{"id":7996,"date":"2015-10-18T09:45:24","date_gmt":"2015-10-18T09:45:24","guid":{"rendered":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/"},"modified":"2021-04-13T18:00:04","modified_gmt":"2021-04-13T16:00:04","slug":"slow-west-john-mclean-2015","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/slow-west-john-mclean-2015\/","title":{"rendered":"Slow West (John McLean, 2015)"},"content":{"rendered":"

\"alt\"<\/p>\n

Si te<\/span> quedas<\/span> boca<\/span> arriba<\/span> mirando<\/span> las<\/span> estrellas<\/span> e imaginando<\/span> que<\/span> tu<\/span> amada<\/span> te<\/span> espera<\/span>, corres<\/span> el riesgo<\/span> de perder<\/span> la noci\u00f3n<\/span> de la realidad<\/span>. Las noches<\/span> estrelladas<\/span> de Colorado invitan<\/span> a pensar<\/span> que<\/span> el mundo<\/span> es<\/span> pac\u00edfico<\/span>, la gente<\/span> bienintencionada<\/span> y tu<\/span> futuro<\/span> un remanso<\/span> de paz<\/span> a la espera<\/span> de asentarte<\/span> al final del camino<\/span>, pero<\/span> un bosque<\/span> lleno<\/span> de humo<\/span> y una<\/span> hilera<\/span> de ind\u00edgenas<\/span> abandonando<\/span> su<\/span> tierra<\/span>, ya<\/span> deber\u00eda<\/span> anunciarte<\/span> que<\/span> te<\/span> diriges<\/span> al horror, al horror que<\/span> son los otros<\/span> que<\/span> no buscas<\/span> pero<\/span> que<\/span> te<\/span> encuentran<\/span>.<\/p>\n

A lo largo de este<\/span> a\u00f1o<\/span> hemos<\/span> podido<\/span> ver<\/span> (no en pantalla<\/span> grande<\/span>) un resurgir<\/span> del western con productos<\/span> de notable calidad<\/span> que<\/span> retuercen<\/span> el esquema<\/span> cl\u00e1sico<\/span> del g\u00e9nero<\/span>, que<\/span> adaptan<\/span> las<\/span> tramas<\/span> a pa\u00edses<\/span> muy<\/span> diferentes<\/span> (las<\/span> monta\u00f1as<\/span> de Austria en The dark valley en una<\/span> versi\u00f3n<\/span> centroeuropea<\/span> de Sin Perd\u00f3n<\/span> mezclada<\/span> con El jinete<\/span> p\u00e1lido<\/span>), que<\/span> hablan<\/span> de la venganza<\/span> (la danesa<\/span> The salvation) o que<\/span> hablan<\/span> del viaje<\/span> como<\/span> exclusi\u00f3n<\/span> en sociedades<\/span> cerradas<\/span> y puritanas<\/span> (The homesman<\/span>, producci\u00f3n<\/span> norteamericana<\/span> que<\/span> resulta<\/span> incre\u00edble<\/span> que<\/span> no haya<\/span> sido<\/span> distribuida<\/span> en Espa\u00f1a<\/span> estando<\/span> dirigida<\/span> e interpretada<\/span> por<\/span> Tommy Lee Jones). Ahora<\/span> parece<\/span> que<\/span> s\u00ed<\/span> se estrena<\/span> esta<\/span> \u201cSlow West\u201d, producci\u00f3n<\/span> brit\u00e1nico-neozelandesa<\/span>, que<\/span> sit\u00faa<\/span> la acci\u00f3n<\/span> en Colorado pero<\/span> cuyos<\/span> rodajes<\/span> se han<\/span> llevado<\/span> a cabo<\/span> en Escocia<\/span> y Nueva<\/span> Zelanda<\/span>, y seguro<\/span> que<\/span> en su<\/span> estreno<\/span> tiene<\/span> mucho<\/span> que<\/span> ver<\/span> la presencia<\/span>, siempre<\/span> solvente<\/span>, de Michael Fassbender<\/span>.<\/p>\n

La obstinaci\u00f3n<\/span> y la tozudez<\/span> de Jay le vuelven<\/span> impulsivo<\/span>, irreflexivo<\/span>, hasta<\/span> suicida<\/span>. Cuando<\/span> Rose y su<\/span> padre, granjeros<\/span>, se ven<\/span> obligados<\/span> a abandonar<\/span> Escocia<\/span> por<\/span> la muerte<\/span> accidental de un arist\u00f3crata<\/span>, t\u00edo<\/span> de Jay, el joven<\/span> Lord Cavendish, con su<\/span> tetera<\/span> y su<\/span> gu\u00eda<\/span> de viaje<\/span>, emprende<\/span> camino<\/span> al oeste<\/span> buscando<\/span> a su<\/span> amada<\/span>, \u201csu\u201d<\/span> en sentido<\/span> literal, es<\/span> un enamoramiento<\/span> unilateral y condenado<\/span> al fracaso<\/span>, pero<\/span> Jay lo