{"id":5412,"date":"2014-06-01T07:58:06","date_gmt":"2014-06-01T07:58:06","guid":{"rendered":"https:\/\/www.revistarambla.com\/primavera-sound-un-festival-infinito\/"},"modified":"2019-09-30T18:40:56","modified_gmt":"2019-09-30T16:40:56","slug":"primavera-sound-un-festival-infinito","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/primavera-sound-un-festival-infinito\/","title":{"rendered":"PRIMAVERA SOUND, UN FESTIVAL INFINITO"},"content":{"rendered":"

\"alt\"Arranca<\/span> la gran<\/span> cita<\/span> europea<\/span> de la m\u00fasica<\/span> pop rock reuniendo<\/span>, como<\/span> cada<\/span> a\u00f1o<\/span>, miles de personas de todo<\/span> el mundo<\/span> en el Parc<\/span> del F\u00f2rum<\/span> de Barcelona, con principales<\/span> figuras<\/span> de la escena<\/span> mundial<\/span>, como<\/span> Arcade Fire, Nine Inch Nails o Queen of the stone age, entre<\/span> los casi<\/span> 300 nombres<\/span><\/p>\n

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Arranca<\/span> la gran<\/span> cita<\/span> europea<\/span> de la m\u00fasica<\/span> pop rock reuniendo<\/span>, como<\/span> cada<\/span> a\u00f1o<\/span>, miles de personas de todo<\/span> el mundo<\/span> en el Parc<\/span> del F\u00f2rum<\/span> de Barcelona, con principales<\/span> figuras<\/span> de la escena<\/span> mundial<\/span>, como<\/span> Arcade Fire, Nine Inch Nails o Queen of the stone age, entre<\/span> los casi<\/span> 300 nombres<\/span> que<\/span> brillan<\/span> en una<\/span> programaci\u00f3n<\/span> tan extensa<\/span> como<\/span> variada<\/span>.<\/strong><\/p>\n

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\"alt\"<\/span><\/p>\n

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Sali\u00f3<\/span> el sol<\/span> en Barcelona y empez\u00f3<\/span> el Primavera Sound. O empez\u00f3<\/span> el Primavera Sound y sali\u00f3<\/span> el sol<\/span> en Barcelona. No se sabe<\/span> bien<\/span> cu\u00e1l<\/span> fue<\/span> el verdadero<\/span> orden<\/span> causal pero<\/span> s\u00ed<\/span> que<\/span> el encadenamiento<\/span> de estos<\/span> dos hechos<\/span> fue<\/span> magistral<\/span> o celestialmente<\/span> sincronizado<\/span>.\u00a0 Despu\u00e9s<\/span> de dos d\u00edas<\/span> de inusuales<\/span> tormentas<\/span>, a las<\/span> seis<\/span> de la tarde<\/span> el horizonte<\/span> se abr\u00eda<\/span> de repente<\/span> para<\/span> dar<\/span> paso<\/span> al ambiente<\/span> c\u00e1lido<\/span> y soleado<\/span> que<\/span> necesita<\/span> este<\/span> festival de m\u00fasica<\/span> para<\/span> ser<\/span> lo que<\/span> es<\/span>: una<\/span> de las<\/span> citas<\/span> europeas<\/span> y mundiales<\/span> m\u00e1s<\/span> destacadas<\/span> de la escena<\/span> del pop rock del momento<\/span>. En su<\/span> decimocuarta<\/span> edici\u00f3n<\/span>, el Primavera Sound ha llegado<\/span> con un cartel de casi<\/span> 300 nombres<\/span> compuesto<\/span> por<\/span> muchos<\/span> de los grupos<\/span> clave<\/span> de las<\/span> \u00faltimas<\/span> d\u00e9cadas<\/span>, pero<\/span> tambi\u00e9n<\/span> de t\u00edmidos<\/span> reci\u00e9n<\/span> llegados<\/span> (posibles<\/span> protagonistas<\/span> del futuro<\/span>) y bandas<\/span> aterrizadas<\/span> desde<\/span> todos<\/span> los rincones<\/span> del globo<\/span>.<\/p>\n

