{"id":8259,"date":"2015-11-13T08:25:43","date_gmt":"2015-11-13T08:25:43","guid":{"rendered":"https:\/\/www.revistarambla.com\/hrutar-rams-el-valle-de-los-carneros-grimur-haekonarson-2015\/"},"modified":"2021-04-12T18:02:21","modified_gmt":"2021-04-12T16:02:21","slug":"hrutar-rams-el-valle-de-los-carneros-grimur-haekonarson-2015","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/hrutar-rams-el-valle-de-los-carneros-grimur-haekonarson-2015\/","title":{"rendered":"Hrutar (Rams, El valle de los carneros, Grimur H\u00e4konarson, 2015)"},"content":{"rendered":"

\"alt\"<\/p>\n

Cuando<\/span> tres<\/span> pel\u00edculas<\/span> islandesas<\/span> son reconocidas<\/span> mundialmente<\/span> en festivales<\/span> como<\/span> Cannes, San Sebasti\u00e1n<\/span>, Karlovy<\/span> Vary, Zurich, Locarno<\/span>, Valladolid\u2026.las casualidades<\/span> han<\/span> de dejarse<\/span> aparte<\/span>. Vistas ya<\/span> dos de ellas<\/span>, Hrutar<\/span> y Fusi<\/span>, el espect\u00e1culo<\/span> de una<\/span> cinematograf\u00eda<\/span> pr\u00e1cticamente<\/span> desconocida<\/span> se abre<\/span> como<\/span> un horizonte<\/span> prometedor<\/span>. Un pa\u00eds<\/span> de tan peque\u00f1a<\/span> poblaci\u00f3n<\/span> no puede<\/span> ofrecer<\/span> mucho<\/span> de casi<\/span> ninguna<\/span> profesi\u00f3n<\/span>, un pa\u00eds<\/span> tan inh\u00f3spito<\/span> para<\/span> vivir<\/span> y tan diseminado<\/span> no es<\/span> caldo<\/span> de cultivo<\/span> apropiado<\/span> para<\/span> el diletantismo<\/span>, bastante<\/span> tarea<\/span> hay con soportar<\/span> esas<\/span> condiciones<\/span>, pero<\/span> a una<\/span> d\u00e9cada<\/span> de su<\/span> gran<\/span> recesi\u00f3n<\/span> agrada<\/span> sobremanera<\/span> que<\/span> el nombre<\/span> de Islandia<\/span> se reconozca<\/span> por<\/span> su<\/span> arte<\/span>, ya<\/span> que<\/span> su<\/span> reacci\u00f3n<\/span> ciudadana<\/span> contra la crisis se hizo<\/span> luz<\/span> de gas por<\/span> parte<\/span> de los medios<\/span> de comunicaci\u00f3n<\/span> mayoritarios<\/span>. No conven\u00eda<\/span> que<\/span> el ejemplo<\/span> island\u00e9s<\/span> infectara<\/span> a las<\/span> masas<\/span> adormecidas<\/span> del continente<\/span>, total, era una<\/span> peque\u00f1a<\/span> isla<\/span> a la que<\/span> se pod\u00eda<\/span> permitir<\/span> el esp\u00edritu<\/span> vikingo<\/span> de negarse<\/span> a asumir<\/span> las<\/span> deudas<\/span> de sus<\/span> bancos<\/span> y que<\/span> velase<\/span> por<\/span> los ahorros<\/span> de sus<\/span> nacionales<\/span> frente<\/span> a las<\/span> corporaciones<\/span> brit\u00e1nicas<\/span> que<\/span> hab\u00edan<\/span> esquilmado<\/span> el sistema<\/span>. Ese<\/span> esp\u00edritu<\/span> luchador<\/span>, individualista<\/span>, infatigable<\/span>, pero<\/span> tambi\u00e9n<\/span> comunitario<\/span>, se aprecia<\/span> en estas<\/span> dos pel\u00edculas<\/span>.<\/p>\n