concibe<\/span> como<\/span> una<\/span> misi\u00f3n<\/span> que<\/span>, mediante<\/span> su<\/span> fuerza<\/span> de voluntad<\/span>, conseguir\u00e1<\/span> quebrar<\/span> la resistencia<\/span> de la joven<\/span> , que<\/span> le valora<\/span> como<\/span> el hermano<\/span> menor<\/span> que<\/span> nunca<\/span> tuvo<\/span>. Ese<\/span> camino<\/span> en busca<\/span> de Rose colocar\u00e1<\/span> a Jay en grave riesgo<\/span> para<\/span> su<\/span> salud<\/span>, en un lugar<\/span> del planeta<\/span> donde<\/span> la vida<\/span> no vale nada y cualquiera<\/span> puede<\/span> obtener<\/span> una<\/span> recompensa<\/span> entregando<\/span> un cuerpo<\/span>, o perder<\/span> la vida<\/span> por<\/span> un simple malentendido<\/span> con un oso<\/span>. Las posibilidades<\/span> de que<\/span> Jay llegue<\/span> a su<\/span> destino<\/span> son m\u00ednimas<\/span>.<\/p>\n

La figura<\/span> del asesino<\/span> a sueldo<\/span> con valores<\/span> morales no es<\/span> infrecuente<\/span>, quien<\/span> inicia<\/span> una<\/span> labor por<\/span> un motivo<\/span> y las<\/span> circunstancias<\/span> le hacen<\/span> cambiar<\/span> de planes, o, simplemente<\/span>, quiere<\/span> proteger<\/span> aquello<\/span> que<\/span> ve<\/span> en un esp\u00edritu<\/span> sano<\/span> y puro<\/span> que<\/span> \u00e9l<\/span> no ha podido<\/span> conservar<\/span>. Es<\/span> de esta<\/span> manera<\/span> como<\/span> entra<\/span> en acci\u00f3n<\/span> el personaje<\/span> de Silas (Michael Fassbender<\/span>), el jinete<\/span> solitario<\/span>, el caza-recompensas<\/span> sin escr\u00fapulos<\/span>, el personaje<\/span> de dudosa<\/span> moralidad<\/span> con un pasado<\/span> a sus<\/span> espaldas<\/span> de p\u00e9rdida<\/span> y decepci\u00f3n<\/span>, personaje<\/span> que<\/span> tiene<\/span> su<\/span> alter ego en Payne, (Ben Mendelshon<\/span>) el forajido<\/span> de leyenda<\/span>, el que<\/span> sabe<\/span> que<\/span> morir\u00e1<\/span> antes o despu\u00e9s<\/span> en un infortunado<\/span> encuentro<\/span> con alguien<\/span> m\u00e1s<\/span> r\u00e1pido<\/span> o m\u00e1s<\/span> afortunado<\/span>, el que<\/span> echa<\/span> de menos<\/span> a Silas pero<\/span> que<\/span> tampoco<\/span> puede<\/span> renunciar<\/span> a una<\/span> forma de vida<\/span>, y de matar<\/span>. Sobre<\/span> la uni\u00f3n<\/span> de Silas y Jay sobrevolar\u00e1<\/span> siempre<\/span> la amenaza<\/span> del mal encuentro<\/span>. La ingenuidad<\/span> del joven<\/span> y el silencio<\/span> de Silas ocultan<\/span> a aqu\u00e9l<\/span> la realidad<\/span>, que<\/span> todo<\/span> est\u00e1<\/span> siendo<\/span> una<\/span> carrera<\/span> contra el reloj<\/span> de los caza-recompensas<\/span> del estado<\/span> para<\/span> localizar<\/span> a los fugitivos<\/span> brit\u00e1nicos<\/span> y entregarlos<\/span>, \u201clive or dead\u201d, a cambio<\/span> de una<\/span> recompensa<\/span> de 2000 d\u00f3lares<\/span>, una<\/span> caza<\/span> reactivada<\/span> por<\/span> la llegada<\/span> del joven<\/span>, que<\/span> inconscientemente<\/span>, dirige<\/span> a los dem\u00e1s<\/span> hacia<\/span> la granja<\/span> de Rose, bastar\u00e1<\/span> seguir<\/span> a Jay para<\/span> localizar<\/span> el refugio<\/span>.<\/p>\n

McLean juega<\/span> a adelantar<\/span> la conclusi\u00f3n<\/span>, los sue\u00f1os<\/span> de Jay son la parte<\/span> real de su<\/span> viaje<\/span>, aqu\u00e9lla<\/span> que<\/span> no quiere<\/span> asumir<\/span> porque<\/span> le conducir\u00eda<\/span> a la inutilidad<\/span> de la traves\u00eda<\/span>, inutilidad<\/span> al menos<\/span> en lo personal, porque<\/span> para<\/span> los que<\/span> son objeto<\/span> de su<\/span> atenci\u00f3n<\/span> haberse<\/span> cruzado<\/span> con Jay supondr\u00e1<\/span> un cambio<\/span> sustancial<\/span> en sus<\/span> vidas<\/span>. El western contempor\u00e1neo<\/span> ha