{"id":4852,"date":"2014-02-23T08:44:47","date_gmt":"2014-02-23T08:44:47","guid":{"rendered":"https:\/\/www.revistarambla.com\/sara-gee-a-ramblin-matt-cuando-el-missisipi-desemboca-en-el-turia\/"},"modified":"2019-09-30T18:41:51","modified_gmt":"2019-09-30T16:41:51","slug":"sara-gee-a-ramblin-matt-cuando-el-missisipi-desemboca-en-el-turia","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/sara-gee-a-ramblin-matt-cuando-el-missisipi-desemboca-en-el-turia\/","title":{"rendered":"SARA GEE & RAMBLIN MATT: CUANDO EL MISSISIPI DESEMBOCA EN EL TURIA"},"content":{"rendered":"

\t\"alt\"Algunas<\/span> vidas<\/span> son como<\/span> el slide<\/em> de una<\/span> guitarra<\/span> de blues, esa<\/span> nota que<\/span> arrastrada<\/span> por<\/span> los trastes<\/span> del instrumento<\/span> consigue<\/span> arrancarle<\/span> un quejido<\/span> a veces<\/span> amargo<\/span>, melanc\u00f3lico<\/span> siempre<\/span>. Algo<\/span> de eso<\/span> hay en la trayectoria<\/span> de Mateo Ramblin<\/span> Matt<\/em> Garc\u00eda<\/span><\/p>\n

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\tAlgunas<\/span> vidas<\/span> son como<\/span> el slide<\/em> de una<\/span> guitarra<\/span> de blues, esa<\/span> nota que<\/span> arrastrada<\/span> por<\/span> los trastes<\/span> del instrumento<\/span> consigue<\/span> arrancarle<\/span> un quejido<\/span> a veces<\/span> amargo<\/span>, melanc\u00f3lico<\/span> siempre<\/span>. Algo<\/span> de eso<\/span> hay en la trayectoria<\/span> de Mateo Ramblin<\/span> Matt<\/em> Garc\u00eda<\/span> que<\/span> de las<\/span> anta\u00f1o<\/span> sider\u00fargicas<\/span> y mediterr\u00e1neas<\/span> orillas<\/span> del Puerto de Sagunto<\/span> le condujo<\/span> en los a\u00f1os<\/span> 90 hasta<\/span> Estados<\/span> Unidos<\/span>, donde<\/span> residi\u00f3<\/span> seis<\/span> a\u00f1os<\/span>, vivi\u00f3<\/span> en Chicago y recorri\u00f3<\/span> en varias<\/span> ocasiones<\/span> el Mississippi guitarra<\/span> y mochila<\/span> enristre<\/span> donde<\/span> termin\u00f3<\/span> de empaparse<\/span> de blues, country y m\u00fasica<\/span> del Delta. Con esa<\/span> m\u00fasica<\/span> en la maleta<\/span>, y tras<\/span> pasar<\/span> una<\/span> temporada<\/span> en Espa\u00f1a<\/span>, en 2003 Mateo viaja<\/span> a la isla<\/span> Zanz\u00edbar<\/span>, donde<\/span> regentar\u00e1<\/span> un bar durante<\/span> dos a\u00f1os<\/span>, para<\/span> luego<\/span> trasladarse<\/span> a las<\/span> puertas<\/span> de otro<\/span> delta, el del Nilo<\/span>. En El Cairo actuar\u00e1<\/span> en diferentes<\/span> tugurios<\/span> y night clubes<\/span><\/em> hasta<\/span> que<\/span> en 2006 regresa<\/span> a Europa<\/span>. Su nuevo<\/span> destino<\/span> ser\u00e1<\/span> Londres<\/span> donde<\/span> perfecciona<\/span> su<\/span> formaci\u00f3n<\/span> musical y actua<\/span> con Los Jailbreakers<\/span>. Tambi\u00e9n<\/span> en solitario<\/span> promoviendo<\/span> The Ramblin<\/span> Matt Trio.<\/strong><\/p>\n

