{"id":5742,"date":"2014-08-05T18:48:49","date_gmt":"2014-08-05T18:48:49","guid":{"rendered":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/"},"modified":"2014-08-05T18:48:49","modified_gmt":"2014-08-05T18:48:49","slug":"dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/","title":{"rendered":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d"},"content":{"rendered":"

\t\"alt\"Una<\/span> de las<\/span> compa\u00f1\u00edas<\/span> teatrales<\/span> m\u00e1s<\/span> prestigiosas<\/span> de Catalunya<\/span> celebra<\/span> su<\/span> 40 aniversario<\/span> y Joan Llu\u00eds<\/span> Bozzo<\/span>, su<\/span> director, hace<\/span> un alto en el camino<\/span> para<\/span> revisar<\/span> los or\u00edgenes<\/span> del grupo<\/span> y reflexionar<\/span>, a trav\u00e9s<\/span> de tan nutrida<\/span> experiencia<\/span>, sobre<\/span> el presente<\/span> y el futuro<\/span> de la escena<\/span> catalana<\/span> y nacional<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t\u00a0<\/p>\n

\tUna<\/span> de las<\/span> compa\u00f1\u00edas<\/span> teatrales<\/span> m\u00e1s<\/span> prestigiosas<\/span> de Catalunya<\/span> celebra<\/span> su<\/span> 40 aniversario<\/span> y Joan Llu\u00eds<\/span> Bozzo<\/span>, su<\/span> director, hace<\/span> un alto en el camino<\/span> para<\/span> revisar<\/span> los or\u00edgenes<\/span> del grupo<\/span> y reflexionar<\/span>, a trav\u00e9s<\/span> de tan nutrida<\/span> experiencia<\/span>, sobre<\/span> el presente<\/span> y el futuro<\/span> de la escena<\/span> catalana<\/span> y nacional<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\t“\u00a1Uy<\/span>, esta<\/span> sala<\/span> ya<\/span> ha sido<\/span> retratada<\/span> de todas<\/span> las<\/span> maneras<\/span> posibles<\/span>!” advierte<\/span> Joan Llu\u00eds<\/span> Bozzo<\/span> cuando<\/span> nos recibe<\/span> en la hist\u00f3rica<\/span> sede<\/span> que<\/span> la compa\u00f1\u00eda<\/span> tiene<\/span> desde<\/span> hace<\/span> d\u00e9cadas<\/span> en un edificio<\/span> modernista<\/span> del barrio del Eixample<\/span>, coraz\u00f3n<\/span> de Barcelona. C\u00f3mo<\/span> para<\/span> no. Despu\u00e9s<\/span> de 40 a\u00f1os<\/span> de trayectoria<\/span>, 26 espect\u00e1culos<\/span>, 6.010 funciones<\/span> y m\u00e1s<\/span> de tres<\/span> millones<\/span> y medio<\/span> de espectadores<\/span>, Dagoll<\/span> Dagom<\/span> se ha convertido<\/span> en una<\/span> de las<\/span> embajadoras<\/span> de\u00a0 la cultura<\/span> catalana<\/span> a nivel<\/span> mundial<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tHoy<\/span> nos sentamos<\/span> en la emblem\u00e1tica<\/span> mesa donde<\/span>, desde<\/span> 1974, se vienen<\/span> gestando<\/span> obras<\/span> que<\/span> ya<\/span> forman<\/span> parte<\/span> de la memoria<\/span> colectiva<\/span> del pa\u00eds<\/span> (Antaviana<\/span>, Nit de Sant<\/span> Joan, El Mikado<\/span>, Mar i Cel<\/span>, Cop de rock…) para<\/span> explorar<\/span>, de la mano<\/span> de uno<\/span> de sus<\/span> fundadores<\/span>, los entretelones<\/span> de una<\/span> de las<\/span> primeras<\/span> compa\u00f1\u00edas<\/span> que<\/span> se atrevi\u00f3<\/span> a estrenar<\/span> en catal\u00e1n<\/span>, y que<\/span>, desde<\/span> sus<\/span> inicios<\/span>, se mantiene<\/span> fiel<\/span> a un prop\u00f3sito<\/span>: hacer<\/span> teatro<\/span> de calidad<\/span> sin encerrarse<\/span> en elitismos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tMuy<\/span> pocas<\/span> son las<\/span> compa\u00f1\u00edas<\/span> que<\/span> pueden<\/span> jactarse<\/span> de celebrar<\/span> 40 a\u00f1os<\/span> de trabajo<\/span> ininterrumpido<\/span>. \u00bfC\u00f3mo<\/span> lo hab\u00e9is<\/span> conseguido<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tSin pensarlo<\/span> mucho<\/span>, sin deliberaci\u00f3n<\/span>, simplemente<\/span> dando<\/span> un paso<\/span> detr\u00e1s<\/span> de otro<\/span> como<\/span> en toda<\/span> marat\u00f3n<\/span>: el truco<\/span> es<\/span> no fijarse<\/span> nunca<\/span> en la llegada<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tPor<\/span> suerte<\/span> no