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Pues<\/span> bien<\/span>, ayer<\/span> por<\/span> fin el sol<\/span> se encendi\u00f3<\/span> para<\/span> iluminar<\/span> los seis<\/span> escenarios<\/span> del Parc<\/span> del F\u00f2rum<\/span> de Barcelona y que<\/span> puedan<\/span> brillar<\/span> las<\/span> barbas<\/span>, lucirse<\/span> a gusto las<\/span> gafas<\/span> de pasta y empezar<\/span> a sonar las<\/span> guitarras<\/span> y los samplers. Uno de los primeros<\/span> conciertos<\/span> que<\/span> moviliz\u00f3<\/span> a las<\/span> multitudes fue<\/span> el de los estadounidenses<\/span> Midlake<\/span><\/strong>, un grupo<\/span> que<\/span> explora<\/span> en los sonidos<\/span> y las<\/span> texturas<\/span> m\u00e1s<\/span> enrevesadas<\/span> del pop y el rock, apretando<\/span> tanto<\/span> los pedales<\/span> del rock progresivo<\/span> como<\/span> las<\/span> cuerdas<\/span> del viol\u00edn<\/span> o la percusi\u00f3n<\/span> andina<\/span>.<\/p>\n

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Los ni\u00f1os<\/span> buenos<\/span> texanos<\/span> daban<\/span> paso<\/span> a las<\/span> chicas<\/span> malas<\/span> de California, el cuarteto<\/span> Warpaint<\/span><\/strong> que<\/span> se ha convertido<\/span> ya<\/span> en un referente<\/span> a la hora<\/span> de hablar<\/span> de rock-pop atmosf\u00e9rico<\/span>. Los motores<\/span> se iban<\/span> calentando<\/span> e irrump\u00eda<\/span> una<\/span> de las<\/span> actuaciones<\/span> m\u00e1s<\/span> esperadas<\/span> de la primera<\/span> jornada<\/span> en el F\u00f2rum<\/span>, la banda<\/span> neoyorquina<\/span> St Vincent<\/strong>, liderada<\/span> por<\/span> el poder<\/span> glacial de Annie Clark. La joven<\/span> cantante<\/span>, que<\/span> se postula<\/span> como<\/span> sucesora<\/span> del trono<\/span> de la reina<\/span> del pop, fue<\/span> la primera<\/span> en movilizar<\/span> a una<\/span> audiencia<\/span> masiva<\/span> y generar<\/span> esa<\/span> expectativa<\/span> que<\/span> hace<\/span> que<\/span> se cuenten<\/span> los minutos<\/span> restantes<\/span> para<\/span> que<\/span> el show comience<\/span>. La bomba<\/span> rockera<\/span> o hero\u00edna<\/span> del manga<\/span> japon\u00e9s<\/span>, seg\u00fan<\/span> le d\u00e9<\/span> la gana<\/span> a lo largo del concierto<\/span>, combina<\/span> el funk sint\u00e9tico<\/span>, las<\/span> bases electr\u00f3nicas<\/span>, las<\/span> guitarras<\/span> destempladas<\/span> y el encanto<\/span> de las<\/span> nanas<\/span> retrofuturistas<\/span>, recordando<\/span> por<\/span> momentos<\/span> a Bj\u00f6rk<\/span>, por<\/span> momentos<\/span> a Madonna y, en los mejores<\/span> momentos<\/span>, simplemente<\/span> deslumbrando<\/span> con su<\/span> propia<\/span> personalidad<\/span>.<\/p>\n

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Una<\/span> novedad<\/span> de esta<\/span> edici\u00f3n<\/span> es<\/span> el mestizaje<\/span> de propuestas<\/span> en uno<\/span> de sus<\/span> escenarios<\/span>, el Ray-Ban, que<\/span> ha tra\u00eddo<\/span> a grupos<\/span> como<\/span> Antibalas<\/span><\/strong>, original banda<\/span> de Brooklyn que<\/span> construye<\/span> un puente<\/span> entre<\/span> el vigoroso<\/span> afrobeat<\/span> de Fela<\/span> Kuti<\/span> y los ritmos<\/span> nigerianos<\/span>, el hip hop y la m\u00fasica<\/span> latina alumbrada<\/span> en la Gran Manzana<\/span> en los a\u00f1os<\/span> setenta<\/span>. Tambi\u00e9n<\/span> hundiendo<\/span> el alma en las<\/span> ra\u00edces<\/span>, Charles Bradley<\/strong>, a sus<\/span> 63 a\u00f1os<\/span>, record\u00f3<\/span> ayer<\/span> al mejor<\/span> James Brown, emocionando<\/span> al p\u00fablico<\/span> con su<\/span> aut\u00e9ntica<\/span> pasi\u00f3n<\/span> por<\/span> el soul y el funk reci\u00e9n<\/span> aterrizado<\/span> de Florida.<\/p>\n