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\tTras<\/span> este<\/span> peregrinaje<\/span>, recorrido<\/span> no pocas<\/span> veces<\/span> por<\/span> el hiriente<\/span> filo<\/span> de la navaja<\/span>, Mateo retorna<\/span> en 2013 a tierras<\/span> valencianas<\/span>. “Aunque<\/span> nadie<\/span> es<\/span> profeta<\/span> en su<\/span> tierra<\/span>, o eso<\/span> dicen<\/span> las<\/span> malas<\/span> lenguas<\/span>, siento<\/span> que<\/span> estoy<\/span> en un momento<\/span> de mi vida<\/span> en el que<\/span> tocaba<\/span> regresar<\/span> a la \u00fanica<\/span> identidad<\/span> con la que<\/span> me identifico<\/span>, el Mediterr\u00e1neo”<\/span>, comenta<\/span>. Y en Valencia, durante<\/span> una<\/span> jam sesi\u00f3n<\/span><\/em> promovida<\/span> por<\/span> el armonicista<\/span> Danny Boy, le aguardaba<\/span> una<\/span> sorpresa<\/span> que<\/span> iba<\/span> a marcar<\/span> sus<\/span> actuales<\/span> pasos<\/span> vitales<\/span> y musicales. Aquella<\/span> sorpresa<\/span> fue<\/span> la voz<\/span> y la energ\u00eda<\/span> de Sara Gee<\/em> Gonz\u00e1lez<\/span> interpretando<\/span> “Hard headed woman”<\/em> de Wanda Jackson. Fruto<\/span> de este<\/span> encuentro<\/span> surgi\u00f3<\/span> Sara Gee & Ramblin<\/span> Matt que<\/span> desde<\/span> hace<\/span> varios<\/span> meses<\/span> recorren<\/span> los m\u00e1s<\/span> variados<\/span> escenarios<\/span> valencianos<\/span> con una<\/span> de las<\/span> propuestas<\/span> musicales m\u00e1s<\/span> interesantes<\/span> del momento<\/span>. Y buena<\/span> prueba<\/span> de ello<\/span> es<\/span> su<\/span> primer CD “The heroin dress”<\/em><\/a>, <\/em>un estupendo<\/span> trabajo<\/span> grabado<\/span> a caballo<\/span> entre<\/span> Londres<\/span> y Valencia.<\/p>\n

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\tLa m\u00fasica<\/span> es<\/span> algo<\/span> inseparable de la biograf\u00eda<\/span> de Mateo. De hecho<\/span> bromea<\/span> evocando<\/span> c\u00f3mo<\/span> el “primer dinero”<\/span> que<\/span> gan\u00f3<\/span> en su<\/span> vida<\/span> vino de la m\u00fasica<\/span>: cantando<\/span> villancicos<\/span> de ni\u00f1o<\/span> por<\/span> las<\/span> casas<\/span>. Han pasado<\/span> casi<\/span> cuarenta<\/span> a\u00f1os<\/span> desde<\/span> que<\/span> se colg\u00f3<\/span> por<\/span> primera<\/span> vez<\/span> una<\/span> guitarra<\/span> en una<\/span> rondalla<\/span> escolar<\/span> y el instrumento<\/span> le ha sido<\/span> fiel<\/span> desde<\/span> entonces<\/span>. Con una<\/span> est\u00e9tica<\/span> expl\u00edcitamente<\/span> canalla<\/span>, Mateo recuerda<\/span> sus<\/span> primeros<\/span> pasos<\/span> musicales all\u00e1<\/span> por<\/span> los a\u00f1os<\/span> 80, tocando<\/span> en bandas<\/span> valencianas<\/span> de rockabilly como<\/span> Incorregibles<\/span> o los Dalton. Su encuentro<\/span> con el blues tambi\u00e9n<\/span> fue<\/span> muy<\/span> temprano<\/span>, all\u00e1<\/span> por<\/span> 1978, \u00a0cuando<\/span> escuch\u00f3<\/span> por<\/span> vez<\/span> primera<\/span> el disco“Boogie<\/em><\/span> Chillen”<\/span><\/em> de John Lee Hooker. En todos<\/span> estos<\/span> a\u00f1os<\/span> ha profundizado<\/span> en las<\/span> ra\u00edces<\/span> de esta<\/span> m\u00fasica<\/span>, como<\/span> deja<\/span> constancia<\/span> la imagen<\/span> de Robert Johnson que<\/span> luce<\/span> tatuada<\/span> en el pecho<\/span>. “Mi viaje<\/span> musical ha ido<\/span> hacia<\/span> atr\u00e1s<\/span>, conectando<\/span> un descubrimiento<\/span> musical con sus<\/span> ra\u00edces<\/span> anteriores<\/span>, influencias…hasta morir<\/span> en principios<\/span> del siglo<\/span> XX”, destaca<\/span>. Aunque<\/span> eso<\/span> s\u00ed<\/span>, sin sacralizar<\/span> ning\u00fan<\/span> pasado<\/span>: “La reflexi\u00f3n<\/span> y el respeto<\/span> a las<\/span> ra\u00edces<\/span> son buenos<\/span>, aconsejables<\/span> y \u00fatiles<\/span>, pero<\/span> tambi\u00e9n<\/span> necesitamos<\/span> frescura<\/span> e ingenio<\/span>, sin el toque personal, el buen<\/span> gusto y las<\/span> ganas<\/span> de crear<\/span> no hacemos<\/span> nada”, se\u00f1ala<\/span>.<\/p>\n

