{"id":6229,"date":"2014-10-28T12:17:04","date_gmt":"2014-10-28T12:17:04","guid":{"rendered":"https:\/\/www.revistarambla.com\/eugeni-xammar-una-pluma-intuitiva-silenciada\/"},"modified":"2014-10-28T12:17:04","modified_gmt":"2014-10-28T12:17:04","slug":"eugeni-xammar-una-pluma-intuitiva-silenciada","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/eugeni-xammar-una-pluma-intuitiva-silenciada\/","title":{"rendered":"Eugeni Xammar: una pluma intuitiva silenciada"},"content":{"rendered":"

\t\"alt\"El Palau Robert dedica<\/span> una<\/span> exposici\u00f3n<\/span> a unos<\/span> de los mejores<\/span> periodistas<\/span> del siglo<\/span> XX. L\u00facido<\/span>, ir\u00f3nico<\/span>, cr\u00edtico<\/span> y exiliado<\/span> por<\/span> insobornable<\/span>, pronostic\u00f3<\/span> el inicio<\/span> de la Primera<\/span> Guerra Mundial<\/span> y el r\u00e9gimen<\/span> dictatorial de Hitler<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\tIncisivo<\/span>, divertido<\/span>, pol\u00edglota<\/span>, independiente<\/span> y visionario<\/span>. Estos<\/span> son algunos<\/span> de los adjetivos<\/span> que<\/span> se podr\u00edan<\/span> aplicar<\/span> -sin riesgo<\/span> de exageraci\u00f3n<\/span> ni<\/span> necesidad<\/span> de peloteo<\/span>-, a Eugeni<\/span> Xammar<\/span> i Puigvent\u00f3s<\/span>, uno<\/span> de los mejores<\/span> periodistas<\/span> del siglo<\/span> XX. Pero<\/span> una<\/span> figura<\/span> poco<\/span> medi\u00e1tica<\/span>, m\u00e1s<\/span> all\u00e1<\/span> del prestigio<\/span> un\u00e1nime<\/span> en su<\/span> sector profesional<\/span>. Como acto<\/span> final de conmemoraci\u00f3n<\/span> del 125 aniversario<\/span> de su<\/span> nacimiento<\/span>, el Palau Robert de Barcelona ofrece<\/span> hasta<\/span> el 31 de enero<\/span> del 2015 la exposici\u00f3n<\/span> “Eugeni<\/span> Xammar<\/span>. El periodista<\/span> que<\/span> nos explic\u00f3<\/span> el mundo”<\/span>, que<\/span> sirve<\/span> como<\/span> tributo<\/span> y recuperaci\u00f3n<\/span> a un personaje<\/span> b\u00e1sico<\/span> a nivel<\/span> internacional<\/span> en las<\/span> cr\u00f3nicas<\/span> de guerra<\/span>. Entendi\u00f3<\/span> el periodismo<\/span> desde<\/span> las<\/span> cuatro<\/span> directrices<\/span> imprescindibles<\/span>: compromiso<\/span>, contraste<\/span>, contactos<\/span> y lugar<\/span> de los hechos<\/span>, en una<\/span> \u00e9poca<\/span> en la que<\/span> los art\u00edculos<\/span> se “cantaban”<\/span> por<\/span> tel\u00e9fono<\/span>. Nada que<\/span> ver<\/span> con la din\u00e1mica<\/span> funcionarial<\/span> de la actualidad<\/span>, en la que<\/span> se puede<\/span> escribir<\/span> un peri\u00f3dico<\/span> entero<\/span> mediante<\/span> teletipos<\/span> de agencia<\/span> desde<\/span> la oficina<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tNacido<\/span> en 1888 en Barcelona pero<\/span> r\u00e1pidamente<\/span> reubicado<\/span> en L’Ametlla<\/span> del Vall\u00e8s<\/span>, fue<\/span> corresponsal<\/span> de guerra<\/span> en la l\u00ednea<\/span> de otros<\/span> muchos<\/span> escritores<\/span> de principios<\/span> del siglo<\/span> XX como<\/span> Ernest Hemingway, Robert Capa<\/span> o Jack London. El asesinato<\/span> del archiduque<\/span> de Austria le hizo<\/span> predecir<\/span> la Primera<\/span> Guerra Mundial<\/span> en la revista<\/span> Hispania<\/span>. Una<\/span> vez<\/span> iniciado<\/span> el conflicto<\/span> b\u00e9lico<\/span>, se desplaz\u00f3<\/span> con el ej\u00e9rcito<\/span> brit\u00e1nico<\/span> al frente<\/span> de Francia<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tTrabaj\u00f3<\/span> para<\/span> The World, La Publicidad<\/span>, El D\u00eda<\/span> Gr\u00e1fico<\/span>, El F\u00edgaro<\/span>, El Sol o La Correspondencia<\/span> de Espa\u00f1a<\/span> y en 1923 Alemania<\/span> entrevist\u00f3<\/span> a Hitler. “Es<\/span> un loco cargado<\/span> de fuerza<\/span>, vitalidad<\/span> y energ\u00eda<\/span>, un loco monumental, magn\u00edfico<\/span> y destinado<\/span> a hacer<\/span> una<\/span> carrera<\/span> brillant\u00edsima”<\/span>, dijo<\/span>. En 1933 escribi\u00f3<\/span> un art\u00edculo<\/span> con un t\u00edtulo<\/span> expl\u00edcito<\/span>. “Alemania<\/span> se halla<\/span> en v\u00edsperas<\/span> de inaugurar<\/span> un r\u00e9gimen<\/span> de dictadura”<\/span>.\u00a0<\/p>\n