querido<\/span> dejar<\/span> de ser<\/span> una<\/span> simple historia<\/span> \u201cdel oeste\u201d<\/span>, huye<\/span> de la pel\u00edcula<\/span> de \u201cvaqueros\u201d, y utilizando<\/span> espacialmente<\/span> el terreno<\/span> del g\u00e9nero<\/span>, utiliza<\/span> \u00e9ste<\/span> para<\/span> trascender<\/span> a temas<\/span> m\u00e1s<\/span> universales<\/span>, la desigualdad<\/span>, el amor, la supervivencia<\/span>, la forja<\/span> de un car\u00e1cter<\/span>. Al Oeste<\/span> del siglo<\/span> XIX<\/span> no se pod\u00eda<\/span> ir<\/span> con una<\/span> gu\u00eda<\/span> de viajes<\/span> y un rev\u00f3lver<\/span> mal engrasado<\/span>, en esa<\/span> conquista<\/span> murieron<\/span> muchos<\/span> desesperados<\/span> que<\/span> acudieron<\/span> pensando<\/span> en una<\/span> abundancia<\/span> de tierras<\/span> y de cosechas<\/span> que<\/span> se quebr\u00f3<\/span> nada m\u00e1s<\/span> desembarcar<\/span> en la costa<\/span> este<\/span> (Heimat<\/span> en la reciente<\/span> memoria<\/span> como<\/span> ejemplo<\/span> de las<\/span> causas<\/span> del \u00e9xodo<\/span>), pero<\/span> ante el descubrimiento<\/span> de la realidad<\/span> cruel trataron<\/span> de adaptarse<\/span> a fuerza<\/span> de pistolas<\/span> y violencia<\/span>, algo<\/span> para<\/span> lo que<\/span> no estaban<\/span> preparados<\/span> ni<\/span> emocionalmente<\/span> ni<\/span> por<\/span> sus<\/span> aptitudes.<\/p>\n

Jay se convierte<\/span> en un hu\u00e9rfano<\/span> por<\/span> decisi\u00f3n<\/span> y se iguala<\/span> a aquellos<\/span> que<\/span> va<\/span> encontrando<\/span> por<\/span> el camino<\/span>, todo<\/span> un continente<\/span> creado<\/span> a sangre<\/span> y fuego<\/span>, dominado<\/span> por<\/span> la ley<\/span> del m\u00e1s<\/span> fuerte<\/span> para<\/span> contradecir<\/span> a Rousseau y al siglo<\/span> de las<\/span> luces<\/span> reci\u00e9n<\/span> terminado<\/span>. Un buen<\/span> caballo<\/span> es<\/span> causa<\/span> m\u00e1s<\/span> que<\/span> suficiente<\/span> para<\/span> recibir<\/span> un balazo<\/span>, de vez<\/span> en cuando<\/span> un Silas te<\/span> adopta<\/span>, aunque<\/span> sea a cambio<\/span> de una<\/span> gratificaci\u00f3n<\/span> que<\/span> oculta<\/span> un prop\u00f3sito<\/span> inconfensable<\/span>. Todos<\/span> podemos<\/span> arrepentirnos<\/span> de las<\/span> faltas<\/span>, algunos<\/span> lo hacen<\/span> a tiempo<\/span> y obtienen<\/span> recompensa<\/span>, otros<\/span> no y son castigados<\/span>, algunos<\/span> no tienen<\/span> de qu\u00e9<\/span> hacerse<\/span> perdonar<\/span> y terminan<\/span> sufriendo<\/span> las<\/span> consecuencias<\/span> funestas<\/span> del desamor<\/span> y de la violencia<\/span>. Jay es<\/span> el esp\u00edritu<\/span> de la ingenuidad<\/span> en un mundo<\/span> de violencia<\/span> desatada<\/span>, \u201csu<\/span> coraz\u00f3n<\/span> estaba<\/span> en el sitio<\/span> equivocado\u201d<\/span> nos dir\u00e1<\/span> Silas al rememorar<\/span> los hechos<\/span>, esos<\/span> hechos<\/span> de los que<\/span> Jay recuerda<\/span> los acantilados<\/span>, las<\/span> playas, las<\/span> praderas<\/span> de Escocia<\/span> acompa\u00f1ado<\/span> de Rose, un acompa\u00f1amiento<\/span> que<\/span> Jay malinterpreta<\/span> y que<\/span> terminar\u00e1<\/span> en dolorosa<\/span> evidencia<\/span> cuando<\/span> la sal<\/span> caiga<\/span> sobre<\/span> una<\/span> herida<\/span> mientras<\/span> Rose besa<\/span> a otro<\/span> hombre moribundo<\/span>, las<\/span> heridas<\/span> del coraz\u00f3n<\/span> duelen<\/span>, y para<\/span> que<\/span> lo sintamos<\/span> nosotros<\/span> tenemos<\/span> que<\/span> ver<\/span> la sal<\/span> a coraz\u00f3n<\/span> abierto<\/span>.