hemos<\/span> tenido<\/span> bajones<\/span> ni<\/span> parones<\/span> a lo largo de la carrera<\/span> y los tres<\/span> que<\/span> quedamos<\/span> desde<\/span> los inicios<\/span> -Anna Rosa Cisquella<\/span>, Miquel<\/span> Periel<\/span> y yo<\/span>– pretendimos<\/span> siempre<\/span> lo mismo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfC\u00f3mo<\/span> defin\u00eds<\/span> qu\u00e9<\/span> montajes<\/span> llevar<\/span> a cabo<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tTenemos<\/span> ideas que<\/span> a lo largo del tiempo<\/span> van quedando<\/span> en el caj\u00f3n<\/span> de los proyectos<\/span> “que<\/span> alg\u00fan<\/span> d\u00eda<\/span> se har\u00e1n”<\/span>. Tambi\u00e9n<\/span> vamos<\/span> con cierta<\/span> regularidad<\/span> a Londres<\/span> para<\/span> ver<\/span> qu\u00e9<\/span> se est\u00e1<\/span> cocinando<\/span> en el mundo<\/span> del musical pero<\/span> no somos<\/span> unos<\/span> neur\u00f3ticos<\/span> de estar<\/span> al d\u00eda<\/span> con lo que<\/span> se hace<\/span> en teatro<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tA mediados<\/span> de los 70, cuando<\/span> empezasteis<\/span>, hab\u00e9is<\/span> apostado<\/span> por<\/span> un g\u00e9nero<\/span> desaparecido<\/span> entonces<\/span> en Catalunya<\/span>. \u00bfQu\u00e9<\/span> os<\/span> llev\u00f3<\/span> a decantaros<\/span> por<\/span> el musical?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tNunca<\/span> hubo<\/span> un planteamiento<\/span> te\u00f3rico<\/span> detr\u00e1s<\/span>. Primero<\/span>, hubo<\/span> una<\/span> banda<\/span> sonora<\/span> en una<\/span> obra<\/span> que<\/span> nos gust\u00f3<\/span> mucho<\/span>, as\u00ed<\/span> que<\/span> en la siguiente<\/span> le encargamos<\/span> a un compositor, Jaume<\/span> Sisa<\/span>, que<\/span> nos hiciera<\/span> una<\/span> m\u00fasica<\/span> expresamente<\/span> para<\/span> nosotros<\/span>. En el espect\u00e1culo<\/span> siguiente<\/span> ya<\/span> directamente<\/span> lo integramos<\/span> a \u00e9l<\/span> y nosotros<\/span> tambi\u00e9n<\/span> empezamos<\/span> a cantar<\/span>. As\u00ed<\/span> se fueron<\/span> dando<\/span> los pasos<\/span>, sin conciencia<\/span> previa<\/span> de estar<\/span> yendo<\/span> hacia<\/span> el teatro<\/span> musical.<\/p>\n

\t\u00a0<\/p>\n

\tLo que<\/span> s\u00ed<\/span> ha habido<\/span> siempre<\/span> es<\/span> la intenci\u00f3n<\/span> de hacer<\/span> un teatro<\/span> para<\/span> el gran<\/span> p\u00fablico<\/span> y el musical fue<\/span> una<\/span> muy<\/span> buena<\/span> manera<\/span> para<\/span> acercarnos<\/span> a \u00e9l<\/span> porque<\/span> es<\/span> un lenguaje<\/span> que<\/span> facilita<\/span> mucho<\/span> la conexi\u00f3n<\/span> con la gente<\/span>. A trav\u00e9s<\/span> de la m\u00fasica<\/span> se pueden<\/span> alcanzar<\/span> grandes<\/span> niveles<\/span> de audiencia<\/span> porque<\/span> no afecta<\/span> tanto<\/span> a la parte<\/span> intelectual<\/span> como<\/span> a la sensorial. Por<\/span> eso<\/span> insisto<\/span> en que<\/span> el musical es<\/span> una<\/span> cosa<\/span> m\u00e1s<\/span> t\u00e1ctica<\/span> que<\/span> de principios<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl teatro<\/span> sigue<\/span> siendo<\/span> un arte<\/span> elitista<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tLa idea de que<\/span> hay un cierto<\/span> teatro<\/span> que<\/span> debe<\/span> preservarse<\/span> lo aleja<\/span> de la taquilla<\/span>, mientras<\/span> que<\/span> si<\/span> est\u00e1<\/span> sujeto<\/span> a la taquilla<\/span> es<\/span> un plebiscito<\/span> que<\/span> tiene<\/span> que<\/span> ganarse<\/span> cada<\/span> noche<\/span>. Existe<\/span> una<\/span> grand\u00edsima<\/span> oferta<\/span> para<\/span> un segmento<\/span> de p\u00fablico<\/span> muy<\/span> estrecho<\/span>, con lo cual<\/span> las<\/span> salas<\/span> acostumbran<\/span> a estar<\/span> medio<\/span> vac\u00edas<\/span>. Casi<\/span> todo<\/span> lo que<\/span> se