{"id":6683,"date":"2015-01-14T07:11:22","date_gmt":"2015-01-14T07:11:22","guid":{"rendered":"https:\/\/www.revistarambla.com\/wolinski-un-iconoclasta-libertario\/"},"modified":"2022-10-28T15:39:48","modified_gmt":"2022-10-28T13:39:48","slug":"wolinski-un-iconoclasta-libertario","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/wolinski-un-iconoclasta-libertario\/","title":{"rendered":"Wolinski: un iconoclasta libertario"},"content":{"rendered":"

Georges Wolinski<\/span>, de 80 a\u00f1os<\/span> de edad<\/span>, era el genial humorista<\/span> gr\u00e1fico<\/span> que<\/span> fue<\/span> asesinado<\/span> con sus<\/span> compa\u00f1eros<\/span> de la revista<\/span> que<\/span> \u00e9l<\/span> ayud\u00f3<\/span> a refundar<\/span>, Charlie Hebdo<\/span><\/em>. Se autodefin\u00eda<\/span> como<\/span> un \u201cizquierdista<\/span> libertario\u201d<\/span>, y sus<\/span> colegas<\/span>\u00a0lo defin\u00edan<\/span>\u00a0como<\/span> un mujeriego<\/span> simp\u00e1tico<\/span> y gamberro<\/span> para<\/span> el que<\/span> nada era tan sagrado<\/span> que<\/span> no pudiera<\/span> desdramatizarse<\/span>\u00a0con el humor y la provocaci\u00f3n<\/span> sat\u00edrica<\/span>, y claro<\/span>, con la m\u00e1s<\/span> pura<\/span> libertad<\/span> de creaci\u00f3n<\/span> que<\/span> siempre<\/span> practicaron<\/span> \u00e9l<\/span> y sus<\/span> compa\u00f1eros<\/span>.<\/strong><\/p>\n

\"alt\"<\/p>\n

\u201cEl rey<\/span> de los gilipollas\u201d<\/span> (Le roi<\/span> des cons<\/em>)\u00a0pas\u00f3<\/span> de ser<\/span> una<\/span> expresi\u00f3n<\/span> popular a un personaje<\/span> carism\u00e1tico<\/span> que<\/span> dibuj\u00f3<\/span> Wolinski<\/span> y que<\/span> hoy<\/span> forma parte<\/span> del imaginario<\/span> iconogr\u00e1fico<\/span> del pueblo franc\u00e9s<\/span>. Un rey<\/span> con corona, con cara<\/span> de est\u00fapido<\/span> y abrigo<\/span> de armi\u00f1o<\/span>. Hay una<\/span> conocida<\/span> an\u00e9cdota<\/span> que<\/span> dicen<\/span> que<\/span> fue<\/span> la primera<\/span> aparici\u00f3n<\/span> del estrafalario<\/span> personaje<\/span>. Mohamed Reza Pahlavi<\/span>, a la saz\u00f3n<\/span> el \u00faltimo<\/span> sah<\/span> de Ir\u00e1n<\/span>, en el a\u00f1o<\/span> 1971 mont\u00f3<\/span> en la ciudad<\/span> de Pers\u00e9polis<\/span> los fastos<\/span> de la conmemoraci\u00f3n<\/span> de los 2.500 a\u00f1os<\/span> del Imperio<\/span> Persa<\/span>. Con el objetivo<\/span> pol\u00edtico<\/span> de abrirse<\/span> a la comunidad<\/span> internacional<\/span>, las<\/span> ceremonias<\/span> se financiaron<\/span> con 22 millones<\/span> de d\u00f3lares<\/span> en un pa\u00eds<\/span> con grandes<\/span> necesidades<\/span> sociales<\/span>. La preparaci\u00f3n<\/span> de los cortejos<\/span> incluy\u00f3<\/span> una<\/span> sangrienta<\/span> represi\u00f3n<\/span> de los opositores<\/span> pol\u00edticos<\/span>, lo que<\/span> hizo<\/span> que<\/span> muchos<\/span> de los jefes<\/span> de Estado<\/span> invitados<\/span> (acudieron<\/span> m\u00e1s<\/span> de 30) se preguntaban<\/span> de la \u201cinconveniencia\u201d<\/span> de acudir<\/span> a los actos<\/span> de una<\/span> dictadura<\/span>. Por<\/span> cierto<\/span>, de Espa\u00f1a<\/span> (entonces<\/span> en plena dictadura<\/span> franquista<\/span>) fueron<\/span> los entonces<\/span> pr\u00edncipes<\/span> Juan Carlos y Sof\u00eda<\/span>, o los presidentes<\/span> Tito de Yugoslavia, y Ceausescu<\/span> de Ruman\u00eda<\/span>. El presidente<\/span> de la Rep\u00fablica<\/span> Francesa<\/span>, Georges Pompidou<\/span>, mand\u00f3<\/span> a su<\/span> primer ministro<\/span> Jacques Chaban-Dalmas<\/span> como<\/span> forma de eludir<\/span> el compromiso<\/span>, pero<\/span> nadie<\/span> esperaba<\/span> que<\/span> fuera<\/span> un ninotaire<\/span><\/em> (como<\/span> decimos<\/span> en Catalunya<\/span><\/a>) quien<\/span> diera<\/span> la campanada<\/span> con una<\/span> portada<\/span> en Charlie Hebdo<\/span><\/em>. El sah<\/span>, vestido<\/span> de militar<\/span>,se dirig\u00eda<\/span> al \u201crey<\/span> gilipollas\u201d<\/span> que<\/span> con su<\/span> permanente<\/span> cara<\/span> de p\u00e1nfilo<\/span> escuchaba<\/span> esto<\/span>: \u201cUsted<\/span> ha hecho<\/span> bien<\/span> en venir\u201d<\/span> (Vous<\/span> avez<\/span> bien<\/span> fait de venir<\/span><\/em>). De esta<\/span> forma, Francia<\/span>, encontraba<\/span> a su<\/span> mejor<\/span> representante<\/span> para<\/span> enviar<\/span>, y a la altura<\/span> del anfitri\u00f3n<\/span>. El propio<\/span> Wolinski<\/span> ten\u00eda<\/span> esta<\/span> frase<\/span>: \u201cSoy un gilipollas<\/span>, pero<\/span> cuando<\/span> veo<\/span> lo que<\/span> la gente<\/span> inteligente<\/span> hace<\/span> en el mundo\u2026\u201d<\/span>.<\/p>\n

