{"id":5402,"date":"2014-05-30T14:18:46","date_gmt":"2014-05-30T14:18:46","guid":{"rendered":"https:\/\/www.revistarambla.com\/kibo\/"},"modified":"2019-09-30T18:41:06","modified_gmt":"2019-09-30T16:41:06","slug":"kibo","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/kibo\/","title":{"rendered":"KIBO"},"content":{"rendered":"

\t\u00a0<\/p>\n

\t\"alt\"“Nos une<\/span> la improvisaci\u00f3n<\/span> y la pasi\u00f3n<\/span> por<\/span> reinterpretar<\/span> la m\u00fasica<\/span> permanentemente”<\/span><\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t“Nos une<\/span> la improvisaci\u00f3n<\/span> y la pasi\u00f3n<\/span> por<\/span> reinterpretar<\/span> la m\u00fasica<\/span> permanentemente”<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0“Es<\/span> como<\/span> un segundo<\/span> primer disco”, reflexiona<\/span> en voz<\/span> alta<\/span> Marc Sah\u00fan<\/span> (bajo<\/span> el\u00e9ctrico<\/span> y contrabajo<\/span>) al diseccionar<\/span> “Persones”<\/span>, el segundo<\/span> disco de Kibo<\/span><\/a>, en el que<\/span> la banda<\/span> se ha reformado<\/span> totalmente<\/span> a excepci\u00f3n<\/span> de su<\/span> alma mater, Alfred Tapscott<\/span> (ahora<\/span> en Estados<\/span> Unidos<\/span> por<\/span> motivos<\/span> laborales<\/span>). Junto<\/span> al bater\u00eda<\/span> Jaume<\/span> Yelo<\/span>, Mar\u00e7al<\/span> Ayats<\/span> y Kathy Sey<\/span> y numerosos<\/span> colegas<\/span> de profesi\u00f3n<\/span> han<\/span> construido<\/span> una<\/span> obra<\/span> ecl\u00e9ctica<\/span> e inclasificable<\/span>, a veces<\/span> moderna<\/span>, en ocasiones<\/span> cl\u00e1sica<\/span> e incluso<\/span> grunge, con pop, rock, jazz…Una<\/span> variedad<\/span> espont\u00e1nea<\/span> que<\/span> les aleja<\/span> de la moda<\/span> de la fusi\u00f3n<\/span> confusa<\/span> y del mainstream y que<\/span> sacar\u00e1<\/span> de quicio<\/span> los amantes<\/span> de compartimentos<\/span> y etiquetas<\/span>. Originalidad<\/span> como<\/span> sin\u00f3nimo<\/span> de b\u00fasqueda<\/span> e inconformismo<\/span>, no de extravagancia<\/span> ni<\/span> de obsesi\u00f3n<\/span> eg\u00f3latra<\/span> por<\/span> diferenciarse<\/span>. La m\u00fasica<\/span> entendida<\/span> como<\/span> un todo<\/span> en el que<\/span> cada<\/span> parte<\/span> es<\/span> imprescindible<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfPor<\/span> qu\u00e9<\/span> decid\u00eds<\/span> hacer<\/span> un disco hablando<\/span> de personas? \u00bfSon un reflejo<\/span> de la gente<\/span> an\u00f3nima<\/span> o son personas que<\/span> conoc\u00e9is<\/span> y sus<\/span> historias<\/span> reales<\/span>? <\/strong><\/p>\n

\t\u00a0<\/p>\n

\tMarc: Mitad<\/span> y mitad<\/span>, nos inspiramos<\/span> en personas porque<\/span> las<\/span> letras<\/span> salieron<\/span> en esta<\/span> direcci\u00f3n<\/span>, la mitad<\/span> de las<\/span> personas son reales<\/span> y la otra<\/span> mitad<\/span> personas ficticias<\/span> pero<\/span> que<\/span> representan<\/span> casos<\/span> que<\/span> podr\u00edan<\/span> ser<\/span> reales<\/span>. El tema<\/span> ‘Esther’ est\u00e1<\/span> dedicado<\/span> a Esther Quintana<\/span>, aunque<\/span> est\u00e1<\/span> dedicado<\/span> tambi\u00e9n<\/span> a cualquier<\/span> persona que<\/span> haya<\/span> sufrido<\/span> una<\/span> agresi\u00f3n<\/span> policial<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfPoner<\/span> nombres<\/span> de personas a las<\/span> canciones<\/span> es<\/span> la manera<\/span> de hacer<\/span> m\u00e1s<\/span> aut\u00e9nticos<\/span> sus<\/span> sentimientos<\/span>? Quiz\u00e1s<\/span> las<\/span> personas con nombre<\/span> y apellidos<\/span> son las<\/span> grandes<\/span> olvidadas<\/span> de la crisis…<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tMarc: S\u00ed<\/span>, el disco se llama as\u00ed<\/span> con esta<\/span> intenci\u00f3n<\/span>, para<\/span> reflexionar<\/span> y darnos<\/span> cuenta<\/span> que<\/span> somos<\/span> personas, vivimos<\/span> vidas<\/span> y cuando<\/span> vas por<\/span> la calle<\/span> todo<\/span> el mundo<\/span> con el que<\/span> te<\/span> cruzas<\/span> lleva<\/span> una<\/span> historia<\/span>. Podr\u00edamos<\/span> haberle<\/span> llamado<\/span> ‘Un caf\u00e9<\/span> con leche<\/span> a solas’<\/span> o ‘Ma\u00f1ana<\/span> de invierno’<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJaume<\/span>: En el momento<\/span> actual reivindicamos<\/span> el papel<\/span> de las<\/span> personas, es<\/span> todo<\/span> tan ef\u00edmero<\/span> que<\/span> parece<\/span> que<\/span> lo que<\/span> menos<\/span> cuente<\/span> sean<\/span> las<\/span> personas, reclamamos<\/span> que<\/span> lo importante<\/span> son las<\/span> personas, eso<\/span> est\u00e1<\/span> en el concepto<\/span> del disco.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl disco trata<\/span> de la necesidad<\/span> de huir<\/span> del miedo<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tMarc: Sin duda<\/span>, lo pide<\/span> a los cuatro<\/span> vientos<\/span>, pide<\/span> salir<\/span> del miedo<\/span> y de ese<\/span> hermetismo<\/span>, banalizaci\u00f3n<\/span> y artificialidad<\/span> en la que<\/span> nos est\u00e1n<\/span> intentando<\/span> meter y en la que<\/span> mucha<\/span> gente<\/span> de diferentes<\/span> sectores<\/span> de la m\u00fasica<\/span> estamos<\/span> cayendo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEn una<\/span> entrevista<\/span> dijisteis<\/span> que<\/span> vuestra<\/span> intenci\u00f3n<\/span> era “transmitir<\/span> emociones<\/span> de manera<\/span> ecl\u00e9ctica<\/span> y lejos<\/span> de prejuicios”<\/span>. \u00bfLos ten\u00e9is<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Prejuicios<\/span> no, lo de ecl\u00e9ctico<\/span> lo dijo<\/span> Alfred porque<\/span> es<\/span> como<\/span> se autodefine<\/span>, es<\/span> cierto<\/span> que<\/span> Kibo<\/span>, musicalmente<\/span>, tiene<\/span> un\u00a0 punto<\/span> de eclecticismo<\/span>, t\u00fa<\/span> viajas<\/span> por<\/span> el primer y el segundo<\/span> disco y no es<\/span> f\u00e1cilmente<\/span> clasificable<\/span>, aunque<\/span> yo<\/span> de hecho<\/span> no creo<\/span> en las<\/span> etiquetas<\/span> musicales. No tenemos<\/span> prejuicios<\/span>, quiz\u00e1s<\/span> al contrario<\/span>, querr\u00edamos<\/span> un mundo<\/span> sin ellos<\/span>, todos<\/span> tenemos<\/span> m\u00e1s<\/span> de los que<\/span> pensamos<\/span> aunque<\/span> nos guste<\/span> creer<\/span> que<\/span> no.