{"id":5958,"date":"2014-09-27T03:10:13","date_gmt":"2014-09-27T03:10:13","guid":{"rendered":"https:\/\/www.revistarambla.com\/cels\/"},"modified":"2014-09-27T03:10:13","modified_gmt":"2014-09-27T03:10:13","slug":"cels","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/cels\/","title":{"rendered":"CELS"},"content":{"rendered":"

\t\"alt\"Cripta<\/span> de la Biblioteca<\/span> de Catalunya<\/span>, noche<\/span> cerrada<\/span>, pasos<\/span> sobre<\/span> piedrecitas<\/span>, ruidos<\/span> de cigarras…<\/span> Un espacio<\/span> esc\u00e9nico<\/span> donde<\/span> se analiza<\/span> la locura<\/span> terrorista<\/span> bajo<\/span> el prisma<\/span> de la l\u00f3gica<\/span>, las<\/span> matem\u00e1ticas<\/span>, el arte<\/span> y la poes\u00eda<\/span>. Y las<\/span> relaciones<\/span> personales<\/span> que<\/span> no pueden<\/span> ni<\/span> deben<\/span> quedar<\/span> al margen<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\tCripta<\/span> de la Biblioteca<\/span> de Catalunya<\/span>, noche<\/span> cerrada<\/span>, pasos<\/span> sobre<\/span> piedrecitas<\/span>, ruidos<\/span> de cigarras…<\/span> Un espacio<\/span> esc\u00e9nico<\/span> donde<\/span> se analiza<\/span> la locura<\/span> terrorista<\/span> bajo<\/span> el prisma<\/span> de la l\u00f3gica<\/span>, las<\/span> matem\u00e1ticas<\/span>, el arte<\/span> y la poes\u00eda<\/span>. Y las<\/span> relaciones<\/span> personales<\/span> que<\/span> no pueden<\/span> ni<\/span> deben<\/span> quedar<\/span> al margen<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\tLa obra<\/span> de quebequ\u00e9s<\/span> Wadji<\/span> Mouadawad<\/span>, Cels<\/span>,<\/em> penetra<\/span> en las<\/span> inquietudes y los temores<\/span> del siglo<\/span> XXI<\/span> de un modo<\/span> vibrante<\/span> e inquietante…<\/span>. La destrucci\u00f3n<\/span> de las<\/span> Torres Gemelas<\/span> en 2001 dej\u00f3<\/span> a la civilizaci\u00f3n<\/span> occidental en un estado<\/span> de shock que<\/span> dirigi\u00f3<\/span> su<\/span> atenta<\/span> y aterrada<\/span> mirada<\/span> al terrorismo<\/span> isl\u00e1mico<\/span>. Cels<\/span><\/em> es<\/span> un relato<\/span> dram\u00e1tico<\/span> y simb\u00f3lico<\/span> de esta<\/span> inquietud<\/span>, el temor<\/span> del ocaso<\/span> de los tiempos<\/span> condensado<\/span> en la irrupci\u00f3n<\/span> de una<\/span> maldad<\/span> sin origen<\/span>, sin finalidad<\/span> y sobre<\/span> todo<\/span> sin mesura<\/span>. \u00bfIslamista<\/span>? Pudiera<\/span> ser<\/span>, pero<\/span> tambi\u00e9n<\/span> pudiera<\/span> nacer<\/span> del af\u00e1n<\/span> de la libertad<\/span>, de la belleza<\/span> de la poes\u00eda<\/span> o de la estructura<\/span> perfecta de las<\/span> matem\u00e1ticas<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa compa\u00f1\u00eda<\/span> del barcelon\u00e9s<\/span> Oriol<\/span> Broggi<\/span>, La Perla<\/span> 29, se atreve<\/span> con este<\/span> texto<\/span> mesi\u00e1nico<\/span>, en el que<\/span> la muerte<\/span> de los hijos<\/span> como<\/span> elemento<\/span> b\u00edblico<\/span> se combina<\/span> asimismo<\/span> con la gestaci\u00f3n<\/span> y el nacimiento<\/span> de un nuevo<\/span> redentor<\/span>. Los paralelismos<\/span> son inevitables<\/span> con las<\/span> antiguas<\/span> escrituras<\/span>, como<\/span> si<\/span> estuvi\u00e9ramos<\/span> a las<\/span> puertas<\/span> de una<\/span> nueva<\/span> humanidad<\/span>, que<\/span> debe<\/span> pasar<\/span> por<\/span> encima<\/span> del sufrimiento<\/span> y del dolor para<\/span> confeccionar<\/span> un puzle<\/span> de una<\/span> nueva<\/span> y esperada<\/span> sensibilidad<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLas personas somos<\/span> seres<\/span> simb\u00f3licos<\/span> y ah\u00ed<\/span> radica<\/span> su<\/span> parte<\/span> de deidad<\/span> y su<\/span> parte<\/span> m\u00e1s<\/span> demon\u00edaca<\/span>. En Cels<\/span>,<\/em> un peque\u00f1o<\/span> grupo<\/span> integra<\/span> S\u00f3crates<\/span>, una<\/span> estructura<\/span> dedicada<\/span> a la b\u00fasqueda<\/span> y detecci\u00f3n<\/span> de potenciales<\/span> ataques<\/span> terroristas<\/span>, sistem\u00e1ticos<\/span> y rotundos<\/span>; el mejor<\/span> de los mundos<\/span> posibles<\/span>, que<\/span> hubiera<\/span> sido<\/span> factible<\/span> dado el potencial<\/span> art\u00edstico<\/span> y sensitivo<\/span> de los seres<\/span> humanos<\/span>, combinado<\/span> con una<\/span> enorme<\/span> potencialidad<\/span> tecnol\u00f3gica<\/span>, con el paso<\/span> de los siglos<\/span> da<\/span> lugar<\/span> a una<\/span> distop\u00eda<\/span> brutal, por<\/span> otra<\/span> parte<\/span> ya<\/span> imaginada<\/span> por<\/span> los autores<\/span> del siglo<\/span> XIX<\/span> y principios<\/span> del siglo<\/span> XX.<\/p>\n