hace<\/span> est\u00e1<\/span> dirigido<\/span> a gente<\/span> de un nivel<\/span> social y cultural alto que<\/span>, en Catalunya<\/span>, son 15 o 20 mil personas. A los millones<\/span> que<\/span> se quedan<\/span> fuera<\/span> es<\/span> a quienes<\/span> pretendemos<\/span> dirigirnos<\/span> nosotros<\/span>. Nuestro<\/span> teatro<\/span> tiene<\/span> sentido<\/span> en cuanto<\/span> responde<\/span> a una<\/span> gran<\/span> asistencia<\/span>, sino<\/span> no nos motiva<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tDespu\u00e9s<\/span> de 40 a\u00f1os<\/span> en el medio<\/span>, tienes<\/span> perspectiva<\/span> m\u00e1s<\/span> que<\/span> suficiente<\/span> para<\/span> valorar<\/span> el recorrido<\/span> que<\/span> ha hecho<\/span> el teatro<\/span> catal\u00e1n<\/span> y espa\u00f1ol<\/span> en este<\/span> tiempo<\/span>…<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tEs<\/span> cierto<\/span> y por<\/span> eso<\/span> puedo<\/span> asegurar<\/span> que<\/span> se ha avanzado<\/span> much\u00edsimo<\/span>. Hace<\/span> 40 a\u00f1os<\/span> este<\/span> era un pa\u00eds<\/span> claramente<\/span> subdesarrollado<\/span> en infraestructura<\/span>, en cultura<\/span> y en calidad<\/span> de vida<\/span>. Ahora<\/span> hay muy<\/span> buena<\/span> oferta<\/span> teatral<\/span> pero<\/span>, al menos<\/span> en Catalunya<\/span>, se ha hecho<\/span> un esfuerzo<\/span> enorme<\/span> en crear<\/span> una<\/span> dramaturgia<\/span> propia<\/span> y se ha dejado<\/span> afuera<\/span> todo<\/span> lo dem\u00e1s<\/span>. Yo<\/span> pienso<\/span> que<\/span> tambi\u00e9n<\/span> habr\u00eda<\/span> que<\/span> desarrollar<\/span> la dramaturgia<\/span> musical.<\/p>\n

\t\u00a0<\/p>\n

\tParecer\u00eda<\/span> mucho<\/span> pedirle<\/span> a las<\/span> instituciones<\/span> culturales<\/span> en este<\/span> momento<\/span> marcado<\/span> por<\/span> los recortes<\/span> y la escalofriante<\/span> subida<\/span> del IVA. \u00bfC\u00f3mo<\/span> han<\/span> afectado<\/span> a vuestra<\/span> compa\u00f1\u00eda<\/span> estas<\/span> medidas<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tNosotros<\/span> no nos hemos<\/span> atrevido<\/span> a repercutir<\/span> el aumento<\/span> del 21 % en el precio<\/span> de las<\/span> entradas<\/span> porque<\/span> si<\/span> ya<\/span> nos cuesta<\/span> vender entradas<\/span>, imag\u00ednate<\/span> si<\/span> las<\/span> subimos<\/span> esa<\/span> cantidad<\/span>. As\u00ed<\/span> que<\/span> nos quedamos<\/span> sin ning\u00fan<\/span> margen<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tAdem\u00e1s<\/span> de que<\/span> las<\/span> entradas<\/span> al teatro<\/span> ya<\/span> son caras<\/span> de por<\/span> s\u00ed<\/span>…<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tBueno<\/span>, todo<\/span> es<\/span> relativo<\/span>, \u00bfcu\u00e1nto<\/span> cuesta<\/span> llenar<\/span> el dep\u00f3sito<\/span> de gasolina<\/span> o ir<\/span> a cenar<\/span> a un restaurante<\/span>? \u00a1Mucho<\/span> m\u00e1s<\/span> caro<\/span> que<\/span> una<\/span> entrada<\/span> de teatro<\/span>! La cuesti\u00f3n<\/span> es<\/span> donde<\/span> pones el sistema<\/span> de valores<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM\u00e1s<\/span> a\u00fan<\/span> en tiempos<\/span> de crisis, en los que<\/span> la cultura<\/span> claramente<\/span> queda<\/span> en un lugar<\/span> relegado<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tS\u00ed<\/span>, yo<\/span> ahora<\/span> estoy<\/span> viendo<\/span> que<\/span> en el Liceu<\/span> cada<\/span> vez<\/span> cuesta<\/span> m\u00e1s<\/span> vender las<\/span> entradas<\/span>. Est\u00e1<\/span> claro<\/span> que<\/span> en\u00a0 este<\/span> teatro<\/span> los precios<\/span> son otros<\/span> pero<\/span>, a\u00fan<\/span> as\u00ed<\/span>, me acuerdo<\/span> que<\/span> antes ten\u00edas<\/span> que<\/span> hacer<\/span> una<\/span> cola impresionante<\/span> para<\/span> el abono<\/span> anual<\/span>. La gente<\/span>, como<\/span> en los conciertos<\/span> de rock, \u00a1se guardaba<\/span> el turno<\/span> por<\/span> la noche<\/span>!