Georges Wolinski<\/span> naci\u00f3<\/span> en T\u00fanez<\/span> en 1934. Su madre<\/span> era franco-italiana<\/span> y su<\/span> padre un jud\u00edo<\/span> polaco<\/span>. Su carrera<\/span> como<\/span> humorista<\/span> gr\u00e1fico<\/span> la comenz\u00f3<\/span> en la revista<\/span> Acci\u00f3n<\/span><\/em> (aunque<\/span> en 1958 ya<\/span> vend\u00eda<\/span> dibujos<\/span> para<\/span> la revista<\/span> Rustica<\/span><\/em>), y fue<\/span> durante<\/span> el Mayo del 68, en que<\/span> sus<\/span> dibujos<\/span> y vi\u00f1etas<\/span> alcanzaron<\/span> gran<\/span> \u00e9xito<\/span>. Con el caricaturista<\/span> Sin\u00e9<\/span> (Maurice Sinet<\/span>) fund\u00f3<\/span> la revista<\/span> L\u2019Enrag\u00e9<\/span><\/em>, que<\/span> aunque<\/span> desapareci\u00f3<\/span> pronto, tuvo<\/span> muy<\/span> buena<\/span> acogida<\/span> en el Par\u00eds<\/span> de las<\/span> revueltas<\/span> estudiantiles<\/span>. Luego<\/span> vendr\u00edan<\/span> sus<\/span> trabajos<\/span> en las<\/span> revistas<\/span> como<\/span> L\u2019Humanit\u00e9<\/span><\/em>, Le Nouvel<\/span> Observateur<\/span><\/em>, Par\u00eds-Match<\/span><\/em> y claro<\/span>, las<\/span> revistas<\/span> sat\u00edricas<\/span> Hara-kiri<\/span><\/em>, Hara-Kiri<\/span> Hebdo<\/span>.<\/em>\u00a0Charlie Hebdo<\/span>,<\/em>\u00a0del que<\/span> fue<\/span> su<\/span> director entre<\/span> 1970 a 1981, sac\u00f3<\/span> su<\/span> primer n\u00famero<\/span> en diciembre<\/span> de 1970 con una<\/span> portada<\/span> con el t\u00edtulo<\/span>: \u00abFranco asesino<\/span>\u00ab.\u00a0Despu\u00e9s<\/span> de unos<\/span> problemas<\/span> econ\u00f3micos<\/span> desapareci\u00f3<\/span> la revista<\/span>. En 1992, Wolinski<\/span> y sus<\/span> colegas<\/span> G\u00e9be<\/span>, Cabu<\/span>, Renaud<\/span> y Philippe Val refundaron<\/span> la revista<\/span> con el nombre<\/span> de Charlie Hebdo<\/span><\/em>. Fue<\/span> all\u00ed<\/span> donde<\/span> las<\/span> balas<\/span> asesinas<\/span> del yihadismo<\/span> terminaron<\/span> con la vida<\/span> de Georges Wolinski<\/span>, el 7 de enero<\/span> de 2015. Junto<\/span> a \u00e9l<\/span> murieron<\/span> otros<\/span> cuatro<\/span> dibujantes<\/span><\/a>: Charb<\/span>, de 47 a\u00f1os<\/span>, Cabu<\/span>, de 76, Tignous<\/span>, de 57, Philippe Honor\u00e9<\/span>, de 73. Adem\u00e1s<\/span> de de otros<\/span> colaboradores<\/span> de la revista<\/span> y los polic\u00edas<\/span>. Entre<\/span> los fallecidos<\/span> estaba<\/span> el economista<\/span> Barnard Maris<\/span>, de 68 a\u00f1os<\/span>, editor y accionista<\/span> de la revista<\/span>, donde<\/span> ten\u00eda<\/span> una<\/span> columna<\/span> que<\/span> firmaba<\/span> como<\/span>: \u201cT\u00edo<\/span> Bernard\u201d. Bernard Maris<\/span> era militante<\/span> de los Verdes<\/span> y exmiembro\u00a0del Consejo<\/span> de ATTAC<\/span>, y era hijo<\/span> de republicanos<\/span> espa\u00f1oles<\/span> que<\/span> se refugiaron<\/span> en Francia<\/span> huyendo<\/span> de la represi\u00f3n<\/span> franquista<\/span> tras<\/span> la Guerra Civil.<\/p>\n

