{"id":7884,"date":"2015-10-03T20:49:16","date_gmt":"2015-10-03T20:49:16","guid":{"rendered":"https:\/\/www.revistarambla.com\/lejos-de-los-hombres\/"},"modified":"2021-04-19T19:53:53","modified_gmt":"2021-04-19T17:53:53","slug":"lejos-de-los-hombres","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/lejos-de-los-hombres\/","title":{"rendered":"Lejos de los hombres"},"content":{"rendered":"
\n
Los paisajes<\/span> des\u00e9rticos<\/span> de Argelia<\/span> sirven<\/span> de fondo<\/span> a esta<\/span> pel\u00edcula<\/span> que<\/span> surge de un breve<\/span> relato<\/span> (el hu\u00e9sped<\/span>) y otros<\/span> textos<\/span> de Albert Camus y se enmarca<\/span> en la Argelia<\/span> de 1954. El director David Oelhoffen<\/span> construye<\/span> un \u00abneowestern<\/span>\u00ab, donde<\/span> dos seres<\/span> humanos<\/span> vagan<\/span> huyendo<\/span> por<\/span> un territorio<\/span> hostil<\/span> en busca<\/span> de la salvaci\u00f3n<\/span> y esa<\/span> huida<\/span> servir\u00e1<\/span> para<\/span> reencontrarse<\/span> a si<\/span> mismos<\/span>.<\/div>\n<\/div>\n
\"alt\"<\/div>\n
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Los paisajes<\/span> des\u00e9rticos<\/span> de Argelia<\/span> sirven<\/span> de fondo<\/span> a esta<\/span> pel\u00edcula<\/span> que<\/span> surge de un breve<\/span> relato<\/span> (el hu\u00e9sped<\/span>) y otros<\/span> textos<\/span> de Albert Camus y se enmarca<\/span> en la Argelia<\/span> de 1954. El director David Oelhoffen<\/span> construye<\/span> un \u00abneowestern<\/span>\u00ab, donde<\/span> dos seres<\/span> humanos<\/span> vagan<\/span> huyendo<\/span> por<\/span> un territorio<\/span> hostil<\/span> en busca<\/span> de la salvaci\u00f3n<\/span> y esa<\/span> huida<\/span> servir\u00e1<\/span> para<\/span> reencontrarse<\/span> a si<\/span> mismos<\/span>.<\/div>\n
<\/div>\n
Daru<\/span> (Viggo<\/span> Mortensen) un maestro franc\u00e9s<\/span> en una<\/span> escuela<\/span> del Atlas argelino<\/span>, es<\/span> obligado<\/span> a llevar<\/span> a la ciudad<\/span> m\u00e1s<\/span> cercana<\/span> a Mohammed (Reda<\/span> Kateb<\/span>) un campesino<\/span> acusado<\/span> de la muerte<\/span> de su<\/span> primo<\/span> por<\/span> una<\/span> disputa<\/span>\u00a0familiar. Daru<\/span> se niega<\/span>\u00a0al traslado<\/span>, pero<\/span>\u00a0la familia<\/span> del muerto<\/span>\u00a0quiere<\/span> vengarse<\/span> de Mohammed y al\u00a0mismo<\/span> tiempo<\/span>\u00a0que<\/span> los colonos<\/span> sufren<\/span> los primeros<\/span> ataques<\/span> del Frente<\/span> nacional<\/span> de liberaci\u00f3n<\/span> de Argelia<\/span>, estos<\/span> quieren<\/span>\u00a0escarmentar<\/span> a los nativos<\/span> argelinos<\/span>. Son d\u00edas<\/span> convulsos<\/span> en la zona<\/span> y Daru<\/span> debe<\/span> cumplir<\/span> con la orden<\/span> de la autoridad<\/span> y llevar<\/span> a Mohammed a prisi\u00f3n<\/span>.<\/div>\n
<\/div>\n
Se inicia<\/span> una<\/span> relaci\u00f3n<\/span> de los dos personajes<\/span> en medio<\/span> de un ambiente<\/span> hostil<\/span> y una<\/span> naturaleza<\/span> cruel que<\/span> acompa\u00f1a<\/span> todo<\/span> su<\/span> periplo<\/span>, del desconocimiento<\/span> a la amistad<\/span> para<\/span> llegar<\/span> al final del camino<\/span> donde<\/span> cada<\/span> uno<\/span> se encuentre<\/span> con su<\/span> destino<\/span>.<\/div>\n
<\/div>\n
