{"id":7977,"date":"2015-10-15T22:11:02","date_gmt":"2015-10-15T22:11:02","guid":{"rendered":"https:\/\/www.revistarambla.com\/mr-right\/"},"modified":"2021-04-13T18:09:40","modified_gmt":"2021-04-13T16:09:40","slug":"mr-right","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/mr-right\/","title":{"rendered":"Mr. Right"},"content":{"rendered":"

\"alt\"<\/p>\n

\u00abMr. Right\u00bb no es<\/span> una<\/span> pel\u00edcula<\/span> redonda<\/span>. Ni falta<\/span> que<\/span> le hace<\/span>. El carisma<\/span> que<\/span> desprenden<\/span> sus<\/span> protagonistas<\/span> soporta<\/span> el peso de la pel\u00edcula<\/span> con sobriedad<\/span> y mucho<\/span> humor disparatado<\/span>, donde<\/span> el contraste<\/span> entre<\/span> locura<\/span> y… m\u00e1s<\/span> locura<\/span> dota<\/span> de un mundo<\/span> propio<\/span> y personal en el que<\/span> se desenvuelven<\/span> los personajes<\/span>, ajenos<\/span>, en gran<\/span> medida<\/span>, a la realidad<\/span> que<\/span> les envuelve<\/span> o, directamente<\/span>, renegando<\/span> de ella<\/span>.<\/p>\n

Que<\/span> Sam Rockwell es<\/span> un gran<\/span> actor es<\/span> una<\/span> obviedad<\/span> de tal<\/span> calibre<\/span> que<\/span> no merece<\/span> la pena<\/span> subrayar<\/span>. S\u00f3lo<\/span> su<\/span> probada<\/span> haraganer\u00eda<\/span> a la hora<\/span> de elegir<\/span> papeles<\/span> le ha privado<\/span> de mayor reconocimiento<\/span>. En \u00abMr. Right\u00bb no se come la pantalla<\/span>, sino<\/span> que<\/span> la trasiega<\/span> sin tan siquiera<\/span> masticarla<\/span>. Cada<\/span> una<\/span> de sus<\/span> apariciones<\/span> reduce a la m\u00ednima<\/span> expresi\u00f3n<\/span> a sus<\/span> compa\u00f1eros<\/span> de escena<\/span>. La sobria<\/span> majader\u00eda<\/span> que<\/span> destila<\/span> a lo largo del film domina<\/span> el tempo de los acontecimientos<\/span> y hace<\/span> innecesaria<\/span> la explicaci\u00f3n<\/span> que<\/span>, imprudentemente<\/span>, el guion<\/span> nos ofrece<\/span> para<\/span> su<\/span> comportamiento<\/span>. Rockwell es<\/span> la estrella<\/span>, lo sabe<\/span>, lo disfruta<\/span> y lo clava<\/span>, logrando<\/span> que<\/span> un personaje<\/span> que<\/span> podr\u00eda<\/span> bordear<\/span> peligrosamente<\/span> el rid\u00edculo<\/span>, salga<\/span> no s\u00f3lo<\/span> airoso<\/span> de la empresa<\/span>, sino<\/span> que<\/span> presida<\/span> la empresa<\/span>.<\/p>\n

Anna Kendrick, a su<\/span> vez<\/span>, no fracasa<\/span> en el intento<\/span>. Sin estar<\/span> a la altura<\/span> de su<\/span> partenaire<\/span>, no desentona<\/span> y tiene<\/span> grandes<\/span> momentos<\/span> c\u00f3micos<\/span>, que<\/span> se sustentan<\/span> en la constante<\/span> r\u00e9plica-contrarr\u00e9plica<\/span> con Rockwell. La gran<\/span> victoria de la pel\u00edcula<\/span> es<\/span> convertir<\/span> su<\/span> desquiciado<\/span> personaje<\/span> en la voz<\/span> racional<\/span> durante<\/span> gran<\/span> parte<\/span> de la historia<\/span>, para<\/span> finalmente<\/span>, dejarse<\/span> llevar<\/span> por<\/span> la vor\u00e1gine<\/span> que<\/span> se nos presenta<\/span> durante<\/span> los primeros<\/span> minutos<\/span>. A\u00fan<\/span> as\u00ed<\/span>, cierto<\/span> histrionismo<\/span> juega<\/span> en su<\/span> contra y su<\/span> intento<\/span> de slapstick, m\u00e1s<\/span> que<\/span> continuo, fracasa<\/span>. Su dependencia<\/span> de Rockwell en muchas<\/span> escenas<\/span> es<\/span> patente<\/span> y las<\/span> que<\/span> son dedicadas<\/span> a su<\/span> mayor gloria<\/span> quedan<\/span> m\u00e1s<\/span> flojas<\/span>.<\/p>\n

El resto<\/span> del reparto<\/span>, donde<\/span> destaca<\/span> un, como<\/span> no, desquiciadamente<\/span> psicop\u00e1tico<\/span> Tim Roth, flaquea<\/span> en comparaci\u00f3n<\/span>. \u00c9sta<\/span> es<\/span> demasiado<\/span> grande<\/span> y s\u00f3lo<\/span> el rapero<\/span> RZA<\/span>, sorprendentemente<\/span>, parece<\/span> seguir<\/span> el ritmo<\/span> a los protagonistas<\/span>, en las<\/span> breves<\/span> escenas<\/span> en que<\/span> aparece<\/span>.<\/p>\n