Ese<\/span> virus bancario<\/span> procedente<\/span> del Reino<\/span> Unido<\/span> Hak\u00f6narson<\/span> lo introduce sutilmente<\/span> en la trama<\/span> de \u201cHrutar\u201d<\/span>, un melodrama con tintes<\/span> simp\u00e1ticos<\/span> y de corrosivo<\/span> humor negro<\/span>, en el que<\/span> una<\/span> comunidad<\/span> de ganaderos<\/span> de un valle<\/span> perdido<\/span> de la isla<\/span> queda<\/span> conmocionado<\/span> por<\/span> la noticia<\/span> de que<\/span> a ese<\/span> valle<\/span> ha llegado<\/span> una<\/span> enfermedad<\/span> que<\/span> afecta<\/span> al ganado<\/span> ovino<\/span> (los carneros<\/span> del t\u00edtulo<\/span>), una<\/span> enfermedad<\/span> introducida<\/span> por<\/span> ovejas<\/span> inglesas<\/span> en el siglo<\/span> XIX<\/span>, y que<\/span>, peri\u00f3dicamente<\/span>, asola<\/span> regiones<\/span> del pa\u00eds<\/span> obligando<\/span> a sacrificar<\/span> la totalidad<\/span> del ganado<\/span> y a desinfectar<\/span> las<\/span> granjas<\/span>. Si la noticia<\/span> est\u00e1<\/span> a punto<\/span> de desintegrar<\/span> a la comunidad<\/span>, que<\/span> recibe<\/span> un tiro<\/span> de gracia<\/span> en su<\/span> sacrificada<\/span> y nada boyante<\/span> existencia<\/span> ante el panorama de estar<\/span> un par de a\u00f1os<\/span> sin poder<\/span> criar<\/span> carneros<\/span>, a\u00fan<\/span> m\u00e1s<\/span> tremenda<\/span> resulta<\/span> para<\/span> los dos protagonistas<\/span> de esta<\/span> pel\u00edcula<\/span>, dos hermanos<\/span> antag\u00f3nicos<\/span> y que<\/span> mantienen<\/span> una<\/span> enemistad<\/span> silenciosa<\/span> desde<\/span> hace<\/span> m\u00e1s<\/span> de cuarenta<\/span> a\u00f1os<\/span>. Herederos<\/span> de los carneros<\/span> m\u00e1s<\/span> representativos<\/span> de la zona<\/span>, orgullosos<\/span> de transmitir<\/span> la pureza<\/span> del gen de esa<\/span> raza<\/span>, el sacrificio<\/span> de los carneros<\/span> es<\/span> el fin de la especie<\/span> y el fin de su<\/span> linaje<\/span>. Solteros<\/span>, sesentones<\/span>, sin hijos<\/span>, saben<\/span> que<\/span> cuando<\/span> ellos<\/span> desaparezcan<\/span> desaparecer\u00e1<\/span> la familia<\/span> y el gen dominante<\/span> de la caba\u00f1a<\/span> ganadera<\/span>. El legado<\/span> y el linaje<\/span> que<\/span> representan<\/span> termina<\/span> con ellos<\/span>.<\/p>\n

Gummi<\/span> y Kiddi<\/span> arrastran<\/span> un enfrentamiento<\/span> desde<\/span> su<\/span> juventud<\/span>, arrastran<\/span> un odio<\/span>, m\u00e1s<\/span> visceral en Kiddi<\/span>, por<\/span> razones<\/span> que<\/span> desconocemos<\/span>, aunque<\/span> el diferente<\/span> tratamiento<\/span> que<\/span> el padre les dio<\/span> en el testamento<\/span> podr\u00eda<\/span> encontrarse<\/span> en el origen<\/span>. La finca<\/span> y el ganado<\/span> qued\u00f3<\/span> en manos<\/span> de Gummi<\/span> por<\/span> decisi\u00f3n<\/span> paterna<\/span>, algo<\/span> que<\/span> Kiddi<\/span> no pudo<\/span> aceptar<\/span>, consintiendo<\/span> Gummi<\/span> que<\/span> su<\/span> hermano<\/span> se quedara<\/span> ocupando<\/span> parte<\/span> de la finca<\/span> y la casa paterna<\/span> por<\/span> petici\u00f3n<\/span> de la madre<\/span> de ambos<\/span>. Enfrentados<\/span> y frente<\/span> a frente<\/span>, vecinos<\/span> forzosos<\/span> de tierra<\/span>, casa y ganado<\/span>, ambos<\/span> hermanos<\/span> se mantienen<\/span> sin contacto<\/span> pero<\/span> en permanente<\/span> vigilancia<\/span>, hay mucho<\/span> que<\/span> decirse<\/span> pero<\/span> pocas<\/span> ganas<\/span> de hablarse<\/span>, ni<\/span> un simple buenos<\/span> d\u00edas<\/span> al encontrarse<\/span> cada<\/span> ma\u00f1ana<\/span>. Vigilar\u00e1n<\/span> el ganado<\/span> de cada<\/span> uno<\/span> para<\/span> saber qui\u00e9n<\/span> tiene<\/span> m\u00e1s<\/span> opciones<\/span> de ganar<\/span> el concurso<\/span> anual<\/span>, vigilar\u00e1n<\/span> sus<\/span> idas<\/span> y venidas<\/span>, pero<\/span> su<\/span> rencor<\/span> no les impedir\u00e1<\/span> ayudarse<\/span> cuando<\/span> lo que<\/span> est\u00e1<\/span> en juego<\/span> es<\/span> la vida<\/span> de cualquiera<\/span> de los dos.