{"id":8218,"date":"2015-11-08T21:56:13","date_gmt":"2015-11-08T21:56:13","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/"},"modified":"2021-04-12T20:52:35","modified_gmt":"2021-04-12T18:52:35","slug":"la-cumbre-escarlata","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-cumbre-escarlata\/","title":{"rendered":"La cumbre escarlata"},"content":{"rendered":"

\"alt\"<\/span><\/p>\n

En un paisaje<\/span> inmaculadamente<\/span> blanco<\/span>, aparece<\/span> la joven<\/span> australiana<\/span> <\/span>Mia Wasikowska<\/span>, igual<\/span> de p\u00e1lida<\/span> que<\/span> en la adaptaci\u00f3n<\/span> de Alicia en el Pa\u00eds<\/span> de las<\/span> Maravillas<\/span><\/i> de Tim Burton (2010), manchada<\/span> de sangre<\/span>, con una<\/span> respiraci\u00f3n<\/span> exhausta<\/span>, ojos<\/span> lacrimosos<\/span> y un pesado<\/span> aleteo<\/span> de fondo<\/span>. Desde<\/span> el primer minuto<\/span>, la voz<\/span> en off narradora<\/span> de la protagonista<\/span> alerta<\/span> al espectador<\/span> de que<\/span> los fantasmas<\/span> existen<\/span>, poniendo<\/span> de manifiesto<\/span> la esencia<\/span> del film: los fantasmas<\/span>. Sin embargo, como<\/span> seguir\u00e1<\/span> insistiendo<\/span> la novata<\/span> escritora<\/span> Edith (Mia Wasikowska<\/span>) al principio<\/span> del film, no se trata<\/span> de una<\/span> historia<\/span> de fantasmas<\/span>, sino<\/span> una<\/span> historia<\/span> en la que<\/span> hay fantasmas<\/span> que<\/span> constituyen<\/span>, tal<\/span> y como<\/span> explica<\/span> la misma<\/span>, \u201cuna<\/span> met\u00e1fora<\/span> del pasado\u201d<\/span>.<\/p>\n

Debido<\/span> a una<\/span> tragedia<\/span> familiar, Edith se traslada<\/span> como<\/span> reci\u00e9n<\/span> casada<\/span> junto<\/span> a su<\/span> marido<\/span> Thomas Sharpe (Tom Hiddleston<\/span>), un inventor obsesionado<\/span> en hacer<\/span> funcionar<\/span> su<\/span> m\u00e1quina<\/span> infernal (una<\/span> extractora<\/span> de arcilla<\/span>) a la casa familiar donde<\/span> \u00e9ste<\/span> convive<\/span> con su<\/span> herman\u00edsima<\/span> Lucille (Jessica Chastain<\/span>). Lejos<\/span> de ser<\/span> un hogar<\/span>, las<\/span> altas<\/span> paredes<\/span> de Cumberland Hill y su<\/span> situaci\u00f3n<\/span> completamente<\/span> aislada<\/span> de cualquier<\/span> atisbo<\/span> de humanidad<\/span> y civilizaci\u00f3n<\/span>, Edith se va<\/span> consumiendo<\/span> d\u00eda<\/span> tras<\/span> d\u00eda<\/span> entre<\/span> insectos<\/span> que<\/span> anuncian<\/span> la muerte<\/span>.<\/p>\n

Guillermo del Toro vuelve a trasladarnos a ambientes oscuramente bellos y po\u00e9ticos como<\/span> hizo con gran maestr\u00eda en El Laberinto del Fauno<\/i> (2006), as\u00ed como tambi\u00e9n con un extraordinario vestuario y efectos nost\u00e1lgicos. Aunque no repita con el mismo equipo de fotograf\u00eda ni dise\u00f1o de producci\u00f3n, Del Toro conf\u00eda (y acierta) esta vez en Dan Lausten (El Origen del Mal, Solomon Kane, La Liga de los Hombres Extraordinarios) <\/i>para ilustrar su l\u00fagubre relato.<\/p>\n

Sin embargo, La Cumbre Escarlata<\/i> evoca un cuento de terror g\u00f3tico del siglo XIX te\u00f1ido de sangre y muerte con un trasfondo de una realidad social marcada por la opresi\u00f3n de la mujer del Nuevo Mundo y, a\u00fan m\u00e1s, si se trata de una mujer novelista y que persigue el sue\u00f1o de publicar un manuscrito y no necesariamente de casarse con un marido perfecto. Aunque el argumento no brilla por su originalidad, s\u00ed que lo hace por el discurso formal de sus im\u00e1genes, del juego visual que propone. Una mansi\u00f3n t\u00e9trica completamente aislada y que se hunde, literalmente, es el escenario donde se viaja a este pasado fantasmag\u00f3rico y donde la protagonista conocer\u00e1 el horror que pueda albergar el amor.<\/p>\n

\"alt\"<\/p>\n

Director: Guillermo del Toro.<\/p>\n

Gui\u00f3n: Guillermo del Toro, Matthew Robbins.<\/p>\n

Reparto: Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam.\u2026<\/p>","protected":false},"excerpt":{"rendered":"