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfQu\u00e9<\/span> evoluci\u00f3n<\/span> o mejoras<\/span> not\u00e1is<\/span> respecto<\/span> a ‘Racons’<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Quiz\u00e1s<\/span> la palabra<\/span> no es<\/span> evoluci\u00f3n<\/span>, sino<\/span> cambio<\/span>, transformaci\u00f3n<\/span> y quiz\u00e1s<\/span> maduraci\u00f3n<\/span>. Hay que<\/span> tener<\/span> en cuenta<\/span> algo<\/span> muy<\/span> importante<\/span>: que<\/span> de las<\/span> personas que<\/span> hicieron<\/span> el primer disco a las<\/span> que<\/span> hicieron<\/span> el segundo<\/span>, Alfred es<\/span> el \u00fanico<\/span> que<\/span> repite<\/span>. Es<\/span> dif\u00edcil<\/span> hablar<\/span> de evoluci\u00f3n<\/span> ya<\/span> que<\/span> no hay un mismo<\/span> punto<\/span> de partida<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: Ten\u00eda<\/span> que<\/span> haber<\/span> un cambio<\/span> natural, la banda<\/span> era otra<\/span>, este<\/span> segundo<\/span> disco ha sido<\/span> una<\/span> obra<\/span> m\u00e1s<\/span> coral. El primero<\/span> fue<\/span> una<\/span> obra<\/span> m\u00e1s<\/span> personal de Alfred que<\/span> quiso<\/span> compartir<\/span> con una<\/span> banda<\/span>, y \u00e9ste<\/span> ha sido<\/span> un proyecto<\/span> de banda<\/span> creado<\/span> con la banda<\/span> desde<\/span> cero<\/span>, todos<\/span> hemos<\/span> ido<\/span> participando<\/span> en la evoluci\u00f3n<\/span> musical, de las<\/span> letras<\/span> y de la creatividad<\/span> en general. Nosotros<\/span> hicimos<\/span> la presentaci\u00f3n<\/span> del primer disco, pero<\/span> ya<\/span> estaba<\/span> cocido<\/span>, nos dedicamos<\/span> a hacer<\/span> la gira<\/span> como<\/span> promoci\u00f3n<\/span>. Kibo<\/span> ha evolucionado<\/span> mucho<\/span>, porque<\/span> hemos<\/span> incorporado<\/span> la voz<\/span> femenina<\/span> de Kathy y se nota much\u00edsimo<\/span>. De hecho<\/span>, seguramente<\/span> en el primer disco ya<\/span> notamos<\/span> mucho<\/span> el cambio<\/span> a la hora<\/span> de tocarlo<\/span> en directo<\/span>, cuando<\/span> empezamos<\/span> a hacerlo<\/span> ya<\/span> no sonaba<\/span> igual<\/span>, sonaba<\/span> como<\/span> la banda<\/span> que<\/span> \u00e9ramos<\/span>, sonaban<\/span> los temas<\/span> m\u00e1s<\/span> potentes<\/span> y al final han<\/span> quedado<\/span> canciones<\/span> m\u00e1s<\/span> intensas<\/span> y con bastante<\/span> m\u00e1s<\/span> fuerza<\/span> que<\/span> en el primer disco.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfA la hora<\/span> de componer<\/span>, Alfred ven\u00eda<\/span> con una<\/span> idea y la consultaba<\/span> o lo hab\u00e9is<\/span> hecho<\/span> entre<\/span> todos<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Ha habido<\/span> de todo<\/span>, muchas<\/span> veces<\/span> \u00e9l<\/span> ten\u00eda<\/span> una<\/span> idea y a partir<\/span> de aqu\u00ed<\/span> la toc\u00e1bamos<\/span> y todos<\/span> la molde\u00e1bamos<\/span>, el disco se ha ido<\/span> cocinando<\/span> a base de ensayos<\/span> y planificaciones<\/span> y cada<\/span> uno<\/span> aportando<\/span> lo que<\/span> ha podido<\/span>. Mucho<\/span> consenso<\/span> y mucho<\/span> trabajo<\/span> en com\u00fan<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfTen\u00edais<\/span> el primer disco como<\/span> referencia<\/span> a la hora<\/span> de grabar<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Quisimos<\/span> hacer<\/span> un segundo<\/span> disco sin ning\u00fan<\/span> prejuicio<\/span> respecto<\/span> a lo que<\/span> hab\u00edamos<\/span> sido<\/span>, y ha sido<\/span> algo<\/span> muy<\/span> diferente<\/span> ya<\/span> s\u00f3lo<\/span> por<\/span> la cantidad<\/span> de gente<\/span> que<\/span> ha participado<\/span>. Hemos<\/span> querido<\/span> hacer<\/span> algo<\/span> nuevo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Podemos<\/span> considerar<\/span> este<\/span> disco como<\/span> un segundo<\/span> primer disco.<\/p>\n

\t\u00a0<\/p>\n

\tEl disco cuenta<\/span> con la colaboraci\u00f3n<\/span> de muchos<\/span> m\u00fasicos<\/span> (Nyand\u00fa<\/span>, Toni Mena, Bonobos<\/span>, Laura Cruells<\/span>, Eclectic Colour<\/span> Orchestra…). \u00bfHab\u00e9is<\/span> ido<\/span> a buscar<\/span> algo<\/span> concreto<\/span> en cada<\/span> uno<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: En ciertos<\/span> momentos<\/span> s\u00ed<\/span>, es<\/span> muy<\/span> claro<\/span> el caso<\/span> de Toni Mena, buscamos<\/span> aquel<\/span> momento<\/span> porque<\/span> all\u00ed<\/span> iba<\/span> un solo de guitarra<\/span> como<\/span> el suyo<\/span>, en directo<\/span> no somos<\/span> muy<\/span> guitarreros<\/span>, Alfred es<\/span> m\u00e1s<\/span> pianista<\/span> y pese<\/span> a eso<\/span> buscamos<\/span> alguien<\/span> que<\/span> nos aportara<\/span> esa<\/span> parte<\/span> de guitarra<\/span> el\u00e9ctrica<\/span>. O en el caso<\/span> de la orquesta<\/span> es<\/span> evidente<\/span>, busc\u00e1bamos<\/span> el toque cl\u00e1sico<\/span> sin dejar<\/span> de ser<\/span> modernos<\/span> porque<\/span> los arreglos<\/span> son modernos<\/span>, tienes<\/span> oboes, clarinetes…Buscamos<\/span> instrumentos<\/span> cl\u00e1sicos<\/span> para<\/span> rellenar<\/span> un proyecto<\/span>, moderno<\/span> y casi<\/span> grunge en ciertos<\/span> aspectos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Hemos<\/span> tenido<\/span> la gran<\/span> suerte<\/span> de contar<\/span> con la colaboraci\u00f3n<\/span> de gente<\/span> muy<\/span> buena<\/span> con sus<\/span> instrumentos<\/span>, poder<\/span> llamar<\/span> alguien<\/span>, proponerle<\/span>, que<\/span> acepte<\/span> encantado<\/span>, te<\/span> lo haga<\/span> en casa y te<\/span> lo env\u00ede<\/span> es<\/span> una<\/span> inmensa<\/span> fortuna<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl hecho<\/span> de disponer<\/span> de tantos<\/span> colaboradores<\/span> dificulta<\/span> remar<\/span> hacia<\/span> la misma<\/span> direcci\u00f3n<\/span> y conseguir<\/span> un sonido<\/span> homog\u00e9neo<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: No, porque<\/span> el n\u00facleo<\/span> de la banda<\/span>, que<\/span> somos<\/span> cinco<\/span>, est\u00e1<\/span> muy<\/span> claro<\/span>. A partir<\/span> de aqu\u00ed<\/span> pensamos<\/span> como<\/span> pod\u00edamos<\/span> ampliar<\/span> eso<\/span> sin traicionar<\/span> la base, intentamos<\/span> que<\/span> los temas<\/span> sonasen<\/span> a nosotros<\/span> mismos<\/span>, que<\/span> tuvieran<\/span> entidad<\/span> propia<\/span> y pudi\u00e9ramos<\/span> defenderlos<\/span> en cualquier<\/span> sitio<\/span>, intentamos<\/span> rellenarlo<\/span> sin perder<\/span> la esencia<\/span>, en realidad<\/span> las<\/span> colaboraciones<\/span> no son m\u00e1s<\/span> que<\/span> producci\u00f3n<\/span> de todo<\/span> lo que<\/span> ya<\/span> hab\u00eda<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfY cu\u00e1l<\/span> es<\/span> la esencia<\/span> del grupo<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Si hablamos<\/span> de referencias<\/span> ser\u00edan<\/span> Sigur<\/span> Ros<\/span> y Damien Rice.<\/p>\n

\t\u00a0<\/p>\n

\tM: Una<\/span> de las<\/span> grandes<\/span> magias<\/span>, que<\/span> por<\/span> eso<\/span> Alfred habla<\/span> de eclecticismo<\/span>, es<\/span> que<\/span> en casa cada<\/span> uno<\/span> escucha<\/span> cosas<\/span> bastantes<\/span> distintas<\/span>, desde<\/span> world music a jazz pasando<\/span> por<\/span> todos<\/span> los estilos<\/span> y eso<\/span> nos enriquece<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl punto<\/span> ecl\u00e9ctico<\/span> es<\/span> el reflejo<\/span> de vuestros<\/span> gustos<\/span> u obedece<\/span> al hecho<\/span> de querer<\/span> llegar<\/span> a m\u00e1s<\/span> p\u00fablico<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: No, ha surgido<\/span> as\u00ed<\/span> y nos encanta<\/span>. Que<\/span> no suene<\/span> falso<\/span>: no hay una<\/span> orientaci\u00f3n<\/span> comercial<\/span>, somos<\/span> as\u00ed<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: Es<\/span> tan f\u00e1cil<\/span> como<\/span> mirar<\/span> el curr\u00edculum<\/span> de cada<\/span> uno<\/span> de nosotros<\/span>, uno<\/span> parte<\/span> del cl\u00e1sico<\/span>, otro<\/span> del moderno<\/span>, otro<\/span> del mestizaje…<\/span> Son mundos<\/span> totalmente<\/span> distintos<\/span> y eso<\/span> es<\/span> lo que<\/span> ha hecho<\/span> que<\/span> lleguemos<\/span> a este<\/span> punto<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfHay influencias<\/span> comunes<\/span> que<\/span> hagan<\/span> de nexo<\/span> entre<\/span> vosotros<\/span> en este<\/span> disco?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Seguro<\/span>, pero<\/span> no las<\/span> hemos<\/span> discutido<\/span>, no es<\/span> un tema<\/span> de sobremesa<\/span>. Lo que<\/span> tenemos<\/span> en com\u00fan<\/span> es<\/span> que<\/span> desde<\/span> el primer d\u00eda<\/span> que<\/span> entr\u00e9<\/span> en el local de ensayo<\/span> me sent\u00ed<\/span> como<\/span> en casa, hab\u00eda<\/span> una<\/span> qu\u00edmica<\/span> y una<\/span> conexi\u00f3n<\/span> tocando…<\/span> est\u00e1bamos<\/span> creando<\/span> un lenguaje<\/span> com\u00fan<\/span>, no s\u00e9<\/span> si<\/span> ven\u00edamos<\/span> de un lenguaje<\/span> com\u00fan<\/span>, rebuscando<\/span> encontrar\u00edamos<\/span> muchas<\/span> influencias<\/span> comunes<\/span> pero<\/span> no es<\/span> algo<\/span> que<\/span> nos inquiete<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: Una<\/span> de las<\/span> razones<\/span> por<\/span> las<\/span> que<\/span> el disco haya<\/span> salido<\/span> ecl\u00e9ctico<\/span> es<\/span> que<\/span> todos<\/span> somos<\/span> muy<\/span> abiertos<\/span> musicalmente<\/span>. Cada<\/span> uno<\/span> pod\u00eda<\/span> proponer<\/span> algo<\/span> y el resto<\/span> lo acog\u00eda<\/span> con muy<\/span> buenos<\/span> ojos<\/span>, cada<\/span> uno<\/span> es<\/span> muy<\/span> abierto<\/span> y para<\/span> el grupo<\/span> es<\/span> muy<\/span> bueno<\/span>, otros<\/span> pensar\u00e1n<\/span> que<\/span> es<\/span> mejor<\/span> ser<\/span> estricto<\/span> con el estilo<\/span> y mantener<\/span> una<\/span> misma<\/span> l\u00ednea<\/span>, a nosotros<\/span> nos encanta<\/span> que<\/span> nos hayan<\/span> salido<\/span> temas<\/span> tan distintos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfCu\u00e1l<\/span> es<\/span> este<\/span> lenguaje<\/span> com\u00fan<\/span>, en qu\u00e9<\/span> se basa<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: En entender<\/span> la m\u00fasica<\/span> como<\/span> un todo<\/span>, como<\/span> una<\/span> manifestaci\u00f3n<\/span>, una<\/span> capacidad<\/span> de comunicaci\u00f3n<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: Es<\/span> algo<\/span> m\u00e1s<\/span> instintivo<\/span> que<\/span> meditado<\/span>, como<\/span> m\u00fasicos<\/span> podr\u00edamos<\/span> centrarnos<\/span> en teorizar<\/span> en lo que<\/span> hacemos<\/span> pero<\/span> al final lo que<\/span> cuenta<\/span> es<\/span> si<\/span> las<\/span> canciones<\/span> que<\/span> hacemos<\/span> nos emocionan<\/span>, llegan<\/span> e impactan<\/span>, entonces<\/span> es<\/span> cuando<\/span> nos gusta<\/span> lo que<\/span> hacemos<\/span>. Intentamos<\/span> hacer<\/span> lo mismo<\/span> que<\/span> hace<\/span> la gente<\/span> en su<\/span> casa cuando<\/span> escucha<\/span> m\u00fasica<\/span>: que<\/span> te<\/span> llegue<\/span>, independientemente<\/span> de que<\/span> est\u00e9<\/span> m\u00e1s<\/span> o menos<\/span> elaborada<\/span>, eso<\/span> es<\/span> lo que<\/span> nos interesa<\/span>, si<\/span> te<\/span> cautiva<\/span>. Eso<\/span> nos interesaba<\/span> a la hora<\/span> de empezar<\/span> el disco. Lo que<\/span> nos une<\/span> es<\/span> la m\u00fasica<\/span> improvisativa<\/span>, lo importante<\/span> es<\/span> improvisar<\/span>, lo hacemos<\/span> en