{"id":7945,"date":"2015-10-10T10:42:01","date_gmt":"2015-10-10T10:42:01","guid":{"rendered":"https:\/\/www.revistarambla.com\/las-vicisitudes-de-un-periodista-novato-en-sitges-dia-1-la-novatada\/"},"modified":"2021-04-13T18:21:23","modified_gmt":"2021-04-13T16:21:23","slug":"las-vicisitudes-de-un-periodista-novato-en-sitges-dia-1-la-novatada","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/las-vicisitudes-de-un-periodista-novato-en-sitges-dia-1-la-novatada\/","title":{"rendered":"Las vicisitudes de un periodista novato en Sitges. Dia 1: la novatada"},"content":{"rendered":"

Cuando uno lleva poco tiempo siendo periodista y se le ofrece la opci\u00f3n de cubrir uno de los Festivales de g\u00e9nero m\u00e1s importantes del mundo (sino que el que m\u00e1s) y, adem\u00e1s, es un freak consumado de todo lo que huela a cinematograf\u00eda, la primera reacci\u00f3n es de una alegr\u00eda desbordante y una codicia experiencial desmesurada.<\/p>\n

\"alt\"<\/p>\n

A medida<\/span> que<\/span> se acerca<\/span> la fecha<\/span> del festival, la alegr\u00eda<\/span> se va<\/span> tornando<\/span> en miedo<\/span> y, muy<\/span> acorde<\/span> con la tem\u00e1tica<\/span> del festival, se torna<\/span> terror incontrolable<\/span> a medida<\/span> qe<\/span> vas cerrando<\/span> entrevistas<\/span> con personalidades<\/span> que<\/span>, o bien<\/span> admiras<\/span>, o bien<\/span> te<\/span> imponen<\/span>, o bien<\/span> ambas<\/span> y ninguna<\/span>.<\/p>\n

La odisea<\/span> comienza<\/span>, oficialmente<\/span> un d\u00eda<\/span> antes del inicio<\/span>. Nadie<\/span> te<\/span> informa<\/span> de manera<\/span> veraz<\/span>, y t\u00fa<\/span>, que<\/span> eres<\/span> novato<\/span> y, por<\/span> tanto<\/span>, coqueteas<\/span> con el coeficiente<\/span> intelectual<\/span> negativo<\/span>, vas perdido<\/span> nivel<\/span> choni<\/span> en filmoteca<\/span>. Desconoces<\/span> que<\/span> tu<\/span> acreditaci\u00f3n<\/span> tiene<\/span> pases<\/span> abiertos<\/span> a prensa<\/span> y te<\/span> cabreas<\/span> como<\/span> una<\/span> mona<\/span> cuando<\/span> te<\/span> quedas<\/span> sin invitaciones<\/span> a trav\u00e9s<\/span> de la web, tan s\u00f3lo<\/span> cinco<\/span> minutos<\/span> despu\u00e9s<\/span> de que<\/span> se abra<\/span> el periodo<\/span> de reserva<\/span> (el d\u00eda<\/span> antes de las<\/span> proyecciones<\/span>, a las<\/span> 7h<\/span>).<\/p>\n

Por<\/span> tanto<\/span>, tienes<\/span> dos opciones<\/span>: o madrugas<\/span> y te<\/span> presentas<\/span> en Sitges<\/span> a primera<\/span> hora<\/span> para<\/span> ver<\/span> el ambiente<\/span>… o te<\/span> pasas<\/span> despu\u00e9s<\/span> de comer e improvisas<\/span>.<\/p>\n

Llegu\u00e9<\/span> a Sitges<\/span> a las<\/span> 14h<\/span>. Madrugar<\/span> es<\/span> terrible para<\/span> la salud<\/span>, digan<\/span> lo que<\/span> digan<\/span>.<\/p>\n

Recoges<\/span> tu<\/span> acreditaci\u00f3n<\/span> (a la tercera<\/span>, que<\/span> por<\/span> algo<\/span> eres<\/span> novato<\/span>) y, con gran<\/span> alegr\u00eda<\/span>, descubres<\/span> que<\/span> tienes<\/span> acceso<\/span> libre<\/span> a m\u00e1s<\/span> de sesenta<\/span> pel\u00edculas<\/span>. La voluntaria<\/span> que<\/span> te<\/span> da<\/span> tu<\/span> acreditaci\u00f3n<\/span> se descojona<\/span> con tu<\/span> cara<\/span> y con tus<\/span> idas<\/span> y venidas<\/span> para<\/span> preguntarle<\/span> obviedades<\/span>. \u00abEs<\/span> que<\/span> es<\/span> mi primera<\/span> vez<\/span>, lo siento<\/span>\u00ab. Su belleza<\/span> me da<\/span> ganas<\/span> de ofrecerle<\/span> un caf\u00e9<\/span>, una<\/span> charla<\/span>, un piso<\/span> o una<\/span> vida<\/span> en com\u00fan<\/span>. Pero<\/span> est\u00e1<\/span> prometida<\/span>. Que<\/span> se joda<\/span>, se qued\u00f3<\/span> sin caf\u00e9<\/span>.<\/p>\n