De pocos<\/span> di\u00e1logos<\/span> pero<\/span> de una<\/span> intensidad<\/span> que<\/span> va<\/span> en aumento<\/span> a medida<\/span> que<\/span> la pel\u00edcula<\/span> avanza<\/span> con un ritmo<\/span> que<\/span> va<\/span> en crescendo y nos deja<\/span> actuaciones<\/span> sentidas<\/span> de los dos actores<\/span>, una<\/span> visi\u00f3n<\/span> del principio<\/span> del fin del colonialismo<\/span> franc\u00e9s<\/span> se vislumbran<\/span> en algunas<\/span> de las<\/span> secuencias<\/span>. Pero<\/span> lo que<\/span> nos muestra<\/span> el director es<\/span> casi<\/span> fiel<\/span> al texto<\/span> de Camus pero<\/span> no en su<\/span> esp\u00edritu<\/span>, David Oelhoffen<\/span> se permite<\/span> un giro argumental<\/span> que<\/span> se acopla<\/span> mejor<\/span> a la historia<\/span> que<\/span> hemos<\/span> visto<\/span> reflejada<\/span> en la pantalla<\/span>.<\/div>\n
<\/div>\n
Hay momentos<\/span> de cine cl\u00e1sico<\/span> del oeste<\/span>, con sus<\/span> persecuciones<\/span>, emboscadas<\/span> y grandes<\/span> planos<\/span> de ese<\/span> Atlas que<\/span> se hace<\/span> interminable y que<\/span> recuerda<\/span> los paisajes<\/span> de John Ford.<\/div>\n
<\/div>\n
La actuaci\u00f3n<\/span> de los dos protagonistas<\/span> se va<\/span> construyendo<\/span> a medida<\/span> que<\/span> el metraje<\/span> evoluciona<\/span>, hay un humanismo<\/span> en el personaje<\/span> del maestro respecto<\/span> al victimismo<\/span> del personaje<\/span> de Mohammed, un nativo<\/span> argelino<\/span> que<\/span> es<\/span> perseguido<\/span> por<\/span> su<\/span> gente<\/span> y por<\/span> los franceses<\/span>, uno<\/span> y otro<\/span> se sienten<\/span> en ese<\/span> espacio<\/span> fronterizo<\/span> donde<\/span> no tomar<\/span> partido<\/span> es<\/span> crearse<\/span> enemigos<\/span> mortales<\/span>. Cada<\/span> uno<\/span> con su<\/span> \u00e9tica<\/span> van descubri\u00e9ndose<\/span> mientras<\/span> el mundo<\/span> cambia a su<\/span> alrededor<\/span> y cuando<\/span> Mohammed pierde<\/span> la inocencia<\/span>, Daru<\/span> se da<\/span> cuenta<\/span> que<\/span> \u00e9l<\/span> ya<\/span> no pertenece<\/span> a esa<\/span> Argelia<\/span> colonial, no se siente<\/span> franc\u00e9s<\/span> ni<\/span> argelino<\/span>. Dos seres<\/span> humanos<\/span> perdidos<\/span> en una<\/span> tierra<\/span> hostil<\/span>.<\/div>\n
<\/div>\n
Excelente pel\u00edcula que vale la pena visionar y disfrutar con una buena direcci\u00f3n, una fotograf\u00eda que engrandece la historia acompa\u00f1ada de una m\u00fasica id\u00f3nea de Warren Ellis y Nick Cave.<\/div>\n
<\/div>\n
Estreno 2 de octubre de 2015<\/div>\n
<\/div>\n
\"alt\"<\/div>\n
<\/div>\n
Gui\u00f3n y Direcci\u00f3n: David Oelhoffen<\/div>\n
Reparto: Viggo Mortensen, Reda Kateb, Djmel Barek, Nicolas Giraud, \u00c1ngela Molina, Vincent Mart\u00edn\u2026<\/div>","protected":false},"excerpt":{"rendered":"

Los paisajes des\u00e9rticos de Argelia sirven de fondo a esta pel\u00edcula que surge de un breve relato (el hu\u00e9sped) y otros textos de Albert Camus y se enmarca en la Argelia de 1954. El director David Oelhoffen construye un \u00abneowestern\u00ab, donde dos seres humanos vagan huyendo por un territorio hostil […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7884","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nLejos de los hombres - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/lejos-de-los-hombres\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lejos de los hombres - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Los paisajes des\u00e9rticos de Argelia sirven de fondo a esta pel\u00edcula que surge de un breve relato (el hu\u00e9sped) y otros textos de Albert Camus y se enmarca en la Argelia de 1954. 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