{"id":5752,"date":"2014-08-07T08:04:06","date_gmt":"2014-08-07T08:04:06","guid":{"rendered":"https:\/\/www.revistarambla.com\/prefiero-a-mae-west-2-personalidadesnduplicadas\/"},"modified":"2023-12-29T13:42:06","modified_gmt":"2023-12-29T12:42:06","slug":"prefiero-a-mae-west-2-personalidadesnduplicadas","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/prefiero-a-mae-west-2-personalidadesnduplicadas\/","title":{"rendered":"Prefiero a Mae West (2): Personalidades\u00a0duplicadas"},"content":{"rendered":"

\t\u00a0<\/p>\n

\t\"alt\"Cap\u00edtulo<\/span> anterior: durante<\/span> el rodaje<\/span> de una<\/span> pel\u00edcula<\/span>, el equipo<\/span> t\u00e9cnico<\/span> teme<\/span> que<\/span> la pareja<\/span> de protagonistas<\/span> no soporte<\/span> la tensi\u00f3n<\/span> del drama, dada la relaci\u00f3n<\/span> de su<\/span> argumento<\/span> con las<\/span> disputas<\/span> que<\/span> han<\/span> mantenido<\/span> en la vida<\/span> real.<\/i><\/b><\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\tCap\u00edtulo<\/span> anterior: durante<\/span> el rodaje<\/span> de una<\/span> pel\u00edcula<\/span>, el equipo<\/span> t\u00e9cnico<\/span> teme<\/span> que<\/span> la pareja<\/span> de protagonistas<\/span> no soporte<\/span> la tensi\u00f3n<\/span> del drama, dada la relaci\u00f3n<\/span> de su<\/span> argumento<\/span> con las<\/span> disputas<\/span> que<\/span> han<\/span> mantenido<\/span> en la vida<\/span> real.<\/i><\/b><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/i><\/b><\/p>\n

\t\u00a0<\/p>\n

\t\u0336\u00a1\u00a1\u00a1\u00bfElizabeth?!!! \u00a1Vete<\/span> a la mierda<\/span>, Ben! \u00a1Jam\u00e1s<\/span>!<\/p>\n

\t\u00a0<\/p>\n

\tNo le sorprendi\u00f3<\/span> a Ben la reacci\u00f3n<\/span> airada<\/span> de Elizabeth Hard, cuando<\/span> la madura<\/span> diva se enter\u00f3<\/span> de la coincidencia<\/span> de nombres<\/span> con su<\/span> futuro<\/span> personaje<\/span>. Era uno<\/span> de los muchos<\/span> y sospechosos<\/span> gui\u00f1os<\/span> de complicidad<\/span> para<\/span> con el p\u00fablico<\/span> urdidos<\/span> por<\/span> el director y guionista<\/span>, a fin de disparar<\/span> el taquillaje<\/span> del filme<\/span>: Elizabeth y Arthur (en el gui\u00f3n<\/span>, Adam: “\u00a1\u00a1\u00a1\u00bfPor<\/span> qu\u00e9<\/span> no aparece<\/span> \u00e9l<\/span> con su<\/span> propio<\/span> nombre<\/span>, Ben?!!!”), dos actores<\/span> cargados<\/span> de ilusiones<\/span> abri\u00e9ndose<\/span> paso<\/span> en el mundo<\/span> del espect\u00e1culo<\/span>; los viejos<\/span> estudios<\/span> de Nueva<\/span> York y el naciente<\/span> Hollywood; el \u00e9xito<\/span> y su<\/span> resaca<\/span> de renuncias<\/span> y desencuentros<\/span>; la ruina<\/span> de un candoroso<\/span> idilio<\/span>, demolido<\/span> por<\/span> la piqueta<\/span> del tiempo…<\/span><\/p>\n