Por<\/span> fin coges<\/span> sitio<\/span> en una<\/span> de las<\/span> mesas de prensa<\/span> (en pleno<\/span> vest\u00edbulo<\/span> de la sala<\/span> Garbi<\/span>, que<\/span> el cuarto<\/span> de los ordenadores<\/span> \u00abguapos<\/span>\u00bb est\u00e1<\/span> ocupado<\/span> por<\/span> los redactores<\/span> A, que<\/span> ocupan<\/span> mesas de 6 entre<\/span> tres<\/span>. Incluso<\/span> en prensa<\/span> hay clases<\/span>) y la primera<\/span> persona con la que<\/span> hablas<\/span> es<\/span> el \u00ednclito<\/span> Carlos Pumares<\/span>. Genio<\/span> y figura<\/span>, con su<\/span> acreditaci\u00f3n<\/span> de La Raz\u00f3n<\/span> y su<\/span> cordial mala<\/span> baba<\/span>, nos asesora<\/span> a una<\/span> novata<\/span> y a m\u00ed<\/span> sobre<\/span> ciertos<\/span> entresijos<\/span> de la vida<\/span> en el Festival. B\u00e1sicamente<\/span>, los pases<\/span> de prensa<\/span> son muy<\/span> tempranos<\/span>, hace<\/span> fr\u00edo<\/span> y los organizadores<\/span> no permiten<\/span> entrar<\/span> a salas<\/span> desde<\/span> dentro<\/span> del hotel. Son unos<\/span> energ\u00famenos<\/span> que<\/span> no valoran<\/span> el trabajo<\/span> de la prensa<\/span>. Y nos deja<\/span> a Aura y a m\u00ed<\/span> para<\/span> buscar<\/span> \u00abal esclavo<\/span> al que<\/span> le paga<\/span> cinco<\/span> euros<\/span> la hora<\/span> para<\/span> que<\/span> le tenga<\/span> preparados<\/span> los papeles<\/span>\u00ab.<\/p>\n

En media hora<\/span> comienza<\/span> el pase<\/span> de prensa<\/span> de \u00abMr. Right\u00bb, la nueva<\/span> pel\u00edcula<\/span> de Paco<\/span> Cabezas<\/span>, con Sam Rockwell y Anna Kendrick, en la Sala<\/span> Tramuntana<\/span>, a apenas<\/span> cinco<\/span> minutos<\/span> de la sala<\/span> de prensa<\/span> y decidimos<\/span> ir<\/span> a cumplir<\/span> con uno<\/span> de los requisitos<\/span> imprescindibles<\/span> del Sitges<\/span> Film Festival: las<\/span> colas. Enormes<\/span>, constantes<\/span>, desesperantes<\/span> acumulaciones<\/span> de gente<\/span> y prensa<\/span> (en ocasiones<\/span> incluso<\/span> de ambos<\/span>) que<\/span> permiten<\/span> socializar<\/span> y, alguna<\/span> que<\/span> otra<\/span> vez<\/span>, intercambiar<\/span> favores<\/span> con otr@s<\/span> compa\u00f1er@s de<\/span> profesi\u00f3n<\/span>.<\/p>\n

