{"id":6123,"date":"2014-10-13T06:34:32","date_gmt":"2014-10-13T06:34:32","guid":{"rendered":"https:\/\/www.revistarambla.com\/estamos-en-manos-de-delincuentes-financieros\/"},"modified":"2014-10-13T06:34:32","modified_gmt":"2014-10-13T06:34:32","slug":"estamos-en-manos-de-delincuentes-financieros","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/estamos-en-manos-de-delincuentes-financieros\/","title":{"rendered":"\u201cEstamos en manos de delincuentes financieros\u201d"},"content":{"rendered":"

\t\"alt\"Con una<\/span> sala<\/span> repleta<\/span> de p\u00fablico<\/span> entusiasta<\/span>, se estren\u00f3<\/span> en los cines Verdi de Barcelona el documental sobre<\/span> el economista<\/span> y activista<\/span> social Arcadi<\/span> Oliveres<\/span>. El film se proyect\u00f3<\/span> durante<\/span> unos<\/span> d\u00edas<\/span> en el citado<\/span> cine, pero<\/span> ya<\/span> est\u00e1<\/span> de viaje<\/span> por<\/span> otras<\/span> poblaciones<\/span> como<\/span> Cambrils<\/span> o Sant<\/span> Vicen\u00e7<\/span> dels<\/span> Horts<\/span>, y otras<\/span> poblaciones<\/span> donde<\/span> se proyectar\u00e1<\/span> y que<\/span> pueden<\/span> seguir<\/span> en el Twitter de la pel\u00edcula<\/span><\/p>\n

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\tCon una<\/span> sala<\/span> repleta<\/span> de p\u00fablico<\/span> entusiasta<\/span>, se estren\u00f3<\/span> en los cines Verdi de Barcelona el documental sobre<\/span> el economista<\/span> y activista<\/span> social Arcadi<\/span> Oliveres<\/span>. El film se proyect\u00f3<\/span> durante<\/span> unos<\/span> d\u00edas<\/span> en el citado<\/span> cine, pero<\/span> ya<\/span> est\u00e1<\/span> de viaje<\/span> por<\/span> otras<\/span> poblaciones<\/span> como<\/span> Cambrils<\/span> o Sant<\/span> Vicen\u00e7<\/span> dels<\/span> Horts<\/span>, y otras<\/span> poblaciones<\/span> donde<\/span> se proyectar\u00e1<\/span> y que<\/span> pueden<\/span> seguir<\/span> en el Twitter de la pel\u00edcula<\/span>: @DocArcadi<\/span><\/a>. “Nunca<\/span> es<\/span> tan oscuro”<\/span> (Mai \u00e9s<\/span> tan fosc<\/span><\/em>) es<\/span> una<\/span> roadmovie<\/span> <\/em>que<\/span>, durante<\/span> un a\u00f1o<\/span> de seguimiento<\/span>, nos ense\u00f1a<\/span> la fren\u00e9tica<\/span> actividad<\/span> de este<\/span> hombre peque\u00f1o<\/span> de estatura<\/span> y grande<\/span> de compromiso<\/span> y actitud<\/span> \u00e9tica<\/span>.<\/strong><\/p>\n

