{"id":8190,"date":"2015-11-04T23:17:13","date_gmt":"2015-11-04T23:17:13","guid":{"rendered":"https:\/\/www.revistarambla.com\/spectre\/"},"modified":"2021-04-12T21:09:05","modified_gmt":"2021-04-12T19:09:05","slug":"spectre","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/spectre\/","title":{"rendered":"Spectre"},"content":{"rendered":"

\"alt\"<\/p>\n

Visionar<\/span> una<\/span> nueva<\/span> pel\u00edcula<\/span> de la saga de James Bond es<\/span> como<\/span> un \u201cd\u00e9j\u00e0<\/span> vu\u201d que<\/span> me acompa\u00f1a<\/span> desde<\/span> la primera<\/span> de James Bond, Agente<\/span> 007 contra el Dr. No, all\u00e1<\/span> por<\/span> los a\u00f1os<\/span> sesenta<\/span>. Vuelven<\/span> los productores<\/span> con la entrega<\/span> 24. Spectre<\/span> recupera<\/span> la organizaci\u00f3n<\/span> Spectra, que<\/span> ya<\/span> apareci\u00f3<\/span> en los or\u00edgenes<\/span> de la franquicia<\/span>, en aquel<\/span> James Bond de Sean Connery<\/span> y el biquini<\/span> de Ursula Andress<\/span>. Spectre<\/span> tiene<\/span> un arranque<\/span> espectacular<\/span>, como<\/span> en todos<\/span> los comienzos<\/span> Bond, un homenaje<\/span> al plano<\/span> secuencia<\/span> de Welles<\/span> en Sed<\/span> de Mal. El presupuesto<\/span> para<\/span> rodar<\/span> esa<\/span> secuencia<\/span> equivale<\/span> al de varias<\/span> pel\u00edculas<\/span> espa\u00f1olas<\/span>. Una<\/span> repetici\u00f3n<\/span> de otros<\/span> inicios<\/span>, Unos<\/span> cr\u00e9ditos<\/span> de Daniel Kleinman<\/span>, viscosos<\/span>, oscuros<\/span>, pero<\/span> muy<\/span> efectivos<\/span>, un autohomenaje<\/span> a otros<\/span> cr\u00e9ditos<\/span> de anta\u00f1o<\/span> del mismo<\/span> autor<\/span>, estas<\/span> im\u00e1genes<\/span> dan<\/span> paso<\/span> a la nueva<\/span> historia<\/span> de Bond, por<\/span> cuarta<\/span> vez<\/span> Daniel Craig vuelve<\/span> a protagonizar<\/span> a este<\/span> rudo<\/span>, aunque<\/span> elegante<\/span> y seductor<\/span> agente<\/span> secreto<\/span>, mientras<\/span> de fondo<\/span> suena<\/span> la voz<\/span> de Sam Smith y la m\u00fasica<\/span> de Tomas Newman<\/p>\n

Despu\u00e9s<\/span> de tantos<\/span> a\u00f1os<\/span> James Bond sigue<\/span> luchando<\/span> contra el mal, el mal en esta<\/span> pel\u00edcula<\/span> es<\/span> Franz Oberhauser<\/span> (Daniel Craig) y la organizaci\u00f3n<\/span> Spectre<\/span>, un pulpo<\/span> de muchos<\/span> tent\u00e1culos<\/span> y muchas<\/span> caras<\/span> que<\/span> nos hace<\/span> un repaso<\/span> a casi<\/span> todos<\/span> lo cap\u00edtulos<\/span> de 007.<\/p>\n