Los mayores<\/span> espec\u00edmenes<\/span> del festival se encuentran<\/span> siempre<\/span> en una<\/span> cola. Ya<\/span> puede<\/span> ser<\/span> una<\/span> camarera<\/span> de los cincuenta<\/span> con infecci\u00f3n<\/span> zombie que<\/span> intenta<\/span> vender ciertos<\/span> programarios<\/span> del festival y la ciudad<\/span>, ya<\/span> puede<\/span> ser<\/span> la cincuentona<\/span> fan\u00e1tica<\/span> que<\/span> viene<\/span> con su<\/span> hijo<\/span> mayor, que<\/span> concibi\u00f3<\/span> en el festival veinte<\/span> a\u00f1os<\/span> antes, ya<\/span> pueden<\/span> ser<\/span> la cohorte<\/span> de blogueros<\/span>, periodistas<\/span> online de otras<\/span> comunidades<\/span> que<\/span> aprovechan<\/span> que<\/span> est\u00e1n<\/span> en el paro<\/span> para<\/span> viajar<\/span>, ya<\/span> puede<\/span> ser<\/span> cualquier<\/span> cosa<\/span> que<\/span> se te<\/span> ocurra<\/span>… las<\/span> conversaciones<\/span> fluyen<\/span> autom\u00e1ticamente<\/span> y se forjan<\/span> tenues<\/span> amistades<\/span> con el cine y el previsible<\/span> cansancio<\/span> de los pr\u00f3ximos<\/span> d\u00edas<\/span> como<\/span> nexo<\/span> de uni\u00f3n<\/span>.<\/p>\n

A las<\/span> 17:15h<\/span> entramos<\/span> a la reformada<\/span> sala<\/span>. Las otrora<\/span> sillas<\/span> de hierro<\/span> de la cafeter\u00eda-jard\u00edn<\/span> \u00abCasa Paco<\/span> y Loli\u00bb que<\/span> poblaban<\/span> este<\/span> microespacio<\/span> han<\/span> sido<\/span> sustituidas<\/span> por<\/span> inc\u00f3modas<\/span> y mal inclinadas<\/span> butacas<\/span> de cine. Estrechas<\/span> y horrendas<\/span> en su<\/span> uso<\/span>, que<\/span> no a la vista, permiten<\/span> comprobar<\/span> que<\/span> las<\/span> dimensiones<\/span> de la pantalla<\/span> no han<\/span> cambiado<\/span>. \u00abVilla Tramuntana<\/span>\u00bb abordar\u00e1<\/span> su<\/span> fase<\/span> 2 en 2016.<\/p>\n

Paco<\/span> Cabezas<\/span> presenta<\/span> la pel\u00edcula<\/span>. No hace<\/span> lo mismo<\/span> con los productores<\/span> de la misma<\/span> que<\/span> le acompa\u00f1an<\/span>. Se muestra<\/span> nervioso<\/span> y esp\u00eddico<\/span> al volver<\/span> \u00aba casa<\/em>\u00ab, donde<\/span> siempre<\/span> se han<\/span> proyectado<\/span> sus<\/span> cortos<\/span> y pel\u00edculas<\/span>. Es<\/span> simp\u00e1tico<\/span>, pero<\/span> queremos<\/span> ver<\/span> la pel\u00edcula<\/span> y, dado que<\/span> es<\/span> consciente<\/span>, corta<\/span> y cierra<\/span>, se apagan<\/span> las<\/span> luces<\/span> y…<\/p>\n

\u00abMr. Right\u00bb es<\/span> un excelente<\/span> entretenimiento<\/span>, tejido<\/span> en torno<\/span> a una<\/span> at\u00edpica<\/span> comedia<\/span> rom\u00e1ntica<\/span> donde<\/span> la acci\u00f3n<\/span> se desenvuelve<\/span> entre<\/span> la locura<\/span>… dentro<\/span> de la locura<\/span>. Sustentada<\/span> en sus<\/span> dos protagonistas<\/span> principales<\/span>, en detrimento<\/span> del resto<\/span> del reparto<\/span> (Tim Roth incluido<\/span>), en el que<\/span> s\u00f3lo<\/span> alcanza<\/span> cierto<\/span> nivel<\/span>, sorprendentemente<\/span>, el rapero<\/span> RZA<\/span>, estamos<\/span> ante una<\/span> pel\u00edcula<\/span> \u00e1gil<\/span> y muy<\/span>, muy<\/span> divertida<\/span>, que<\/span> cimienta<\/span> un mundo<\/span> propio<\/span> en el que<\/span> sus<\/span> habitantes<\/span> reniegan<\/span> conscientemente<\/span> del sentido<\/span> com\u00fan<\/span>– Sam Rockwell derrocha<\/span> carisma<\/span> y talento<\/span>, masacrando<\/span> a sus<\/span> compa\u00f1eros<\/span> cada<\/span> vez<\/span> que<\/span> aparece<\/span> en escena<\/span>. Quiz\u00e1<\/span> el gui\u00f3n<\/span> no debere\u00eda<\/span> haber<\/span> intentado<\/span> dotar<\/span> de motivos<\/span> su<\/span> comportamiento<\/span>. Anna Kendrick, por<\/span> su<\/span> parte<\/span>, casi<\/span> est\u00e1<\/span> a la altura<\/span>, aunque<\/span> su<\/span> excesivo<\/span> histrionismo<\/span>, en busca<\/span> de la risa<\/span> f\u00e1cil<\/span>, resulta<\/span> inadecuado<\/span> en algunos<\/span> momentos<\/span>. Con reminiscencias<\/span> a Bonnie & Clyde, a Gene Kelly e, incluso<\/span>, a los Gable y Colbert de \u00abSucedi\u00f3<\/span> una<\/span> noche<\/span><\/em>\u00ab, \u00abMr. Right<\/em>\u00bb nos deja<\/span> una<\/span> sonrisa<\/span> en los labios<\/span> y una<\/span> pizca<\/span> de remordimiento<\/span> tras<\/span> tanta<\/span> carcajada<\/span> \u00b4negra<\/span>.<\/p>\n

