{"id":5064,"date":"2014-03-27T07:06:00","date_gmt":"2014-03-27T07:06:00","guid":{"rendered":"https:\/\/www.revistarambla.com\/creacion-artistica-en-un-garaje-entrevista-al-grupo-cacerenos-54-y-uno-de-cuenca\/"},"modified":"2021-07-19T20:22:34","modified_gmt":"2021-07-19T18:22:34","slug":"creacion-artistica-en-un-garaje-entrevista-al-grupo-cacerenos-54-y-uno-de-cuenca","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/creacion-artistica-en-un-garaje-entrevista-al-grupo-cacerenos-54-y-uno-de-cuenca\/","title":{"rendered":"Creaci\u00f3n art\u00edstica en un garaje"},"content":{"rendered":"

En el a\u00f1o 2001 un grupo de pintores, que han trabajado por su cuenta, pero que manten\u00edan inquietudes semejantes, deciden reunirse en torno al pintor Mariano Lozano, compran en el barrio Madrile\u00f1o de Villaverde Alto un garaje que transforman en taller. Nace as\u00ed el grupo \u00ab54 Cacere\u00f1os y uno de Cuenca\u00bb.\u00a0 Adem\u00e1s de enfrentarse a una permanente b\u00fasqueda en la forma, en el color y en la materia, los mueve el convencimiento de que el arte no debe ser un producto para elites, sino que puede y debe llegar a p\u00fablico en general.<\/p>\n

\"54<\/a><\/strong><\/p>\n

\u00bfQu\u00e9<\/span> es<\/span> y cu\u00e1ndo<\/span> se forma \u201c54 Cacere\u00f1os<\/span> y uno<\/span> de Cuenca\u201d<\/span>?<\/strong><\/p>\n

Es<\/span> un grupo<\/span>, inicialmente<\/span> s\u00f3lo<\/span> de amigos, con muchos<\/span> a\u00f1os<\/span> de trato<\/span> y con inquietudes sociales<\/span> y art\u00edsticas<\/span> comunes<\/span>. En 2001 tuvimos<\/span> oportunidad<\/span> de comprar<\/span> un garaje<\/span> y, en ese<\/span> espacio<\/span>, decidimos<\/span> comenzar<\/span> una<\/span> aventura<\/span> art\u00edstica<\/span> conjunta<\/span>. El grupo<\/span> cuaj\u00f3<\/span> en torno<\/span> a Mariano Lozano, el \u00fanico<\/span> profesional<\/span> de todos<\/span> nosotros<\/span>, el \u00fanico<\/span> de Cuenca<\/span>, artista<\/span> de largo recorrido<\/span>, fervoroso<\/span> devoto<\/span> del oficio<\/span> de pintor<\/span> y miembro<\/span> de colectivos<\/span> hist\u00f3ricos<\/span>, como<\/span> \u201cEstrujenbank\u201d<\/span> en los a\u00f1os<\/span> ochenta<\/span> y noventa<\/span>, o \u201cCAS\u201d<\/span> posteriormente<\/span>.<\/p>\n

\u00bfSois<\/span> cincuenta<\/span> y cuatro<\/span>?<\/strong><\/p>\n

No, pero<\/span> si<\/span> nos apretamos<\/span> cabemos<\/span>: el garaje<\/span> es<\/span> grandecito<\/span>. El nombre<\/span> viene<\/span> precisamente<\/span> de la direcci\u00f3n<\/span> del garaje<\/span>, en la calle<\/span> Cacere\u00f1os<\/span> de Madrid, en el barrio de Villaverde<\/span> Alto.<\/p>\n