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\tHay un proverbio<\/span> chino que<\/span> dice que<\/span> \u00abla hora<\/span> m\u00e1s<\/span>\u00a0oscura<\/span>\u00a0de la noche<\/span> es<\/span> la que<\/span> precede al alba<\/span>\u00ab<\/strong>, proverbio<\/span> que<\/span> repite<\/span> el activista<\/span> social Arcadi<\/span> Oliveres<\/span> en una<\/span> de las<\/span> conferencias<\/span> que<\/span> se recogen<\/span> en la pel\u00edcula<\/span>. Para Arcadi<\/span>, la frase<\/span> es<\/span> un canto a su<\/span> optimismo<\/span> antropol\u00f3gico<\/span>, pero<\/span>, en cambio<\/span>, para<\/span> la directora<\/span> \u00c9rica<\/span> S\u00e1nchez<\/span><\/strong>, el t\u00edtulo<\/span> de su<\/span> \u00f3pera<\/span> prima es<\/span> una<\/span> muestra<\/span> de su<\/span> escepticismo<\/span> existencial<\/span> que<\/span>, adem\u00e1s<\/span>, muestra<\/span> en la puesta<\/span> en escena<\/span> y en la est\u00e9tica<\/span> fotogr\u00e1fica<\/span> y atmosf\u00e9rica<\/span> del film, lleno<\/span> de im\u00e1genes<\/span> nocturnas<\/span> y d\u00edas<\/span> lluviosos<\/span>. La directora<\/span> recibi\u00f3<\/span> el encargo<\/span> de la ONG<\/span> cat\u00f3lica<\/span> Justicia<\/span> i Pau<\/span><\/strong> para<\/span> hacer<\/span> un v\u00eddeo<\/span> divulgativo<\/span> sobre<\/span> el pensamiento<\/span> y activismo<\/span> del que<\/span> fue<\/span> durante<\/span> a\u00f1os<\/span> su<\/span> presidente<\/span>, pero<\/span> mientras<\/span> la joven<\/span> realizadora<\/span> estaba<\/span> preparando<\/span> un primer gui\u00f3n<\/span> de trabajo<\/span>, vio<\/span> las<\/span> im\u00e1genes<\/span> de la plaza Catalunya<\/span> tomada<\/span> por<\/span> los indignados<\/span> del 15-M. All\u00ed<\/span>, en medio<\/span> de un numeroso<\/span> grupo<\/span> de gente<\/span> sentada<\/span>, en su<\/span> mayor\u00eda<\/span> j\u00f3venes<\/span>, se alzaba<\/span> la peque\u00f1a<\/span> figura<\/span> de Arcadi<\/span> que<\/span>, cual<\/span> profesor<\/span> de una<\/span> vieja<\/span> rep\u00fablica<\/span>, se dirig\u00eda<\/span> a los asistentes<\/span> que<\/span> le miraban<\/span> en un completo<\/span> silencio<\/span>. Arcadi<\/span> se convirti\u00f3<\/span>, sin pretenderlo<\/span>, en una<\/span> figura<\/span> ic\u00f3nica<\/span> de la revuelta<\/span> del 2011, de las<\/span> manifestaciones<\/span> contra los recortes<\/span> sociales<\/span> que<\/span> terminaron<\/span> con el cerco<\/span> al Parlament<\/span>, con las<\/span> contundentes<\/span> cargas<\/span> de los mossos<\/span> contra algunos<\/span> manifestantes<\/span> que<\/span> imped\u00edan<\/span> a los diputados<\/span> llegar<\/span> a la c\u00e1mara<\/span> para<\/span> votar<\/span> dichos<\/span> recortes<\/span>. Fue<\/span> entonces<\/span> cuando<\/span> \u00c9rika<\/span> S\u00e1nchez<\/span> se dio<\/span> cuenta<\/span> que<\/span> el personaje<\/span> ped\u00eda<\/span> un largometraje<\/span>, y as\u00ed<\/span> se lo propuso<\/span> a la productora<\/span> Daria<\/span> Esteve<\/span>.<\/p>\n

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\tSeg\u00fan<\/span> \u00c9rika<\/span> estamos<\/span> ante una<\/span> pel\u00edcula<\/span> de guerrilla en toda<\/span> su<\/span> dimensi\u00f3n<\/span>, por<\/span> la producci\u00f3n<\/span> y contenido<\/span>. Aunque<\/span> se ten\u00eda<\/span> pensado<\/span> una<\/span> producci\u00f3n<\/span> m\u00e1s<\/span> cinematogr\u00e1fica<\/span> y reposada<\/span>, al final, por<\/span> la propia<\/span> actualidad<\/span> y actividad<\/span> de Arcadi<\/span>, se convirti\u00f3<\/span> en una<\/span> pel\u00edcula<\/span> de urgencia<\/span>, poniendo<\/span> todos<\/span> los recursos<\/span> t\u00e9cnicos<\/span> y narrativos<\/span> al servicio<\/span> del personaje<\/span>. Financiada<\/span> por<\/span> 300 mecenas<\/span> que<\/span> salen<\/span> en los t\u00edtulos<\/span> de cr\u00e9ditos<\/span>, la cinta<\/span> est\u00e1<\/span> realizada<\/span> con una<\/span> licencia<\/span> de Creative Commons<\/em><\/strong>, por<\/span> lo que<\/span> una<\/span> vez<\/span> que<\/span> cumpla<\/span> su<\/span> ciclo<\/span> en las<\/span> pantallas<\/span> grandes<\/span> y los festivales<\/span>, se podr\u00e1<\/span> acceder<\/span> a ella<\/span> gratuitamente<\/span> en la red<\/strong>.<\/p>\n