Acabada<\/span> la proyecci\u00f3n<\/span>, una<\/span> peque\u00f1a<\/span> mesa redonda<\/span>, rebautizada<\/span> \u00abpost-screening\u00bb, que<\/span> estamos<\/span> en un festival internacional<\/span>, a la que<\/span> acudimos<\/span> cuatro<\/span> gatos<\/span>, tres<\/span> perros<\/span>, una<\/span> ardilla<\/span> y un orangut\u00e1n<\/span>, me permite<\/span> pasar<\/span> unos<\/span> minutos<\/span> con Cabezas<\/span> y hacerle<\/span> unas<\/span> cuantas<\/span> preguntas<\/span>. Despido<\/span> a Aura y a Luis, compa\u00f1eros<\/span> de proyecci\u00f3n<\/span> con los que<\/span> me cruzar\u00e9<\/span>, sin duda<\/span>, en los siguientes<\/span> d\u00edas<\/span>.<\/p>\n

La siguiente<\/span> proyecci\u00f3n<\/span> comienza<\/span> a las<\/span> 20:45. Queda<\/span> hora<\/span> y media y, supuestamente<\/span>, tengo<\/span> concertada<\/span> una<\/span> entrevista<\/span> con Santiago Segura a las<\/span> 20h<\/span>. Llamo<\/span> por<\/span> tel\u00e9fono<\/span> a Paco<\/span> Fox, con quien<\/span> he concertado<\/span> entrevista<\/span> a las<\/span> 19h<\/span>. Ambos<\/span> llegamos<\/span> tarde<\/span>, pero<\/span> sol\u00edcitos<\/span> y, dado que<\/span> el espacio<\/span> que<\/span> \u00edbamos<\/span> a utilizar<\/span> ha sido<\/span> acordonado<\/span> y okupado<\/span> <\/em>por<\/span> los primeros<\/span> Vips<\/span> que<\/span> acuden<\/span> a la ceremonia<\/span> de inauguraci\u00f3n<\/span> del Festival, no vaya<\/span> a ser<\/span> que<\/span> tengan<\/span> que<\/span> cruzarse<\/span> y mezclarse<\/span> con la plebe, hemos<\/span> de retirarnos<\/span> a la sala<\/span> de prensa<\/span>. De camino<\/span>, tenemos<\/span> dudas<\/span> al cruzarnos<\/span> con el que<\/span>, creemos<\/span>, el maravilloso<\/span> Kang-Ho Song, grandioso actor, protagonista<\/span> de verdaderas<\/span> maravillas<\/span> como<\/span> \u00abThe Host\u00bb o \u00abSnowpiercer<\/span>\u00ab. Como no estamos<\/span> seguros<\/span>, decidimos<\/span> dejar<\/span> las<\/span> fotos para<\/span> otra<\/span> ocasi\u00f3n<\/span>. No nos gusta<\/span> molestar<\/span> y menos<\/span> si<\/span> no estamos<\/span> seguros<\/span> de a quien<\/span> estamos<\/span> molestando<\/span>.<\/p>\n

Acabada<\/span> la entrevista<\/span> con Fox, toca<\/span> peque\u00f1a<\/span> sesi\u00f3n<\/span> de fotos, que<\/span> he de realizar<\/span> yo<\/span> mismo<\/span> por<\/span> un problema<\/span> con las<\/span> acreditaciones<\/span> que<\/span> me ha dejado<\/span> sin fot\u00f3grafa<\/span> acompa\u00f1ante<\/span>. Afortunadamente<\/span>, nos aborda<\/span> una<\/span> fan de Paco<\/span>, periodista<\/span> y fot\u00f3grafa<\/span>, que<\/span> me saca<\/span> del apuro<\/span>. Intercambiamos<\/span> tel\u00e9fonos<\/span>, pues<\/span> espero<\/span> que<\/span> me saque<\/span> de m\u00e1s<\/span> apuros<\/span> durante<\/span> los d\u00edas<\/span> que<\/span> est\u00e9<\/span> en el festival.<\/p>\n

