{"id":8185,"date":"2015-11-04T15:21:40","date_gmt":"2015-11-04T15:21:40","guid":{"rendered":"https:\/\/www.revistarambla.com\/joanna-newsom-actua-hoy-en-barcelona-sala-barts-28-euros\/"},"modified":"2021-04-12T21:07:06","modified_gmt":"2021-04-12T19:07:06","slug":"joanna-newsom-actua-hoy-en-barcelona-sala-barts-28-euros","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/joanna-newsom-actua-hoy-en-barcelona-sala-barts-28-euros\/","title":{"rendered":"Joanna Newsom actua hoy en Barcelona"},"content":{"rendered":"

Joanna Newsom<\/span> irrumpi\u00f3<\/span> en la escena<\/span> musical con un disco (The milk-eyed mender) que<\/span> consegui\u00f3<\/span> el milagro<\/span> de sonar especial incluso<\/span> en una<\/span> escena<\/span> en que<\/span> el folk renac\u00eda<\/span> en decenas<\/span> de propuestas<\/span>, cada<\/span> cual<\/span> mas<\/span> extra\u00f1a<\/span>, y que<\/span> la cr\u00edtica<\/span> aun\u00f3<\/span> en la opinable<\/span> categor\u00eda<\/span> de Freak Folk (o los \u00abraritos<\/span> con barba<\/span>\u00bb como<\/span> los bautiz\u00f3<\/span>, m\u00e1s<\/span> coloquialmente<\/span>, la inglesa<\/span> NMA<\/span>). A partir<\/span> de ese<\/span> momento<\/span>, su<\/span> voz<\/span> felina<\/span> y \u00e1spera<\/span>, a ratos<\/span> desigual<\/span> y siempre<\/span> salvaje<\/span>, se fue<\/span> atemperando<\/span> (alguno<\/span> dijo<\/span> de ella<\/span>: aprendi\u00f3<\/span> a cantar<\/span>) en la misma<\/span> medida<\/span> en que<\/span> su<\/span> m\u00fasica<\/span> colonizaba<\/span> territorios<\/span> cada<\/span> vez<\/span> m\u00e1s<\/span> ajenos<\/span> e irrisorios<\/span>.<\/p>\n

Su segundo<\/span> \u00e1lbum<\/span> destroz\u00f3<\/span> todas<\/span> las<\/span> quinielas<\/span>. De la promisoria<\/span> colecci\u00f3n<\/span> de canciones<\/span> de su<\/span> primer largo, a la vasta<\/span> alucinaci\u00f3n<\/span> barroca<\/span> que<\/span> defin\u00eda<\/span> el segundo<\/span>, Ys<\/span><\/em>, hab\u00eda<\/span> much\u00edsimo<\/span> m\u00e1s<\/span> que<\/span> un paso<\/span>: se trataba<\/span> de un salto<\/span> espacio-temporal<\/span>, un verdadero<\/span> tour-de-force impropio<\/span> de una<\/span> muchacha<\/span> que<\/span> apenas<\/span> se empinaba<\/span> sobre<\/span> los 25. Con arreglos<\/span> de cuerda<\/span> de Van Dyke Parks (que<\/span> compon\u00eda<\/span> junto<\/span> a Brian Wilson, de los Beach Boys), el \u00e1lbum<\/span> supuso<\/span> el aplauso<\/span> un\u00e1nime<\/span> de la cr\u00edtica<\/span>, m\u00e1s<\/span> ventas<\/span>, recitales<\/span>, tours y el reconocimiento<\/span> de artistas<\/span> como<\/span> Bj\u00f6rk<\/span> y Andy Cabic<\/span>, entre<\/span> otros<\/span>. El t\u00edtulo<\/span> alude<\/span> al nombre<\/span> de una<\/span> legendaria<\/span> isla<\/span> bretona<\/span> donde<\/span> transcurren<\/span> las<\/span> cinco<\/span> canciones<\/span> que<\/span> forman<\/span> el disco y donde<\/span> aparece<\/span> una<\/span> ciudad<\/span> sumergida<\/span> y la hija<\/span> ninf\u00f3mana<\/span> de un rey<\/span> y un caballero<\/span> hedonista<\/span> y hasta<\/span> el mism\u00edsimo<\/span> demonio<\/span>, todo<\/span> contado<\/span> de una<\/span> manera<\/span> imposiblemente<\/span> cr\u00edptica<\/span> que<\/span> sin embargo promov\u00eda<\/span> una<\/span> sensaci\u00f3n<\/span> de trascendencia<\/span> y magia<\/span> profana<\/span>.<\/span><\/p>\n