<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Si te quedas boca arriba mirando las estrellas e imaginando que tu amada te espera, corres el riesgo de perder la noci\u00f3n de la realidad. Las noches estrelladas de Colorado invitan a pensar que el mundo es pac\u00edfico, la gente bienintencionada y tu futuro un remanso de paz a la […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7996","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nSlow West (John McLean, 2015) - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/slow-west-john-mclean-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Slow West (John McLean, 2015) - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Si te quedas boca arriba mirando las estrellas e imaginando que tu amada te espera, corres el riesgo de perder la noci\u00f3n de la realidad. Las noches estrelladas de Colorado invitan a pensar que el mundo es pac\u00edfico, la gente bienintencionada y tu futuro un remanso de paz a la […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/slow-west-john-mclean-2015\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/revistarambla\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-18T09:45:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-13T16:00:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla01.jpg?fit=682%2C450&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"R@mbla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"R@mbla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/\"},\"author\":{\"name\":\"R@mbla\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\"},\"headline\":\"Slow West (John McLean, 2015)\",\"datePublished\":\"2015-10-18T09:45:24+00:00\",\"dateModified\":\"2021-04-13T16:00:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/\"},\"wordCount\":1082,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/slow_west_revRambla02.jpg\",\"articleSection\":[\"Cine & Series\",\"Cultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/\",\"name\":\"Slow West (John McLean, 2015) - Revista Rambla\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/slow_west_revRambla02.jpg\",\"datePublished\":\"2015-10-18T09:45:24+00:00\",\"dateModified\":\"2021-04-13T16:00:04+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/slow_west_revRambla02.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/10\\\/slow_west_revRambla02.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/slow-west-john-mclean-2015\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.revistarambla.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Slow West (John McLean, 2015)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"name\":\"Revista Rambla Barcelona\",\"description\":\"Periodismo independiente\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revistarambla.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\",\"name\":\"Revista Rambla\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"width\":1900,\"height\":600,\"caption\":\"Revista Rambla\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/revistarambla\\\/\",\"https:\\\/\\\/x.com\\\/revistarambla\",\"https:\\\/\\\/www.instagram.com\\\/revista_rambla\",\"https:\\\/\\\/es.linkedin.com\\\/company\\\/revista-rambla\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\",\"name\":\"R@mbla\",\"description\":\"Este art\u00edculo ha sido redactado y\\\/o validado por el equipo de redacci\u00f3n de Revista Rambla.\",\"sameAs\":[\"https:\\\/\\\/www.revistarambla.