<\/p>\n

La familia<\/span> como<\/span> origen<\/span> de conflicto<\/span> y como<\/span> fuente<\/span> de insatisfacciones<\/span> no es<\/span> exclusiva<\/span> del cine n\u00f3rdico<\/span>, pero<\/span> tambi\u00e9n<\/span>, y con gran<\/span> acierto<\/span>, daneses<\/span>, suecos<\/span>, noruegos<\/span>, finlandeses<\/span> y ahora<\/span> islandeses<\/span>, captan<\/span> con iron\u00eda<\/span> y dolor el sin n\u00famero<\/span> de da\u00f1os<\/span> directos<\/span> y colaterales<\/span> que<\/span>, cuanto<\/span> m\u00e1s<\/span> cercanos<\/span> nos sintamos<\/span>, somos<\/span> capaces<\/span> de hacernos<\/span>. \u201cHrutar\u201d<\/span> tiene<\/span> la enorme<\/span> ventaja<\/span> de no mostrarnos<\/span> las<\/span> razones<\/span> del odio<\/span>, sino<\/span> las<\/span> consecuencias<\/span>, de no ampararse<\/span> en la complacencia<\/span> bobalicona<\/span> de que<\/span> la sangre<\/span> todo<\/span> lo perdona<\/span> y nos sit\u00faa<\/span>, como<\/span> al resto<\/span> de vecinos<\/span> de estos<\/span> dos hermanos<\/span>, en la observaci\u00f3n<\/span> de su<\/span> comportamiento<\/span> a sabiendas<\/span> de que<\/span> ambos<\/span> han<\/span> dejado<\/span> de tolerarse<\/span>, a la espera<\/span>, incluso<\/span>, de que<\/span> alguna<\/span> ma\u00f1ana<\/span> alguien<\/span> nos diga<\/span> que<\/span> uno<\/span> de ellos<\/span> mat\u00f3<\/span> al otro<\/span> y despu\u00e9s<\/span> se peg\u00f3<\/span> un tiro<\/span>. Esta<\/span> pareja<\/span> de hermanos<\/span> podr\u00edan<\/span> ser<\/span> Ca\u00edn<\/span> y Abel entre<\/span> los hielos<\/span>, y el carnero<\/span> el animal mitol\u00f3gico<\/span> que<\/span> les da<\/span> y mantiene<\/span> con vida<\/span>, solo que<\/span> aqu\u00ed<\/span> no hay un hermano<\/span> bueno<\/span> y otro<\/span> malo<\/span>, sino<\/span> dos hermanos<\/span> enfrentados<\/span> y competitivos<\/span>, que<\/span> sobreviven<\/span> gracias<\/span> a lo que<\/span> los carneros<\/span> ofrecen<\/span> y, por<\/span> qu\u00e9<\/span> no decirlo<\/span>, gracias<\/span> a litros<\/span> de alcohol del m\u00e1s<\/span> fuerte<\/span>.<\/p>\n

La hu\u00edda<\/span> a ninguna<\/span> parte<\/span> representa<\/span> desandar<\/span> el camino<\/span> que<\/span> les separ\u00f3<\/span>, abrazados<\/span> y protegi\u00e9ndose<\/span> de la nieve<\/span> y el fr\u00edo<\/span> gu\u00edan<\/span> a los supervivientes<\/span> del reba\u00f1o<\/span>, los que<\/span> tienen<\/span> que<\/span> mantener<\/span> la herencia<\/span> familiar, la pervivencia<\/span> de un legado<\/span> que<\/span> se les entreg\u00f3<\/span> para<\/span> mantenerlo<\/span> y transmitirlo<\/span>, por<\/span> eso<\/span>, como<\/span> en la historia<\/span> de Benjamin Button, estos<\/span> dos