En la primavera<\/span> de 2009, le diagnosticaron<\/span> n\u00f3dulos<\/span> en las<\/span> cuerdas<\/span> vocales<\/span>. Todo<\/span> lo que<\/span> sal\u00eda<\/span> de su<\/span> boca<\/span> era (en palabras<\/span> de ella<\/span>) \u00abel siseo<\/span> de una<\/span> lata<\/span> de Coca-Cola cuando<\/span> la abres<\/span>\u00ab. Padeci\u00f3<\/span> dos meses<\/span> sin cantar<\/span>, hablar<\/span> o incluso<\/span> llorar<\/span>. \u00abDe hecho<\/span>, llorar<\/span> era sin duda<\/span> lo peor<\/span> que<\/span> pod\u00eda<\/span> hacerle<\/span> a mi voz<\/span>. As\u00ed<\/span> que<\/span> me repet\u00eda<\/span>: ‘No sientas<\/span>, no sientas<\/span>, no sientas<\/span>\u00ab. Al recuperarse<\/span>, esa<\/span> voz<\/span> inimitable que<\/span> la caracterizaba<\/span>, hab\u00eda<\/span> muerto<\/span>. Y ya<\/span> no volver\u00eda<\/span>.<\/p>\n

Aquello<\/span> aconsejaba<\/span> un ejercicio<\/span> de autocontenci\u00f3n<\/span>. Tal vez<\/span> por<\/span> eso<\/span>, su<\/span> siguiente<\/span> \u00e1lbum<\/span> fue<\/span> un disco triple: Have One On Me, un \u00e1lbum<\/span> de tres<\/span> discos, dos horas<\/span> y 18 tracks, donde<\/span> los r\u00edos<\/span>, las<\/span> criaturas<\/span> y los huesos<\/span> vuelven<\/span>, aunque<\/span> su<\/span> encarnaci\u00f3n<\/span> resulta<\/span> m\u00e1s<\/span> medida<\/span>; las<\/span> viejas<\/span> \u2013y tan celebradas\u2013<\/span> alegor\u00edas<\/span> de Newsom<\/span> ya<\/span> no toman<\/span> por<\/span> asalto<\/span>. Tampoco<\/span> la voz<\/span>, que<\/span> en este<\/span> caso<\/span> resulta<\/span> susurrante<\/span> y casi<\/span> aterciopelada<\/span>, m\u00e1s<\/span> cerca<\/span>, de cualquier<\/span> modo<\/span>, de Kate Bush que<\/span> de Karen Dalton. Y de la imaginer\u00eda<\/span> elfica<\/span> narrada<\/span> con precisa<\/span> desmesura<\/span> orquestal<\/span>, pasaba<\/span> a un enloquecido<\/span> morral<\/span> lleno<\/span> de historias<\/span> y donde<\/span> conviv\u00edan<\/span>, sin estorbarse<\/span>, desde<\/span> el country hasta<\/span> el gospel, con parada<\/span> y fonda<\/span> en soul, el jazz, y el folk de toda<\/span> la vida<\/span>.<\/p>\n

Y cinco<\/span> a\u00f1os<\/span> m\u00e1s<\/span> tarde<\/span>, la muchacha<\/span> que<\/span> alguna<\/span> vez<\/span> (todav\u00eda<\/span> en la secundaria<\/span>, cuando<\/span> todav\u00eda<\/span> pensaba<\/span> en dedicarse<\/span> a aquello<\/span> de \u00abhacer<\/span> canciones<\/span>\u00bb) fue<\/span> al bosque<\/span>, escogi\u00f3<\/span> un peque\u00f1o<\/span> rinc\u00f3n<\/span> frente<\/span> al r\u00edo<\/span>, arm\u00f3<\/span> un c\u00edrculo<\/span> de piedras<\/span> y se sent\u00f3<\/span> en \u00e9l<\/span> durante<\/span> tres<\/span> d\u00edas<\/span>, escuchando<\/span> el agua<\/span>, eso<\/span> para<\/span> escucharse<\/span> ella<\/span> misma<\/span> o escuchar<\/span> el eco del mundo<\/span> en su<\/span> propio<\/span> silencio<\/span>, ha actuado<\/span> para<\/span> Paul Thomas Anderson (en la magn\u00edfica<\/span> \u00abPuro<\/span> vicio<\/span>\u00ab), modelado<\/span> para<\/span> Arman\u00ed<\/span>, y se ha casado<\/span> con el c\u00f3mico<\/span> Andy Sandler.<\/p>\n