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\tEn un momento<\/span> de la cinta<\/span>, y refiri\u00e9ndose<\/span> a los bancos<\/span> y las<\/span> entidades<\/span> financieras<\/span>, Arcadi<\/span> grita<\/span>: “Ladrones<\/span>, ladrones<\/span>, ladrones”<\/span><\/strong>, para<\/span> luego<\/span> a\u00f1adir<\/span>: “Estamos<\/span> en manos<\/span> de delincuentes<\/span> financieros”<\/span><\/strong>. Y en otro<\/span> momento<\/span> clama<\/span> por<\/span> la movilizaci\u00f3n<\/span> social, piedra<\/span> de toque de su<\/span> particular Evangelio<\/span> anticapitalista<\/span>: “De una<\/span> cosa<\/span> se pas\u00f3<\/span> a otra<\/span>, del germen<\/span> del 15 M, que<\/span> era gen\u00e9rico<\/span>, se pas\u00f3<\/span> a las<\/span> movilizaciones<\/span> sectoriales<\/span> por<\/span> los recortes<\/span> de la educaci\u00f3n<\/span>, de la sanidad<\/span> y los desahucios<\/span>; y desde<\/span> ese<\/span> punto<\/span> surgieron<\/span> fen\u00f3menos<\/span> como<\/span> Podemos<\/span> y Guanyem<\/span> Barcelona. Todo<\/span> tiene<\/span> una<\/span> l\u00f3gica”<\/span><\/strong>. El propio<\/span> Arcadi<\/span>, junto<\/span> a la monja<\/span> Teresa Forcades<\/span><\/strong>, es<\/span> el impulsor<\/span> de Proc\u00e9s<\/span> Constituent<\/em><\/strong>, manifiesto<\/span> por<\/span> un debate ciudadano<\/span> para<\/span> promover<\/span> una<\/span> candidatura<\/span> unitaria<\/span> al Parlament<\/span>, que<\/span> abra<\/span> un proceso<\/span> constituyente<\/span> por<\/span> un cambio<\/span> social. Pero<\/span> dice no estar<\/span> muy<\/span> convencido<\/span> de que<\/span> al final se celebre<\/span> la consulta<\/span> del 9 de noviembre<\/span>, para<\/span> a\u00f1adir<\/span>: “S\u00ed<\/span>, s\u00ed<\/span>, yo<\/span> apoyo<\/span> el proceso<\/span> y estoy<\/span> por<\/span> la independencia<\/span> pero<\/span> no solo la de cambiar<\/span> la bandera<\/span>, o abandonar<\/span> la “\u00f1”<\/span> por<\/span> la “ny”<\/span>, sino<\/span> la que<\/span> suponga<\/span> un verdadero<\/span> cambio<\/span> en la banca<\/span>, en econom\u00eda<\/span>, en la pol\u00edtica<\/span> ecol\u00f3gica<\/span> o en la de inmigraci\u00f3n”<\/span><\/strong>.<\/p>\n

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\tY ante las<\/span> pol\u00edticas<\/span> de austeridad<\/span> de la troika europea<\/span> y los gobiernos<\/span> t\u00edteres<\/span> que<\/span> rescatan<\/span> bancos<\/span> y no personas, dice el activista<\/span> ante un auditorio<\/span> repleto<\/span> de estudiantes<\/span>: “\u00bfCu\u00e1nto<\/span> dinero<\/span>, desde<\/span> el 2008, han<\/span> dado esos<\/span> gobiernos<\/span> que<\/span> os<\/span> acabo<\/span> de decir<\/span> a la banca<\/span> para<\/span> salvarla<\/span>? Fijaos<\/span> bien<\/span>: 4 billones<\/span> 600.000 millones<\/span> de d\u00f3lares<\/span>. \u00bfQu\u00e9<\/span> son 4 billones<\/span> 600.000 millones<\/span> de d\u00f3lares<\/span>? 92 veces<\/span> m\u00e1s<\/span> de lo que<\/span> la ONU<\/span> ped\u00eda<\/span> para<\/span> eliminar<\/span> el hambre<\/span>. Esto<\/span> es<\/span> inaceptable<\/span> del todo”<\/span><\/strong>. Una<\/span> de las<\/span> escenas<\/span> eliminadas<\/span> de la cinta<\/span>, por<\/span> problemas<\/span> de sonido<\/span> y porque<\/span> se apartaba<\/span> de la l\u00ednea<\/span> argumental<\/span>, fue<\/span> la llamada<\/span> Caputxinada<\/span> 2.0, o Recaputxinada<\/span>, que<\/span> se celebr\u00f3<\/span> en febrero<\/span> de 2013. De alguna<\/span> manera<\/span>, actos<\/span> como<\/span> esos<\/span> demuestran<\/span> que<\/span> las<\/span> luchas<\/span> por<\/span> una<\/span> mayor y m\u00e1s<\/span> participativa<\/span> democracia<\/span>, contra la corrupci\u00f3n<\/span> pol\u00edtica<\/span> y econ\u00f3mica<\/span>, que<\/span> estamos<\/span> viviendo<\/span> ahora<\/span>, vienen<\/span> de unos<\/span> procesos<\/span> revolucionarios<\/span> de larga<\/span> duraci\u00f3n<\/span>, a veces<\/span> lentos, peroque<\/span> son los que<\/span> verdaderamente<\/span> pueden<\/span> ser<\/span> transformadores<\/span>.<\/p>\n

