{"id":6479,"date":"2014-12-04T05:15:27","date_gmt":"2014-12-04T05:15:27","guid":{"rendered":"https:\/\/www.revistarambla.com\/doble-racion-epica-en-el-palau\/"},"modified":"2019-12-11T02:10:01","modified_gmt":"2019-12-11T01:10:01","slug":"doble-racion-epica-en-el-palau","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/doble-racion-epica-en-el-palau\/","title":{"rendered":"Doble raci\u00f3n \u00e9pica en el Palau"},"content":{"rendered":"

La Orquesta<\/span> y Coro<\/span> Estatales<\/span> Ucranianos<\/span> de Kharkov<\/span> presentan<\/span> los d\u00edas<\/span> 6 y 12 de diciembre<\/span> una<\/span> actuaci\u00f3n<\/span> esencial<\/span> en la temporada<\/span> de m\u00fasica<\/span> cl\u00e1sica<\/span> del Palau de la M\u00fasica<\/span>: por<\/span> un lado<\/span>, el \u201cCarmina<\/span> Burana\u201d<\/span> de Carl Orff<\/span> y la Novena Sinfon\u00eda<\/span> de Beethoven. \u00a0Se trata<\/span> de dos obras<\/span> universales<\/span> que<\/span> han<\/span> trascendido<\/span> las<\/span> fronteras<\/span> f\u00edsicas<\/span> propias<\/span> de su<\/span> g\u00e9nero<\/span>, es<\/span> decir<\/span>, los auditorios<\/span> y las<\/span> salas<\/span> de m\u00fasica<\/span>.<\/p>\n

Basada<\/span> en poemas<\/span> latinos<\/span> medievales<\/span>, \u201cCarmina<\/span> Burana\u201d<\/span> es<\/span> un conjunto<\/span> de canciones<\/span> estudiantiles<\/span>, de amor y de taberna<\/span>, un canto a la vida<\/span> y a los placeres<\/span> terrenales<\/span>. Gracias a su<\/span> espectacularidad<\/span>, al halo de misterio<\/span> que<\/span> envuelve<\/span> toda<\/span> tem\u00e1tica<\/span> medieval y a su<\/span> inclusi\u00f3n<\/span> en pel\u00edculas<\/span> como<\/span> Excalibur <\/em>o El s\u00e9ptimo<\/span> sello<\/span> <\/em>es<\/span> seguramente<\/span> una<\/span> de las<\/span> piezas<\/span> corales<\/span> favoritas<\/span> del p\u00fablico<\/span>. \u00a0Es<\/span> la pieza<\/span> m\u00e1s<\/span> memorable del compositor alem\u00e1n<\/span> Carl Orff<\/span> y est\u00e1<\/span> inspirada<\/span> en una<\/span> colecci\u00f3n<\/span> de poemas<\/span> medievales<\/span> de los siglos<\/span> XII y XIII descubiertos<\/span> en 1803 en el monasterio<\/span> benedictino<\/span> de Beuern<\/span> (Alta Baviera<\/span>). Consta<\/span> de alrededor<\/span> de 300 poemas<\/span> escritos<\/span> en lat\u00edn<\/span> medieval y otros<\/span> 50 que<\/span> lo est\u00e1n<\/span> en una<\/span> mezcla<\/span> de alem\u00e1n<\/span> antiguo<\/span>, lat\u00edn<\/span> y franc\u00e9s<\/span>. Los goliardos<\/span>, sus<\/span> an\u00f3nimos<\/span> autores<\/span>, eran<\/span> cl\u00e9rigos<\/span> o estudiantes<\/span> vagabundos<\/span> que<\/span> llevaban<\/span> una<\/span> vida<\/span> irregular, fuera<\/span> de las<\/span> reglas<\/span> institucionales<\/span>. Los argumentos<\/span> de estos<\/span> poemas<\/span> emanan<\/span> una<\/span> filosof\u00eda<\/span> simple y directa<\/span> del amor a la vida<\/span> y son de una<\/span> tem\u00e1tica<\/span> variada<\/span>, entre<\/span> las<\/span> cuales<\/span> distinguimos<\/span> canciones<\/span> de amor, de taberna<\/span>, s\u00e1tiras<\/span> y canciones<\/span> estudiantiles<\/span>.<\/p>\n

