{"id":7950,"date":"2015-10-12T22:50:13","date_gmt":"2015-10-12T22:50:13","guid":{"rendered":"https:\/\/www.revistarambla.com\/el-nuevo-nuevo-testamento\/"},"modified":"2021-04-13T18:18:33","modified_gmt":"2021-04-13T16:18:33","slug":"el-nuevo-nuevo-testamento","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/el-nuevo-nuevo-testamento\/","title":{"rendered":"El nuevo Nuevo Testamento"},"content":{"rendered":"

\"alt\"<\/p>\n

Jaco<\/span> Van Dormael<\/span> ha creado<\/span> una<\/span> pel\u00edcula<\/span> muy<\/span> divertida<\/span> en su<\/span> inicio<\/span>, con grandes<\/span> piezas<\/span> de humor visual y di\u00e1logos<\/span> \u00e1giles<\/span> y \u00e1cidos<\/span>, que<\/span> deriva<\/span>, a medida<\/span> que<\/span> avanza<\/span> su<\/span> metraje<\/span>, hac\u00eda<\/span> una<\/span> cursiler\u00eda<\/span> irremediablemente<\/span> insufrible<\/span>.<\/p>\n

A\u00fan<\/span> as\u00ed<\/span>, \u00abEl nuevo<\/span> Nuevo Testamento<\/span>\u00bb\u00a0 es<\/span> una<\/span> buena<\/span> pel\u00edcula<\/span>. Bien realizada<\/span>, bien<\/span> interpretada<\/span>, con un excelente<\/span> montaje<\/span> y unas<\/span> actuaciones<\/span> solventes<\/span> a pesar<\/span> de la (habitualmente<\/span>) exagerada<\/span> emotividad<\/span> del cine franc\u00e9s<\/span>, m\u00e1s<\/span> que<\/span> pagado<\/span> de s\u00ed<\/span> mismo<\/span>.<\/p>\n

La pel\u00edcula<\/span> empieza<\/span> como<\/span> un tiro<\/span>, sin dejarnos<\/span> tiempo<\/span> a asimilar<\/span> que<\/span> se trata<\/span> de una<\/span> sutil<\/span> y cari\u00f1osa<\/span> parodia<\/span>, una<\/span> \u00e1cida<\/span> y gamberra<\/span> cr\u00edtica<\/span> al fanatismo<\/span> religioso<\/span> y una<\/span> pel\u00edcula<\/span> metaf\u00f3rica<\/span>, donde<\/span> los personajes<\/span> se mueven<\/span> en un mundo<\/span> de feliz<\/span> sufrimiento<\/span>, a ra\u00edz<\/span> de un hecho<\/span> imposible<\/span> provocado<\/span> por<\/span> Ea<\/span>, la peque\u00f1a<\/span> protagonista<\/span>. No nos deja<\/span> asimilarlo<\/span>, porque<\/span> nos lo mete por<\/span> la garganta<\/span> como<\/span> si<\/span> fu\u00e9semos<\/span> foie<\/span> en estado<\/span> prmigenio<\/span>.<\/p>\n

Ea<\/span>, precisamente<\/span>, es<\/span> el motor de cambio<\/span> de la existencia<\/span>, y la esperanza<\/span> que<\/span> muestra<\/span>, y a la que<\/span> se agarra<\/span> Van Dormael<\/span>, para<\/span> mostrar<\/span> su<\/span> fe<\/span> en el Ser<\/span> Humano<\/span> y su<\/span> optimismo<\/span> innato<\/span>.\u00a0 El director belga<\/span> es<\/span> un tipo<\/span> muy<\/span> divertido<\/span> y afable<\/span>, al que<\/span> le encanta<\/span> hacer<\/span> el payaso<\/span> y hacer<\/span> sentir<\/span> bien<\/span> a la gente<\/span>. Y su<\/span> pel\u00edcula<\/span> es<\/span> el mejor<\/span> reflejo<\/span> de ello<\/span>.<\/p>\n

