{"id":4770,"date":"2014-02-10T11:38:56","date_gmt":"2014-02-10T11:38:56","guid":{"rendered":"https:\/\/www.revistarambla.com\/en-cualquier-caso-ningun-remordimiento\/"},"modified":"2014-02-10T11:38:56","modified_gmt":"2014-02-10T11:38:56","slug":"en-cualquier-caso-ningun-remordimiento","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/en-cualquier-caso-ningun-remordimiento\/","title":{"rendered":"\u201cEN CUALQUIER CASO, NING\u00daN REMORDIMIENTO\u201d"},"content":{"rendered":"

\t\"alt\"Una<\/span> ma\u00f1ana<\/span> del 11 de diciembre<\/span> de 1911, en Par\u00eds<\/span> se utiliz\u00f3<\/span> por<\/span> primera<\/span> vez<\/span> un autom\u00f3vil<\/span> en el atraco<\/span> a un banco<\/span>. En el interior del veh\u00edculo<\/span> iba<\/span> la “Banda<\/span> de Bonnot”<\/span>. Jules Bonnot<\/span>, considerado<\/span> el enemigo<\/span> p\u00fablico<\/span> n\u00ba. 1 en la Francia<\/span> de la \u00e9poca<\/span>,<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\tUna<\/span> ma\u00f1ana<\/span> del 11 de diciembre<\/span> de 1911, en Par\u00eds<\/span> se utiliz\u00f3<\/span> por<\/span> primera<\/span> vez<\/span> un autom\u00f3vil<\/span> en el atraco<\/span> a un banco<\/span>. En el interior del veh\u00edculo<\/span> iba<\/span> la “Banda<\/span> de Bonnot”<\/span>. Jules Bonnot<\/span>, considerado<\/span> el enemigo<\/span> p\u00fablico<\/span> n\u00ba. 1 en la Francia<\/span> de la \u00e9poca<\/span>, fue<\/span> un obrero<\/span> metal\u00fargico<\/span>, soldado<\/span> y anarquista<\/span>. Considerado<\/span> un h\u00e9roe<\/span> popular rom\u00e1ntico<\/span> por<\/span> unos<\/span>, y un simple delincuente<\/span> por<\/span> otros<\/span>, el que<\/span> fuera<\/span> ch\u00f3fer<\/span> de Arthur Conan Doyle combati\u00f3<\/span> a la burgues\u00eda<\/span> parisina<\/span> y fue<\/span> un mal sue\u00f1o<\/span> para<\/span> los gendarmes de la S\u00fbret\u00e9<\/span>. Pino<\/span> Cacucci<\/span> (Alessandria<\/span>, 1955) es<\/span> el autor<\/span> de En cualquier<\/span> caso<\/span>, ning\u00fan<\/span> remordimiento<\/span> <\/em>(In ogni<\/span> caso<\/span> nessun<\/span> rimorso<\/span><\/em>), biograf\u00eda<\/span> novelada<\/span> de Bonnot<\/span>. Novelista<\/span> y guionista<\/span>, el piamont\u00e9s<\/span> Cacucci<\/span> es<\/span> el traductor<\/span> al italiano<\/span> de autores<\/span> como<\/span> Enrique Vila-Matas<\/span>, Rafael Chirbes<\/span> o Javier Cercas<\/span>, entre<\/span> otros<\/span> autores<\/span> espa\u00f1oles<\/span>. Hablamos<\/span> con \u00e9l<\/span> sobre<\/span> esta<\/span> sorprendente<\/span> novela<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tAlgunas<\/span> de sus<\/span> novelas<\/span> suelen<\/span> incluirse<\/span> en el genere<\/span> giallo<\/span><\/em>. Particularmente<\/span> creo<\/span> que<\/span> esta<\/span> es<\/span> una<\/span> gran<\/span> novela<\/span>, sin m\u00e1s<\/span> etiquetas<\/span>, pero<\/span> leo<\/span> que<\/span> la