directo<\/span> y cada<\/span> uno<\/span> puede<\/span> aportar<\/span> lo que<\/span> quiera<\/span>, y no estamos<\/span> cerrados<\/span> a evolucionar<\/span> las<\/span> m\u00fasicas<\/span> en cada<\/span> concierto<\/span>, nos gusta<\/span> evolucionar<\/span> constantemente<\/span>, Alfred y yo<\/span> venimos<\/span> del jazz y eso<\/span>, quieras<\/span> o no, te<\/span> aporta<\/span> esa<\/span> capacidad<\/span> de inventiva<\/span> constante<\/span>, de no centrarte<\/span> en aquello<\/span> que<\/span> ya<\/span> hiciste<\/span> sino<\/span> buscar<\/span> cosas<\/span> nuevas<\/span>, si<\/span> algo<\/span> nos une<\/span> es<\/span> esa<\/span> m\u00fasica<\/span> improvisativa<\/span>, a la hora<\/span> de hacer<\/span> el disco era curioso<\/span> porque<\/span> los temas<\/span> iban<\/span> cambiando<\/span> y llega<\/span> un punto<\/span> en el que<\/span> tienes<\/span> que<\/span> decir<\/span> ‘basta’<\/span>. En directo<\/span> lo continuamos<\/span> haciendo<\/span> y lo continuaremos<\/span> haciendo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Nos une<\/span> el gusto o la pasi\u00f3n<\/span> por<\/span> reinterpretar<\/span> la m\u00fasica<\/span> permanentemente<\/span>, no tocamos<\/span> la canci\u00f3n<\/span> tal<\/span> cual<\/span> es<\/span>, las<\/span> canciones<\/span> est\u00e1n<\/span> vivas<\/span>, a veces<\/span> una<\/span> sonrisa<\/span> puede<\/span> cambiar<\/span> el devenir<\/span> de un tema<\/span> en directo<\/span>, eso<\/span> nos une<\/span>, otros<\/span> grupos<\/span> quiz\u00e1s<\/span> discutir\u00edan<\/span>, a nosotros<\/span> nos gusta<\/span> eso<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tTeniendo<\/span> en cuenta<\/span> que<\/span> no sois<\/span> amigos de etiquetas<\/span> ni<\/span> clasificaciones<\/span>, si<\/span> tuvierais<\/span> que<\/span> convencer<\/span> de ir<\/span> a un concierto<\/span> de Kibo<\/span> a alguien<\/span> que<\/span> no tuviera<\/span> ninguna<\/span> referencia<\/span> vuestra<\/span>, \u00bfqu\u00e9<\/span> le dir\u00edais<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Intentamos<\/span> meterlo<\/span> en el saco<\/span> del pop-rock porque<\/span> es<\/span> muy<\/span> amplio<\/span> pero…no<\/span> podr\u00edamos<\/span> hablar<\/span> de jazz porque<\/span> no hacemos<\/span> jazz aunque<\/span> hay muchas<\/span> influencias<\/span> que<\/span> pueden<\/span> recordarte<\/span> a ciertas<\/span> m\u00fasicas<\/span> improvisativas<\/span> o al jazz, porque<\/span> hay armon\u00edas<\/span> elaboradas<\/span>, solos y no te<\/span> puedes<\/span> ce\u00f1ir<\/span> al pop-rock.<\/p>\n

\t\u00a0<\/p>\n

\tM: Un programa<\/span> de TV3<\/span> nos defini\u00f3<\/span> como<\/span> pop+rock+jazz, no es<\/span> que<\/span> estemos<\/span> radicalmente<\/span> en contra de las<\/span> etiquetas<\/span> pero<\/span> por<\/span> suerte<\/span> la m\u00fasica<\/span> est\u00e1<\/span> empezando<\/span> a democratizarse<\/span> y entonces<\/span> la gente<\/span> puede<\/span> beber<\/span> de muchas<\/span> fuentes<\/span>. Los referentes<\/span> empiezan<\/span> a ser<\/span> muy<\/span> variados<\/span> y las<\/span> m\u00fasicas<\/span> ya<\/span> no son pop, rock o reggae sino<\/span> que<\/span> un autor<\/span> o una<\/span> banda<\/span> puede<\/span> hacer<\/span> un reggae pop soul, no es<\/span> descabellado<\/span>, es<\/span> como<\/span> mezclar<\/span> cosas<\/span> en la cocina<\/span> que<\/span> hasta<\/span> ahora<\/span> eran<\/span> inconcebibles<\/span>. Quiz\u00e1s<\/span> bebemos<\/span> de la cl\u00e1sica<\/span>, del jazz, del rock, del pop y de los rom\u00e1nticos<\/span> del siglo<\/span> XIX<\/span> \u00bfy d\u00f3nde<\/span> est\u00e1<\/span> la cuota<\/span> de cada<\/span> estilo<\/span>? No lo sabemos<\/span> ni<\/span> nosotros<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tMucha<\/span> gente<\/span> ha subido<\/span> alo<\/span> tren<\/span> de la fusi\u00f3n<\/span> y ha mezclado<\/span> cosas<\/span> sin sentido<\/span> y la fusi\u00f3n<\/span> tiene<\/span> que<\/span> tener<\/span> un criterio<\/span> detr\u00e1s<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Yo<\/span> tuve<\/span> un maestro que<\/span> dec\u00eda<\/span> que<\/span>, por<\/span> ejemplo<\/span>, para<\/span> poder<\/span> fusionar<\/span> flamenco y jazz tienes<\/span> que<\/span> conocer<\/span> ambos<\/span> estilos<\/span>, porque<\/span> si<\/span> s\u00f3lo<\/span> conoces<\/span> uno<\/span> de ellos<\/span> har\u00e1s<\/span> cualquier<\/span> cosa<\/span> menos<\/span> fusi\u00f3n<\/span>, si<\/span> s\u00f3lo<\/span> conoces<\/span> jazz y no el flamenco, estar\u00e1s<\/span> haciendo<\/span> jazz pero<\/span> con alguna<\/span> reminiscencia<\/span> que<\/span> te<\/span> suena<\/span> del flamenco. No es<\/span> f\u00e1cil<\/span> hacer<\/span> fusi\u00f3n<\/span>, en caso<\/span> contrario<\/span> est\u00e1s<\/span> haciendo<\/span> lo mismo<\/span> pero<\/span> con aires<\/span> de otra<\/span> m\u00fasica<\/span> que<\/span> te<\/span> interesa<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEn la mayor\u00eda<\/span> de discos hay canciones<\/span> de relleno<\/span>, en cambio<\/span> vosotros<\/span> trat\u00e1is<\/span> cada<\/span> tema<\/span> con detalle<\/span> y mimo<\/span>, sin jerarqu\u00edas<\/span>, parece<\/span> que<\/span> concib\u00e1is<\/span> el arte<\/span> como<\/span> artesan\u00eda…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Es<\/span> indiscutible<\/span> que<\/span> cada<\/span> canci\u00f3n<\/span> la hemos<\/span> cuidado<\/span> como<\/span> \u00fanica<\/span>, como<\/span> una<\/span> peque\u00f1a<\/span> joya<\/span> a nivel<\/span> de peque\u00f1as<\/span> emociones<\/span> nuestras<\/span> que<\/span> nos encanta<\/span> compartir<\/span> y que<\/span> si<\/span> a la gente<\/span> les gusta<\/span>, mucho<\/span> mejor<\/span>. Este<\/span> planteamiento<\/span> existe<\/span>, pero<\/span> como<\/span> m\u00fasicos<\/span> y p\u00fablicos<\/span> somos<\/span> conscientes<\/span> que<\/span> hay temas<\/span> que<\/span> tienen<\/span> m\u00e1s<\/span> gancho<\/span> o m\u00e1s<\/span> punch comercial<\/span> que<\/span> otros<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: Nos hemos<\/span> dado cuenta<\/span> una<\/span> vez<\/span> ya<\/span> hab\u00edamos<\/span> sacado<\/span> el disco, no ha sido<\/span> nada buscado<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEntre<\/span> la composici\u00f3n<\/span> y la grabaci\u00f3n<\/span> han<\/span> pasado<\/span> casi<\/span> dos a\u00f1os<\/span>. \u00bfEso<\/span> responde<\/span> al hecho<\/span> de querer<\/span> madurarlo<\/span>, a que<\/span> costaba<\/span> encontrar<\/span> tiempo<\/span> para<\/span> reuniros<\/span> o para<\/span> encontrar<\/span> el sonido<\/span> exacto<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: No ten\u00edamos<\/span> ninguna<\/span> prisa<\/span> para<\/span> hacer<\/span> el disco y como<\/span> ten\u00edamos<\/span> los medios<\/span> para<\/span> hacerlo<\/span> tranquilamente…muchas<\/span> veces<\/span> los grupos<\/span> no pueden<\/span>, porque<\/span> si<\/span> pagas<\/span> un estudio<\/span>, tienes<\/span> unas<\/span> horas<\/span> determinadas<\/span> en el estudio<\/span> y debes<\/span> que<\/span> exprimirte<\/span> al m\u00e1ximo<\/span>, ce\u00f1irte<\/span> a esto<\/span> y al final el disco es<\/span> el resultado<\/span> de lo que<\/span> se puede<\/span>. Y nosotros<\/span> quer\u00edamos<\/span> que<\/span> realmente<\/span> sonara<\/span> como<\/span> quer\u00edamos<\/span>. Ir<\/span> cocinando<\/span> las<\/span> canciones<\/span> y consensuarlas<\/span> entre<\/span> todas<\/span>, poner<\/span> o quitar<\/span> cosas<\/span> ha sido<\/span> fruto<\/span> de todo<\/span> este<\/span> tiempo<\/span> que<\/span> hemos<\/span> tenido<\/span>, de otra<\/span> manera<\/span> no hubi\u00e9ramos<\/span> quedado<\/span> tan contentos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Ni prisas<\/span> ni<\/span> urgencias<\/span>, ten\u00edamos<\/span> claro<\/span> que<\/span> cuando<\/span> los temas<\/span> estuvieran<\/span> terminados<\/span>, era el momento<\/span> en el que<\/span> vieran<\/span> la luz<\/span>, no antes, tener<\/span> el estudio<\/span> de Alfred nos lo ha facilitado<\/span> mucho<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEn esta<\/span> ocasi\u00f3n<\/span> hab\u00e9is<\/span> puesto<\/span> o quitado<\/span> cosas<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Es<\/span> evidente<\/span> que<\/span> en este<\/span> disco hemos<\/span> puesto<\/span> mucho<\/span> y a veces<\/span> empiezas<\/span> a poner<\/span> cosas<\/span> y quiz\u00e1s<\/span> no es<\/span> la manera<\/span>. Cogiendo<\/span> referentes<\/span> como<\/span> Sigur<\/span> Ros<\/span> tienen<\/span> temas<\/span> que<\/span> parecen<\/span> sencillos<\/span> pero<\/span> que<\/span> en realidad<\/span> son sobreproducidos<\/span>, hemos<\/span> intentado<\/span> rellenar<\/span> un tema<\/span> de detalles<\/span> que<\/span> quiz\u00e1s<\/span> no son perceptibles<\/span> pero<\/span> que<\/span> sumados<\/span> dan<\/span> un producto<\/span> mucho<\/span> m\u00e1s<\/span> lleno<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLas letras<\/span> parecen<\/span> estar<\/span> concebidas<\/span> como<\/span> poemas<\/span>, en algunos<\/span> casos<\/span> breves<\/span>. \u00bfHasta<\/span> qu\u00e9<\/span> punto<\/span> esta<\/span> intenci\u00f3n<\/span> po\u00e9tica<\/span> est\u00e1<\/span> al servicio<\/span> de la m\u00fasica<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Las letras<\/span> nacieron<\/span> al servicio<\/span> de la m\u00fasica<\/span>, eran<\/span> historias<\/span> que<\/span> hablaban<\/span> de hechos<\/span> y personas y ten\u00edan<\/span> que<\/span> adaptarse<\/span> a un molde<\/span> que<\/span> ya<\/span> estaba<\/span> preconcebido<\/span>, en la mayor\u00eda<\/span> de los casos<\/span> ha sido<\/span> as\u00ed<\/span>. En otros<\/span> casos<\/span>, Alfred ten\u00eda<\/span> precomposiciones<\/span> de hace<\/span> a\u00f1os<\/span> y se ha hecho<\/span> un juego<\/span> de reconstrucci\u00f3n<\/span>. M\u00fasicas<\/span> a las<\/span> cuales<\/span> se les ha puesto<\/span> la letra<\/span> y ha sido<\/span> un lujo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEl disco se ha financiado<\/span> a trav\u00e9s<\/span> de una<\/span> campa\u00f1a<\/span> de micromecenazgo<\/span>. \u00bfLa gente<\/span> ha respondido<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: De hecho<\/span> tampoco<\/span> necesit\u00e1bamos<\/span> mucho<\/span> dinero<\/span>, fue<\/span> un proyecto<\/span> a largo plazo<\/span> y tranquilo<\/span> para<\/span> no intentar<\/span> gastar<\/span> mucho<\/span>, el micromecenazgo<\/span> sali\u00f3<\/span> al final para<\/span> hacer<\/span> las<\/span> mezclas<\/span> y el m\u00e1stering<\/span>, que<\/span> es<\/span> caro<\/span>. En el primer disco lo hizo<\/span> Alfred y en este<\/span> caso<\/span> nos interesaba<\/span> que<\/span> lo hiciera<\/span> alguien<\/span> de fuera<\/span>, alguien<\/span> que<\/span> no estuviera<\/span> viciado<\/span>, que<\/span> tuviera<\/span> otra<\/span> visi\u00f3n<\/span>. A veces<\/span> interesa<\/span> tener<\/span> alguien<\/span> de fuera<\/span> que<\/span> vea<\/span> lo que<\/span> haces<\/span>, por<\/span> eso<\/span> pedimos<\/span> dinero<\/span> para<\/span> las<\/span> mezclas<\/span> y el mastering, tuvimos<\/span> suerte<\/span> y gracias<\/span> a eso<\/span> pudimos<\/span> grabar<\/span> el disco. Nos encant\u00f3<\/span> la respuesta<\/span> de la gente<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfSe puede<\/span> innovar<\/span> en la sensibilidad<\/span>, en la manera<\/span> de emocionar<\/span> sin recurrir<\/span> a los t\u00f3picos<\/span> o a ser<\/span> demasiado<\/span> almibarado<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: S\u00ed<\/span>, creo<\/span> que<\/span> lo intentamos<\/span>, no tenemos<\/span> el objetivo<\/span> de emocionar<\/span> porque<\/span> ser\u00eda<\/span> muy<\/span> pretencioso<\/span>, pero<\/span> si<\/span> emocionas<\/span> y lo haces<\/span> desde<\/span> una<\/span> faceta<\/span> no comercial<\/span>, eso<\/span> nos har\u00eda<\/span> sentir<\/span> muy<\/span> orgullosos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfQu\u00e9<\/span> tal<\/span> la experiencia<\/span> con la