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Eso<\/span> s\u00ed<\/span>, lleg\u00f3<\/span> la noche<\/span> y los escenarios<\/span> pudieron<\/span> desplegar<\/span> toda<\/span> su<\/span> luminotecnia<\/span> y, a la vez<\/span>, las<\/span> multitudes transformarse<\/span> en mares de gente<\/span>, las<\/span> esperas<\/span> de minutos<\/span> para<\/span> los servicios<\/span> o las<\/span> cervezas<\/span> en colas kilom\u00e9tricas<\/span>– todo<\/span> impecablemente<\/span> gestionado<\/span> por<\/span> una<\/span> organizaci\u00f3n<\/span> que<\/span> recuerda<\/span> los mejores<\/span> festivales<\/span> mundiales<\/span>– y las<\/span> cabezas<\/span> de cartel salir<\/span> al ruedo<\/span>. A las<\/span> once las<\/span> guitarras<\/span> tralleras<\/span> de Queens of the stone age <\/strong>sacud\u00edan<\/span> de pronto cierta<\/span> languidez<\/span> popera<\/span> que<\/span> flotaba<\/span> en el aire<\/span> e instauraban<\/span> el power <\/em>en el Primavera. Los abanderados<\/span> de ese<\/span> rock del desierto<\/span> que<\/span> a mediados<\/span> de los noventa<\/span> empez\u00f3<\/span> a conocerse<\/span> como<\/span> stoner-rock <\/em>se estrenaron<\/span> ayer<\/span> en este<\/span> festival, justo<\/span> cuando<\/span> la publicaci\u00f3n<\/span> de su<\/span> \u00faltimo<\/span> \u00e1lbum<\/span> acaba<\/span> de marcar<\/span> un antes y un despu\u00e9s<\/span> en su<\/span> carrera<\/span>. La banda<\/span> norteamericana<\/span> trajo<\/span> al F\u00f2rum<\/span> algo<\/span> que<\/span> a esas<\/span> alturas<\/span> de la noche<\/span> la gente<\/span> ya<\/span> estaba<\/span> deseando<\/span>: un concierto<\/span> cl\u00e1sico<\/span>, en el que<\/span> el l\u00edder<\/span> carism\u00e1tico<\/span> habla<\/span> con el p\u00fablico<\/span>, presenta<\/span> a los m\u00fasicos<\/span> y bromea<\/span> sobre<\/span> sus<\/span> borracheras<\/span>, sacude<\/span> arriba<\/span> y abajo<\/span> la guitarra<\/span> y motiva<\/span> el pogo entre<\/span> la audiencia<\/span>. En fin, puro<\/span> rock and roll.<\/p>\n

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Pero<\/span> la perla<\/span> m\u00e1s<\/span> esperada<\/span> de la primera<\/span> jornada<\/span> del Primavera, a juzgar<\/span> por<\/span> la masiva<\/span> convocatoria<\/span> y las<\/span> prisas<\/span> generales<\/span> para<\/span> llegar<\/span> a tiempo<\/span> y coger<\/span> una<\/span> buena<\/span> posici\u00f3n<\/span> frente<\/span> al escenario<\/span> era, sin duda<\/span>, la actuaci\u00f3n<\/span> de Arcade Fire<\/strong>. Y a juzgar<\/span> tambi\u00e9n<\/span> por<\/span> la expresi\u00f3n<\/span> de sus<\/span> caras<\/span> al salir<\/span> y por<\/span> la vibraci\u00f3n<\/span> de sus<\/span> cuerpos<\/span> durante<\/span> el concierto<\/span>, no decepcion\u00f3<\/span>. La banda<\/span> de rock quebequesa<\/span>, que<\/span> para<\/span> muchos<\/span> es<\/span> la m\u00e1s<\/span> importante<\/span> del momento<\/span>, despleg\u00f3<\/span> toda<\/span> su<\/span> artiller\u00eda<\/span> visual y sonora<\/span> a lo largo de casi<\/span> dos horas<\/span>, sin dejar<\/span> a nadie<\/span> indiferente<\/span>. Alta calidad<\/span> en cada<\/span> uno<\/span> de los detalles<\/span>, un trabajo<\/span> fino<\/span>, exquisito<\/span> y profundo<\/span> que<\/span> consigui\u00f3<\/span> generar<\/span> en el p\u00fablico<\/span> lo que<\/span> ellos<\/span> mismos<\/span> definen<\/span> como<\/span> \u201ceuforia<\/span> espiritual\u201d<\/span>.<\/p>\n