\"alt\"<\/span><\/p>\n

Y tiene<\/span> un nuevo<\/span> disco.<\/span><\/p>\n

Divers <\/em>-asi<\/span> se titula<\/span> el artefacto<\/span>– sali\u00f3<\/span> hace<\/span> una<\/span> semana<\/span> y, vencido<\/span> el desconcierto<\/span> inicial<\/span>, no hay un solo medio<\/span> especializado<\/span> que<\/span> no halla<\/span> cantado<\/span> sus<\/span> alabanzas<\/span> con adjetivos<\/span> de varias<\/span> s\u00edlabas<\/span>. Y eso<\/span> que<\/span> al principio<\/span> desconcierta<\/span>. Mucho<\/span> mas<\/span> convencional<\/span> que<\/span> cualquier<\/span> otra<\/span> cosa<\/span> que<\/span> halla<\/span> grabado<\/span>, tanto<\/span> en las<\/span> formas<\/span> como<\/span> en lo musical, Divers es<\/span> una<\/span> serie<\/span> de variaciones<\/span> en torno<\/span> a un \u00fanico<\/span> tema<\/span>: el hallazgo<\/span> del amor y el efecto<\/span> del tiempo<\/span> en esa<\/span> uni\u00f3n<\/span>, ya<\/span> sea conduzca<\/span> a la muerte<\/span>, la disoluci\u00f3n<\/span> o el puro<\/span> hast\u00edo<\/span>, narrado<\/span> en canciones<\/span> con estructuras<\/span> much\u00edsimo<\/span> menos<\/span> dispersas<\/span> que<\/span> las<\/span> piezas<\/span> alojadas<\/span> en sus<\/span> anteriores<\/span> registros<\/span>. Sin embargo, esto<\/span> es<\/span> s\u00f3lo<\/span> lo que<\/span> parece<\/span>. Una<\/span> escucha<\/span> m\u00e1s<\/span> detenida<\/span> revela<\/span> la complejidad<\/span> y densidad<\/span> de las<\/span> texturas<\/span> que<\/span> habitan<\/span> el disco. \u00abHab\u00edan<\/span> demasiados<\/span> elementos<\/span> superpuestos<\/span>, demasiados<\/span> sonidos<\/span>, demasiadas<\/span> ideas, y no todas<\/span> terminaron<\/span> por<\/span> resultar<\/span> \u00fatiles…pero yo<\/span> ten\u00eda<\/span> la sensaci\u00f3n<\/span> de que<\/span> el disco solo llegar\u00eda<\/span> a ser<\/span> lo que<\/span> era en la mezcla<\/span>\u00bb. Y fue<\/span> ella<\/span> qui\u00e9n<\/span> lo mezcl\u00f3<\/span>, culminando<\/span> un proceso<\/span> que<\/span> tom\u00f3<\/span> casi<\/span> cuatro<\/span> a\u00f1os<\/span>, y cont\u00f3<\/span> con la participaci\u00f3n<\/span> de incontables<\/span> m\u00fasicos<\/span> y\u00a0 Steve Albini<\/span> en la grabaci\u00f3n<\/span>. Y lo que<\/span> uno<\/span> escucha<\/span>, una<\/span> vez<\/span> aprieta<\/span> play, es<\/span> la esplendida<\/span> madurez<\/span> de una<\/span> compositora<\/span> arriesgada<\/span> e ilimitadamente<\/span> talentosa<\/span>, que<\/span> sabe<\/span> que<\/span> los fantasmas<\/span> no se pueden<\/span> matar<\/span> (porque<\/span> ya<\/span> est\u00e1n<\/span> muertos<\/span>) y es<\/span> por<\/span> eso<\/span> que<\/span> escribe<\/span> acerca<\/span> de como<\/span> nos transformamos<\/span> en veteranos<\/span> de nuestras<\/span> propias<\/span> guerras<\/span> \u00edntimas<\/span> y convivimos<\/span> con el tiempo<\/span> y sus<\/span> armas<\/span>. \u00abEl hombre no es<\/span> un ser<\/span> sencillo<\/span>\u00bb, escribi\u00f3<\/span> John Cheever<\/span>, \u00abla espectral<\/span> compa\u00f1\u00eda<\/span> del amor siempre<\/span> con nosotros<\/span>\u00bb. Y ese<\/span> podr\u00eda<\/span> ser<\/span> perfectamente<\/span> el ep\u00edgrafe<\/span> de este<\/span> disco lleno<\/span> de fantasmas<\/span> y saltos<\/span> al vac\u00edo<\/span> y tiempo<\/span> recobrado<\/span>.<\/p>\n

video Joanna Newsom<\/span> \u00abSapokanikan<\/span><\/b><\/span><\/a><\/p>","protected":false},"excerpt":{"rendered":"

Joanna Newsom irrumpi\u00f3 en la escena musical con un disco (The milk-eyed mender) que consegui\u00f3 el milagro de sonar especial incluso en una escena en que el folk renac\u00eda en decenas de propuestas, cada cual mas extra\u00f1a, y que la cr\u00edtica aun\u00f3 en la opinable categor\u00eda de Freak Folk (o […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-8185","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nJoanna Newsom actua hoy en Barcelona - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/joanna-newsom-actua-hoy-en-barcelona-sala-barts-28-euros\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joanna Newsom actua hoy en Barcelona - 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