nueva<\/span> discogr\u00e1fica<\/span> ‘Destil<\/span>\u00b7lant<\/span> Sorolls’<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Muy<\/span> bien<\/span>, son buena<\/span> gente<\/span>, gente<\/span> trabajadora<\/span> y respetuosa<\/span> que<\/span> no ha hecho<\/span> ninguna<\/span> ingerencia<\/span>, en ninguna<\/span> letra<\/span> ni<\/span> m\u00fasica<\/span>, ni<\/span> orden<\/span> de las<\/span> letras<\/span>, todo<\/span> el disco est\u00e1<\/span> hecho<\/span> por<\/span> nosotros<\/span>, incluso<\/span> la portada<\/span> y el libreto<\/span>. Nos lo han<\/span> respetado<\/span> todo<\/span>. Surgi\u00f3<\/span> la oportunidad<\/span> a ra\u00edz<\/span> de una<\/span> amistad<\/span>, con gente<\/span> con la que<\/span> yo<\/span> hab\u00eda<\/span> tocado<\/span>, gente<\/span> de Always Drinking Machine Band, surgi\u00f3<\/span> la reuni\u00f3n<\/span> y la oportunidad<\/span>. Nos gustamos<\/span> mutuamente<\/span>. Les encant\u00f3<\/span> el proyecto<\/span> y decidieron<\/span> apostar<\/span> por<\/span> nosotros<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfY c\u00f3mo<\/span> fue<\/span> la grabaci\u00f3n<\/span> del videoclip<\/span> de ‘Aisha’? \u00bfSali\u00f3<\/span> lo que<\/span> se hab\u00eda<\/span> previsto<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: La idea general s\u00ed<\/span> es<\/span> el video, pero<\/span> intentas<\/span> hacer<\/span> cosas<\/span> que<\/span> al final no salen<\/span> y tienes<\/span> que<\/span> comerte<\/span> algunas<\/span> escenas<\/span>. Qued\u00f3<\/span> un videoclip<\/span> que<\/span> parece<\/span> de superproducci\u00f3n<\/span> y no es<\/span> as\u00ed<\/span>, lo hicimos<\/span> nosotros<\/span> como<\/span> pudimos<\/span>, Alfred y Maria Antol\u00edn<\/span> tienen<\/span> una<\/span> peque\u00f1a<\/span> productora<\/span>, Conxita<\/span> Productions, y pudimos<\/span> hacer<\/span> muchas<\/span> cosas<\/span> porque<\/span> ten\u00edan<\/span> ideas y material y a partir<\/span> de amigos conseguimos<\/span> ubicaciones<\/span>, vestuario<\/span>, otros<\/span> actores<\/span>, extras…Para nosotros<\/span> el videoclip<\/span> es<\/span> una<\/span> pasada<\/span>, lo hicimos<\/span> antes de terminar<\/span> el disco y encantad\u00edsimos<\/span> del resultado<\/span>, parece<\/span> un cortometraje<\/span> y\u00a0 la prueba<\/span> est\u00e1<\/span> en que<\/span> el segundo<\/span> videoclip<\/span>, ‘Alba’, no tiene<\/span> nada que<\/span> ver<\/span>, es<\/span> mucho<\/span> m\u00e1s<\/span> simple, buscando<\/span> la proximidad<\/span> de la gente<\/span>, que<\/span> es<\/span> el concepto<\/span> del disco.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfOs<\/span> sent\u00eds<\/span> una<\/span> especie<\/span> de rara<\/span> avis<\/span> en el panorama musical o el hecho<\/span> de hacer<\/span> algo<\/span> \u00fanico<\/span> es<\/span> una<\/span> ventaja<\/span> porque<\/span> os<\/span> puede<\/span> diferenciar<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Lo que<\/span> buscamos<\/span> es<\/span> hacer<\/span> algo<\/span> diferente<\/span> y original aunque<\/span> no es<\/span> buscado<\/span>, cada<\/span> uno<\/span> tiene<\/span> sus<\/span> influencias<\/span> y lo que<\/span> hacemos<\/span> quiz\u00e1s<\/span> no es<\/span> lo m\u00e1s<\/span> habitual pero<\/span> tampoco<\/span> nos gusta<\/span> hacer<\/span> algo<\/span> muy<\/span> sencillo<\/span>. Intentamos<\/span> buscar<\/span> cosas<\/span> distintas<\/span>, sin transgredir<\/span> mucho<\/span> pero<\/span> nos gusta<\/span> ir<\/span> m\u00e1s<\/span> all\u00e1<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Es<\/span> esta<\/span> clase<\/span> de diversidad<\/span> que<\/span> nos encontramos<\/span>, sobretodo<\/span> cuando<\/span> tocamos<\/span>, m\u00e1s<\/span> que<\/span> cuando<\/span> componemos<\/span>. Estamos<\/span> muy<\/span> vivos<\/span> y abiertos<\/span> musicalmente<\/span>, esto<\/span> hace<\/span> que<\/span> las<\/span> propias<\/span> canciones<\/span> caminen<\/span> por<\/span> s\u00ed<\/span> solas<\/span> y te<\/span> pidan<\/span> variaciones<\/span>, cambios…<\/span> no hay una<\/span> voluntariedad<\/span> de que<\/span> la gente<\/span> diga<\/span> que<\/span> Kibo<\/span> suena<\/span> a Kibo<\/span>, que<\/span> estamos<\/span> creando<\/span> un nuevo<\/span> camino<\/span> o lenguaje<\/span>, la propia<\/span> inquietud<\/span> nuestra<\/span> y estar<\/span> tan receptivos<\/span> ha provocado<\/span> eso<\/span>, es<\/span> una<\/span> consecuencia<\/span> del encuentro<\/span> entre<\/span> los miembros<\/span> del grupo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa m\u00fasica<\/span> en catal\u00e1n<\/span> goza<\/span> de muy<\/span> buena<\/span> salud<\/span>, tanto<\/span> cuantitativa<\/span> como<\/span> cualitativamente…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Eso<\/span> parece<\/span>. M\u00e1s<\/span> all\u00e1<\/span> de que<\/span> la cosa<\/span> est\u00e9<\/span> m\u00e1s<\/span> o menos<\/span> jodida<\/span>, la gente<\/span> consume m\u00fasica<\/span> igual<\/span>, y m\u00e1s<\/span> m\u00fasica<\/span> de aqu\u00ed<\/span>, hasta<\/span> ahora<\/span> parec\u00eda<\/span> imposible<\/span> porque<\/span> parec\u00eda<\/span> que<\/span> lo bueno<\/span> era s\u00f3lo<\/span> lo de fuera<\/span>. Parece<\/span> que<\/span> la gente<\/span> cree<\/span> que<\/span> aqu\u00ed<\/span> tambi\u00e9n<\/span> se hacen<\/span> cosas<\/span> buenas<\/span> y nosotros<\/span> nos gusta<\/span> porque<\/span> intentamos<\/span> hacer<\/span> cosas<\/span> buenas<\/span>, nosotros<\/span> somos<\/span> humildes<\/span> siempre<\/span> pero<\/span> intentamos<\/span> hacerlo<\/span> lo mejor<\/span> posible<\/span> y si<\/span> se interesan<\/span> por<\/span> la m\u00fasica<\/span> de aqu\u00ed<\/span>, mucho<\/span> mejor<\/span>. Como p\u00fablico<\/span> y como<\/span> amigos, tenemos<\/span> muchos<\/span> conocidos<\/span>, hemos<\/span> colaborado<\/span> con Txarango<\/span>, conocemos<\/span> Els Catarres<\/span>, nos gusta<\/span> que<\/span> les vaya<\/span> bien<\/span> porque<\/span> les conocemos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Es<\/span> un placer