espalda<\/span> y una<\/span> frase<\/span> aduladora<\/span> y, como<\/span> mucho<\/span>, una<\/span> cena<\/span>, viene<\/span> de lejos<\/span> y ha llegado<\/span> hasta<\/span> nuestros<\/span> d\u00edas<\/span>. Has probado<\/span> de coger<\/span> nunca<\/span> un taxi y decirle<\/span> al taxista<\/span>: \u00abSi me gusta<\/span> como<\/span> conduces, te<\/span> pagar\u00e9\u00bb? O al sastre: \u00abHazme un vestido as\u00ed y as\u00e1 … y si me gusta como me queda, te pago\u00bb.<\/p>\n

La cosa<\/span> se complica<\/span> con la aparici\u00f3n<\/span> de Internet, herramienta<\/span> m\u00e1gica<\/span> que<\/span> nos ha cambiado<\/span> la forma de comunicarnos<\/span> y de consumir<\/span> cultura<\/span>. Y autom\u00e1ticamente<\/span> se convirti\u00f3<\/span> en una<\/span> zona<\/span> de saqueo<\/span> sistem\u00e1tico<\/span>: es<\/span> tan f\u00e1cil<\/span> descargarse<\/span> cualquier<\/span> contenido<\/span>! Pero<\/span> no todo<\/span> lo que<\/span> puede<\/span> hacerse<\/span> debe<\/span> hacerse<\/span> … La totalidad<\/span> de lo que<\/span> se encuentra<\/span> en la red tiene<\/span> propietario<\/span>, est\u00e9<\/span> especificado<\/span> o no en el lugar<\/span> que<\/span> lo encontramos<\/span>. Si lo tomamos<\/span> sin m\u00e1s<\/span>, y lo usamos<\/span> para<\/span> nuestro<\/span> provecho<\/span>, estamos<\/span> robando<\/span>, as\u00ed<\/span> de claro.<\/p>\n

Es evidente que no todos<\/span> los artistas<\/span> somos<\/span> genios<\/span>, pero<\/span> todos<\/span> somos<\/span> trabajadores<\/span> que<\/span> hemos<\/span> invertido<\/span> muchos<\/span> a\u00f1os<\/span> en perfeccionar<\/span> nuestra<\/span> t\u00e9cnica<\/span>. Y hemos<\/span> tenido<\/span> que<\/span> comprar<\/span> nuestras<\/span> herramientas<\/span> de trabajo<\/span>, y los materiales<\/span> necesarios<\/span> para<\/span> realizar<\/span> nuestras<\/span> obras<\/span>, y pagar<\/span> el alquiler<\/span> de nuestro<\/span> estudio<\/span> … y un largo etc\u00e9tera<\/span> que<\/span> s\u00f3lo<\/span> podr\u00eda sorprender a personas muy despistadas o malintencionadas.<\/p>\n

\u00bfQu\u00e9 tiene de malo que pretendamos cobrar<\/span> un precio<\/span> razonable<\/span> por<\/span> nuestro<\/span> trabajo<\/span>?<\/p>\n

Hay un papanatismo<\/span> muy<\/span> extendido<\/span> entre<\/span> esnobs<\/span> y nuevos<\/span> ricos<\/span>, basado<\/span> en un falso<\/span> romanticismo<\/span>, seg\u00fan<\/span> el cual<\/span> un artista<\/span> s\u00f3lo<\/span> puede<\/span> ser<\/span> muy<\/span> muy<\/span> pobre<\/span> o muy<\/span> muy<\/span> rico<\/span>. Sin t\u00e9rmino<\/span> medio<\/span>. La segunda<\/span> parte<\/span> de esta<\/span> est\u00fapida<\/span> suposici\u00f3n<\/span> es<\/span> que<\/span> el artista<\/span>, cuanto<\/span> m\u00e1s<\/span> pobre<\/span>, m\u00e1s<\/span> enfermo<\/span>, m\u00e1s<\/span> drogado<\/span> … mejor<\/span> crea<\/span>. (Este<\/span> pensamiento<\/span>, adem\u00e1s<\/span> de inmoral<\/span>, roza<\/span> el criminal.) A ver<\/span> si<\/span> nos entendemos<\/span> … aunque<\/span> conozcamos<\/span> casos<\/span> de artistas<\/span> que<\/span> han<\/span> realizado<\/span> una<\/span> gran<\/span> obra<\/span> a pesar<\/span> de sufrir<\/span> terribles<\/span> situaciones<\/span> personales<\/span> de enfermedades<\/span>, adicciones<\/span> y otras<\/span> miserias<\/span> humanas<\/span> , este<\/span> trabajo<\/span> lo han<\/span> realizado<\/span> siempre<\/span> con su<\/span> parte<\/span> sana<\/span>!<\/p>\n

Cabe recordar que el malditismo en el arte<\/span> nace<\/span> en paralelo<\/span> al capitalismo<\/span>, y se ha exagerado<\/span> deliberadamente<\/span> por<\/span> los buitres<\/span> codiciosos<\/span> que<\/span> sobrevuelan<\/span> los cad\u00e1veres<\/span> de artistas<\/span> desafortunados<\/span>, como<\/span> el m\u00e9todo<\/span> m\u00e1s<\/span> barato<\/span>, f\u00e1cil<\/span> y r\u00e1pido<\/span> de promocionar una obra de la que ya no sacar\u00e1 ning\u00fan provecho a su autor.<\/p>\n

Adictos al Verso<\/i><\/p>\n

Arts de Ponente<\/i><\/p>\n

Asociaci\u00f3<\/span> Cultural La Quera<\/span><\/i><\/p>\n

Caf\u00e9<\/span> del Teatre<\/span><\/i><\/p>\n

Escuela<\/span> Ermengol<\/span><\/i><\/p>\n

Escola<\/span> d Escriptura<\/span> de Lleida<\/span><\/i><\/p>\n

Humor\u00e0lia<\/span><\/i><\/p>\n

L Orfe\u00f3<\/span> Lleidat\u00e0<\/span><\/i><\/p>\n

Res Non Verba<\/span><\/i><\/p>\n

Scriptum<\/span><\/i><\/p>","protected":false},"excerpt":{"rendered":"

A Paganini, cuando llegaba a una ciudad para ofrecer unos conciertos, toda la alta sociedad le disputaba. Era tan grande su fama, que no pod\u00eda dar un paso sin que se le acercara el arist\u00f3crata o burgu\u00e9s de turno a invitarle a cenar en su palacio. \u00abTraiga su viol\u00edn\u00ab, a\u00f1ad\u00edan, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-8263","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nContra el vicio de exigir mucho, y no pagar al artista - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/contra-el-vicio-de-exigir-mucho-y-no-pagar-al-artista\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contra el vicio de exigir mucho, y no pagar al artista - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"A Paganini, cuando llegaba a una ciudad para ofrecer unos conciertos, toda la alta sociedad le disputaba. 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