\t\u00a0<\/p>\n

\tA la postre<\/span>, y a pesar<\/span> de todos<\/span> sus<\/span> reparos<\/span> (“Siento<\/span> asco<\/span>, Ben…”), sin necesidad<\/span> de mucho<\/span> arg\u00fcir<\/span> Elizabeth acept\u00f3<\/span>, porque<\/span> en los \u00faltimos<\/span> tiempos<\/span> ten\u00eda<\/span> excesivos<\/span> problemas<\/span> para<\/span> financiar<\/span> su<\/span> intendencia<\/span> de visones<\/span>, autom\u00f3viles<\/span> de lujo<\/span>, criados<\/span> de librea<\/span>, caviar beluga y whisky de malta<\/span>. Aparte<\/span> de la fortuna<\/span> que<\/span> de por<\/span> s\u00ed<\/span> le costaban<\/span> sus<\/span> palacetes<\/span> de Los \u00c1ngeles<\/span> y Florida, y c\u00f3mo<\/span> no, los gastos<\/span> de su<\/span> corte<\/span> de efebos<\/span> (uno<\/span> o dos nuevos<\/span> al mes<\/span>, seg\u00fan<\/span> fuese<\/span> la \u00e9poca<\/span> de mayor o menor<\/span> euforia<\/span> sexual), pues<\/span> estaba<\/span> convencida<\/span> de que<\/span> la lozan\u00eda<\/span> se mantiene<\/span> con el ejercicio<\/span> intensivo<\/span> de la fornicaci\u00f3n<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t(Nadie<\/span> sab\u00eda<\/span> qui\u00e9n<\/span> prescribi\u00f3<\/span> a Elizabeth la gimnasia<\/span> sexual como<\/span> formol<\/span> de la beldad<\/span>. De hecho<\/span>, ella<\/span> hubiera<\/span> recurrido<\/span> a cualquier<\/span> extravagancia<\/span>, con tal<\/span> de mantenerse<\/span> joven<\/span> y atractiva<\/span>. Tan solo le faltaba<\/span> una<\/span> miaja<\/span> de credulidad<\/span> para<\/span> colmar<\/span> el rasero<\/span> de sus<\/span> supersticiones<\/span> y buscarse<\/span> un sicario<\/span> que<\/span> le proveyera<\/span> de doncellas<\/span> cuya<\/span> sangre<\/span> libar<\/span>. Sea como<\/span> fuere<\/span>, gracias<\/span> a remedios<\/span> inveros\u00edmiles<\/span> o por<\/span> privilegios<\/span> de la propia<\/span> naturaleza<\/span>, lo cierto<\/span> es<\/span> que<\/span> pod\u00eda<\/span> sentirse<\/span> satisfecha<\/span> sin necesidad<\/span> de caer<\/span> en el crimen<\/span>: a sus<\/span> 45 a\u00f1os<\/span> aparec\u00eda<\/span> rotunda de formas<\/span>, con una<\/span> belleza<\/span> de esas<\/span> que<\/span> vulgarmente<\/span> suelen<\/span> calificarse<\/span> como<\/span> despampanantes<\/span>.)<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t***<\/p>\n

\t\u00a0<\/p>\n

\tEl camarero<\/span> rubio<\/span> se acerca<\/span> a la mesa con queda<\/span> solicitud<\/span>. Parece<\/span> deslumbrado<\/span> ante la prestancia<\/span> de la mujer<\/span>. \u00bfQui\u00e9n<\/span> no lo estar\u00eda<\/span> a tan solo un paso<\/span> de su<\/span> perfil<\/span>, trazado<\/span> por<\/span> el maestro entre<\/span> los ge\u00f3metras<\/span>?<\/p>\n

\t\u00a0<\/p>\n

\tAdam<\/b>
\t <\/span>(Lanza<\/span> una<\/span> mirada<\/span> fugaz<\/span> al camarero<\/span>, como<\/span> si<\/span> le molestara<\/span> su<\/span> presencia<\/span>)
\t <\/span>Un whisky doble<\/span>, por<\/span> favor.<\/p>\n