cr\u00edtica<\/span> la enmarca<\/span> como<\/span> la renovada<\/span> novela<\/span> negra<\/span> italiana<\/span>, con mucha<\/span> acci\u00f3n<\/span>, pero<\/span> tambi\u00e9n<\/span> con mucha<\/span> cr\u00edtica<\/span> social. \u00bfEn cualquier<\/span> caso…<\/span><\/em> es<\/span> una<\/span> novela<\/span> negra<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tLas etiquetas<\/span> me quedan<\/span> estrechas<\/span> e inc\u00f3modas<\/span>, siempre<\/span> intento<\/span> escaparme<\/span> de ellas<\/span>, quiz\u00e1s<\/span> por<\/span> esto<\/span> he escrito<\/span> tantos<\/span> libros<\/span> cambiando<\/span> de g\u00e9nero<\/span>, pero<\/span> siempre<\/span> me atrajo<\/span> la novela<\/span> negra<\/span>, o de aventuras<\/span>, como<\/span> medio<\/span> para<\/span> contar<\/span> una<\/span> realidad<\/span> y las<\/span> historias<\/span> de hombres y mujeres que<\/span> sacrificaron<\/span> su<\/span> vida<\/span> por<\/span> causa<\/span> de un ideal, pero<\/span> sin caer<\/span> en las<\/span> ideolog\u00edas<\/span> que<\/span>, al fin y al cabo<\/span>, nos han<\/span> dado las<\/span> peores<\/span> dictaduras<\/span> del siglo<\/span> XX. En Italia hay una<\/span> corriente<\/span> literaria<\/span> que<\/span> se autodenomina<\/span> “nueva<\/span> novela<\/span> \u00e9pica”<\/span>, que<\/span> entre<\/span> varias<\/span> cosas<\/span>, se dedica<\/span> a rescatar<\/span> la memoria<\/span> olvidada<\/span> de los rebeldes<\/span>. Yo<\/span> creo<\/span> que<\/span> mi novela<\/span> aspiraba<\/span> a eso<\/span> (unos<\/span> veinte<\/span> a\u00f1os<\/span> antes, cuando<\/span> la escrib\u00ed<\/span>), a contar<\/span> de una<\/span> manera<\/span> \u00e9pica<\/span> la historia<\/span> de personas que<\/span>, al final, estaban<\/span> desesperadas<\/span> y marginadas<\/span>, pero<\/span> no aceptaban<\/span> bajar<\/span> la cabeza<\/span> y seguir<\/span> soportando<\/span> humillaciones<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tUsted<\/span> novela<\/span> una<\/span> \u00e9poca<\/span> convulsa<\/span> en Francia<\/span>, en toda<\/span> Europa<\/span>, de principios<\/span> del siglo<\/span> XX, donde<\/span> el capitalismo<\/span> eclosion\u00f3<\/span> en el colonialismo<\/span> y el imperialismo<\/span> dando<\/span> paso<\/span> a la manipulaci\u00f3n<\/span> interesada<\/span> del sentimiento<\/span> patri\u00f3tico<\/span>. Las promesas<\/span> revolucionarias<\/span> del siglo<\/span> XIX<\/span>, se quedaron<\/span> en promesas<\/span>. Bonnot<\/span>, en este<\/span> contexto<\/span>, form\u00f3<\/span> parte<\/span> de la tradici\u00f3n<\/span> del anarquismo<\/span> individualista<\/span>, derivando<\/span> hacia<\/span> el ilegalismo<\/span>, que<\/span> propugnaba<\/span> la acci\u00f3n<\/span> directa<\/span>, la lucha<\/span> armada y lo que<\/span> ellos<\/span> llamaban<\/span> “expropiaciones”<\/span>, atracos<\/span> a bancos<\/span>, vamos<\/span>. Pero<\/span>, Bonnot<\/span> no