Georges Wolinski<\/span> era el mejor<\/span> representante<\/span> de ese<\/span> humor vitri\u00f3lico<\/span> y descarnadamente<\/span> provocativo<\/span>, y descaradamente<\/span> libre<\/span>, del Charlie Hebdo<\/span><\/em>. Lejos<\/span> de la iron\u00eda<\/span> biempensante<\/span> de otras<\/span> revistas<\/span> sat\u00edricas<\/span> francesas<\/span> como<\/span>, por<\/span> ejemplo<\/span>, Le Canard Encha\u00een\u00e9<\/span><\/em>, las<\/span> portadas<\/span> de Charlie Hebdo<\/span> <\/em>eran<\/span> como<\/span> un pu\u00f1etazo<\/span> en el est\u00f3mago<\/span> que<\/span> te<\/span> hac\u00edan<\/span> pensar<\/span>. Hasta<\/span> las<\/span> personas m\u00e1s<\/span> serias<\/span> y favorables<\/span> a la imparcialidad<\/span> m\u00e1s<\/span> estricta<\/span> (si<\/span> es<\/span> que<\/span> existe<\/span>), no dudaban<\/span> en echar<\/span> una<\/span> mirada<\/span> al semanario<\/span> para<\/span> escandalizarse<\/span>, sonre\u00edr<\/span> o lanzar<\/span> una<\/span> carcajada<\/span> ante las<\/span> burradas<\/span> de los chicos<\/span> del \u201cCharlie<\/em>\u201d.<\/p>\n