\t\u00a0<\/p>\n

\tRepublicano<\/span> e ideol\u00f3gicamente<\/span> pr\u00f3ximo<\/span> a Acci\u00f3<\/span> Catalana<\/span>, la proclamaci\u00f3n<\/span> de la Rep\u00fablica<\/span> le hizo<\/span> ponerse<\/span> al servicio<\/span> de Maci\u00e0<\/span>. Su catalanismo<\/span> m\u00e1s<\/span> all\u00e1<\/span> de siglas<\/span> pol\u00edticas<\/span> (no escatim\u00f3<\/span> dardos<\/span> contra Camb\u00f3<\/span> y Companys<\/span>) tambi\u00e9n<\/span> adquiere<\/span> vigencia<\/span> en el contexto<\/span> actual. “Contra la Espa\u00f1a<\/span> fascista<\/span>, una<\/span> Catalunya<\/span> independiente”<\/span>, exclam\u00f3<\/span> a principios<\/span> de los a\u00f1os<\/span> 30.<\/p>\n

\t\u00a0<\/p>\n

\tLa Guerra Civil espa\u00f1ola<\/span> le oblig\u00f3<\/span> a exiliarse<\/span> y desde<\/span> la distancia<\/span> critic\u00f3<\/span> con dureza<\/span> el colaboracionismo<\/span> de los que<\/span> se quedaron<\/span>, como<\/span> Josep<\/span> Pla<\/span> o Samaranch<\/span>. Par\u00eds<\/span>, Berl\u00edn<\/span>, La Haya<\/span>, Estocolmo<\/span>, Washington, M\u00e9xico<\/span>, Viena<\/span>, Roma, Ginebra<\/span>, Nueva<\/span> York o Puerto Rico fueron<\/span> sus<\/span> destinaciones<\/span> en un largo periplo<\/span> marcado<\/span> por<\/span> las<\/span> traducciones<\/span> y las<\/span> cr\u00f3nicas<\/span> a numerosos<\/span> medios<\/span> internacionales<\/span>. La muestra<\/span> incluye<\/span> un exhaustivo<\/span> documental con opiniones<\/span> de distintas<\/span> personalidades<\/span> de la cultura<\/span> y sociedad<\/span> catalanas<\/span> como<\/span> Eugeni<\/span> Triad\u00fa<\/span>, Joan de Segarra<\/span>, Albert Manent<\/span> o Heribert<\/span> Barrera<\/span>.<\/p>\n

\t\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

El Palau Robert dedica una exposici\u00f3n a unos de los mejores periodistas del siglo XX. L\u00facido, ir\u00f3nico, cr\u00edtico y exiliado por insobornable, pronostic\u00f3 el inicio de la Primera Guerra Mundial y el r\u00e9gimen dictatorial de Hitler \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[],"class_list":["post-6229","post","type-post","status-publish","format-standard","hentry","category-letras-y-cuentos"],"yoast_head":"\nEugeni Xammar: una pluma intuitiva silenciada - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/eugeni-xammar-una-pluma-intuitiva-silenciada\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eugeni Xammar: una pluma intuitiva silenciada - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"El Palau Robert dedica una exposici\u00f3n a unos de los mejores periodistas del siglo XX. 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