fue<\/span> un dirigente<\/span> de ese<\/span> movimiento<\/span>, incluso<\/span> ni<\/span> era el l\u00edder<\/span> de la banda<\/span> a la que<\/span> pertenec\u00eda<\/span>, aunque<\/span> la prensa<\/span> y la polic\u00eda<\/span> as\u00ed<\/span> lo afirmaban<\/span>. \u00bfPor<\/span> qu\u00e9<\/span> tuvo<\/span> tanto<\/span> carisma<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"Porque<\/span> creo<\/span> que<\/span> se convirti\u00f3<\/span> en un s\u00edmbolo<\/span>, el emblema<\/span> y el ejemplo<\/span> de un hombre que<\/span> antepuso<\/span> la dignidad<\/span> y la rebeld\u00eda<\/span> a cualquier<\/span> de pol\u00edtica<\/span> que<\/span> se pierde<\/span> en el laberinto<\/span> de las<\/span> buenas<\/span> intenciones<\/span>: o sea, ten paciencia<\/span>, dame tiempo<\/span> y ver\u00e1s<\/span> que<\/span> haremos<\/span> la revoluci\u00f3n…<\/span> No, a Bonnot<\/span> le herv\u00eda<\/span> la sangre<\/span> en las<\/span> venas<\/span>, su<\/span> sensibilidad<\/span> le impon\u00eda<\/span> pasar<\/span> a la acci\u00f3n<\/span>, costara<\/span> lo que<\/span> costara<\/span>, hasta<\/span> las<\/span> \u00faltimas<\/span> consecuencias<\/span>. Claro<\/span>, debemos<\/span> tomar<\/span> en cuenta<\/span> la \u00e9poca<\/span> en la cual<\/span> pas\u00f3<\/span> todo<\/span> esto<\/span>, y tambi\u00e9n<\/span> el sentido<\/span> de la “venganza”<\/span>: Bonnot<\/span> era el vengador<\/span> de los oprimidos<\/span> por<\/span> los bancos<\/span> y el capitalismo<\/span>, por<\/span> una<\/span> burgues\u00eda<\/span> rapaz<\/span>, era la otra<\/span> cara<\/span> de la Belle \u00c9poque<\/span>, donde<\/span> los obreros<\/span> y los mineros<\/span> luchaban<\/span> por<\/span> un salario<\/span> digno<\/span> y condiciones<\/span> humanas<\/span> en el trabajo<\/span>, y el poder<\/span> les echaba<\/span> encima<\/span> el ej\u00e9rcito<\/span>, que<\/span> mataba<\/span> a mansalva<\/span> usando<\/span> hasta<\/span> la caballer\u00eda<\/span> y la artiller\u00eda<\/span>. Es<\/span> por<\/span> esto<\/span> que<\/span> tuvo<\/span> su<\/span> carisma<\/span> entre<\/span> los desdichados<\/span>. Y la suya<\/span> es<\/span> una<\/span> historia<\/span> que<\/span> se refleja<\/span> en otras<\/span> \u00e9pocas<\/span>, por<\/span> ejemplo<\/span> en los a\u00f1os<\/span> setenta<\/span>, cuando<\/span> en Italia hubo<\/span> muchos<\/span> Bonnot<\/span>, que<\/span> frente<\/span> a la corrupci\u00f3n<\/span> insoportable<\/span> del poder<\/span> se lanzaron<\/span> a la lucha<\/span> armada, que<\/span> result\u00f3<\/span> un suicidio<\/span> de masa<\/span> y borr\u00f3<\/span> del mapa<\/span> una<\/span> generaci\u00f3n<\/span> pol\u00edtica<\/span>.<\/p>\n

