{"id":7865,"date":"2015-09-29T19:23:58","date_gmt":"2015-09-29T19:23:58","guid":{"rendered":"https:\/\/www.revistarambla.com\/hitman-agente-47\/"},"modified":"2021-04-19T20:04:39","modified_gmt":"2021-04-19T18:04:39","slug":"hitman-agente-47","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/hitman-agente-47\/","title":{"rendered":"Hitman: Agente 47"},"content":{"rendered":"

\"alt\"<\/p>\n

Una<\/span> gran<\/span> parte<\/span> del cine se ha visto<\/span>, se ve<\/span> y se ver\u00e1<\/span> tambi\u00e9n<\/span> como<\/span> simple entretenimiento<\/span>, d\u00f3nde<\/span> el disfrute<\/span> de una<\/span> pel\u00edcula<\/span> depende<\/span>, casi<\/span> en exclusiva<\/span>, de la voluntad<\/span> del espectador<\/span> y su<\/span> consciencia<\/span> acerca<\/span> de lo que<\/span> va<\/span> a ver<\/span>. Sin embargo, en Hitman<\/span>; Agente<\/span> 47, el esfuerzo<\/span> es<\/span> may\u00fasculo<\/span> y la manida<\/span> suspensi\u00f3n<\/span> de la realidad<\/span> necesaria<\/span> para<\/span> que<\/span> la acci\u00f3n<\/span> avance<\/span>, se convierte<\/span> en un sonoro<\/span> dejar<\/span> el cerebro<\/span> en la puerta<\/span> de la sala<\/span>. Esto<\/span> no tendr\u00eda<\/span> por<\/span> qu\u00e9<\/span> ser<\/span> en absoluto<\/span> un h\u00e1ndicap<\/span>, pues<\/span> a lo largo de la historia<\/span> cientos<\/span> de pel\u00edculas<\/span> han<\/span> explotado<\/span> la f\u00f3rmula<\/span>, cre\u00e1ndose<\/span> estupideces<\/span> realmente<\/span> divertidas<\/span> como<\/span>, por<\/span> ejemplo<\/span>… casi<\/span> todas<\/span> las<\/span> pel\u00edculas<\/span> de acci\u00f3n<\/span> de los a\u00f1os<\/span> 80.<\/p>\n

Pero<\/span>, existe<\/span> un problema<\/span> de base insuperable: Hitman<\/span>; Agente<\/span> 47 es<\/span> terriblemente<\/span> aburrida<\/span>. Y esto<\/span>, en un producto<\/span> con un guion<\/span> casi<\/span> inexistente<\/span> y que<\/span> toma<\/span> al espectador<\/span> por<\/span> est\u00fapido<\/span>, es<\/span> imperdonable<\/span>.<\/p>\n

Las constantes<\/span> y bien<\/span> coreografiadas<\/span> escenas<\/span> de acci\u00f3n<\/span> acaban<\/span> resultando<\/span> repetitivas<\/span> en su<\/span> ejecuci\u00f3n<\/span>, abusando<\/span>, adem\u00e1s<\/span>, de un CGI mal integrado<\/span>, que<\/span> nos devuelve<\/span> en m\u00e1s<\/span> de una<\/span> ocasi\u00f3n<\/span> al videojuego<\/span> en que<\/span> est\u00e1<\/span> basado<\/span> el film. La m\u00fasica<\/span>, bien<\/span> adecuada<\/span> a lo que<\/span> sucede<\/span> en pantalla<\/span>, acaba<\/span> destrozando<\/span> los t\u00edmanos<\/span>, de puro<\/span> machacona<\/span>.<\/p>\n

Las interpretaciones<\/span> var\u00edan<\/span> entre<\/span> lo correcto<\/span> y m\u00ednimamente<\/span> carism\u00e1tico<\/span> (Rupert Friend, sustituto<\/span> del malogrado<\/span> Paul Walker, protagonista<\/span> previsto<\/span> antes de su<\/span> muerte<\/span>) a lo prescindible<\/span> (Hannah Ware) o ajusticiable<\/span> (Zachary Quinto<\/span>, que<\/span> debe<\/span> aferrarse<\/span> con ah\u00ednco<\/span> a su<\/span> papel<\/span> de joven<\/span> Spock en la saga de Abrahams<\/span>, o va<\/span> a pasarlo<\/span> realmente<\/span> mal).<\/p>\n

Historia<\/span> confusa<\/span>, no nos permite<\/span> ahondar<\/span> gran<\/span> cosa<\/span> en las<\/span> motivaciones<\/span> de los personajes<\/span>. Ni falta<\/span> que<\/span> har\u00eda<\/span>, si<\/span> nos diese<\/span> adrenalina<\/span> constante<\/span> y no esas<\/span> innecesarias<\/span> pausas<\/span> de ritmo<\/span> atroz<\/span>, entre<\/span> escena<\/span> de acci\u00f3n<\/span> y escena<\/span> de acci\u00f3n<\/span>.<\/p>\n