<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfQu\u00e9<\/span> importancia<\/span> tiene<\/span> para<\/span> vosotros<\/span> el catal\u00e1n<\/span> como<\/span> lengua<\/span> vehicular de vuestros<\/span> espect\u00e1culos<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tNosotros<\/span> consideramos<\/span> que<\/span> aqu\u00ed<\/span> en Catalunya<\/span> si<\/span> no nos entienden<\/span> el catal\u00e1n<\/span>, no es<\/span> nuestro<\/span> problema<\/span>. En cambio<\/span>, cuando<\/span> actuamos<\/span> afuera<\/span> cambiamos<\/span> la lengua<\/span> porque<\/span> sabemos<\/span> que<\/span> si<\/span> en Valladolid no nos entienden<\/span> el catal\u00e1n<\/span> el problema<\/span> es<\/span> nuestro<\/span>, no suyo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEn la Comunidad<\/span> Valenciana<\/span> y las<\/span> Islas<\/span> Baleares<\/span> nos negamos<\/span> durante<\/span> mucho<\/span> tiempo<\/span> a no actuar<\/span> en catal\u00e1n<\/span>, pero<\/span> debido<\/span> a una<\/span> resistencia<\/span> numantina<\/span> de su<\/span> parte<\/span> lo terminamos<\/span> dejando<\/span> a la elecci\u00f3n<\/span> de los contratantes<\/span>. En Catalunya<\/span> somos<\/span> tajantes<\/span>: una<\/span> vez<\/span> un ayuntamiento<\/span> del PP nos quiso<\/span> contratar<\/span> en castellano<\/span> y no lo aceptamos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfApoy\u00e1is<\/span> la independencia<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tYo<\/span> soy claramente<\/span> independentista<\/span> pero<\/span> en la compa\u00f1\u00eda<\/span> no hay una<\/span> posici\u00f3n<\/span> un\u00e1nime<\/span>. As\u00ed<\/span> como<\/span> antes hab\u00eda<\/span> quien<\/span> era m\u00e1s<\/span> de tendencia<\/span> comunista<\/span> y quien<\/span> m\u00e1s<\/span> anarquista<\/span> sin ning\u00fan<\/span> problema<\/span>, ahora<\/span> tambi\u00e9n<\/span> trabajamos<\/span> m\u00e1s<\/span> all\u00e1<\/span> de estas<\/span> cuestiones<\/span> ideol\u00f3gicas<\/span>. Nunca<\/span> se ha buscado<\/span> una<\/span> uniformidad<\/span> pol\u00edtica<\/span> en la compa\u00f1\u00eda<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfQu\u00e9<\/span> momentos<\/span> de esta<\/span> larga<\/span> trayectoria<\/span> record\u00e1is<\/span> con mayor cari\u00f1o<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tMar i cel<\/span> es<\/span> el espect\u00e1culo<\/span> m\u00e1s<\/span> emblem\u00e1tico<\/span>, con casi<\/span> un mill\u00f3n<\/span> de espectadores<\/span>, pero<\/span> lo queremos<\/span> tanto<\/span> como<\/span> a los otros<\/span>. Nosotros<\/span> hacemos<\/span> montajes<\/span> muy<\/span> largos, cada<\/span> uno<\/span> nos dura<\/span> unos<\/span> dos a\u00f1os<\/span>, lo cual<\/span> significa<\/span> que<\/span> los pensamos<\/span> y los vivimos<\/span> mucho<\/span> a todos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLo que<\/span> s\u00ed<\/span> recuerdo<\/span> muy<\/span> especialmente<\/span> es<\/span> la gira<\/span> que<\/span> hicimos<\/span> por<\/span> Venezuela y Buenos aires<\/span> en 1985 con el espect\u00e1culo<\/span> Glups<\/span>. Fueron<\/span> tres<\/span> meses<\/span> en los que<\/span> nos lo pasamos<\/span> tremendamente<\/span> bien<\/span>. Al salir<\/span> cada<\/span> noche<\/span> del teatro<\/span> un mont\u00f3n<\/span> de personas nos esperaba<\/span> en las<\/span> aceras<\/span> y nosotros<\/span> no entend\u00edamos<\/span> nada. La primera<\/span> vez<\/span>, me acuerdo<\/span> que<\/span> nos preguntamos<\/span> \u00bfqu\u00e9<\/span> har\u00e1<\/span> toda<\/span> esa<\/span> gente<\/span> all\u00ed<\/span>?<\/p>\n

\t\u00a0<\/p>\n