La obra<\/span> se inicia<\/span> con Fortuna Imperatrix<\/span> Mundi<\/span> (Fortuna, Emperatriz<\/span> del Mundo<\/span>), una<\/span> potente<\/span> invocaci\u00f3n<\/span> coral a la diosa<\/span> Fortuna, la cual<\/span> somete<\/span> al hombre bajo<\/span> su<\/span> yugo<\/span> y cuyas<\/span> veleidades<\/span> cambian<\/span> como<\/span> las<\/span> fases<\/span> de la luna<\/span>. Primo vere<\/span> (primavera<\/span>) describe la celebraci\u00f3n<\/span> de una<\/span> fiesta que<\/span> acontece<\/span> en primavera<\/span>, cuando<\/span> la naturaleza<\/span> despierta<\/span> fortaleciendo<\/span> al hombre en su<\/span> lucha<\/span> contra el destino<\/span>. En In Taberna<\/span> (En la Taberna<\/span>) los hombres escuchan<\/span> la desgarradora<\/span> confesi\u00f3n<\/span> de un esp\u00edritu<\/span> rebelde<\/span> que<\/span> desaf\u00eda<\/span> al destino<\/span>; al final un coro<\/span> de borrachos<\/span> pretende<\/span> olvidar<\/span> con el vino las<\/span> miserias<\/span> de este<\/span> mundo<\/span>. En Cour<\/span> d’amours<\/span> (La corte<\/span> del amor), que<\/span> recuerda<\/span> a la m\u00fasica<\/span> cortesana<\/span> de la Edad<\/span> Media, es<\/span> un homenaje<\/span> a Venus, diosa<\/span> del amor. En el punto<\/span> culminante<\/span> de la tercera<\/span> parte<\/span> la diosa<\/span> Fortuna hace<\/span> girar<\/span> la rueda<\/span>, y la circularidad<\/span> del destino<\/span> es<\/span> anunciada<\/span> otra<\/span> vez<\/span> con el coro<\/span> inicial<\/span>, O Fortuna.<\/p>\n

Con \u00abCarmina<\/span> Burana<\/span>\u00bb Carl Orff<\/span> logr\u00f3<\/span> crear<\/span> un \u00abteatro<\/span> total\u00bb en el que<\/span> la m\u00fasica<\/span> y palabra<\/span> colaboran<\/span> para<\/span> crear<\/span> un efecto<\/span> arrollador<\/span>. La obra<\/span> se estren\u00f3<\/span> en 1937 en Frankfurt y obtuvo<\/span> tal<\/span> \u00e9xito<\/span> que<\/span> cambi\u00f3<\/span> totalmente<\/span> la carrera<\/span> de Orff<\/span>, quien<\/span> a sus<\/span> 40 a\u00f1os<\/span> de edad<\/span> era m\u00e1s<\/span> famoso<\/span> como<\/span> educador<\/span> que<\/span> como<\/span> compositor. \u00ab\u00a1Todo<\/span> lo que<\/span> escrib\u00ed<\/span> yo<\/span> hasta<\/span> ahora<\/span>, y usted<\/span> lamentablemente<\/span> imprimi\u00f3<\/span>, puede<\/span> desecharlo<\/span>! Con \u00abCarmina<\/span> Burana<\/span>\u00bb comienzan<\/span> mis<\/span> obras<\/span> colectivas<\/span>\u00ab, le escribi\u00f3<\/span> Orff<\/span> a su<\/span> editor.<\/p>\n

Invocaci\u00f3n<\/span> a la alegr\u00eda<\/span><\/strong><\/h4>\n

El repertorio<\/span> del concierto<\/span> se completa<\/span> con la Novena Sinfon\u00eda<\/span> <\/em>de Beethoven, <\/em>el m\u00e1s<\/span> conocido<\/span> himno<\/span> a la hermandad<\/span> universal. Basado<\/span> en el poema<\/span> de Friedrich Schiller que<\/span> el compositor descubri\u00f3<\/span> a los veinte<\/span> a\u00f1os<\/span>, es<\/span> el resultado<\/span> de un proyecto<\/span> que<\/span> el autor<\/span> culmin\u00f3<\/span> tras<\/span> a\u00f1os<\/span> de trabajo<\/span> y m\u00e1s<\/span> de doscientas<\/span> revisiones<\/span>. Se trata<\/span> de un icono<\/span> musical con vida<\/span> propia<\/span> y la \u00fanica<\/span> pieza<\/span> musical declarada<\/span> Patrimonio<\/span> de la Humanidad<\/span> por<\/span> la UNESCO.<\/p>\n