haber<\/span> tocado<\/span> con amigos con los que<\/span> empezamos<\/span> en la base, en un local de ensayo<\/span> h\u00famedo<\/span> y aceitoso<\/span> y que<\/span> ahora<\/span> muchos<\/span> de ellos<\/span> est\u00e9n<\/span> tocando<\/span> en grandes<\/span> giras<\/span> y festivales<\/span>. Aparte<\/span> de que<\/span> hay una<\/span> cultura<\/span> musical que<\/span> viene<\/span> de muy<\/span> lejos<\/span>, hablamos<\/span> de ‘rock laiet\u00e0’…<\/span> ahora<\/span> por<\/span> fin se est\u00e1n<\/span> cogiendo<\/span> los frutos<\/span> del trabajo<\/span> hecho<\/span> por<\/span> las<\/span> escuelas<\/span> de m\u00fasica<\/span>, un buen<\/span> trabajo<\/span>, las<\/span> primeras<\/span> grandes<\/span> generaciones<\/span> de entre<\/span> 20 y 40 a\u00f1os<\/span> ahora<\/span> empiezan<\/span> a coger<\/span> los frutos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tQuiz\u00e1s<\/span> el pop folk de Manel<\/span> o Els Amics<\/span> de les Arts est\u00e1<\/span> ya<\/span> un poco<\/span> trillado<\/span> y ser\u00eda<\/span> conveniente<\/span> tirar<\/span> por<\/span> otro<\/span> camino…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Parece<\/span> que<\/span> se ha explotado<\/span> mucho<\/span> y que<\/span> vayamos<\/span> a modas<\/span> y la mayor\u00eda<\/span> de gente<\/span> por<\/span> desgracia<\/span> al final acaba<\/span> escuchando<\/span> lo que<\/span> le dan<\/span>, no lo que<\/span> quieren<\/span>, sabe<\/span> un poco<\/span> mal. Parece<\/span> que<\/span> s\u00f3lo<\/span> se escuche<\/span> la moda<\/span> del momento<\/span>, empezamos<\/span> con mestizaje<\/span>, despu\u00e9s<\/span> rumba, ahora<\/span> folk y vamos<\/span> evolucionando<\/span> poco<\/span> a poco<\/span>, esperemos<\/span> que<\/span> llegue<\/span> un punto<\/span> en el que<\/span> la gente<\/span> pueda<\/span> llegar<\/span> a escuchar<\/span> lo que<\/span> realmente<\/span> quiere<\/span>. Tambi\u00e9n<\/span> es<\/span> un problema<\/span> que<\/span> todos<\/span> los grupos<\/span> que<\/span> hay no llegan<\/span> al gran<\/span> p\u00fablico<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl p\u00fablico<\/span> es<\/span> ahora<\/span> menos<\/span> exigente<\/span> y m\u00e1s<\/span> conformista<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Desde<\/span> la \u00e9poca<\/span> romana<\/span> hemos<\/span> evolucionado<\/span> muy<\/span> poco<\/span> en el sentido<\/span> de consumo<\/span> cultural, me sabe<\/span> mal ser<\/span> muy<\/span> catastr\u00f3fico<\/span> pero<\/span> creo<\/span> que<\/span> la gran<\/span> masa<\/span>, desde<\/span> la \u00e9poca<\/span> romana<\/span>, ha consumido<\/span> siempre<\/span> lo que<\/span> le han<\/span> ofrecido<\/span>, lo que<\/span> se ha encontrado<\/span>, lo que<\/span> le han<\/span> publicitado<\/span> y hay muy<\/span> poca<\/span> gente<\/span> que<\/span> tenga<\/span> esa<\/span> inquietud<\/span> de buscar<\/span>, existe<\/span> ese<\/span> p\u00fablico<\/span> por<\/span> suerte<\/span> pero<\/span> la gran<\/span> masa<\/span> sigue<\/span> el camino<\/span> de consumir<\/span> lo que<\/span> se publicite<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfQu\u00e9<\/span> opin\u00e1is<\/span> de un grupo<\/span> como<\/span> Blaumut<\/span>, que<\/span> incorpora<\/span> instrumentos<\/span> cl\u00e1sicos<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Est\u00e1<\/span> muy<\/span> bien<\/span>, se han<\/span> atrevido<\/span> a un incorporar<\/span> un viol\u00edn<\/span> o un chelo<\/span>, y est\u00e1<\/span> muy<\/span> bien<\/span> que<\/span> la m\u00fasica<\/span> no tenga<\/span> fronteras<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfY Ant\u00f2nia<\/span> Font, que<\/span> hizo<\/span> de enganche<\/span> entre<\/span> el rock catal\u00e1n<\/span> y la escena<\/span> actual?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: A m\u00ed<\/span> personalmente<\/span> siempre<\/span> me han<\/span> fascinado<\/span> las<\/span> letras<\/span> y Ant\u00f2nia<\/span> Font es<\/span> un grupo<\/span> referente<\/span> en este<\/span> sentido<\/span>, no se podr\u00eda<\/span> entender<\/span> buena<\/span> parte<\/span> de donde<\/span> estamos<\/span> sin su<\/span> preexistencia<\/span>. Es<\/span> una<\/span> de esas<\/span> bandas<\/span> imprescindibles<\/span>, seguramente<\/span> Manel<\/span> no se podr\u00eda<\/span> entender<\/span> sin Ant\u00f2nia<\/span> Font.<\/p>\n

\t\u00a0<\/p>\n

\tAhora<\/span> los conciertos<\/span> son la verdadera<\/span> prueba<\/span> de fuego<\/span> de los grupos<\/span>, entre<\/span> tanta<\/span> oferta…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tM: Yo<\/span> estoy<\/span> muy<\/span> contento<\/span> porque<\/span> es<\/span> en el directo<\/span> cuando<\/span> las<\/span> bandas<\/span> tienen<\/span> que<\/span> estar<\/span> vivas<\/span>, eso<\/span> va<\/span> por<\/span> los que<\/span> llevan<\/span> 35 a\u00f1os<\/span> viviendo<\/span> de los cr\u00e9ditos<\/span> de una<\/span> canci\u00f3n<\/span>. Si yo<\/span> descargo<\/span> un cami\u00f3n<\/span> y lo hago<\/span> muy<\/span> bien<\/span>, y me lo dicen<\/span>, y quiero<\/span> vivir<\/span> de los derechos<\/span> de esta<\/span> descarga<\/span> durante<\/span> 20 a\u00f1os<\/span> o llevo<\/span> un taxi, subo<\/span> a alguien<\/span> y llega<\/span> puntual<\/span> al aeropuerto<\/span> no puedo<\/span> vivir<\/span> a\u00f1os<\/span> de esto<\/span>, me parece<\/span> un desprop\u00f3sito<\/span> que<\/span> alguien<\/span> quiera<\/span> vivir<\/span> de algo<\/span> que<\/span> haya<\/span> hecho<\/span> hace<\/span> 30 a\u00f1os<\/span>. La propiedad<\/span> intelectual<\/span> es<\/span> otra<\/span> cosa<\/span>. En directo<\/span> es<\/span> donde<\/span> las<\/span> bandas<\/span> tienes<\/span> que<\/span> foguearse<\/span> y defenderse<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tJ: A m\u00ed<\/span> s\u00ed<\/span> que<\/span> me gusta<\/span> que<\/span> ahora<\/span> la gente<\/span> puede<\/span> llegar<\/span> a escuchar<\/span> cualquier<\/span> cosa<\/span>, antes la gente<\/span> s\u00f3lo<\/span> escuchaba<\/span> lo que<\/span> le llegaba<\/span> porque<\/span> no