\t\u00a0<\/p>\n

\tSu voz<\/span> suena<\/span> un tanto<\/span> tr\u00e9mula<\/span>, quiz\u00e1s<\/span> impostada<\/span>, pero<\/span> de cualquier<\/span> modo<\/span> convincente<\/span> a estas<\/span> alturas<\/span> de la historia<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t(Vuelve<\/span> a mirarla<\/span>)
\t <\/span>\u00bfRecuerdas<\/span> nuestro<\/span> primer encuentro<\/span>?<\/p>\n

\t\u00a0<\/p>\n

\tElizabeth<\/b>
\t <\/span>Lo recuerdo<\/span>. Y te<\/span> recuerdo<\/span> a ti<\/span> tambi\u00e9n<\/span>. Estabas<\/span> algo<\/span> m\u00e1s<\/span> delgado<\/span> y no te<\/span> vest\u00edan<\/span> tan buenos<\/span> sastres<\/span> como<\/span> ahora<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tAdam<\/b>
\t <\/span>(Permiti\u00e9ndose<\/span> una<\/span> leve<\/span> sonrisa<\/span>)
\t <\/span>Apenas<\/span> hemos<\/span> cambiado<\/span>, no exageres…<\/span><\/p>\n

\t\u00a0<\/p>\n

\t***<\/p>\n

\t\u00a0<\/p>\n

\tBen, l\u00edrico<\/span> a la par que<\/span> medroso<\/span>, hab\u00eda<\/span> escrito<\/span> de su<\/span> pu\u00f1o<\/span> y letra<\/span> al margen<\/span> del gui\u00f3n<\/span>: “Adam intenta<\/span> quitar<\/span> dramatismo<\/span> al paso<\/span> del tiempo<\/span>, como<\/span> si<\/span> un chascarrillo<\/span> pudiera<\/span> suturar<\/span> las<\/span> heridas<\/span> que<\/span> la edad<\/span> abre<\/span> en las<\/span> almas.”<\/p>\n

\t\u00a0<\/p>\n

\tDesconfiando<\/span> siempre<\/span> de sus<\/span> dotes resolutivas<\/span>, en caso<\/span> de surgir<\/span> cualquier<\/span> contrariedad<\/span> imprevista<\/span>; dubitativo<\/span> igualmente<\/span> cuando<\/span> una<\/span> circunstancia<\/span> propicia<\/span> le ofrec\u00eda<\/span> chance para<\/span> la improvisaci\u00f3n<\/span>, Ben buscaba<\/span> en sus<\/span> notas<\/span> una<\/span> gu\u00eda<\/span> pr\u00e1ctica<\/span> con que<\/span> encauzar<\/span> las<\/span> interpretaciones<\/span> de los actores<\/span> durante<\/span> los momentos<\/span> cruciales<\/span> del rodaje<\/span>. Y aunque<\/span> normalmente<\/span> no supusieran<\/span> m\u00e1s<\/span> que<\/span> un buen<\/span> prop\u00f3sito<\/span>, superado<\/span> siempre<\/span> por<\/span> los avatares<\/span> de la filmaci\u00f3n<\/span>, pose\u00edan<\/span> estas<\/span> glosas<\/span> una<\/span> utilidad<\/span> supersticiosa<\/span>, cual<\/span> amuleto<\/span>: sin ellas<\/span>, experimentaba<\/span> la ingrata<\/span> corazonada<\/span> de que<\/span> sus<\/span> mejores<\/span> propuestas<\/span> naufragaban<\/span> en el olvido<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t***<\/p>\n

