{"id":8235,"date":"2015-11-11T16:47:22","date_gmt":"2015-11-11T16:47:22","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-clan\/"},"modified":"2021-04-12T18:12:37","modified_gmt":"2021-04-12T16:12:37","slug":"el-clan","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-clan\/","title":{"rendered":"El Clan"},"content":{"rendered":"

\"alt\"<\/p>\n

Sinopsis:<\/em><\/p>\n

Argentina, comienzos de los a\u00f1os \u201880. Detr\u00e1s de la fachada de una t\u00edpica familia del distinguido barrio de San Isidro, se oculta un siniestro clan dedicado al secuestro y asesinato como modo de vida.<\/em><\/p>\n

En Argentina la vida<\/span> y obra<\/span> del clan Puccio<\/span> estremeci\u00f3<\/span> a todos<\/span> los estratos<\/span> de la sociedad<\/span>. En sus<\/span> andanzas<\/span> hab\u00eda<\/span> horror de sobra<\/span> para<\/span> todas<\/span> las<\/span> clases<\/span> sociales<\/span> y est\u00e9ticas<\/span>, para<\/span> los peri\u00f3dicos<\/span> m\u00e1s<\/span> amarillos<\/span>, como<\/span> tambi\u00e9n<\/span> los de cr\u00edtica<\/span> cultural y pol\u00edtica<\/span>: un agente<\/span> de los grupos<\/span> paramilitares<\/span> de la dictadura<\/span> militar<\/span> que<\/span> secuestr\u00f3<\/span> y asesin\u00f3<\/span> e hizo<\/span> desaparecer<\/span> en conjunto<\/span> a unos<\/span> 30 mil militantes<\/span> pol\u00edticos<\/span>, hacia<\/span> el final de la dictadura<\/span> se reconvierte<\/span> en un secuestrador<\/span> y extorsionador<\/span> que<\/span> va<\/span> por<\/span> libre<\/span>. Se le llamaba<\/span> popularmente<\/span> a esta<\/span> condici\u00f3n<\/span>, la mano<\/span> de obra<\/span> desocupada<\/span> de la dictadura<\/span>.<\/p>\n

Hubo<\/span> muchos<\/span> grupos<\/span> paramilitares<\/span> que<\/span> se plegaron<\/span> a esta<\/span> din\u00e1mica<\/span>. Lo que<\/span> distingui\u00f3<\/span> a Arqu\u00edmides<\/span> Puccio<\/span> fue<\/span> que<\/span> los secuestrados<\/span> pasaban<\/span> su<\/span> cautiverio<\/span> en los bajos<\/span> de la casa donde<\/span> habitaba<\/span> la familia<\/span>: hijos<\/span>, hijas<\/span>, mujer<\/span>, todos<\/span> normales<\/span> componentes<\/span> de una<\/span> familia<\/span> que<\/span> al parecer<\/span> no encontraba<\/span> muy<\/span> extra\u00f1o<\/span> que<\/span> sucedieran<\/span> esas<\/span> cosas<\/span> por<\/span> los s\u00f3tanos<\/span> de la casa. Toda<\/span> una<\/span> met\u00e1fora<\/span> siniestra<\/span> de los a\u00f1os<\/span> de dictadura<\/span> y connivencia<\/span> represiva<\/span>.<\/p>\n

La de los Puccio<\/span> es<\/span> una<\/span> de esas<\/span> historias<\/span> que<\/span> mucha<\/span> gente<\/span> denomina<\/span> como<\/span> de pel\u00edcula<\/span>, aunque<\/span> por<\/span> lo general estas<\/span> historias<\/span> que<\/span> parecen<\/span> de pel\u00edcula<\/span> nunca<\/span> son f\u00e1ciles<\/span> de llevar<\/span> a la pantalla<\/span>.<\/p>\n

Pablo Trapero<\/span>, tiene<\/span> ya<\/span> a esta<\/span> altura<\/span> de su<\/span> conocida<\/span> y triunfante<\/span> filmograf\u00eda<\/span>: Mundo<\/span> gr\u00faa<\/span>, El bonaerense<\/span>, Elefante<\/span> Blanco<\/i>, un buen<\/span> background como<\/span> director de cine: controla<\/span> muy<\/span> bien<\/span> la estructura<\/span> de la narraci\u00f3n<\/span>, tiene<\/span> una<\/span> mirada<\/span> personal \u00e1gil<\/span> y contempor\u00e1nea<\/span>, combina<\/span> muy<\/span> bien<\/span> un saber cl\u00e1sico<\/span> de la narrativa<\/span> f\u00edlmica<\/span> y dispone<\/span> el espacio<\/span> f\u00edlmico<\/span> de manera<\/span> interesante<\/span>. Por<\/span> lo general, los actores<\/span> que<\/span> elige<\/span> funcionan<\/span> de maravillas<\/span> en las<\/span> propuestas<\/span> naturalistas<\/span> de este<\/span> cine que<\/span> juega<\/span> a reflejar<\/span> dimensiones<\/span> de la vida<\/span> misma<\/span>.<\/p>\n

Actuaci\u00f3n<\/span>, ritmo<\/span>, inter\u00e9s<\/span> de la historia<\/span>, todos<\/span> estos<\/span> elementos<\/span> est\u00e1n<\/span> muy<\/span> bien<\/span> combinados<\/span> en la pel\u00edcula<\/span>, y sin embargo hay algo<\/span> en esta<\/span> historia<\/span> monstruosa<\/span> que<\/span> la pel\u00edcula<\/span> no acaba<\/span> de mostrar<\/span>.<\/p>\n