Los seis<\/span> personajes<\/span> que<\/span> acompa\u00f1ar\u00e1n<\/span> a Ea<\/span> en su<\/span> intento<\/span> de escribir<\/span> un nuevo<\/span> testamento<\/span>, son mostrados<\/span> de forma equilibrada<\/span>, en un intento<\/span> de no restar<\/span> importancia<\/span> a ninguno<\/span> de ellos<\/span>. Y es<\/span> un error. Hay personajes<\/span> m\u00e1s<\/span> interesantes<\/span> que<\/span> otros<\/span> y la historia<\/span> de Catherine Deneuve<\/span>, por<\/span> muy<\/span> homenaje<\/span> que<\/span> sea a \u00abMax, mi amor\u00bb (Nagisa<\/span> Oshima<\/span>, 1986), es<\/span> est\u00fapida<\/span>. Equilibrar<\/span> historias<\/span> dispares<\/span> ha de comportar<\/span> que<\/span> todas<\/span> las<\/span> historias<\/span> sean<\/span> interesantes<\/span>. Y no es<\/span> el caso<\/span>.<\/p>\n

Por<\/span> eso<\/span>, a medida<\/span> que<\/span> la pel\u00edcula<\/span> avanza<\/span>, el ritmo<\/span> se resiente<\/span>. Saltamos<\/span> de una<\/span> historia<\/span> a otra<\/span> y los tramos<\/span> dedicados<\/span> a una<\/span> historia<\/span> m\u00e1s<\/span> d\u00e9bil<\/span> resultan<\/span> plomizos<\/span> y fragmentan<\/span> y menguan<\/span> nuestro<\/span> inter\u00e9s<\/span>.<\/p>\n

Jaco<\/span> intenta<\/span> resolver esto<\/span> con un h\u00e1bil<\/span>, aunque<\/span> previsible<\/span>, cruce<\/span> de caminos<\/span>, pero<\/span> no es<\/span> suficiente<\/span>.<\/p>\n

Por<\/span> otro<\/span> lado<\/span>, el papel<\/span> de Beno\u00eet<\/span> Poelvoorde<\/span>, como<\/span> Dios<\/span> m\u00e1s<\/span> terrenal<\/span> que<\/span> nunca<\/span> y completo<\/span> in\u00fatil<\/span> amante<\/span> de la maldad<\/span>, cumple<\/span> su<\/span> cometido<\/span> como<\/span> chistoso<\/span> oficial<\/span>. Y ya<\/span>. Una<\/span> actuaci\u00f3n<\/span> muy<\/span> poco<\/span> destacable<\/span> para<\/span> un personaje<\/span> que<\/span> deber\u00eda<\/span> ser<\/span> capital en la trama<\/span>.<\/p>\n

Van Dormael<\/span> le convierte<\/span> en un payaso<\/span>, en un intento<\/span> de mostrar<\/span> el latente<\/span> humanismo<\/span> del film. Dios<\/span> no cambia el mundo<\/span>. Lo cambiamos<\/span> nosotros<\/span>.<\/p>\n

M\u00e1s<\/span> desagradecido<\/span> es<\/span> a\u00fan<\/span> el papel<\/span> de Yolande<\/span> Moureau<\/span>, como<\/span> sufrida<\/span> esposa<\/span> del Ser<\/span> Superior. Aunque<\/span> la actriz<\/span> ejecuta<\/span> su<\/span> papel<\/span> a la perfecci\u00f3n<\/span>, y con un encomiable<\/span> cariz<\/span> entra\u00f1able<\/span>, su<\/span> peso en el film es<\/span> poco<\/span> m\u00e1s<\/span> que<\/span> realizar<\/span> la funci\u00f3n<\/span> de involuntaria<\/span> Deux<\/span> Ex Machina<\/span> que<\/span> triunfa<\/span> desde<\/span> el desconocimiento<\/span> y la bondad<\/span>. Oportunidad<\/span> perdida<\/span> para<\/span>, quiz\u00e1<\/span>, hacer<\/span> una<\/span> reflexi\u00f3n<\/span> sobre<\/span> el maltrato<\/span> y la sumisi\u00f3n<\/span>, aunque<\/span> fuese<\/span> de forma jocosa<\/span>.<\/p>\n