\t\u00a0<\/p>\n

\tElizabeth<\/b>
\t <\/span>Hemos<\/span> envejecido<\/span>, para<\/span> qu\u00e9<\/span> negarlo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa voz<\/span> de la duplicada<\/span> Elizabeth fluye<\/span> distendida<\/span>, aunque<\/span> grave. Ninguna<\/span> de las<\/span> dos Elizabeth pretende<\/span> desvirtuar<\/span> la verdadera<\/span> magnitud<\/span> de aquel<\/span> desencuentro<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tAdam (\u00bfArthur?) esboza<\/span> de nuevo<\/span> una<\/span> t\u00edmida<\/span> sonrisa<\/span>, tal<\/span> vez<\/span> para<\/span> no llorar<\/span>. Juega<\/span> con el cigarrillo<\/span> encendido<\/span>, quiere<\/span> apurar<\/span> la contemplaci\u00f3n<\/span> de Elizabeth\u00a0ganando<\/span> un tiempo<\/span> que<\/span> de antemano<\/span> tiene<\/span> perdido<\/span>; creer<\/span> por<\/span> un momento<\/span> que<\/span> su<\/span> historia<\/span> de amor tendr\u00e1<\/span> un final feliz<\/span>, como<\/span> tantas<\/span> pel\u00edculas<\/span> que<\/span> ambos<\/span> han<\/span> protagonizado<\/span>. Pero<\/span> es<\/span> esta<\/span> una<\/span> noche<\/span> de \u00eddolos<\/span> derribados<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tAdam<\/b>
\t <\/span>(Con voz<\/span> temblorosa<\/span>)
\t <\/span>Esta<\/span> ma\u00f1ana<\/span> estuve<\/span> en el hospital, con Ren\u00e9<\/span>. Los m\u00e9dicos<\/span> dicen<\/span> que<\/span> la operaci\u00f3n<\/span> fue<\/span> muy<\/span> delicada<\/span>, pero<\/span> que<\/span> con paciencia<\/span> y reposo<\/span> se repondr\u00e1<\/span> completamente<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tElizabeth<\/b>
\t <\/span>Es<\/span> una<\/span> buena<\/span> noticia<\/span>.
\t <\/span><\/p>\n

\tAdam<\/b>
\t <\/span>(Tras<\/span> un instante<\/span> de silencio<\/span>)
\t <\/span>Me pregunt\u00f3<\/span> por<\/span> ti…<\/span><\/p>\n

\t\u00a0<\/p>\n

\tElizabeth<\/b>
\t <\/span>Y t\u00fa<\/span>, \u00bfqu\u00e9<\/span> le dijiste<\/span>?<\/p>\n

\t\u00a0<\/p>\n

\tAdam<\/b>
\t <\/span>Le dije…<\/span>
\t <\/span>(Con voz<\/span> quebrada<\/span>, apartando<\/span> la vista de los ojos<\/span> de ella<\/span>)
\t <\/span>Le dije<\/span> que<\/span> estabas<\/span> bien<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tElizabeth fuma<\/span> de su<\/span> cigarrillo<\/span> en silencio<\/span> mientras<\/span> Adam, llev\u00e1ndose<\/span> un pu\u00f1o<\/span> cerrado<\/span> a los labios<\/span> en se\u00f1al<\/span> de dolor, abate su<\/span> mirada<\/span> azul<\/span> sobre<\/span> el tablero<\/span> de la mesa.<\/p>\n