Frente<\/span> al hecho<\/span> del clan Puccio<\/span> uno<\/span> no puede<\/span> dejar<\/span> de preguntarse<\/span>, c\u00f3mo<\/span> es<\/span> que<\/span> esta<\/span> familia<\/span> aceptaba<\/span> esta<\/span> condiciones<\/span> de vida<\/span>; c\u00f3mo<\/span> se puede<\/span> convivir<\/span> con el horror de esta<\/span> manera<\/span> tan brutal. Es<\/span> cierto<\/span> que<\/span> la historia<\/span> universal del \u00faltimo<\/span> siglo<\/span> nos da<\/span> datos<\/span> para<\/span> poder<\/span> figurar<\/span> la ceguera<\/span> frente<\/span> al horror de los otros<\/span>, pero<\/span> de todas<\/span> maneras<\/span>, la historia<\/span> del clan Puccio<\/span> nos enfrenta<\/span> nuevamente<\/span> a este<\/span> hecho<\/span> y necesitamos<\/span> una<\/span> vez<\/span> m\u00e1s<\/span> una<\/span> respuesta<\/span> convincente<\/span>, un discurso<\/span> que<\/span> rasgue<\/span> la superficie<\/span> de las<\/span> cosas<\/span>. Y por<\/span> alguna<\/span> raz\u00f3n<\/span> la pel\u00edcula<\/span> de Trapero<\/span> no llega<\/span> a profundizar<\/span> alguna<\/span> huella<\/span>, alguna<\/span> se\u00f1al<\/span>, alguna<\/span> respuesta<\/span>, alguna<\/span> se\u00f1a<\/span> del horror vivido<\/span> en primera<\/span> persona. Es<\/span> m\u00e1s<\/span>, se podr\u00eda<\/span> decir<\/span> que<\/span> de manera<\/span> consciente<\/span>, el gui\u00f3n<\/span> no pretende<\/span> fijar<\/span> sentidos<\/span> ni<\/span> dar<\/span> demasiadas<\/span>\u00a0 explicaciones<\/span>, sino<\/span> fijar<\/span> acontecimientos<\/span>, mirarlos<\/span> de cerca<\/span> y fijar<\/span> la mirada<\/span> del espectador<\/span> en aquello<\/span> que<\/span> sucede<\/span> (hay muchas<\/span> im\u00e1genes<\/span> donde<\/span> la distancia<\/span> focal es<\/span> tan corta<\/span> que<\/span> solo se consigue<\/span> ver<\/span> en foco<\/span> un plano<\/span>, todo<\/span> el resto<\/span> son brumas<\/span>), y en esta<\/span> manera<\/span> de fijar<\/span> el foco<\/span> sobre<\/span> el primer plano<\/span> de la historia<\/span> que<\/span> se va<\/span> construyendo<\/span>, nos va<\/span> situando<\/span> con mucha<\/span> efectividad<\/span>. Pero<\/span> sin embargo, no parece<\/span> suficiente<\/span>: como<\/span> espectadores<\/span> de la historia<\/span>, de esta<\/span> historia<\/span> de horror, queremos<\/span> algo<\/span> m\u00e1s<\/span>. Queremos<\/span> saber c\u00f3mo<\/span>, porqu\u00e9<\/span>, de qu\u00e9<\/span> manera<\/span>, hasta<\/span> qu\u00e9<\/span> punto\u2026<\/span>. Son muchos<\/span> las<\/span> preguntas<\/span> que<\/span> uno<\/span> se va<\/span> haciendo<\/span> a lo largo de la pel\u00edcula<\/span>, y muchas<\/span> de ellas<\/span> no encuentran<\/span> su<\/span> momento<\/span> expansivo<\/span> en el drama de la pel\u00edcula<\/span>. Quiz\u00e1s<\/span> la opci\u00f3n<\/span> de narrar<\/span> la pel\u00edcula<\/span> desde<\/span> la mirada<\/span> de Alex, uno<\/span> de los hijos<\/span> del Clan, haya<\/span> sido<\/span> una<\/span> buena<\/span> elecci\u00f3n<\/span>, pero<\/span> eso<\/span> nos distancia<\/span> de la figura<\/span> del Padre, el personaje<\/span> principal de la trama<\/span>. La pel\u00edcula<\/span> bascula<\/span> entre<\/span> un protagonista<\/span> y otro<\/span>, sin decidirse<\/span> a contar<\/span> la vivencia<\/span> y desarrollo<\/span> del horror en profundidad<\/span> desde<\/span> la psicolog\u00eda<\/span> personal de alguno<\/span> de los dos protagonistas<\/span>. El gesto<\/span> inerme<\/span> e inexpresivo<\/span> del patriarca<\/span> de los Puccio<\/span>, interpretado<\/span> en forma compleja<\/span> y fascinante<\/span> por<\/span> Guillermo Francella<\/span>, parece<\/span> prometernos<\/span> una<\/span> mirada<\/span> y un espejo<\/span> que<\/span> nunca<\/span> llega<\/span>.<\/p>\n

\"alt\"<\/p>\n

Estreno<\/span>: 13 de noviembre<\/span> de 2015<\/p>","protected":false},"excerpt":{"rendered":"

Sinopsis: Argentina, comienzos de los a\u00f1os \u201880. Detr\u00e1s de la fachada de una t\u00edpica familia del distinguido barrio de San Isidro, se oculta un siniestro clan dedicado al secuestro y asesinato como modo de vida. En Argentina la vida y obra del clan Puccio estremeci\u00f3 a todos los estratos de […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8235","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nEl Clan - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-clan\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Clan - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Sinopsis: Argentina, comienzos de los a\u00f1os \u201880. 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