El humorista<\/span> gr\u00e1fico<\/span> espa\u00f1ol<\/span> Jos\u00e9<\/span> Antonio Fern\u00e1ndez<\/span> Fern\u00e1ndez<\/span> (que<\/span> trabaj\u00f3<\/span> en El Papus<\/span><\/em>, otra<\/span> revista<\/span> sat\u00edrica<\/span> que<\/span> sufri\u00f3<\/span> un atentado<\/span> fascista<\/span> con bomba<\/span> en 1977), conocido<\/span> profesionalmente<\/span> como<\/span> Fer<\/span>, nos recordaba<\/span> en estos<\/span> d\u00edas<\/span> desde<\/span> las<\/span> p\u00e1ginas<\/span> de El Peri\u00f3dico<\/span> de Catalunya<\/span> <\/em>cuando<\/span> Wolinski<\/span> vino a la poblaci\u00f3n<\/span> catalana<\/span> de Llan\u00e7\u00e0<\/span> (Costa Brava, Girona<\/span>), para<\/span> recibir<\/span> el premio<\/span> que<\/span> el propio<\/span> Fer<\/span> hab\u00eda<\/span> creado<\/span> en 1996, el Premi<\/span> Gat<\/span> Perich<\/span>, en referencia<\/span> al \u201cgato\u201d<\/span> que<\/span> siempre<\/span> dibujaba<\/span> otro<\/span> gran<\/span> historietista<\/span>, Jaume<\/span> Perich<\/span> (El Perich<\/span><\/em>), fallecido<\/span> un a\u00f1o<\/span> antes. Fue<\/span> en 1998 cuando<\/span> Georges Wolinski<\/span> paseo<\/span> su<\/span> divertida<\/span> locura<\/span> por<\/span> la villa ampurdanesa<\/span>. Fer<\/span> recuerda<\/span> como<\/span> el franc\u00e9s<\/span>, y hablando<\/span> del atentado<\/span> de El Papus<\/span><\/em>, le dijo<\/span> que<\/span>: \u201cLa extrema<\/span> derecha<\/span> es<\/span> antihumor<\/span>, pero<\/span> no tenemos<\/span> que<\/span> bajar<\/span> la guardia<\/span> y seguir<\/span> adelante<\/span>. No hay que<\/span> ceder<\/span>, y el l\u00e1piz<\/span> es<\/span> nuestra<\/span> arma\u201d<\/span>. Qui\u00e9n<\/span> lo iba<\/span> a decir<\/span> que<\/span>, a los 17 a\u00f1os<\/span> de aquellas<\/span> palabras<\/span>, precisamente<\/span> los l\u00e1pices<\/span> ser\u00edan<\/span> el emblema<\/span> contra la intolerancia<\/span> y la sinraz\u00f3n<\/span> del asesinato<\/span> de sus<\/span> compa\u00f1eros<\/span> y de \u00e9l<\/span> mismo<\/span>.<\/p>\n

Hacemos<\/span> nuestra<\/span> la frase<\/span> de Natacha<\/span>, una<\/span> de las<\/span> hijas<\/span> de Wolinski<\/span>: \u201cMi padre est\u00e1<\/span> muerto<\/span>, no Wolinski\u201d<\/span> (Mon pere<\/span> est<\/span> mort<\/span>; pas Wolinski<\/span><\/em>).<\/p>\n

\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Georges Wolinski, de 80 a\u00f1os de edad, era el genial humorista gr\u00e1fico que fue asesinado con sus compa\u00f1eros de la revista que \u00e9l ayud\u00f3 a refundar, Charlie Hebdo. Se autodefin\u00eda como un \u201cizquierdista libertario\u201d, y sus colegas\u00a0lo defin\u00edan\u00a0como un mujeriego simp\u00e1tico y gamberro para el que nada era tan sagrado […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6683","post","type-post","status-publish","format-standard","hentry","category-cultura"],"yoast_head":"\nWolinski: un iconoclasta libertario - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/wolinski-un-iconoclasta-libertario\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wolinski: un iconoclasta libertario - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Georges Wolinski, de 80 a\u00f1os de edad, era el genial humorista gr\u00e1fico que fue asesinado con sus compa\u00f1eros de la revista que \u00e9l ayud\u00f3 a refundar, Charlie Hebdo. Se autodefin\u00eda como un \u201cizquierdista libertario\u201d, y sus colegas\u00a0lo defin\u00edan\u00a0como un mujeriego simp\u00e1tico y gamberro para el que nada era tan sagrado […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/wolinski-un-iconoclasta-libertario\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/revistarambla\" \/>\n<meta property=\"article:published_time\" content=\"2015-01-14T07:11:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-28T13:39:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2015\/01\/JeSuisCharlie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"381\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"R@mbla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"R@mbla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/\"},\"author\":{\"name\":\"R@mbla\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/a146a5a2550b94981a75131180e1bd9c\"},\"headline\":\"Wolinski: un iconoclasta libertario\",\"datePublished\":\"2015-01-14T07:11:22+00:00\",\"dateModified\":\"2022-10-28T13:39:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/\"},\"wordCount\":1010,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2015\\\/01\\\/GeorgeWolinski_02.jpg\",\"articleSection\":[\"Cultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wolinski-un-iconoclasta-libertario\\\/\",\"name\":\"Wolinski: un iconoclasta libertario - 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