{"id":8112,"date":"2015-10-29T15:13:19","date_gmt":"2015-10-29T15:13:19","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-verdad\/"},"modified":"2021-04-13T17:02:56","modified_gmt":"2021-04-13T15:02:56","slug":"la-verdad","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-verdad\/","title":{"rendered":"La verdad"},"content":{"rendered":"

\"alt\"<\/p>\n

El periodismo<\/span> y los periodistas<\/span> como<\/span> tema<\/span> cinematogr\u00e1fico<\/span> tiene<\/span> momentos<\/span> estelares<\/span> en la historia<\/span> del cine y tambi\u00e9n<\/span> en TV, retomar<\/span> el g\u00e9nero<\/span> en estos<\/span> momentos<\/span> sirve<\/span> para<\/span> hacer<\/span> un repaso<\/span> a los mass media y el concepto<\/span> actual de informaci\u00f3n<\/span>. Filmar<\/span> una<\/span> historia<\/span> basada<\/span> en unos<\/span> hechos<\/span> reales<\/span> ocurridos<\/span> en los Estados<\/span> Unidos<\/span> en 2004,\u00a0que<\/span> afect\u00f3<\/span> a la CBS y a\u00a0Dan Rather (Robert Redford) uno<\/span> de\u00a0sus<\/span>\u00a0presentadores<\/span>\u00a0estrella<\/span> y a su<\/span> programa<\/span> de informaci\u00f3n<\/span> \u201c60 minutos\u201d<\/span>, producido<\/span> por<\/span> Mary Mapes<\/span> (Cate<\/span> Blanchett<\/span>), tambi\u00e9n<\/span>\u00a0afect\u00f3<\/span> a otros<\/span> periodistas<\/span> y ejecutivos<\/span> de la cadena<\/span>. Estamos<\/span> en la campa\u00f1a<\/span> electoral de 2004, Bush contra Kerry. El dem\u00f3crata<\/span> Kerry es<\/span> atacado<\/span> por<\/span> los republicanos<\/span> y le acusan<\/span> de mentir<\/span> respecto<\/span> a sus<\/span> m\u00e9ritos<\/span> en la Guerra de Vietman<\/span>. Mary Mapes<\/span> recibe<\/span>\u00a0una<\/span><\/span> informaci\u00f3n<\/span> sobre<\/span> las<\/span> irregularidades<\/span> de George W. Bush cuando<\/span> cumpl\u00eda<\/span> el servicio<\/span> militar<\/span> en la Guardia Nacional<\/span> A\u00e9rea<\/span> de Texas en los a\u00f1os<\/span> 70 durante<\/span> la guerra<\/span> de Vietnam. La periodista<\/span> pone en marcha<\/span> una<\/span> b\u00fasqueda<\/span> de informaci\u00f3n<\/span> sobre<\/span> el enchufismo<\/span> y el escaqueo<\/span> del presidente<\/span> de los USA.<\/p>\n

Hemos<\/span> visto<\/span>\u00a0muchas<\/span>\u00a0pel\u00edculas<\/span> donde<\/span> el periodista<\/span> de investigaci\u00f3n<\/span> insiste<\/span> en la pregunta<\/span>, hasta<\/span> conseguir<\/span> la respuesta<\/span> necesaria<\/span>, con ese<\/span> traj\u00edn<\/span> en las<\/span> redacciones<\/span>, los ejecutivos<\/span> controlando<\/span> la informaci\u00f3n<\/span> de los periodistas<\/span>, el tel\u00e9fono<\/span> enganchado<\/span> a la oreja<\/span>, la adrenalina<\/span>, la cafe\u00edna<\/span>, las<\/span> ojeras<\/span> y la ingesta<\/span> de whisky. Son im\u00e1genes<\/span> que<\/span> se repiten<\/span> igual<\/span> que<\/span> esa<\/span> lucha<\/span> del periodista<\/span> contra el poder<\/span>, ese<\/span> poder<\/span> que<\/span> utiliza<\/span> todas<\/span> sus<\/span> armas<\/span> para<\/span> evitar<\/span> y ocultar<\/span> la cr\u00edtica<\/span>, el poder<\/span> gubernamental<\/span>, el poder<\/span> de los medios<\/span>, el poder<\/span> econ\u00f3mico<\/span>, son los discursos<\/span> que<\/span> aparecen<\/span> en las<\/span> pel\u00edculas<\/span> desde<\/span> el Ciudadano<\/span> Kane hasta<\/span> esta<\/span> nueva<\/span> aportaci\u00f3n<\/span>.<\/p>\n