hab\u00eda<\/span> otras<\/span> maneras<\/span> de llegar<\/span> para<\/span> buscar<\/span> esa<\/span> perla<\/span> que<\/span> te<\/span> interesaba<\/span> y quiz\u00e1s<\/span> comprabas<\/span> un CD que<\/span> quiz\u00e1s<\/span> ni<\/span> te<\/span> gustaba<\/span>. Ahora<\/span> tenemos<\/span> la oportunidad<\/span> de escuchar<\/span> muchas<\/span> cosas<\/span> para<\/span> ir<\/span> probando<\/span>, eso<\/span> da<\/span> muchas<\/span> posibilidades<\/span> a las<\/span> bandas<\/span> y hace<\/span> evolucionar<\/span> la m\u00fasica<\/span>, que<\/span> la gente<\/span> tenga<\/span> acceso<\/span> a estos<\/span> m\u00fasicos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tDa<\/span> la sensaci\u00f3n<\/span> que<\/span> hemos<\/span> pasado<\/span> de un extremo<\/span> a otros<\/span>: antes se decid\u00eda<\/span> en un despacho<\/span> los m\u00fasicos<\/span> que<\/span> ten\u00edan<\/span> que<\/span> escucharse<\/span> y ser<\/span> considerados<\/span> buenos<\/span> y ahora<\/span> cualquiera<\/span> puede<\/span> ser<\/span> m\u00fasico<\/span> colgando<\/span> temas<\/span> en un Myspace<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Y seguramente<\/span> no creo<\/span> que<\/span> sea malo<\/span> si<\/span> no fuera<\/span> porque<\/span> falta<\/span> cultura<\/span> musical en este<\/span> pa\u00eds<\/span>, si<\/span> tuvi\u00e9ramos<\/span> la cultura<\/span> musical de otros<\/span> pa\u00edses<\/span>, que<\/span> todo<\/span> el mundo<\/span> pudiera<\/span> ser<\/span> m\u00fasico<\/span> no ser\u00eda<\/span> un problema<\/span> porque<\/span> todo<\/span> el mundo<\/span> ver\u00eda<\/span> qui\u00e9n<\/span> no lo es<\/span>. El problema<\/span> es<\/span> que<\/span> cualquiera<\/span> puede<\/span> colgar<\/span> cualquier<\/span> m\u00fasica<\/span> o ruido<\/span> en Internet y mucha<\/span> gente<\/span> pueda<\/span> creer<\/span> que<\/span> tenga<\/span> calidad<\/span> y no la tiene<\/span>. No es<\/span> un problema<\/span> de la difusi\u00f3n<\/span>, de las<\/span> redes<\/span>, sino<\/span> de falta<\/span> de conocimiento<\/span> musical, y la prueba<\/span> est\u00e1<\/span> en que<\/span> el ministro<\/span> de educaci\u00f3n<\/span> se quiere<\/span> cargar<\/span> la m\u00fasica<\/span>, esto<\/span> ya<\/span> dice mucho<\/span> de un pa\u00eds<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM\u00e1s<\/span> que<\/span> hacer<\/span> conciertos<\/span>, ahora<\/span> est\u00e1is<\/span> centrados<\/span> en la difusi\u00f3n…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: S\u00ed<\/span>, estamos<\/span> en el proceso<\/span> de promoci\u00f3n<\/span> y esperamos<\/span> sacar<\/span> el directo<\/span> de Kibo<\/span> en DVD, que<\/span> la gente<\/span> sea capaz<\/span> de ver<\/span> en su<\/span> casa lo que<\/span> somos<\/span> capaces<\/span> de hacer<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEl CD y el DVD son dos productos<\/span> diferentes<\/span> o complementarios<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: Intentamos<\/span> que<\/span> sonara<\/span> bastante<\/span> como<\/span> el disco, nos molestamos<\/span> en conseguir<\/span> los m\u00fasicos<\/span> para<\/span> hacerlo<\/span>. El resultado<\/span> ser\u00e1<\/span> muy<\/span> chulo<\/span>, la gente<\/span> sali\u00f3<\/span> encantad\u00edsima<\/span> del concierto<\/span>, para<\/span> nosotros<\/span> fue<\/span> un placer, esperemos<\/span> que<\/span> guste<\/span>, es<\/span> lo que<\/span> hacemos<\/span> en directo<\/span> y nos gusta<\/span> ense\u00f1arlo<\/span> y que<\/span> la gente<\/span> pueda<\/span> revivirlo<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfCu\u00e1les<\/span> son vuestros<\/span> proyectos<\/span> futuros<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tJ: No nos lo hemos<\/span> planteando<\/span>, ir\u00e1<\/span> surgiendo<\/span>, ahora<\/span> estamos<\/span> absolutamente<\/span> centrados<\/span> en que<\/span> el disco llegue<\/span>, no que<\/span> guste<\/span> porque<\/span> eso<\/span> no est\u00e1<\/span> en nuestras<\/span> manos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tM: Sabemos<\/span> que<\/span> est\u00e1<\/span> gustando<\/span>, en los pocos<\/span> conciertos<\/span> de presentaci\u00f3n<\/span> la gente<\/span> ha salido<\/span> encantada<\/span>, hemos<\/span> recibido<\/span> comentarios<\/span> muy<\/span> esperanzadores<\/span> pero<\/span> somos<\/span> conscientes<\/span> que<\/span> el disco no ha llegado<\/span> a mucha<\/span> gente<\/span> y que<\/span> queda<\/span> mucho<\/span> por<\/span> luchar<\/span> en este<\/span> sentido<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 “Nos une la improvisaci\u00f3n y la pasi\u00f3n por reinterpretar la m\u00fasica permanentemente” \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-5402","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nKIBO - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/kibo\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KIBO - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"\u00a0 “Nos une la improvisaci\u00f3n y la pasi\u00f3n por reinterpretar la m\u00fasica permanentemente” \u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/kibo\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-05-30T14:18:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-30T16:41:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i2.wp.com\/www.revistarambla.com\/wp-content\/uploads\/2014\/05\/Kibo_rambla-01.jpg?fit=682%2C430&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"682\" \/>\n\t<meta property=\"og:image:height\" content=\"430\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"21 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/4a5652fc8c82df1f8593002d038cd79e\"},\"headline\":\"KIBO\",\"datePublished\":\"2014-05-30T14:18:46+00:00\",\"dateModified\":\"2019-09-30T16:41:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/\"},\"wordCount\":4300,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/Kibo_rambla-01.jpg\",\"articleSection\":[\"Cultura\",\"M\u00fasica\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/kibo\\\/\",\"name\":\"KIBO - 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