\tLas celebraciones<\/span> del 40 aniversario<\/span> contin\u00faan<\/span> el 25 de septiembre<\/span> con el reestreno<\/span> de Mar i Cel<\/span>, \u00bfy luego<\/span>, alg\u00fan<\/span> proyecto<\/span> entre<\/span> manos<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tDespu\u00e9s<\/span> de Mar i Cel<\/span> quedaremos<\/span> nuevamente<\/span> con la p\u00e1gina<\/span> en blanco<\/span>, as\u00ed<\/span> que<\/span> a abrir<\/span> otra<\/span> vez<\/span>\u00a0 el caj\u00f3n<\/span> de los proyectos<\/span>. Intentaremos<\/span> tambi\u00e9n<\/span> tirar<\/span> hacia<\/span> la televisi\u00f3n<\/span>, que<\/span> nos gusta<\/span> mucho<\/span> porque<\/span> nos permite<\/span> llegar<\/span> a gente<\/span> que<\/span> jam\u00e1s<\/span> ir\u00eda<\/span> al teatro<\/span>. El problema<\/span> es<\/span> que<\/span> tenemos<\/span> un solo cliente<\/span>, TV3<\/span>, y en estos<\/span> momentos<\/span> est\u00e1<\/span> muy<\/span> mal. Pero<\/span>, bueno<\/span>, tenemos<\/span> un huerto<\/span> aqu\u00ed<\/span> en el fondo<\/span>, as\u00ed<\/span> que<\/span> alg\u00fan<\/span> tomate<\/span> podremos<\/span> comer mientras<\/span> vemos<\/span> qu\u00e9<\/span> pasa<\/span>.\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Una de las compa\u00f1\u00edas teatrales m\u00e1s prestigiosas de Catalunya celebra su 40 aniversario y Joan Llu\u00eds Bozzo, su director, hace un alto en el camino para revisar los or\u00edgenes del grupo y reflexionar, a trav\u00e9s de tan nutrida experiencia, sobre el presente y el futuro de la escena catalana y […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-5742","post","type-post","status-publish","format-standard","hentry","category-estado-espanol"],"yoast_head":"\nDagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Una de las compa\u00f1\u00edas teatrales m\u00e1s prestigiosas de Catalunya celebra su 40 aniversario y Joan Llu\u00eds Bozzo, su director, hace un alto en el camino para revisar los or\u00edgenes del grupo y reflexionar, a trav\u00e9s de tan nutrida experiencia, sobre el presente y el futuro de la escena catalana y […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-08-05T18:48:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i2.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg?fit=578%2C364&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"578\" \/>\n\t<meta property=\"og:image:height\" content=\"364\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/4a5652fc8c82df1f8593002d038cd79e\"},\"headline\":\"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d\",\"datePublished\":\"2014-08-05T18:48:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/\"},\"wordCount\":1484,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2014\\\/08\\\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg\",\"articleSection\":[\"Estado Espa\u00f1ol\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/\",\"name\":\"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2014\\\/08\\\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg\",\"datePublished\":\"2014-08-05T18:48:49+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2014\\\/08\\\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2014\\\/08\\\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/www.revistarambla.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#website\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"name\":\"Revista Rambla Barcelona\",\"description\":\"Periodismo independiente\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revistarambla.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\",\"name\":\"Revista Rambla\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"contentUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/banner_rambla_1900x600_BB.png\",\"width\":1900,\"height\":600,\"caption\":\"Revista Rambla\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/revistarambla\\\/\",\"https:\\\/\\\/x.com\\\/revistarambla\",\"https:\\\/\\\/www.instagram.com\\\/revista_rambla\",\"https:\\\/\\\/es.linkedin.com\\\/company\\\/revista-rambla\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/4a5652fc8c82df1f8593002d038cd79e\",\"name\":\"admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revistarambla.com\/en\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/","og_locale":"en_GB","og_type":"article","og_title":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla","og_description":"Una