\u00bfC\u00f3mo<\/span> trabaj\u00e1is<\/span>?<\/strong><\/p>\n

Entre<\/span> nosotros<\/span> somos<\/span> distintos<\/span>. De modo<\/span> natural uno<\/span> tiende<\/span> a primar<\/span> la investigaci\u00f3n<\/span> sobre<\/span> el color, otro<\/span> m\u00e1s<\/span> sobre<\/span> el gesto<\/span> o la materia<\/span>, otro<\/span> sobre<\/span> la forma\u2026, a veces<\/span> producimos<\/span> obras<\/span> claramente<\/span> figurativas<\/span>, otras<\/span> rotundamente<\/span> abstractas<\/span>. A veces<\/span> son obras<\/span> gr\u00e1ficas<\/span>, otras<\/span> esculturas\u2026<\/span> pero<\/span>, sobre<\/span> todo<\/span>, es<\/span> pintura<\/span>. Somos<\/span> apasionados<\/span> de la pintura<\/span>, de la acci\u00f3n<\/span> de pintar<\/span> y de los elementos<\/span> materiales<\/span> que<\/span> integran<\/span> la pintura<\/span>: el color, la materia<\/span>, los soportes<\/span>, el modo<\/span> de aplicaci\u00f3n\u2026<\/span> Lo que<\/span> nos une<\/span> es<\/span> el respeto<\/span> a esos<\/span> elementos<\/span>, el esfuerzo<\/span> por<\/span> conocerlos<\/span>, y tambi\u00e9n<\/span> la b\u00fasqueda<\/span> de la sorpresa<\/span> que<\/span> se produce cuando<\/span> uno<\/span> deja<\/span> que<\/span> todo<\/span> eso<\/span>, y el pintor<\/span> mismo<\/span>, fluyan<\/span> en libertad\u2026<\/span> Nos gusta<\/span> el descubrimiento<\/span> de lo inesperado<\/span>, entendemos<\/span> esas<\/span> materias<\/span> pict\u00f3ricas<\/span> como<\/span> algo<\/span> vivo que<\/span> act\u00faa<\/span> e interact\u00faa<\/span> siguiendo<\/span> tambi\u00e9n<\/span> los impulsos<\/span> de su<\/span> propia<\/span> naturaleza<\/span>, algo<\/span> que<\/span> escapa<\/span> a nuestro<\/span> control, que<\/span> perseguimos<\/span>, pero<\/span> no dominamos\u2026<\/span> Nos gusta<\/span> dar<\/span> la vuelta<\/span> a los cuadros<\/span>, mirar<\/span> c\u00f3mo<\/span> los pigmentos<\/span> y los aceites<\/span> han<\/span> pintado<\/span> su<\/span> propia<\/span> obra<\/span> en el reverso<\/span>, c\u00f3mo<\/span> el agua<\/span> y el aceite<\/span>, al rechazarse<\/span>, perfilan<\/span> las<\/span> \u00e1reas<\/span> de color seg\u00fan<\/span> su<\/span> capricho<\/span>, c\u00f3mo<\/span> el gris<\/span> acent\u00faa<\/span> el rojo<\/span>, c\u00f3mo<\/span> la pintura<\/span> se desliza<\/span> sobre<\/span> el soporte<\/span> y dibuja<\/span> la ley<\/span> de Newton, c\u00f3mo<\/span> el negro<\/span> puede<\/span> estar<\/span> cerca<\/span> o lejos<\/span>, c\u00f3mo<\/span> un accidente<\/span> salva<\/span> un cuadro<\/span>, c\u00f3mo<\/span> un trapo<\/span> abandonado<\/span> puede<\/span> convertirse<\/span> en un arco<\/span> iris… Pintar<\/span> es<\/span> un acto<\/span> de conocimiento<\/span>, pero<\/span> queremos<\/span>, adem\u00e1s<\/span>, vivirlo<\/span> como<\/span> un ejercicio<\/span> de libertad<\/span>, de libertad<\/span> del pintor<\/span> y de lo pintado<\/span> y de la materia<\/span> pict\u00f3rica<\/span> misma<\/span>. Esa<\/span> libertad<\/span> se advierte<\/span> luego<\/span> en la obra<\/span>. La pintura<\/span> no enga\u00f1a<\/span>.<\/p>\n

\u00bfCu\u00e1les<\/span> son vuestros<\/span> objetivos<\/span>?<\/strong><\/p>\n