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/revistarambla\",\"https:\\\/\\\/x.com\\\/revistarambla\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Slow West (John McLean, 2015) - Revista Rambla","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revistarambla.com\/en\/slow-west-john-mclean-2015\/","og_locale":"en_GB","og_type":"article","og_title":"Slow West (John McLean, 2015) - Revista Rambla","og_description":"Si te quedas boca arriba mirando las estrellas e imaginando que tu amada te espera, corres el riesgo de perder la noci\u00f3n de la realidad. Las noches estrelladas de Colorado invitan a pensar que el mundo es pac\u00edfico, la gente bienintencionada y tu futuro un remanso de paz a la […]","og_url":"https:\/\/www.revistarambla.com\/en\/slow-west-john-mclean-2015\/","og_site_name":"Revista Rambla","article_publisher":"https:\/\/www.facebook.com\/revistarambla\/","article_author":"https:\/\/www.facebook.com\/revistarambla","article_published_time":"2015-10-18T09:45:24+00:00","article_modified_time":"2021-04-13T16:00:04+00:00","og_image":[{"width":682,"height":450,"url":"https:\/\/i0.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla01.jpg?fit=682%2C450&ssl=1","type":"image\/jpeg"}],"author":"R@mbla","twitter_card":"summary_large_image","twitter_creator":"@revistarambla","twitter_site":"@revistarambla","twitter_misc":{"Written by":"R@mbla","Estimated reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#article","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/"},"author":{"name":"R@mbla","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c"},"headline":"Slow West (John McLean, 2015)","datePublished":"2015-10-18T09:45:24+00:00","dateModified":"2021-04-13T16:00:04+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/"},"wordCount":1082,"commentCount":0,"publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"image":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla02.jpg","articleSection":["Cine & Series","Cultura"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/","url":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/","name":"Slow West (John McLean, 2015) - Revista Rambla","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#primaryimage"},"image":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla02.jpg","datePublished":"2015-10-18T09:45:24+00:00","dateModified":"2021-04-13T16:00:04+00:00","breadcrumb":{"@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#primaryimage","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla02.jpg","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/10\/slow_west_revRambla02.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revistarambla.com\/slow-west-john-mclean-2015\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.revistarambla.com\/"},{"@type":"ListItem","position":2,"name":"Slow West (John McLean, 2015)"}]},{"@type":"WebSite","@id":"https:\/\/www.revistarambla.com\/#website","url":"https:\/\/www.revistarambla.com\/","name":"Revista Rambla Barcelona","description":"Periodismo independiente","publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revistarambla.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.revistarambla.com\/#organization","name":"Revista Rambla","url":"https:\/\/www.revistarambla.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","width":1900,"height":600,"caption":"Revista Rambla"},"image":{"@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revistarambla\/","https:\/\/x.com\/revistarambla","https:\/\/www.instagram.com\/revista_rambla","https:\/\/es.linkedin.com\/company\/revista-rambla"]},{"@type":"Person","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/a146a5a2550b94981a75131180e1bd9c","name":"R@mbla","description":"Este art\u00edculo ha sido redactado y\/o validado por el equipo de redacci\u00f3n de Revista Rambla.","sameAs":["https:\/\/www.revistarambla.com\/","https:\/\/www.facebook.com\/revistarambla","https:\/\/x.com\/revistarambla"]}]}},"_links":{"self":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/7996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/comments?post=7996"}],"version-history":[{"count":0,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/7996\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/media?parent=7996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/categories?post=7996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/tags?post=7996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}