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\tSara tiene<\/span> en la mirada<\/span> y la sonrisa<\/span> la misma<\/span> energ\u00eda<\/span> que<\/span> en el escenario<\/span> logra<\/span> imprimir<\/span> a su<\/span> voz<\/span>. Todav\u00eda<\/span> recuerda<\/span> muy<\/span> bien<\/span> la primera<\/span> vez<\/span> que<\/span> cant\u00f3<\/span> en p\u00fablico<\/span>, durante<\/span> una<\/span> noche<\/span> de “golfer\u00edo”<\/span> con unas<\/span> amigas<\/span> en un garito<\/span> del barrio del Carmen. All\u00ed<\/span>, la m\u00fasica<\/span> que<\/span> un desconocido<\/span> cliente<\/span> americano<\/span> hab\u00eda<\/span> comenzado<\/span> a improvisar<\/span> al piano, le anim\u00f3<\/span> para<\/span> pedirle<\/span> al espont\u00e1neo<\/span> m\u00fasico<\/span> que<\/span> tocara<\/span> el tema<\/span> “Me and Bobby McGee” de Kris Krisstoferson<\/span>, arranc\u00e1ndose<\/span> all\u00ed<\/span> mismo<\/span> a cantar<\/span>. “Nadie<\/span> sab\u00eda<\/span> que<\/span> yo<\/span> cantaba<\/span>, de hecho<\/span>, por<\/span> aquel<\/span> entonces<\/span> casi<\/span> no lo sab\u00eda<\/span> ni<\/span> yo<\/span>. El bar era min\u00fasculo<\/span> y estaba<\/span> a reventar<\/span>. Y ah\u00ed<\/span>,\u00a0 asomando<\/span> la cabeza<\/span> entre<\/span> los barrotes<\/span> de una<\/span> escalerita<\/span> que<\/span> sub\u00eda<\/span> a la parte<\/span> de arriba<\/span>,\u00a0 me solt\u00e9<\/span> la melena”<\/span>, recuerda<\/span>.<\/p>\n