En un paisaje inmaculadamente blanco, aparece la joven australiana Mia Wasikowska, igual de p\u00e1lida que en la adaptaci\u00f3n de Alicia en el Pa\u00eds de las Maravillas de Tim Burton (2010), manchada de sangre, con una respiraci\u00f3n exhausta, ojos lacrimosos y un pesado aleteo de fondo. Desde el primer minuto, la […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8218","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nLa cumbre escarlata - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-cumbre-escarlata\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La cumbre escarlata - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"En un paisaje inmaculadamente blanco, aparece la joven australiana Mia Wasikowska, igual de p\u00e1lida que en la adaptaci\u00f3n de Alicia en el Pa\u00eds de las Maravillas de Tim Burton (2010), manchada de sangre, con una respiraci\u00f3n exhausta, ojos lacrimosos y un pesado aleteo de fondo. Desde el primer minuto, la […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/la-cumbre-escarlata\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/revistarambla\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-08T21:56:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-12T18:52:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i2.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla01.jpg?fit=682%2C430&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"430\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"R@mbla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"R@mbla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/\"},\"author\":{\"name\":\"R@mbla\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\"},\"headline\":\"La cumbre escarlata\",\"datePublished\":\"2015-11-08T21:56:13+00:00\",\"dateModified\":\"2021-04-12T18:52:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/\"},\"wordCount\":443,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/Cumbre_revRambla03.jpg\",\"articleSection\":[\"Cine & Series\",\"Cultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/\",\"name\":\"La cumbre escarlata - Revista Rambla\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/Cumbre_revRambla03.jpg\",\"datePublished\":\"2015-11-08T21:56:13+00:00\",\"dateModified\":\"2021-04-12T18:52:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/Cumbre_revRambla03.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/11\\\/Cumbre_revRambla03.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/la-cumbre-escarlata\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.revistarambla.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La cumbre escarlata\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"name\":\"Revista Rambla Barcelona\",\"description\":\"Periodismo independiente\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revistarambla.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\",\"name\":\"Revista Rambla\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"width\":1900,\"height\":600,\"caption\":\"Revista Rambla\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/revistarambla\\\/\",\"https:\\\/\\\/x.com\\\/revistarambla\",\"https:\\\/\\\/www.instagram.com\\\/revista_rambla\",\"https:\\\/\\\/es.linkedin.com\\\/company\\\/revista-rambla\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\",\"name\":\"R@mbla\",\"description\":\"Este art\u00edculo ha sido redactado y\\\/o validado por el equipo de redacci\u00f3n de Revista Rambla.\",\"sameAs\":[\"https:\\\/\\\/www.revistarambla.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/revistarambla\",\"https:\\\/\\\/x.com\\\/revistarambla\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La cumbre escarlata - Revista Rambla","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revistarambla.com\/en\/la-cumbre-escarlata\/","og_locale":"en_GB","og_type":"article","og_title":"La cumbre escarlata - Revista Rambla","og_description":"En un paisaje inmaculadamente blanco, aparece la joven australiana Mia Wasikowska, igual de p\u00e1lida que en la adaptaci\u00f3n de Alicia en el Pa\u00eds de las Maravillas de Tim Burton (2010), manchada de sangre, con una respiraci\u00f3n exhausta, ojos lacrimosos y un pesado aleteo de fondo. Desde el primer minuto, la […]","og_url":"https:\/\/www.revistarambla.com\/en\/la-cumbre-escarlata\/","og_site_name":"Revista Rambla","article_publisher":"https:\/\/www.facebook.com\/revistarambla\/","article_author":"https:\/\/www.facebook.com\/revistarambla","article_published_time":"2015-11-08T21:56:13+00:00","article_modified_time":"2021-04-12T18:52:35+00:00","og_image":[{"width":682,"height":430,"url":"https:\/\/i2.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla01.jpg?fit=682%2C430&ssl=1","type":"image\/jpeg"}],"author":"R@mbla","twitter_card":"summary_large_image","twitter_creator":"@revistarambla","twitter_site":"@revistarambla","twitter_misc":{"Written by":"R@mbla","Estimated reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#article","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/"},"author":{"name":"R@mbla","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c"},"headline":"La cumbre escarlata","datePublished":"2015-11-08T21:56:13+00:00","dateModified":"2021-04-12T18:52:35+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/"},"wordCount":443,"commentCount":0,"publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"image":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla03.jpg","articleSection":["Cine & Series","Cultura"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/","url":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/","name":"La cumbre escarlata - Revista Rambla","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#primaryimage"},"image":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla03.jpg","datePublished":"2015-11-08T21:56:13+00:00","dateModified":"2021-04-12T18:52:35+00:00","breadcrumb":{"@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#primaryimage","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla03.jpg","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/11\/Cumbre_revRambla03.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revistarambla.com\/la-cumbre-escarlata\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.revistarambla.com\/"},{"@type":"ListItem","position":2,"name":"La cumbre escarlata"}]},{"@type":"WebSite","@id":"https:\/\/www.revistarambla.com\/#website","url":"https:\/\/www.revistarambla.com\/","name":"Revista Rambla Barcelona","description":"Periodismo independiente","publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revistarambla.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.revistarambla.com\/#organization","name":"Revista Rambla","url":"https:\/\/www.revistarambla.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","width":1900,"height":600,"caption":"Revista Rambla"},"image":{"@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revistarambla\/","https:\/\/x.com\/revistarambla","https:\/\/www.instagram.com\/revista_rambla","https:\/\/es.linkedin.com\/company\/revista-rambla"]},{"@type":"Person","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c","name":"R@mbla","description":"Este art\u00edculo ha sido redactado y\/o validado por el equipo de redacci\u00f3n de Revista Rambla.","sameAs":["https:\/\/www.revistarambla.com\/","https:\/\/www.facebook.com\/revistarambla","https:\/\/x.com\/revistarambla"]}]}},"_links":{"self":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/8218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/comments?post=8218"}],"version-history":[{"count":0,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/8218\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/media?parent=8218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/categories?post=8218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/tags?post=8218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}