A las<\/span> 20h<\/span> acudo<\/span> al auditorio<\/span>, para<\/span> el acto<\/span> de presentaci\u00f3n<\/span> del cortometraje<\/span> \u00abNivel<\/span> 7<\/em>\u00ab, producido<\/span> por<\/span> Endesa<\/span>, patrocinador<\/span> del festival, y dirigido<\/span> por<\/span> Santiago Segura, con quien<\/span> he acordado<\/span> entrevista<\/span>. Pero<\/span> mi pase<\/span> de prensa<\/span> no es<\/span> aceptado<\/span>. Tras<\/span> comprobar<\/span> la convocatoria<\/span>, la pared m\u00e1s<\/span> pr\u00f3xima<\/span> se antoja<\/span> irresistible para<\/span> comprobar<\/span> la dureza<\/span> de mi cr\u00e1neo<\/span>. La convocatoria<\/span> para<\/span> prensa<\/span> era a las<\/span> 17h<\/span>, la de p\u00fablico<\/span> general para<\/span> las<\/span> 20h<\/span>. He perdido<\/span> una<\/span> entrevista<\/span> importante<\/span> en mi primer d\u00eda<\/span> de festival, por<\/span> equivocarme<\/span> tres<\/span> horas<\/span> en el horario<\/span>.<\/p>\n

Por<\/span> tanto<\/span>, me acerco<\/span> al pase<\/span> de prensa<\/span> de \u00abSummer Camp<\/em>\u00bb con mi complejo<\/span> de gilipollas<\/span> multiplicado<\/span> por<\/span> cien<\/span> y vertiendo<\/span> al ocho<\/span> tumbado<\/span>. Alberto Marini<\/span> guionista<\/span> de \u00e9xitos<\/span> como<\/span> \u00abREC<\/span><\/em>\u00bb o \u00abMientras<\/span> duermes<\/span><\/em>\u00bb presenta<\/span> esta<\/span>, su<\/span> primera<\/span> pel\u00edcula<\/span> como<\/span> director, con producci\u00f3n<\/span> de su<\/span> amigo Jaume<\/span> Balaguer\u00f3<\/span>. La cataloga<\/span> de \u00abterror gamberro<\/span>\u00ab, se apagan<\/span> las<\/span> luces<\/span> y…<\/p>\n

\u00abSummer Camp<\/em>\u00bb es<\/span> una<\/span> gamberrada<\/span> f\u00edlmica<\/span> que<\/span> no busca<\/span> coherencia<\/span> alguna<\/span> y que<\/span> tira<\/span> de clich\u00e9s<\/span> de g\u00e9nero<\/span>, mientras<\/span> les da<\/span> una<\/span>, dos, tres<\/span> o las<\/span> vueltas<\/span> de tuerca<\/span> que<\/span> sean<\/span> necesarias<\/span>.<\/p>\n

Sangre<\/span>, comportamientos<\/span> hijoputescos<\/span>, personajes<\/span> nobles que<\/span> reciben<\/span> por<\/span> todos<\/span> lados<\/span>, m\u00e1s<\/span> sangre<\/span>, m\u00e1s<\/span> comportamientos<\/span> hijoputescos<\/span> y, principalmente<\/span>, giros<\/span> argumentales<\/span>, dentro<\/span> de giros<\/span> argumentales<\/span>, dentro<\/span> de giros<\/span> argumentales<\/span>… con referencias<\/span> a multitud<\/span> de pel\u00edculas<\/span> cl\u00e1sicas<\/span> (\u00ab\u00bfQui\u00e9n<\/span> puede<\/span> matar<\/span> a un ni\u00f1o<\/span>?<\/em>\u00bb incluida<\/span>) conforman<\/span> este<\/span> pastiche adrenal\u00edtico<\/span> y absurdo<\/span>, con la \u00fanica<\/span> intenci\u00f3n<\/span> de divertir<\/span> y hacer<\/span> el cafre<\/span>, apuntando<\/span> leves<\/span> reflexiones<\/span> sobre<\/span> la naturaleza<\/span> humana<\/span> en momentos<\/span> de tensi\u00f3n<\/span> extrema<\/span>.<\/p>\n