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\tTras<\/span> estudiar<\/span> Arte<\/span> Dram\u00e1tico<\/span>, su<\/span> abrazo<\/span> definitivo<\/span> con la m\u00fasica<\/span> le lleg\u00f3<\/span> fuera<\/span> de las<\/span> tierras<\/span> valencianas<\/span>, aunque<\/span> no tan lejanas<\/span> como<\/span> a su<\/span> compa\u00f1ero<\/span> de acordes<\/span>. Fue<\/span> en Formentera<\/span>, donde<\/span> se trasladar\u00eda<\/span> varios<\/span> a\u00f1os<\/span> a vivir<\/span> y en lugar<\/span> donde<\/span> comenzar\u00eda<\/span> a tocar<\/span> la guitarra<\/span> y a escribir<\/span> canciones<\/span>, junto<\/span> con el carism\u00e1tico<\/span> m\u00fasico<\/span> Erik Doornweerd<\/span>, toda<\/span> una<\/span> instituci\u00f3n<\/span> en la isla<\/span> desde<\/span> que<\/span> lleg\u00f3<\/span> en 1968. Desde<\/span> entonces<\/span>, la relaci\u00f3n<\/span> de Sara con el blues ha sido<\/span> algo<\/span> natural. “Desde<\/span> luego<\/span> es<\/span> la m\u00fasica<\/span> que<\/span> me gusta<\/span> escuchar<\/span>, per no hubo<\/span> una<\/span> canci\u00f3n<\/span> que<\/span> me convenciera<\/span>, ni<\/span> algo<\/span> que<\/span> yo<\/span> decidiera<\/span> as\u00ed<\/span>, en plan: o esto<\/span>, o nada. M\u00e1s<\/span> bien<\/span> es<\/span> lo que<\/span> me sale”, destaca<\/span>. De hecho<\/span>, ha probado<\/span> con otros<\/span> estilos<\/span> como<\/span> el flamenco, pero<\/span> no terminado<\/span> de cuajar<\/span>.<\/p>\n

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\tEsa<\/span> naturalidad<\/span> con que<\/span> Sara y Mateo viven<\/span> e interpretan<\/span> el blues y el country queda<\/span> reflejada<\/span> en los diez<\/span> temas<\/span> que<\/span> componen<\/span> “The heroin dress”<\/em>. Un trabajo<\/span> donde<\/span> tambi\u00e9n<\/span> se constata<\/span> la influencia<\/span> que<\/span> tienen<\/span> en su<\/span> m\u00fasica<\/span> los int\u00e9rpretes<\/span> cl\u00e1sicos<\/span> norteamericanos<\/span>. No en vano<\/span>, el disco incluye<\/span> dos temas<\/span> de Hank Willians<\/span> Sr. (“Long gone mommy”<\/em> y “You win again”<\/em>), as\u00ed<\/span> como<\/span> el “Better off whit the blues”<\/em> de Delbert<\/span> McClinton<\/span> y el “Love me like a man”<\/em> de Bonnie Raitt<\/span>. A ellos<\/span> se suma<\/span> el particular homenaje<\/span> que<\/span> Mateo hace<\/span> a Johny<\/span> Cash y su<\/span> banda<\/span> con su<\/span> tabernario<\/span> “Morning rain (Ballad of the lonesone<\/span> drunk)”<\/em>. El resto<\/span> de canciones<\/span> est\u00e1n<\/span> escritas<\/span> y compuestas<\/span> por<\/span> Sara, con arreglos<\/span> de Mateo.<\/p>\n

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\tLa naturalidad<\/span> con que<\/span> Sara aborda<\/span> esta<\/span> m\u00fasica<\/span> queda<\/span> de manifiesto<\/span> con la impronta<\/span> que<\/span> su<\/span> voz<\/span>, dulce<\/span> y rota a la vez<\/span>, deja<\/span> en cada<\/span> tema<\/span>. La cantante<\/span>, que<\/span> tambi\u00e9n<\/span> toca<\/span> la guitarra<\/span>, queda<\/span> reforzada<\/span> por<\/span> la solvencia<\/span> con que<\/span> Mateo la respalda<\/span> musicalmente<\/span> a la guitarra<\/span>, el dobro<\/span>, el bajo<\/span>, la percusi\u00f3n<\/span> o subrayando<\/span> su<\/span> modulaci\u00f3n<\/span> en los coros<\/span> con su<\/span> contrapunto<\/span> m\u00e1s<\/span> castigado<\/span>. Esta<\/span> harm\u00f3nica<\/span> fusi\u00f3n<\/span> musical queda<\/span> as\u00ed<\/span> recogida<\/span> en este<\/span> \u00e1lbum<\/span> de forma perfecta. Incluso<\/span> Sara se permite<\/span>, con unas<\/span> gotas<\/span> de humor, aludir<\/span> a este<\/span> fruct\u00edfero<\/span> encuentro<\/span> musical en algunas<\/span> de las<\/span> canciones<\/span> del disco, como<\/span> “The girl with the sunshine in the eyes”<\/em>o “A woman needs afriend”<\/span>.<\/em><\/p>\n

