{"id":5901,"date":"2014-09-11T10:18:27","date_gmt":"2014-09-11T10:18:27","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-entranable-modernidad-de-la-iaia\/"},"modified":"2014-09-11T10:18:27","modified_gmt":"2014-09-11T10:18:27","slug":"la-entranable-modernidad-de-la-iaia","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-entranable-modernidad-de-la-iaia\/","title":{"rendered":"La entra\u00f1able modernidad de la \u201cIaia!\u201d"},"content":{"rendered":"

\t\"alt\"Despu\u00e9s<\/span> de reunir<\/span> 50.000 espectadores<\/span> por<\/span> toda<\/span> Catalunya<\/span>, la “Iaia<\/span>!” med\u00eda<\/span> su<\/span> capacidad<\/span> de entusiasmo<\/span> en su<\/span> primer d\u00eda<\/span> en el Teatro<\/span> Goya<\/span>. La obra<\/span>, que<\/span> supone<\/span> la despedida<\/span> de los escenarios<\/span> de Montserrat<\/span> Carulla<\/span>, queda<\/span> en familia<\/span>:<\/p>\n

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\tDespu\u00e9s<\/strong><\/span> de reunir<\/span> 50.000 espectadores<\/span> por<\/span> toda<\/span> Catalunya<\/span>, la “Iaia<\/span>!” med\u00eda<\/span> su<\/span> capacidad<\/span> de entusiasmo<\/span> en su<\/span> primer d\u00eda<\/span> en el Teatro<\/span> Goya<\/span>. La obra<\/span>, que<\/span> supone<\/span> la despedida<\/span> de los escenarios<\/span> de Montserrat<\/span> Carulla<\/span>, queda<\/span> en familia<\/span>: el autor<\/span> y director es<\/span> su<\/span> hijo<\/span>, Roger Pe\u00f1a<\/span>, mientras<\/span> que<\/span> Aleix<\/span> Pe\u00f1a<\/span> es<\/span> su<\/span> nieto<\/span> (tambi\u00e9n<\/span> en el escenario<\/span>) y la protagonista<\/span> femenina<\/span> es<\/span> Katia<\/span> Klein Carulla<\/span>.<\/strong><\/p>\n

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\tLa acci\u00f3n<\/span> se desarrolla<\/span> en un t\u00edpico<\/span> piso<\/span> familiar de los 60, con papel<\/span> pintado<\/span> amarillento<\/span>. Josep<\/span>, un joven<\/span> de 20 a\u00f1os<\/span> con empleos<\/span> puntuales<\/span> y precarios<\/span>, conoce<\/span> una<\/span> chica<\/span> y la sube<\/span> a casa, donde<\/span> la abuela<\/span> del chico<\/span>, que<\/span> padece<\/span> insomnio<\/span> y obsesi\u00f3n<\/span> por<\/span> la horchata<\/span>, les sorprende<\/span> a media faena<\/span>.<\/p>\n

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\tEl “boicot”<\/span> sexual a su<\/span> nieto<\/span> es<\/span> la excusa<\/span> para<\/span> tocar<\/span> con humor y momentos<\/span> de crudeza<\/span> temas<\/span> cotidianos<\/span>: el paro<\/span>, la soledad<\/span>, las<\/span> miserias<\/span> familiares<\/span>, la diferencia<\/span> de clases<\/span>, los choques<\/span> intergeneracionales<\/span> o la envidia<\/span> entre<\/span> mujeres. Y los matices<\/span> quedan<\/span> claros<\/span>: el perdedor<\/span> tiene<\/span> un punto<\/span> de encante<\/span> rom\u00e1ntico<\/span> pero<\/span> el pringado<\/span> pasa<\/span> a ser<\/span> un desecho<\/span> t\u00f3xico<\/span> y contagioso<\/span> cuyo<\/span> prestigio<\/span> se va<\/span> hundiendo<\/span> conforme<\/span> se arrastra<\/span>.<\/p>\n

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\tLa chica<\/span>, prototipo<\/span> de la pija<\/span> atractiva<\/span> pero<\/span> caprichosa<\/span>, superficial, inmadura<\/span> y, en consecuencia<\/span>, contradictoria<\/span>, llena<\/span> de p\u00e1jaros<\/span> la cabeza<\/span> de un joven<\/span> atormentado<\/span> por<\/span> el pasado<\/span> y avergonzado<\/span> por<\/span> ser<\/span> mantenido<\/span> por<\/span> su<\/span> abuela<\/span>. La mujer<\/span> de 82 a\u00f1os<\/span>, nada cascarrabias<\/span>, combina<\/span> tics de su<\/span> edad<\/span> con el ansia<\/span> de estar<\/span> al d\u00eda<\/span>: puede<\/span> olvidar<\/span> nombres<\/span> y tr\u00e1mites<\/span> o perderse<\/span> por<\/span> cualquier<\/span> calle<\/span> pero<\/span> al mismo<\/span> tiempo<\/span> chatea<\/span> con una<\/span> identidad<\/span> falsa<\/span> para<\/span> mantener<\/span> ligues<\/span>, usa<\/span> jerga<\/span> juvenil<\/span> y rememora<\/span> una<\/span> juventud<\/span> en la que<\/span> recurri\u00f3<\/span> a la fogosidad<\/span> de los marineros<\/span> para<\/span> vengarse<\/span> de la infidelidad<\/span> de su<\/span> marido<\/span>. E incluso<\/span> se permite<\/span> la licencia<\/span> de fumarse<\/span> alg\u00fan<\/span> porro<\/span>.<\/p>\n