\"alt\"Cabezas<\/span> ha dotado<\/span> la pel\u00edcula<\/span> de un gran<\/span> dinamismo<\/span>, que<\/span> combina<\/span> el humor y unas<\/span> cuidadas<\/span> coreograf\u00edas<\/span> de acci\u00f3n<\/span> casi<\/span> a la perfecci\u00f3n<\/span>, que<\/span> flaquea<\/span> un poco<\/span> en las<\/span> motivaciones<\/span> de los personajes<\/span>, pero<\/span> que<\/span> logra<\/span> una<\/span> nueva<\/span> vuelta<\/span> de tuerca<\/span> dentro<\/span> de la comedia<\/span> rom\u00e1ntica<\/span>.<\/p>\n

Y es<\/span> que<\/span>, evidentemente<\/span>, estamos<\/span> antes eso<\/span>. Una<\/span> at\u00edpica<\/span>, pero<\/span> t\u00f3pica<\/span> comedia<\/span> rom\u00e1ntica<\/span>, en la que<\/span> no falta<\/span> ning\u00fan<\/span> clich\u00e9<\/span> del g\u00e9nero<\/span>, pero<\/span> deformado<\/span> e hiperb\u00f3lico<\/span> hasta<\/span> lo rid\u00edculamente<\/span> loable<\/span>.<\/p>\n

La influencia<\/span> de cine cl\u00e1sico<\/span> es<\/span> evidente<\/span> y, as\u00ed<\/span>, podemos<\/span> imaginar<\/span> a Gene Kelly bajo<\/span> la lluvia<\/span>, en cada<\/span> escena<\/span> de tiroteos<\/span>, a Warren Beatty y Faye Dunaway<\/span> como<\/span> carism\u00e1tica<\/span> pareja<\/span> criminal o a Clark Gable y Claudette Colbert como<\/span> representantes<\/span> de la, distorsionada<\/span>, guerra<\/span> de sexos<\/span> patente<\/span>.<\/p>\n

Su banda<\/span> sonora<\/span> encaja<\/span> a la perfecci\u00f3n<\/span> con el estramb\u00f3tico<\/span> panorama que<\/span> se nos presenta<\/span>. Pegadiza<\/span> y derrochadora<\/span> de felicidad<\/span>, acompa\u00f1a<\/span> con sorna<\/span> las<\/span> escenas<\/span> de acci\u00f3n<\/span> y evita<\/span> sensibler\u00edas<\/span> innecesarias<\/span> en los momentos<\/span> m\u00e1s<\/span> \u00abrom\u00e1nticos<\/span>\u00ab.<\/p>\n

\u00abMr. Right\u00bb es<\/span> una<\/span> pel\u00edcula<\/span> f\u00e1cil<\/span>, en el sentido<\/span> de que<\/span> no busca<\/span> trascendencia<\/span> y s\u00f3lo<\/span> pretende<\/span> entretener<\/span>. Pero<\/span> tambi\u00e9n<\/span> es<\/span> cierto<\/span> que<\/span> el mimo<\/span> y el cuidado<\/span> para<\/span> hilvanar<\/span> las<\/span> situaciones<\/span> que<\/span> se van sucediendo<\/span> es<\/span> plausible, lo que<\/span> evita<\/span> que<\/span> el metraje<\/span> se reduzca<\/span> a una<\/span> serie<\/span> de escenas<\/span> intermedias<\/span>, hasta<\/span> el siguiente<\/span> sketch o set piece. Hacer<\/span> re\u00edr<\/span> siempre<\/span> se ha visto<\/span> como<\/span> algo<\/span> muy<\/span> complicado<\/span> y, sin embargo, aqu\u00ed<\/span> nos vamos<\/span> a \u00abdeshuevar<\/span>\u00bb en m\u00e1s<\/span> de una<\/span> ocasi\u00f3n<\/span>. Quiz\u00e1<\/span> son eliminables<\/span> ciertos<\/span> chistes<\/span> visuales<\/span> que<\/span> coquetean<\/span>, sin ninguna<\/span> necesidad<\/span>, con la escatolog\u00eda<\/span> o el humor tontorr\u00f3n<\/span>, pero<\/span> gran<\/span> parte<\/span> del humor presente<\/span> es<\/span> tan elaboradamente<\/span> simple, directo<\/span> e inteligente<\/span>, que<\/span> haremos<\/span> la vista gorda<\/span>. \u00bfQue<\/span> Rockwell se pone a hacer<\/span> el ganso<\/span> en pantalla<\/span>? Lo aceptamos<\/span>, porque<\/span> hace<\/span> el ganso<\/span> de forma magistral<\/span>. \u00bfQu\u00e9<\/span> Anna Kendrick nos taladra<\/span> el t\u00edmpano<\/span> con sus<\/span> insufribles<\/span> gritos<\/span>? LO aceptamos<\/span>, porque<\/span> son unos<\/span> gritos<\/span> entra\u00f1ablemente<\/span> irritantes<\/span>. \u00bfQu\u00e9<\/span>… etc?<\/p>\n

No pasar\u00e1<\/span> a la historia<\/span> del cine, pero<\/span> nos har\u00e1<\/span> pasar<\/span> un buen<\/span> rato<\/span> sin tratarnos<\/span> de deficientes<\/span> mentales<\/span>, sino<\/span> buscando<\/span> nuestra<\/span> respetuosa<\/span> colaboraci\u00f3n<\/span>.<\/p>\n

Denle<\/span> una<\/span> oportunidad<\/span>. Cabezas<\/span>, ninguneado<\/span> en nuestro<\/span> pa\u00eds<\/span>, se la merece<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

La primera aventura americana de Paco Cabezas tiene una gran baza a su favor. Es muy, muy divertida. Y eso, en un cine de acci\u00f3n actual dominado por las plantillas, es de agradecer<\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7977","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nMr. Right - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/mr-right\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mr. Right - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"La primera aventura americana de Paco Cabezas tiene una gran baza a su favor. Es muy, muy divertida. 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