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\tAhora<\/span>, mientras<\/span> ultiman<\/span> nuevos<\/span> proyectos<\/span>, Sara Gee y Ramblin<\/span> Matt recorren<\/span> las<\/span> radios y los escenarios<\/span> valencianos<\/span>, grandes<\/span> o peque\u00f1os<\/span>, presentando<\/span> su<\/span> m\u00fasica<\/span> en directo<\/span>. Una<\/span> de sus<\/span> \u00faltimas<\/span> actuaciones<\/span> ha sido<\/span> el reciente<\/span> homenaje<\/span> tributado<\/span> por<\/span> m\u00fasicos<\/span> valencianos<\/span> a Lou Reed en el Loco Club. En cada<\/span> actuaci\u00f3n<\/span>, esta<\/span> pareja<\/span> de m\u00fasicos<\/span> pone de manifiesto<\/span> c\u00f3mo<\/span> a los acordes<\/span> de una<\/span> guitarra<\/span> el Turia<\/span> es<\/span> capaz<\/span> de parecer<\/span> el Mississippi y asumir<\/span> la tristeza<\/span> terap\u00e9utica<\/span> del blues. “Creo<\/span> que<\/span> todos<\/span> tenemos<\/span> el blues –comenta<\/span> Sara-, otra<\/span> cosa<\/span> es<\/span> saberlo<\/span> sacar<\/span>. Coger<\/span> tus<\/span> pupas y cantarlas<\/span>, para<\/span> que<\/span> no te<\/span> duelan<\/span> tanto<\/span>. O incluso<\/span>, que<\/span> tu<\/span> blues sea interesante<\/span> de escuchar<\/span> para<\/span> el resto<\/span> porque<\/span> se identifican<\/span>, les asombra<\/span>, o les anima ver<\/span> que<\/span> alguien<\/span> est\u00e1<\/span> peor”<\/span>.<\/p>\n

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\tPara Mateo la relaci\u00f3n<\/span> con el blues es<\/span> tan intensa<\/span> que<\/span> casi<\/span> puede<\/span> considerarse<\/span> epid\u00e9rmica<\/span>. “Se va<\/span> adentrando<\/span> entre<\/span> las<\/span> capas<\/span> de tu<\/span> piel<\/span> y asent\u00e1ndose<\/span> conforme<\/span> la vida<\/span> va<\/span> pasando<\/span> y acumulamos<\/span> experiencias”<\/span>. Tanto<\/span> que<\/span> en ocasiones<\/span> puede<\/span> convertirse<\/span> en una<\/span> adici\u00f3n<\/span> peligrosa<\/span>. Por<\/span> eso<\/span>, este<\/span> valenciano<\/span> tatuado<\/span> y canalla<\/span>, experto<\/span> en viajes<\/span> vitales<\/span>, no descarta<\/span> aventurarse<\/span> en un futuro<\/span> por<\/span> nuevas<\/span> traves\u00edas<\/span> musicales: “me imagino<\/span> haciendo<\/span> muchas<\/span> clases<\/span> de m\u00fasica<\/span> diferente<\/span>, dentro<\/span> de ciertos<\/span> estilos<\/span> e influencias<\/span>, dependiendo<\/span> de lo que<\/span> el alma me pida”<\/span>.<\/p>\n

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\t\"alt\"<\/p>","protected":false},"excerpt":{"rendered":"

Algunas vidas son como el slide de una guitarra de blues, esa nota que arrastrada por los trastes del instrumento consigue arrancarle un quejido a veces amargo, melanc\u00f3lico siempre. Algo de eso hay en la trayectoria de Mateo Ramblin Matt Garc\u00eda \u00a0 \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-4852","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nSARA GEE & RAMBLIN MATT: CUANDO EL MISSISIPI DESEMBOCA EN EL TURIA - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/sara-gee-a-ramblin-matt-cuando-el-missisipi-desemboca-en-el-turia\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SARA GEE & RAMBLIN MATT: CUANDO EL MISSISIPI DESEMBOCA EN EL TURIA - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Algunas vidas son como el slide de una guitarra de blues, esa nota que arrastrada por los trastes del instrumento consigue arrancarle un quejido a veces amargo, melanc\u00f3lico siempre. 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