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\tAmbas<\/span> mujeres (la pija<\/span> por<\/span> capricho<\/span> y la abuela<\/span> por<\/span> terror a la soledad<\/span>) est\u00e1n<\/span> dispuestas<\/span> a hacer<\/span> lo que<\/span> sea para<\/span> retener<\/span> al chico<\/span> y que<\/span> \u00e9ste<\/span> sea el centro<\/span> de sus<\/span> existencias<\/span>. La banda<\/span> sonora<\/span> se limita<\/span> a un gui\u00f1o<\/span> de complicidad<\/span> con una<\/span> canci\u00f3n<\/span> del grupo<\/span> La Iaia<\/span> y a la conocida<\/span> “My baby just cares for me” de Nina Simona<\/span> que<\/span> ilustra<\/span> la elegancia<\/span> de la abuela<\/span>, que<\/span> hace<\/span> un amago<\/span> de desfile<\/span>.<\/p>\n

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\tDurante<\/span> 90 minutos<\/span> amenos<\/span> y trepidantes<\/span>, Carulla<\/span> acapara<\/span> la atenci\u00f3n<\/span> con sus<\/span> chascarrillos<\/span> ir\u00f3nicos<\/span> de qui\u00e9n<\/span> est\u00e1<\/span> de vuelta<\/span> de todo<\/span>, encajando<\/span> a la perfecci\u00f3n<\/span> con el cl\u00e1sico<\/span> papel<\/span> de “iaia”<\/span> catalana<\/span>, tan protectora<\/span> como<\/span> fr\u00e1gil<\/span>, esa<\/span> figura<\/span> omnipresente<\/span> que<\/span> todo<\/span> lo procura<\/span> y en todo<\/span> se entromete<\/span>. Carulla<\/span> hace<\/span> de Carulla<\/span>, arrulla<\/span> y seduce al p\u00fablico<\/span>. Es<\/span> la iaia<\/span> de toda<\/span> una<\/span> generaci\u00f3n<\/span>, que<\/span> tambi\u00e9n<\/span> se col\u00f3<\/span> en las<\/span> sobremesas<\/span> desde<\/span> telenovelas<\/span> catalanas<\/span> como<\/span> “Secrets de familia”<\/span>, aunque<\/span> aqu\u00ed<\/span> adoptase<\/span> un rol<\/span> m\u00e1s<\/span> tradicional<\/span> y sufridor<\/span> de sof\u00e1<\/span> y ganchillo<\/span>.<\/p>\n

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\tEn el momento<\/span> de los agradecimientos<\/span>, Montserrat<\/span> transform\u00f3<\/span> su<\/span> mano<\/span> abierta<\/span> en un n\u00famero<\/span> 4, en referencia<\/span> a las<\/span> barras<\/span> de la senyera<\/span> y convoc\u00f3<\/span> los asistentes<\/span> a participar<\/span> en la V de la Diada<\/span>. Que<\/span> podr\u00eda<\/span> ser<\/span> la V de verdad<\/span>, caracter\u00edstica<\/span> de su<\/span> larga<\/span> trayectoria<\/span> en el mundo<\/span> de la ficci\u00f3n<\/span>. Visca<\/span> la iaia<\/span>!<\/p>","protected":false},"excerpt":{"rendered":"

Despu\u00e9s de reunir 50.000 espectadores por toda Catalunya, la “Iaia!” med\u00eda su capacidad de entusiasmo en su primer d\u00eda en el Teatro Goya. La obra, que supone la despedida de los escenarios de Montserrat Carulla, queda en familia: \u00a0 \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[],"class_list":["post-5901","post","type-post","status-publish","format-standard","hentry","category-teatro"],"yoast_head":"\nLa entra\u00f1able modernidad de la \u201cIaia!\u201d - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-entranable-modernidad-de-la-iaia\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La entra\u00f1able modernidad de la \u201cIaia!\u201d - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Despu\u00e9s de reunir 50.000 espectadores por toda Catalunya, la “Iaia!” med\u00eda su capacidad de entusiasmo en su primer d\u00eda en el Teatro Goya. 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