\t\u00a0<\/p>\n

\tLos personajes<\/span> que<\/span> forman<\/span> parte<\/span> de S\u00f3crates<\/span> luchan<\/span> contra ellos<\/span> mismos<\/span>, ya<\/span> sea en la b\u00fasqueda<\/span> de su<\/span> propia<\/span> identidad<\/span>, ya<\/span> sea perpetuando<\/span> su<\/span> voluntad<\/span> por<\/span> hacer<\/span> bien<\/span> su<\/span> trabajo<\/span> y salvar<\/span> a la humanidad<\/span>, ora<\/span> para<\/span> reencontrar<\/span> su<\/span> pasado<\/span> y su<\/span> presente<\/span> (imposible<\/span> no sentir<\/span> empat\u00eda<\/span> ante el padre que<\/span> conversa<\/span> con su<\/span> malogrado<\/span> hijo<\/span> adolescente<\/span> a trav\u00e9s<\/span> de la pantalla<\/span> del ordenador<\/span>).<\/p>\n

\t\u00a0<\/p>\n

\tLa f\u00e1bula<\/span> del nuevo<\/span> mundo<\/span> y la nueva<\/span> humanidad<\/span> se rompe<\/span> –o nace<\/span>, seg\u00fan<\/span> se quiera<\/span> entender–<\/span> al final de las<\/span> m\u00e1s<\/span> de horas<\/span> de representaci\u00f3n<\/span>, que<\/span> se hacen<\/span> din\u00e1micas<\/span> y apresuradas<\/span>, robustas<\/span> y a veces<\/span> decimon\u00f3nicas<\/span>, seg\u00fan<\/span> los instantes<\/span> emotivos<\/span> de cada<\/span> escena<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa interpretaci\u00f3n<\/span> de todos<\/span> los actores<\/span>, tanto<\/span> los virtuales<\/span> como<\/span> los reales<\/span>, da<\/span> vida<\/span> a una<\/span> combinaci\u00f3n<\/span> de vida<\/span> profesional<\/span> y laboral<\/span> que<\/span> el espectador<\/span> entiende<\/span> pero<\/span> tambi\u00e9n<\/span> censura<\/span> (por<\/span> ejemplo<\/span>, la madre<\/span> que<\/span> mata<\/span> a sus<\/span> hijos<\/span>, pero<\/span> que<\/span> defiende<\/span> con u\u00f1as<\/span> y dientes<\/span> al que<\/span> est\u00e1<\/span> por<\/span> venir<\/span>).<\/p>\n

\t\u00a0<\/p>\n

\tSi existe<\/span> una<\/span> verdadera<\/span> amenaza<\/span> terrorista<\/span>, dentro<\/span> de Cels<\/span><\/em> o fuera<\/span> de ella<\/span>, esta<\/span> nace<\/span> de la capacidad<\/span> de encriptaci\u00f3n<\/span> que<\/span> tenemos<\/span> los humanos<\/span>; de la capacidad<\/span> de mentir<\/span>, de amar<\/span>, de confeccionar<\/span> un soneto<\/span> o de ensamblar<\/span> el mecanismo<\/span> de una<\/span> granada<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tCels<\/span><\/em><\/p>\n

\tCripta<\/span> de la Biblioteca<\/span> de Barcelona<\/p>\n

\tCompa\u00f1\u00eda<\/span> La Perla<\/span> 29<\/p>\n

\tHasta<\/span> el 19 de octubre<\/span><\/p>\n

\t\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

Cripta de la Biblioteca de Catalunya, noche cerrada, pasos sobre piedrecitas, ruidos de cigarras… Un espacio esc\u00e9nico donde se analiza la locura terrorista bajo el prisma de la l\u00f3gica, las matem\u00e1ticas, el arte y la poes\u00eda. Y las relaciones personales que no pueden ni deben quedar al margen. \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-5958","post","type-post","status-publish","format-standard","hentry","category-teatro"],"yoast_head":"\nCELS - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/cels\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CELS - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Cripta de la Biblioteca de Catalunya, noche cerrada, pasos sobre piedrecitas, ruidos de cigarras… Un espacio esc\u00e9nico donde se analiza la locura terrorista bajo el prisma de la l\u00f3gica, las matem\u00e1ticas, el arte y la poes\u00eda. 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