Podemos<\/span> seguir<\/span> el hilo<\/span> de la respuesta<\/span> anterior, y entonces<\/span> te<\/span> diremos<\/span> que<\/span> nuestro<\/span> objetivo<\/span> es<\/span> ser<\/span> cada<\/span> vez<\/span> m\u00e1s<\/span> libres<\/span>. En lo personal, en lo social, y en lo art\u00edstico<\/span>. Esto<\/span> no es<\/span> grandilocuente<\/span>; en realidad<\/span> es<\/span> bastante<\/span> humilde<\/span>. Es<\/span> reconocer<\/span> que<\/span> se trata<\/span> de un proceso<\/span> permanentemente<\/span> inacabado<\/span>, tan necesariamente<\/span> ininterrumpido<\/span> como<\/span> querer<\/span> alcanzar<\/span> el horizonte<\/span> y, por<\/span> otra<\/span> parte<\/span>, es<\/span> reivindicar<\/span> c\u00f3mo<\/span> el mero<\/span> hecho<\/span> de encontrar<\/span> el espacio<\/span> y el tiempo<\/span> para<\/span> disfrutar<\/span> del arte<\/span>, de la creaci\u00f3n<\/span> intelectual<\/span> y emocional<\/span> de otros<\/span> hombres y mujeres como<\/span> nosotros<\/span>, es<\/span> un acto<\/span> de libertad<\/span> que<\/span> nos hace<\/span> m\u00e1s<\/span> libres<\/span> y genera lazos<\/span> profundos<\/span>, conscientes<\/span> o no, con esos<\/span> otros<\/span>. Eso<\/span> es<\/span> la cultura<\/span>. La mayor\u00eda<\/span> de la gente<\/span> trabajadora<\/span> se considera<\/span>, porque<\/span> as\u00ed<\/span> la han<\/span> ense\u00f1ado<\/span>, al margen<\/span> del arte<\/span>, como<\/span> si<\/span> \u00e9ste<\/span> fuera<\/span> algo<\/span> elitista<\/span>, exclusivo<\/span> de la clase<\/span> adinerada<\/span>. Y de ese<\/span> modo<\/span> renuncia<\/span> a crecer<\/span>, a disfrutar<\/span>, a reclamar<\/span> y ejercer<\/span> su<\/span> derecho<\/span> a una<\/span> vida<\/span> intelectual<\/span> y emocional<\/span> plena, a descubrir<\/span>, a sorprenderse<\/span>, a conocer<\/span> y hacer<\/span> suyos<\/span> motivos<\/span>, conceptos<\/span> e im\u00e1genes<\/span> aut\u00e9nticos<\/span>, no subproductos<\/span> generados<\/span> por<\/span> el mercado<\/span>, basura<\/span> clonada<\/span> hasta<\/span> el infinito<\/span>. De ah\u00ed<\/span> que<\/span> un prop\u00f3sito<\/span> prioritario<\/span> para<\/span> nosotros<\/span> es<\/span> \u201cmover\u201d nuestras<\/span> obras<\/span> por<\/span> circuitos<\/span> populares<\/span>, por<\/span> barrios obreros<\/span>, escenarios<\/span> donde<\/span> la pintura<\/span>, o el arte<\/span> en general, son algo<\/span> ins\u00f3lito<\/span>, negado<\/span>. Un cuadro<\/span> original, no una<\/span> estampita<\/span>, en la pared de una<\/span> casa de trabajadores<\/span>. Ese<\/span> es<\/span> un bonito objetivo<\/span>.<\/p>\n

NOTA: Arturo Seeber<\/span> Bonorino<\/span> <\/strong>es<\/span> un escritor<\/span> argentino<\/span> que<\/span> lleva<\/span> m\u00e1s<\/span> de dos d\u00e9cadas<\/span> viviendo<\/span> en Espa\u00f1a<\/span>. Autor<\/span> de La gran<\/span> oportunidad<\/span> del Pelusa<\/span><\/em>, que<\/span> recibi\u00f3<\/span> el premio<\/span> del XXI<\/span> Certamen<\/span> Manuel V\u00e1zqu\u00e9<\/span> Montalb\u00e1n<\/span> y del libro<\/span> de relatos<\/span> negros<\/span>: Un paquete<\/span> para<\/span> el m\u00e1nager<\/span><\/em>, entre<\/span> otros<\/span> libros<\/span>.<\/p>\n

\"54<\/a><\/p>","protected":false},"excerpt":{"rendered":"

En el a\u00f1o 2001 un grupo de pintores, que han trabajado por su cuenta, pero que manten\u00edan inquietudes semejantes, deciden reunirse en torno al pintor Mariano Lozano, compran en el barrio Madrile\u00f1o de Villaverde Alto un garaje que transforman en taller. Nace as\u00ed el grupo \u00ab54 Cacere\u00f1os y uno de […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[64,4],"tags":[],"class_list":["post-5064","post","type-post","status-publish","format-standard","hentry","category-arte","category-cultura"],"yoast_head":"\nEntrevista al Grupo \u201cCacere\u00f1os 54 y uno de Cuenca\u201d - Revista Rambla<\/title>\n<meta name=\"description\" content=\"Nace as\u00ed el grupo "54 Cacere\u00f1os y uno de Cuenca".\u00a0 Adem\u00e1s de enfrentarse a una permanente b\u00fasqueda en la forma, en el color y en la materia, los mueve el...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/creacion-artistica-en-un-garaje-entrevista-al-grupo-cacerenos-54-y-uno-de-cuenca\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entrevista al Grupo \u201cCacere\u00f1os 54 y uno de Cuenca\u201d - 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