S\u00ed<\/span> sirve<\/span>, a pesar<\/span> de todo<\/span>, como<\/span> bonito publirreportaje<\/span> de Audi o como<\/span> campa\u00f1a<\/span> tur\u00edstica<\/span> a favor de Singapur<\/span>. En este<\/span> aspecto<\/span>, la \u00abpel\u00edcula<\/span>\u00bb es<\/span> un \u00e9xito<\/span> irrefutable.<\/p>\n

Un desastre<\/span> en todos<\/span> sus<\/span> aspectos<\/span><\/b><\/p>\n

Pero<\/span> un desastre<\/span> barato<\/span> y que<\/span>, m\u00e1s<\/span> que<\/span> probablemente<\/span>, resultar\u00e1<\/span> rentable en taquilla<\/span>.<\/p>\n

Y es<\/span> que<\/span> todo<\/span> gran<\/span> estudio<\/span>, en este<\/span> caso<\/span> 20th<\/span> Century Fox, del actual Hollywood, inmerso<\/span> en una<\/span> evidente<\/span> falta<\/span> de ideas, que<\/span> ha afectado<\/span> gravemente<\/span> las<\/span> taquillas<\/span> de superproducciones<\/span> (\u00abEl llanero<\/span> solitario<\/span>\u00ab, \u00abJohn Carter\u00bb. \u00abEl Atlas de las<\/span> Nubes<\/span>\u00ab\u2026), que<\/span> no siempre<\/span> han<\/span> sido<\/span> malas<\/span> pel\u00edculas<\/span>, est\u00e1<\/span> explotando<\/span> en sobremanera<\/span> sus<\/span> divisiones<\/span> de cine m\u00e1s<\/span> \u00abbarato<\/span>\u00ab, obteniendo<\/span> grandes<\/span> beneficios<\/span> a corto<\/span> plazo<\/span>.<\/p>\n

La f\u00f3rmula<\/span> es<\/span> sencilla<\/span>: actores<\/span> semidesconocidos<\/span>, f\u00e1cil<\/span> producci\u00f3n<\/span>, productos<\/span> de f\u00e1cil<\/span> consumo<\/span>, compra<\/span> de licencias<\/span> que<\/span> aseguren<\/span> cierto<\/span> target de asistentes<\/span> al cine, (en el caso<\/span> que<\/span> nos ocupa<\/span>, la licencia<\/span> de la saga de videojuegos<\/span> Hitman<\/span>, elogiada<\/span> por<\/span> la cr\u00edtica<\/span> especializada<\/span> y un rotundo<\/span> \u00e9xito<\/span> de ventas<\/span>, hecho<\/span> que<\/span> supone<\/span> una<\/span> menor<\/span> inversi\u00f3n<\/span> en publicidad<\/span> para<\/span> la pel\u00edcula<\/span>)\u2026 lo que<\/span> se traduce en una<\/span> inversi\u00f3n<\/span> econ\u00f3mica<\/span> asumible<\/span>, con base en presupuestos<\/span> razonablemente<\/span> bajos<\/span>, que<\/span> aseguran<\/span> beneficios<\/span> inmediatos<\/span> con una<\/span> m\u00ednima<\/span> asistencia<\/span> al cine.<\/p>\n

No es<\/span> de extra\u00f1ar<\/span> que<\/span>, tras<\/span> los cr\u00e9ditos<\/span>, se nos amenace<\/span> con una<\/span> secuela<\/span>. El \u00e9xito<\/span> econ\u00f3mico<\/span> est\u00e1<\/span> garantizado<\/span>, por<\/span> lo que<\/span>, m\u00e1s<\/span> que<\/span> probablemente<\/span>, veremos<\/span> de nuevo<\/span> al Agente<\/span> 47 en la gran<\/span> pantalla<\/span>.<\/p>\n

Tenemos<\/span> entre<\/span> manos<\/span> un conato<\/span> de \u00e9xito<\/span> que<\/span> intenta<\/span> seguir<\/span> el camino<\/span> de la saga \u00abResident Evil\u00bb.<\/p>\n

No se dejen<\/span> enga\u00f1ar<\/span>.<\/p>\n

Estreno<\/span> 2 de octubre<\/span>\u00a02015<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Una gran parte del cine se ha visto, se ve y se ver\u00e1 tambi\u00e9n como simple entretenimiento, d\u00f3nde el disfrute de una pel\u00edcula depende, casi en exclusiva, de la voluntad del espectador y su consciencia acerca de lo que va a ver. Sin embargo, en Hitman; Agente 47, el esfuerzo […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,4],"tags":[],"class_list":["post-7865","post","type-post","status-publish","format-standard","hentry","category-cine","category-cultura"],"yoast_head":"\nHitman: Agente 47 - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/hitman-agente-47\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hitman: Agente 47 - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Una gran parte del cine se ha visto, se ve y se ver\u00e1 tambi\u00e9n como simple entretenimiento, d\u00f3nde el disfrute de una pel\u00edcula depende, casi en exclusiva, de la voluntad del espectador y su consciencia acerca de lo que va a ver. 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