De las<\/span> calles<\/span> ruidosas<\/span> de ciudad<\/span> de M\u00e9jico<\/span>, durante<\/span> la celebraci\u00f3n<\/span> del d\u00eda<\/span> de los muertos<\/span>, viajaremos<\/span> al Londres<\/span> post Skyfall<\/span>, Italia, monta\u00f1as<\/span> nevadas<\/span> y desiertos<\/span> calenturientos<\/span>. Desde<\/span> el inicio<\/span> de la pel\u00edcula<\/span> la muerte<\/span> aparece<\/span> constantemente<\/span> como<\/span> met\u00e1fora<\/span>, como<\/span> realidad<\/span> y como<\/span> una<\/span> fantasmagor\u00eda<\/span> que<\/span> impregna<\/span> todo<\/span> el metraje<\/span>, el director en su<\/span> segunda<\/span> colaboraci\u00f3n<\/span> con la saga, nos pasea<\/span> por<\/span> el mundo<\/span> para<\/span> mostrar<\/span> la decadencia<\/span> de un agente<\/span> secreto<\/span> que<\/span> utiliza<\/span> m\u00e9todos<\/span> que<\/span> ya<\/span> no se consideran<\/span> necesarios<\/span> en este<\/span> nuevo<\/span> mundo<\/span> cibern\u00e9tico<\/span> donde<\/span> un \u201cdron\u201d<\/span> es<\/span> capaz<\/span> de ejecutar<\/span> a un \u201cenemigo\u201d<\/span> en la distancia<\/span>. Ese<\/span> es<\/span> el meollo<\/span> de la pel\u00edcula<\/span>, la posible<\/span> desaparici\u00f3n<\/span> de los 00. Un nuevo<\/span> intendente<\/span> del M16<\/span> quiere<\/span> jubilar<\/span> a los james<\/span> bond de turno<\/span>, pero<\/span> sabemos<\/span> por<\/span> experiencia<\/span> que<\/span> es<\/span> dif\u00edcil<\/span> acabar<\/span> con la gallina<\/span> de los huevos<\/span> de oro<\/span>.<\/p>\n

Supongo<\/span> que<\/span> los tiempos<\/span> han<\/span> cambiado<\/span>, y lo pol\u00edticamente<\/span> correcto<\/span> es<\/span> no mostrar<\/span> a ese<\/span> James Bond chulo<\/span> y lig\u00f3n<\/span> de las<\/span> primeras<\/span> aportaciones<\/span>, con esas<\/span> escenas<\/span> entre<\/span> er\u00f3ticas<\/span> y humor\u00edsticas<\/span> satirizadas<\/span> por<\/span> el Austin Powers sesentero<\/span>. Ahora<\/span> nuestro<\/span> 007 tiene<\/span> que<\/span> lidiar<\/span> con las<\/span> chicas<\/span> Bond en horario<\/span> infantil<\/span>, ni<\/span> la Luc\u00eda<\/span> Sciarra<\/span> (Monica Bellucci<\/span>), ni<\/span> Madeleine Swann<\/span> (L\u00e9a<\/span> Seydoux<\/span>), produce tensi\u00f3n<\/span> er\u00f3tica<\/span>, parece<\/span> que<\/span> hay un endurecimiento<\/span> o cansancio<\/span> producido<\/span> por<\/span> los a\u00f1os<\/span> vividos<\/span> por<\/span> el personaje<\/span> de James Bond.<\/p>\n