El fin de mi primera<\/span> jornada<\/span> de Sitges<\/span> empieza<\/span> a toda<\/span> hostia<\/span>. El retraso<\/span> de la proyecci\u00f3n<\/span> de \u00abSummer Camp<\/em>\u00bb hace<\/span> que<\/span> la sesi\u00f3n<\/span> de Cinebasura<\/span> programada<\/span> a las<\/span> 22:45h<\/span> comience<\/span> a as 23h<\/span>, con conexi\u00f3n<\/span> en directo<\/span> con Movistar<\/span>+ a\u00fan<\/span> estando<\/span> la sala<\/span> a medio<\/span> llenar<\/span>. Mi amistad<\/span> con Paco<\/span> Fox, co-presentador<\/span> del acto<\/span> junto<\/span> a Carlos Palencia<\/span> y Paco<\/span> Cabezas<\/span> me ha permitido<\/span> quedarme<\/span> en la sala<\/span> tras<\/span> la anterior proyecci\u00f3n<\/span> y no perder<\/span> detalle<\/span> del caos<\/span> que<\/span> produce un retraso<\/span> en una<\/span> conexi\u00f3n<\/span> en directo<\/span>. Realmente<\/span> interesante<\/span> de ver<\/span>.<\/p>\n

Cinebasura<\/span> consiste<\/span>, b\u00e1sicamente<\/span>, en la proyecci\u00f3n<\/span> de una<\/span> pel\u00edcula<\/span> horrible, en todos<\/span> los sentidos<\/span> posibles<\/span> e imaginables<\/span>, mientras<\/span> os<\/span> presentadores<\/span> hincan<\/span> el diente<\/span> a cada<\/span> fallo<\/span>, evidentemente<\/span> o no, y disparan<\/span> gracietas<\/span>, chorradas<\/span>, ingenios<\/span> y chascarrillos<\/span> a todo<\/span> tren<\/span>. La pel\u00edcula<\/span> elegida<\/span> hoy<\/span> resulta<\/span> ser<\/span> un bodrio<\/span> infumable<\/span>, protagonizado<\/span> por<\/span> LInda<\/span> Blair y David Hasselhoff<\/span>, titulado<\/span> \u00abEncuentro<\/span> con la maldad<\/span><\/em>\u00ab. Horrible, aburrida<\/span>, atroz<\/span>… sus<\/span> innumerables<\/span> fallos<\/span> de racord<\/span>, que<\/span> incluyen<\/span> amaneceres<\/span> s\u00fabitos<\/span> en mitad<\/span> de la madrugada<\/span>, sus<\/span> rob\u00f3ticas<\/span>, cuando<\/span> no psicop\u00e1ticas<\/span>, interpretaciones<\/span> y su<\/span> lento, muy<\/span> lento, lent\u00edsimo<\/span>, desesperante<\/span> ritmo<\/span> narrativo<\/span>, con constantes<\/span> escenas<\/span> que<\/span> cortan<\/span> sin terminar<\/span>, hacen<\/span> de la experiencia<\/span> una<\/span> tortura<\/span> antip\u00e1tica<\/span> que<\/span> no merece<\/span> mayor explicaci\u00f3n<\/span>. Si tienen<\/span> alguna<\/span> vez<\/span> ocasi\u00f3n<\/span> de verla<\/span>… HUYAN<\/span>. Por<\/span> lo que<\/span> m\u00e1s<\/span> quieran<\/span>, HUYAN<\/span>.<\/p>\n

El primer d\u00eda<\/span> llega<\/span> a su<\/span> fin. Los maratones<\/span> de madrugada<\/span> son inhumanos<\/span>, toda<\/span> vez<\/span> que<\/span> he de volver<\/span> temprano<\/span> al d\u00eda<\/span> siguiente<\/span>.<\/p>\n

Autob\u00fas<\/span> y manta.<\/p>","protected":false},"excerpt":{"rendered":"

Cuando uno lleva poco tiempo siendo periodista y se le ofrece la opci\u00f3n de cubrir uno de los Festivales de g\u00e9nero m\u00e1s importantes del mundo (sino que el que m\u00e1s) y, adem\u00e1s, es un freak consumado de todo lo que huela a cinematograf\u00eda, la primera reacci\u00f3n es de una alegr\u00eda […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7945","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nLas vicisitudes de un periodista novato en Sitges. 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