hermanos<\/span> s\u00f3lo<\/span> pueden<\/span> redimirse<\/span> si<\/span> vuelven<\/span> a la infancia<\/span>, al origen<\/span>, al principio<\/span>, abrazados<\/span> desnudos<\/span> dentro<\/span> de una<\/span> cueva<\/span> de hielo<\/span> han<\/span> regresado<\/span> al \u00fatero<\/span> materno<\/span>, al lugar<\/span> donde<\/span> no hab\u00eda<\/span> envidias<\/span> ni<\/span> ofensas<\/span>, al lugar<\/span> desde<\/span> el que<\/span>, si<\/span> consiguen<\/span> salir<\/span>, podr\u00e1n<\/span> recuperar<\/span> el tiempo<\/span> perdido<\/span> y sentirse<\/span> familia<\/span> una<\/span> vez<\/span> m\u00e1s<\/span>. \u201cHrutar\u201d<\/span> es<\/span> una<\/span> pel\u00edcula<\/span> que<\/span> crece<\/span> con el paso<\/span> de los d\u00edas<\/span>, as\u00ed<\/span> como<\/span> su<\/span> final desluce<\/span> la dureza<\/span> y mala<\/span> leche<\/span> del resto<\/span> de la pel\u00edcula<\/span>, la inevitable progresi\u00f3n<\/span> hacia<\/span> el desenlace<\/span> que<\/span> se imagina<\/span>, si<\/span> bien<\/span> molesta<\/span> cuando<\/span> se ve<\/span> la pel\u00edcula<\/span>, pasado<\/span> el tiempo<\/span> se hace<\/span> necesaria<\/span> porque<\/span> es<\/span> una<\/span> historia<\/span> de redenci\u00f3n<\/span> y recuperaci\u00f3n<\/span>. Hay un gesto<\/span> narrativo<\/span> consciente<\/span> y honesto<\/span> en el creador<\/span>, es<\/span> la historia<\/span> que<\/span> ha querido<\/span> contar<\/span> y no nos ha enga\u00f1ado<\/span> para<\/span> ello<\/span>, han<\/span> pasado<\/span> 40 a\u00f1os<\/span> de silencio<\/span> entre<\/span> los hermanos<\/span>, pero<\/span> es<\/span> que<\/span> la epidemia<\/span> no lleg\u00f3<\/span> antes a las<\/span> puertas<\/span> de sus<\/span> casas<\/span>, sino<\/span> es<\/span> posible<\/span> que<\/span> hubieran<\/span> dejado<\/span> de utilizar<\/span> al perro<\/span> para<\/span> comunicarse<\/span> entre<\/span> ellos<\/span> mucho<\/span> antes, ocurre<\/span> cuando<\/span> ha tenido<\/span> que<\/span> ocurrir<\/span>, ni<\/span> antes ni<\/span> despu\u00e9s<\/span>, una<\/span> muy<\/span> recomendable<\/span> pel\u00edcula<\/span> invernal<\/span>.<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Cuando tres pel\u00edculas islandesas son reconocidas mundialmente en festivales como Cannes, San Sebasti\u00e1n, Karlovy Vary, Zurich, Locarno, Valladolid\u2026.las casualidades han de dejarse aparte. Vistas ya dos de ellas, Hrutar y Fusi, el espect\u00e1culo de una cinematograf\u00eda pr\u00e1cticamente desconocida se abre como un horizonte prometedor. Un pa\u00eds de tan peque\u00f1a poblaci\u00f3n […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8259","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nHrutar (Rams, El valle de los carneros, Grimur H\u00e4konarson, 2015) - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/hrutar-rams-el-valle-de-los-carneros-grimur-haekonarson-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hrutar (Rams, El valle de los carneros, Grimur H\u00e4konarson, 2015) - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Cuando tres pel\u00edculas islandesas son reconocidas mundialmente en festivales como Cannes, San Sebasti\u00e1n, Karlovy Vary, Zurich, Locarno, Valladolid\u2026.las casualidades han de dejarse aparte. 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