Finalmente<\/span>, y lamentablemente<\/span>, la historia<\/span> olvida<\/span> la risa<\/span> y su<\/span> premisa<\/span> y apuesta<\/span> por<\/span> el \u00abbuen<\/span> rollito<\/span>\u00bb preciosista<\/span>. La vida<\/span> es<\/span> bella<\/span> y blablabla<\/span>.<\/p>\n

\u00abEl nuevo<\/span> Nuevo Testamento<\/span>\u00bb lo tiene<\/span> todo<\/span> para<\/span> ser<\/span> un \u00e9xito<\/span> de taquilla<\/span>. Gustar\u00e1<\/span> a todo<\/span> tipo<\/span> de p\u00fablico<\/span>, pues<\/span> telegraf\u00eda<\/span> sus<\/span> intenciones<\/span> y tratar<\/span> de hacernos<\/span> pasar<\/span> un buen<\/span> rato<\/span> por<\/span> sobreexposici\u00f3n<\/span>. Para los espectadores<\/span> menos<\/span> sensibles<\/span>, la pel\u00edcula<\/span> se convertir\u00e1<\/span> en una<\/span> obra<\/span> excelente<\/span>, desde<\/span> el punto<\/span> de vista cinematogr\u00e1fico<\/span>, pero<\/span> un serio<\/span> riesgo<\/span> de glaucoma y lavativa<\/span> emocional<\/span>.<\/p>\n

Van Dormael<\/span> ha sacrificado la oportunidad de realizar<\/span> una<\/span> cr\u00edtica<\/span> simp\u00e1tica pero<\/span> contundente de la religi\u00f3n y su<\/span> funcionamiento respecto al concepto de divinidad y destino al decantarse por<\/span> dramas humanos y optimismo<\/span> mal entendido. Puede que<\/span> fuese<\/span> su<\/span> intenci\u00f3n, pero<\/span>, no s\u00e9 ustedes, un servidor est\u00e1 hasta la coronilla de la fiebre de \u00abfeel good movies\u00bb que<\/span> pueblan cada a\u00f1o la cartelera, con especial reminiscencia del pa\u00eds del Gallo.<\/p>\n

Acudan a verla si les gust\u00f3… \u00abAm\u00e9lie\u00bb, por ejemplo. Si tienen sentido cr\u00edtico y son capaces de repudiar el sentimentalismo barato y los intentos burdos de manipulaci\u00f3n… ni se lo planteen.<\/p>\n

estreno<\/span> 9 de octubre<\/span> de 2015<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Jaco Van Dormael ha creado una pel\u00edcula muy divertida en su inicio, con grandes piezas de humor visual y di\u00e1logos \u00e1giles y \u00e1cidos, que deriva, a medida que avanza su metraje, hac\u00eda una cursiler\u00eda irremediablemente insufrible. A\u00fan as\u00ed, \u00abEl nuevo Nuevo Testamento\u00bb\u00a0 es una buena pel\u00edcula. Bien realizada, bien interpretada, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7950","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nEl nuevo Nuevo Testamento - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/el-nuevo-nuevo-testamento\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El nuevo Nuevo Testamento - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Jaco Van Dormael ha creado una pel\u00edcula muy divertida en su inicio, con grandes piezas de humor visual y di\u00e1logos \u00e1giles y \u00e1cidos, que deriva, a medida que avanza su metraje, hac\u00eda una cursiler\u00eda irremediablemente insufrible. 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