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En su<\/span> segundo<\/span> paso<\/span> por<\/span> el Primavera- tocaron<\/span> en la edici\u00f3n<\/span> del 2005-\u00a0 el colectivo<\/span> canadiense<\/span> hizo<\/span> un repaso<\/span> por<\/span> sus<\/span> cuatro<\/span> \u00e1lbumes<\/span> que<\/span> atraviesan<\/span> las<\/span> influencias<\/span> haitianas<\/span>, los gui\u00f1os<\/span> a la m\u00fasica<\/span> disco, la electr\u00f3nica<\/span> pop y el reggae para<\/span> alcanzar<\/span> cimas<\/span> como<\/span> las<\/span> de \u201cAfterlife\u201d o \u201cHere comes the night time\u201d, algunos<\/span> de sus<\/span> hits. Esta<\/span> \u00faltima<\/span> ayer<\/span> hizo<\/span> explotar<\/span> la fiesta en una<\/span> lluvia<\/span> de confeti<\/span> de colores<\/span> que<\/span> los Arcade fire lanzaron<\/span> sobre<\/span> el p\u00fablico<\/span> y dio<\/span> paso<\/span> al cierre<\/span> del concierto<\/span> con \u201cWake up\u201d, un tema<\/span> de su<\/span> primer \u00e1lbum<\/span>, canalizando<\/span> la \u201ceuforia<\/span> espiritual\u201d<\/span> colectiva<\/span> en un canto al un\u00edsono<\/span> que<\/span>, cual<\/span> mantra, hizo<\/span> levitar<\/span> a la multitud<\/span> hasta<\/span> el siguiente<\/span> grupo<\/span>, en el siguiente<\/span> escenario<\/span>, a la siguiente<\/span> hora<\/span> programada<\/span>. Y que<\/span> la fiesta no pare.<\/p>\n

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A\u00fan<\/span> quedan<\/span> dos d\u00edas<\/span> m\u00e1s<\/span> de Primavera Sound, con artistas<\/span> como<\/span> los veteranos<\/span> Nine Inch Nails, Mogwai<\/span>– la banda<\/span> de Glasgow que<\/span> revolucion\u00f3<\/span> con su<\/span> experimentaci\u00f3n<\/span> el post-rock- o, atenci\u00f3n<\/span>, Caetano<\/span> Veloso<\/span>– maestro indiscutido<\/span> de la m\u00fasica<\/span> brasile\u00f1a<\/span>– que<\/span> el s\u00e1bado<\/span> se encargar\u00e1<\/span> de dilapidar<\/span> definitivamente<\/span> las<\/span> fronteras<\/span> de g\u00e9neros<\/span> en un festival que<\/span> cada<\/span> vez<\/span> se torna<\/span> m\u00e1s<\/span> ecl\u00e9ctico<\/span>. A juntar<\/span> fuerzas<\/span>, la primavera<\/span> en Barcelona reci\u00e9n<\/span> ha comenzado<\/span>.<\/p>\n

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\"alt\"<\/p>\n

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 <\/p>","protected":false},"excerpt":{"rendered":"

Arranca la gran cita europea de la m\u00fasica pop rock reuniendo, como cada a\u00f1o, miles de personas de todo el mundo en el Parc del F\u00f2rum de Barcelona, con principales figuras de la escena mundial, como Arcade Fire, Nine Inch Nails o Queen of the stone age, entre los casi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-5412","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nPRIMAVERA SOUND, UN FESTIVAL INFINITO - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/primavera-sound-un-festival-infinito\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRIMAVERA SOUND, UN FESTIVAL INFINITO - 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