Cate<\/span> Blanchett<\/span> est\u00e1<\/span> espl\u00e9ndida<\/span> dentro<\/span> de ese<\/span> papel<\/span> de productora<\/span> de \u00e9xito<\/span>, que<\/span> persigue<\/span> la noticia<\/span> a sabiendas<\/span> que<\/span> puede<\/span> producir<\/span> un esc\u00e1ndalo<\/span>, una<\/span> mujer<\/span> casi<\/span> sin vida<\/span> familiar, dedicada<\/span> en cuerpo<\/span> y alma al periodismo<\/span>, sin tiempo<\/span> de pasear<\/span> con su<\/span> marido<\/span> ni<\/span> jugar<\/span> con su<\/span> hijo<\/span> en los momentos<\/span> de descanso<\/span>, descanso<\/span> que<\/span> ocupa<\/span> en seguir<\/span> investigando<\/span>. Mary Mapes<\/span> tiene<\/span> un pasado<\/span> familiar conflictivo<\/span> con su<\/span> padre y parece<\/span> que<\/span> ha encontrado<\/span> un sustituto<\/span> paterno<\/span> en ese<\/span> Dan Rather, presentador<\/span> de \u00e9xito<\/span> en los prime time de TV durante<\/span> d\u00e9cadas<\/span>, un personaje<\/span> que<\/span> parece<\/span> de vuelta<\/span> de todo<\/span>. Con una<\/span> actuaci\u00f3n<\/span> sobria<\/span> del bueno<\/span> de Robert Redford, que<\/span> me suena<\/span> a otros<\/span> papeles<\/span> de periodista<\/span> desde<\/span> Todos<\/span> los hombres del presidente<\/span> a Intimo<\/span> y personal. Los otros<\/span> papeles<\/span> est\u00e1n<\/span> en manos<\/span> de actores<\/span> que<\/span> cumplen<\/span> y se complementan<\/span> con la actuaci\u00f3n<\/span> de Cate<\/span> Blanchett<\/span>, algunos<\/span> de estos<\/span> actores<\/span> vienen<\/span> del pasado<\/span> del cine y la tv<\/span>, otros<\/span> son nuevas<\/span> incorporaciones<\/span> de series de \u00e9xito<\/span> actual.<\/p>\n

La historia<\/span> que<\/span> nos muestra<\/span> James Vanderbilt se hace<\/span> larga<\/span> y en algunos<\/span> momentos<\/span> hay escenas<\/span> incomprensibles<\/span>, el tono<\/span> es<\/span> fr\u00edo<\/span> y distante<\/span>, el tema<\/span> puede<\/span> ser<\/span> interesante<\/span> para<\/span> reconstruir<\/span> esa<\/span> historia<\/span> de los USA, que<\/span> Hollywood nos obliga<\/span> a conocer<\/span>, pero<\/span> que<\/span> si<\/span> no fuera<\/span> por<\/span> los nombres<\/span> de los actores<\/span> principales<\/span>, esta<\/span> pel\u00edcula<\/span> ser\u00eda<\/span> de poco<\/span> inter\u00e9s<\/span> fuera<\/span> de las<\/span> fronteras<\/span> USA. Lo \u00fanico<\/span> que<\/span> queda<\/span> claro<\/span> es<\/span> que<\/span> el periodismo<\/span> tal<\/span> como<\/span> se representa<\/span> en esta<\/span> pel\u00edcula<\/span> est\u00e1<\/span> desapareciendo<\/span>, las<\/span> noticias<\/span> se transforman<\/span> en banalidades<\/span> y los medios<\/span> financiados<\/span> por<\/span> el poder<\/span> econ\u00f3mico<\/span> tiene<\/span> cada<\/span> vez<\/span> menos<\/span> inter\u00e9s<\/span> en el periodismo<\/span> y la verdad<\/span>, y nos llenan<\/span> la tv<\/span> de informaciones<\/span> de sucesos<\/span>, chascarrillos<\/span>, debates y como<\/span> nos cuenta<\/span> en la pel\u00edcula<\/span>, han<\/span> sustituido<\/span> las<\/span> horas<\/span> de los noticiarios<\/span> por<\/span> concursos<\/span> banales<\/span> y est\u00fapidos<\/span>.<\/p>\n

Una<\/span> pel\u00edcula<\/span> sobre<\/span> la \u201cverdad\u201d<\/span> que<\/span> queda<\/span> reducida<\/span> a un fracaso<\/span> de un periodismo<\/span> que<\/span> buscando<\/span> esa<\/span> verdad<\/span> se encontraron<\/span> con las<\/span> murallas<\/span> del poder<\/span> que<\/span> dieron<\/span> m\u00e1s<\/span> importancia<\/span> a los detalles<\/span> superfluos<\/span> que<\/span> al verdadero<\/span> meollo<\/span> de la noticia<\/span>.<\/p>\n

estreno<\/span>: 30 de octubre<\/span> de 2015<\/p>\n

\"alt\"<\/p>\n

Director: James Vanderbilt<\/p>\n

Gui\u00f3n<\/span>: James Vanderbilt (Memorias<\/span>: Mary Mapes<\/span>)<\/p>\n

Reparto<\/span>: Cate<\/span> Blanchett<\/span>, Robert Redford, Topher<\/span> Grace, Elisabeth Moss, Dennis Quaid<\/span>, Bruce Greenwood, John Benjamin Hickey, Martin Sacks, Nicholas Hope, Aaron Glenane<\/span>, Steve Bastoni<\/span>, Lewis Fitz-Gerald, Christopher Stollery<\/span>, Elizabeth Saunders, Andrew Fritz<\/p>","protected":false},"excerpt":{"rendered":"

El periodismo y los periodistas como tema cinematogr\u00e1fico tiene momentos estelares en la historia del cine y tambi\u00e9n en TV, retomar el g\u00e9nero en estos momentos sirve para hacer un repaso a los mass media y el concepto actual de informaci\u00f3n. Filmar una historia basada en unos hechos reales ocurridos […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-8112","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nLa verdad - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-verdad\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La verdad - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"El periodismo y los periodistas como tema cinematogr\u00e1fico tiene momentos estelares en la historia del cine y tambi\u00e9n en TV, retomar el g\u00e9nero en estos momentos sirve para hacer un repaso a los mass media y el concepto actual de informaci\u00f3n. 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