La Novena Sinfon\u00eda<\/span> en re menor<\/span> o \u201cCoral\u201d se ha escuchado<\/span> con frecuencia<\/span> en actos<\/span> oficiales<\/span>, como<\/span> la Reunificaci\u00f3n<\/span> alemana<\/span> o los Juegos<\/span> Ol\u00edmpicos<\/span>. \u00a0La obra<\/span> se basa<\/span> en el poema<\/span> \u201cA la Alegr\u00eda\u201d<\/span>, que<\/span> cautiv\u00f3<\/span> a Beethoven a los 20 a\u00f1os<\/span>, pero<\/span> el compositor no la culmin\u00f3<\/span> hasta<\/span> mucho<\/span> tiempo<\/span> despu\u00e9s<\/span>, a sus<\/span> 54 a\u00f1os<\/span> de edad<\/span>. Su estreno<\/span> en el Teatro<\/span> de la Corte<\/span> Imperial de Viena<\/span> despert\u00f3<\/span> gran<\/span> expectaci\u00f3n<\/span> ya<\/span> que<\/span> nadie<\/span> quer\u00eda<\/span> perderse<\/span> la presentaci\u00f3n<\/span> de la esperada<\/span> sinfon\u00eda<\/span> y la que<\/span> pod\u00eda<\/span> ser<\/span> la \u00faltima<\/span> aparici\u00f3n<\/span> p\u00fablica<\/span> del genio<\/span> alem\u00e1n<\/span>; Beethoven muri\u00f3<\/span> tres<\/span> a\u00f1os<\/span> despu\u00e9s<\/span> del gran<\/span> y esperado<\/span> estreno<\/span> de su<\/span> Novena Sinfon\u00eda<\/span>, durante<\/span> los cuales<\/span> tuvo<\/span> que<\/span> permanecer<\/span> en casa aquejado<\/span> de diversas<\/span> enfermedades<\/span>.<\/p>\n

El recital cumpli\u00f3<\/span> con creces<\/span> las<\/span> expectativas<\/span>. Al finalizar<\/span> el concierto<\/span> el compositor subi\u00f3<\/span> a la tarima<\/span> de espaldas<\/span> al p\u00fablico<\/span> y ya<\/span> estaba<\/span> tan sordo<\/span> que<\/span> una<\/span> solista<\/span> tuvo<\/span> que<\/span> indicarle<\/span> que<\/span> se volviera<\/span> para<\/span> darse<\/span> cuenta<\/span> de que<\/span> el p\u00fablico<\/span> aplaud\u00eda<\/span> enardecido<\/span>. La partitura<\/span> original de la Novena Sinfon\u00eda<\/span> ha sido<\/span> declarada<\/span> por<\/span> la UNESCO Patrimonio<\/span> Universal de la Humanidad<\/span>. Actualmente<\/span> hay un disco de la novena sinfon\u00eda<\/span> dentro<\/span> de la sonda<\/span> espacial<\/span> Voyager, junto<\/span> con diversas<\/span> anotaciones<\/span> sobre<\/span> la raza<\/span> humana<\/span>.<\/p>\n

\"carl<\/a><\/p>","protected":false},"excerpt":{"rendered":"

La Orquesta y Coro Estatales Ucranianos de Kharkov presentan los d\u00edas 6 y 12 de diciembre una actuaci\u00f3n esencial en la temporada de m\u00fasica cl\u00e1sica del Palau de la M\u00fasica: por un lado, el \u201cCarmina Burana\u201d de Carl Orff y la Novena Sinfon\u00eda de Beethoven. \u00a0Se trata de dos obras […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-6479","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\n\u201cCarmina Burana\u201d de Carl Orff en el Palau de la M\u00fasica - Revista Rambla<\/title>\n<meta name=\"description\" content=\"Actuaci\u00f3n esencial en la temporada de m\u00fasica cl\u00e1sica del Palau de la M\u00fasica: por un lado, el \u201cCarmina Burana\u201d de Carl Orff y la Novena Sinfon\u00eda de Beetho...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/doble-racion-epica-en-el-palau\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cCarmina Burana\u201d de Carl Orff en el Palau de la M\u00fasica - 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