Los fans de la franquicia<\/span> van a recibir<\/span> m\u00e1s<\/span> de lo mismo<\/span>, poca<\/span> cosa<\/span> m\u00e1s<\/span> que<\/span> no hayan<\/span> visto<\/span> en otras<\/span> pel\u00edculas<\/span>, pero<\/span> tambi\u00e9n<\/span> algunas<\/span> sorpresas<\/span>, no por<\/span> anunciadas<\/span> o desmentidas<\/span> siguen<\/span> siendo<\/span> sorpresas<\/span>. Repeticiones<\/span> actualizadas<\/span> de esas<\/span> peleas<\/span> imposibles<\/span> en espacios<\/span> reducidos<\/span>, trenes<\/span> borregueros<\/span> que<\/span> asemejan<\/span> el Orient Express del desierto<\/span> sahariano<\/span>, s\u00e1dicas<\/span> e innecesarias<\/span> torturas<\/span> y destrucciones<\/span> apote\u00f3sicas<\/span>. Una<\/span> compacta<\/span> aunque<\/span> cansada<\/span> actuaci\u00f3n<\/span> de Daniel Craig, que<\/span> sigue<\/span> siendo<\/span> de lo mejor<\/span> de la pel\u00edcula<\/span>, dando<\/span> la replica a ese<\/span> cl\u00e1sico<\/span> y omnipresente<\/span> malvado<\/span>, el oscarizado<\/span> Christoph<\/span> Waltz. Aunque<\/span> en esta<\/span> ocasi\u00f3n<\/span> los secundarios<\/span>, tienen<\/span> un papel<\/span> mucho<\/span> m\u00e1s<\/span> activo<\/span> que<\/span> en otros<\/span> cap\u00edtulos<\/span>, Ralph Phiennes<\/span> como<\/span> un M reivindicativo<\/span>, Andrew Scott como<\/span> C, el ejecutivo<\/span> que<\/span> quiere<\/span> aplicar<\/span> un ERE a los 00, Ben Whishaw<\/span> como<\/span> Q y sus<\/span> artilugios<\/span>, cada<\/span> vez<\/span> menos<\/span> espectaculares<\/span> y hasta<\/span> repetidos<\/span>. Dave Bautista como<\/span> el malo<\/span>, mal\u00edsimo<\/span> Sr. Jinx. Las chicas<\/span> como<\/span> en toda<\/span> la saga, secundarias<\/span>, aunque<\/span> bellas<\/span>. Breve<\/span> Monica Bellucci<\/span>, seg\u00fan<\/span> reza<\/span> la publicidad<\/span> la chica<\/span> Bond de m\u00e1s<\/span> edad<\/span>, Naomi Harris dando<\/span> la nota de color como<\/span> Moneypenny<\/span> y L\u00e9a<\/span> Seydoux<\/span>, preciosa<\/span>, que<\/span> lo mismo<\/span> act\u00faa<\/span> en una<\/span> Misi\u00f3n<\/span> Imposible<\/span> que<\/span> en la \u00faltima<\/span> de Bond.<\/p>\n

Spectre<\/span> est\u00e1<\/span> tan llena<\/span> de detalles<\/span> a modo<\/span> de juego<\/span> de trivial de la saga, parece<\/span> una<\/span> recopilaci\u00f3n<\/span> de todos<\/span> los James Bond. Sam Mendes (Skyfall<\/span>) contin\u00faa<\/span> con la parte<\/span> humana<\/span> y familiar de Bond, tema<\/span> que<\/span> ya<\/span> toc\u00f3<\/span> en su<\/span> anterior pel\u00edcula<\/span>, y nos ofrece<\/span> un espect\u00e1culo<\/span> para<\/span> fin de semana<\/span> de palomitas<\/span> y refresco<\/span>.<\/p>\n

Estreno<\/span> 6 de noviembre<\/span> de 2015<\/p>\n

\"alt\"<\/p>\n

Director: Sam Mendes<\/p>\n

Gui\u00f3n<\/span>: John Logan, Neal Purvis<\/span>, Robert Wade, basado<\/span> en la creaci\u00f3n<\/span> de Ian Fleming<\/p>\n

Reparto<\/span>: Daniel Craig, Ralph Fiennes<\/span>, Ben Whishaw<\/span>, Naomie<\/span> Harris, Rory Kinnear<\/span>,Christoph<\/span> Waltz, L\u00e9a<\/span> Seydoux<\/span>, Monica Bellucci<\/span>, Dave Bautista, Andrew Scott\u2026<\/p>","protected":false},"excerpt":{"rendered":"

Visionar una nueva pel\u00edcula de la saga de James Bond es como un \u201cd\u00e9j\u00e0 vu\u201d que me acompa\u00f1a desde la primera de James Bond, Agente 007 contra el Dr. No, all\u00e1 por los a\u00f1os sesenta. Vuelven los productores con la entrega 24. Spectre recupera la organizaci\u00f3n Spectra, que ya apareci\u00f3 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8190","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nSpectre - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/spectre\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spectre - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Visionar una nueva pel\u00edcula de la saga de James Bond es como un \u201cd\u00e9j\u00e0 vu\u201d que me acompa\u00f1a desde la primera de James Bond, Agente 007 contra el Dr. No, all\u00e1 por los a\u00f1os sesenta. 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