\t\u00a0<\/p>\n

\t***<\/p>\n

\t\u00a0<\/p>\n

\tBen experimenta<\/span> una<\/span> repentina<\/span> sensaci\u00f3n<\/span> de v\u00e9rtigo<\/span>, como<\/span> si<\/span> su<\/span> silla<\/span> se alzara<\/span> del suelo<\/span> y comenzase<\/span> a trazar<\/span> espirales<\/span> en torno<\/span> de un punto<\/span> muy<\/span> alto y lejano<\/span>, y \u00e9l<\/span> tuviera<\/span> que<\/span> asirse<\/span> con desesperaci\u00f3n<\/span> al asiento<\/span> para<\/span> no precipitarse<\/span> al vac\u00edo<\/span>. Un escape torrencial<\/span> de realidad<\/span> ha espantado<\/span> a su<\/span> hada<\/span> madrina<\/span>, abandon\u00e1ndolo<\/span> a merced<\/span> de esa<\/span> extra\u00f1a<\/span> zozobra<\/span> espacial<\/span>: la brutal sinceridad<\/span> de Arthur, a punto<\/span> estuvo<\/span> de romper los cors\u00e9s<\/span> de la ficci\u00f3n<\/span>, aun<\/span> en boca<\/span> de su<\/span> personaje<\/span>.\u00a0Y su<\/span> hada<\/span>, bien<\/span> lo sabe<\/span> Ben, s\u00f3lo<\/span> deserta<\/span> cuando<\/span> presiente<\/span> grandes<\/span> conmociones<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tHasta<\/span> el momento<\/span>, tanto<\/span> Elizabeth como<\/span> Arthur estaban<\/span> bordando<\/span> la escena<\/span>, pero<\/span> sus<\/span> interpretaciones<\/span> iban<\/span> desliz\u00e1ndose<\/span> hacia<\/span> la verosimilitud<\/span> de lo personal. Ben pod\u00eda<\/span> afirmarlo<\/span> porque<\/span> los conoc\u00eda<\/span> bien<\/span>, dentro<\/span> y fuera<\/span> del plat\u00f3<\/span> (fuera<\/span>, mejor<\/span> aun<\/span>), y tem\u00eda<\/span> por<\/span> ello<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfDeb\u00eda<\/span> interrumpir<\/span> el rodaje<\/span>? \u00bfFastidiar\u00eda<\/span> una<\/span> larga<\/span> secuencia<\/span> para<\/span> evitar<\/span> una<\/span> magistral<\/span> tragedia<\/span>? Nadie<\/span> hab\u00eda<\/span> filmado<\/span> anteriormente<\/span> un asesinato<\/span> real como<\/span> culminaci\u00f3n<\/span> de un drama ficticio<\/span>: su<\/span> nombre<\/span> pasar\u00eda<\/span> a la historia<\/span> del cine y su<\/span> persona por<\/span> comisar\u00eda<\/span>, pero<\/span>, \u00bfqui\u00e9n<\/span> podr\u00eda<\/span> inculparle<\/span> de nada? De todos<\/span> modos<\/span>, pens\u00f3<\/span> para<\/span> s\u00ed<\/span> entre<\/span> el alivio<\/span> y la decepci\u00f3n<\/span>, en las<\/span> mesas no hab\u00eda<\/span> cuchillos<\/span>, tan s\u00f3lo<\/span> copas<\/span> y cigarrillos<\/span> con los que<\/span> infligirse<\/span> livianas<\/span> heridas<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa suerte<\/span> est\u00e1<\/span> echada<\/span>, se repiti\u00f3<\/span> a s\u00ed<\/span> mismo<\/span> antes de volver<\/span> a sus<\/span> notas<\/span>:<\/p>\n

\t\u00a0<\/p>\n

\t“Adam est\u00e1<\/span> destrozado<\/span>. Intenta<\/span> reunir<\/span> fuerzas<\/span> para<\/span> el \u00faltimo<\/span> y decisivo<\/span> intento<\/span> de reconciliaci\u00f3n<\/span>. Se sigue<\/span> oyendo<\/span> la triste<\/span> melod\u00eda<\/span> de la trompeta<\/span> como<\/span> una<\/span> letan\u00eda<\/span> de llantos”<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t(Continuar\u00e1<\/span>)<\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 Cap\u00edtulo anterior: durante el rodaje de una pel\u00edcula, el equipo t\u00e9cnico teme que la pareja de protagonistas no soporte la tensi\u00f3n del drama, dada la relaci\u00f3n de su argumento con las disputas que han mantenido en la vida real. \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[],"class_list":["post-5752","post","type-post","status-publish","format-standard","hentry","category-letras-y-cuentos"],"yoast_head":"\nPrefiero a Mae West (2): Personalidades\u00a0duplicadas - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/prefiero-a-mae-west-2-personalidadesnduplicadas\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prefiero a Mae West (2): Personalidades\u00a0duplicadas - 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