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\tEn el documental vemos<\/span> al protagonista<\/span> deambulando<\/span> de un sitio<\/span> para<\/span> otro<\/span> con paso<\/span> decido<\/span> y meditabundo<\/span>, contestando<\/span> en su<\/span> viejo<\/span> tel\u00e9fono<\/span> m\u00f3vil<\/span> a un sinf\u00edn<\/span> de propuestas<\/span> que<\/span> le llegan<\/span> de toda<\/span> Espa\u00f1a<\/span> para<\/span> asistir<\/span> a charlas<\/span> y todo<\/span> tipo<\/span> de actos<\/span>, y a los que<\/span> el convencido<\/span> pacifista<\/span> parece<\/span> gen\u00e9ticamente<\/span> imposibilitado<\/span> para<\/span> rechazar<\/span>. Una<\/span> de las<\/span> escenas<\/span> que<\/span> hace<\/span> re\u00edr<\/span> al p\u00fablico<\/span> es<\/span> cuando<\/span>, en una<\/span> reuni\u00f3n<\/span> de Justicia<\/span> i Pau<\/span>, pretenden<\/span> que<\/span> Arcadi<\/span> Oliveres<\/span> baje<\/span> su<\/span> actividad<\/span>. Quieren<\/span> ponerle<\/span> una<\/span> secretaria<\/span> y, sobre<\/span> todo<\/span>, un nuevo<\/span> tel\u00e9fono<\/span> que<\/span> nadie<\/span> conozca<\/span>, para<\/span> filtrar<\/span> las<\/span> llamadas<\/span>. Con cara<\/span> de poco<\/span> convencido<\/span>, deja<\/span> a sus<\/span> compa\u00f1eros<\/span> para<\/span> atender<\/span> una<\/span> llamada<\/span> que<\/span> en ese<\/span> momento<\/span> le llega<\/span> para<\/span> pedirle<\/span> su<\/span> presencia<\/span> en un acto<\/span>. En la cinta<\/span> tambi\u00e9n<\/span> se trata<\/span>, muy<\/span> elegantemente<\/span>, el fallecimiento<\/span> del hijo<\/span> de Oliveres<\/span>, Marcel, que<\/span> muri\u00f3<\/span> de c\u00e1ncer<\/span> mientras<\/span> se estaba<\/span> rodando<\/span> el documental. Vemos<\/span> a Marcel con su<\/span> padre en la plaza Catalunya<\/span>, en plenas<\/span> movilizaciones<\/span> y acampadas<\/span>. Despu\u00e9s<\/span> vemos<\/span> como<\/span> Arcadi<\/span> va<\/span> solo, es<\/span> una<\/span> forma de pasar<\/span> el duelo<\/span>, acompa\u00f1ado<\/span> por<\/span> las<\/span> miles de personas que<\/span> estaban<\/span> all\u00ed<\/span> protestando<\/span>, como<\/span> reflexiona<\/span> el propio<\/span> activista<\/span>.<\/p>\n

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\t“El mundo<\/span> no est\u00e1<\/span> bien<\/span> pero<\/span> el mensaje<\/span> es<\/span> que<\/span> el sol<\/span> saldr\u00e1<\/span> siempre<\/span>, yo<\/span> soy optimista”<\/span><\/strong>, palabra<\/span> de Arcadi<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Con una sala repleta de p\u00fablico entusiasta, se estren\u00f3 en los cines Verdi de Barcelona el documental sobre el economista y activista social Arcadi Oliveres. El film se proyect\u00f3 durante unos d\u00edas en el citado cine, pero ya est\u00e1 de viaje por otras poblaciones como Cambrils o Sant Vicen\u00e7 dels […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[],"class_list":["post-6123","post","type-post","status-publish","format-standard","hentry","category-barcelona"],"yoast_head":"\n\u201cEstamos en manos de delincuentes financieros\u201d - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/estamos-en-manos-de-delincuentes-financieros\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cEstamos en manos de delincuentes financieros\u201d - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Con una sala repleta de p\u00fablico entusiasta, se estren\u00f3 en los cines Verdi de Barcelona el documental sobre el economista y activista social Arcadi Oliveres. 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