de las compa\u00f1\u00edas teatrales m\u00e1s prestigiosas de Catalunya celebra su 40 aniversario y Joan Llu\u00eds Bozzo, su director, hace un alto en el camino para revisar los or\u00edgenes del grupo y reflexionar, a trav\u00e9s de tan nutrida experiencia, sobre el presente y el futuro de la escena catalana y […]","og_url":"https:\/\/www.revistarambla.com\/en\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/","og_site_name":"Revista Rambla","article_publisher":"https:\/\/www.facebook.com\/revistarambla\/","article_published_time":"2014-08-05T18:48:49+00:00","og_image":[{"width":578,"height":364,"url":"https:\/\/i2.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis Bozzo Dagoll Dagom_Rambla 00.jpg?fit=578%2C364&ssl=1","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_creator":"@revistarambla","twitter_site":"@revistarambla","twitter_misc":{"Written by":"admin","Estimated reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#article","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/"},"author":{"name":"admin","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/4a5652fc8c82df1f8593002d038cd79e"},"headline":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d","datePublished":"2014-08-05T18:48:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/"},"wordCount":1484,"commentCount":0,"publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"image":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg","articleSection":["Estado Espa\u00f1ol"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/","url":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/","name":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d - Revista Rambla","isPartOf":{"@id":"https:\/\/www.revistarambla.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#primaryimage"},"image":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#primaryimage"},"thumbnailUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg","datePublished":"2014-08-05T18:48:49+00:00","breadcrumb":{"@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#primaryimage","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2014\/08\/Joan_Lluis%20Bozzo%20Dagoll%20Dagom_Rambla%2000.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revistarambla.com\/dagoll-dagom-el-musical-es-nuestra-tactica-contra-el-elitismo\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.revistarambla.com\/"},{"@type":"ListItem","position":2,"name":"Dagoll Dagom: \u201cEl musical es nuestra t\u00e1ctica contra el elitismo\u201d"}]},{"@type":"WebSite","@id":"https:\/\/www.revistarambla.com\/#website","url":"https:\/\/www.revistarambla.com\/","name":"Revista Rambla Barcelona","description":"Periodismo independiente","publisher":{"@id":"https:\/\/www.revistarambla.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revistarambla.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.revistarambla.com\/#organization","name":"Revista Rambla","url":"https:\/\/www.revistarambla.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","contentUrl":"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2020\/09\/banner_rambla_1900x600_BB.png","width":1900,"height":600,"caption":"Revista Rambla"},"image":{"@id":"https:\/\/www.revistarambla.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revistarambla\/","https:\/\/x.com\/revistarambla","https:\/\/www.instagram.com\/revista_rambla","https:\/\/es.linkedin.com\/company\/revista-rambla"]},{"@type":"Person","@id":"https:\/\/www.revistarambla.com\/#\/schema\/person\/4a5652fc8c82df1f8593002d038cd79e","name":"admin"}]}},"_links":{"self":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/5742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/comments?post=5742"}],"version-history":[{"count":0,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/posts\/5742\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/media?parent=5742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/categories?post=5742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistarambla.com\/en\/wp-json\/wp\/v2\/tags?post=5742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}