\tEn el pasado<\/span> encuentro<\/span> de novela<\/span> negra<\/span> de Barcelona, BCNegra2014<\/span>, su<\/span> compatriota<\/span> Andrea Camilleri<\/span> recibi\u00f3<\/span> el IX Premio<\/span> Pepe<\/span> Carvalho<\/span>. Tanto<\/span> a \u00e9l<\/span>, como<\/span> al tristemente<\/span> fallecido<\/span> Manuel V\u00e1zquez<\/span> Montalb\u00e1n<\/span>, y a usted<\/span>, se les considera<\/span> genuinos<\/span> representantes<\/span> de la novela<\/span> negra<\/span> mediterr\u00e1nea<\/span>. \u00bfCree que<\/span> existe<\/span> una<\/span> novela<\/span> mediterr\u00e1nea<\/span> m\u00e1s<\/span> all\u00e1<\/span> de las<\/span> cuestiones<\/span> clim\u00e1ticas<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tS\u00ed<\/span>, existe<\/span>, y como<\/span> dec\u00eda<\/span> antes, es<\/span> una<\/span> interesante<\/span> manera<\/span> de contar<\/span> la realidad<\/span> de los pa\u00edses<\/span> del Mediterr\u00e1neo<\/span>, en la cual<\/span> no resulta<\/span> tan importante<\/span> el plot point<\/em>, el mecanismo<\/span> de investigaci\u00f3n<\/span> para<\/span> descubrir<\/span> a el culpable, sino<\/span> el entorno<\/span>, el ambiente<\/span>, con una<\/span> fuerte<\/span> pasi\u00f3n<\/span> social, y hasta<\/span> dir\u00eda<\/span> pol\u00edtica<\/span>, en el sentido<\/span> de antes, o sea, ocuparse<\/span> de los problemas<\/span> de los dem\u00e1s<\/span>, la pol\u00edtica<\/span> como<\/span> solidaridad<\/span>, y no como<\/span> carrera<\/span> para<\/span> alcanzar<\/span> privilegios<\/span> y enriquecerse<\/span>, que<\/span> es<\/span> hoy<\/span> lo que<\/span> hacen<\/span> los “pol\u00edticos”<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tAl escritor<\/span> catal\u00e1n<\/span>, Andreu<\/span> Mart\u00edn<\/span>, una<\/span> vez<\/span> le o\u00ed<\/span> decir<\/span> que<\/span> lo que<\/span> le daba<\/span> m\u00e1s<\/span> miedo<\/span> de las<\/span> novelas<\/span> policiacas<\/span> n\u00f3rdicas<\/span>, tan de moda<\/span> ahora<\/span>, era que<\/span> los bares cerraban<\/span> a las<\/span> 17:00 h, sigamos…<\/span><\/strong><\/p>\n

\t\u00a0<\/p>\n

\tEn 2013, los estudiantes<\/span> italianos<\/span> se movilizaron<\/span> por<\/span> la ense\u00f1anza<\/span> p\u00fablica<\/span>. En las<\/span> manifestaciones<\/span>, a modo<\/span> de escudos, llevaban<\/span> portadas<\/span> de libros<\/span> de Dante, Plat\u00f3n<\/span>, Camus… \u00bfQu\u00e9<\/span> pens\u00f3<\/span> cuando<\/span> vio<\/span> que<\/span> en uno<\/span> de esos<\/span> escudos llevaba<\/span> el t\u00edtulo<\/span> de su<\/span> novela<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tY siguen<\/span> haci\u00e9ndolo<\/span>, tambi\u00e9n<\/span> hace<\/span> poco<\/span> hubo<\/span> manifestaciones<\/span> de protestas<\/span> encabezadas<\/span> por<\/span> enormes<\/span> pancartas<\/span> que<\/span> dec\u00edan<\/span>: In ogni<\/span> caso<\/span> nessun<\/span> rimorso<\/span><\/em>. Mi t\u00edtulo<\/span> (que<\/span> invent\u00e9<\/span> yo<\/span>, Bonnot<\/span> en su<\/span> \u00faltima<\/span> carta<\/span> escribi\u00f3<\/span> algo<\/span> similar, con el mismo<\/span> sentido<\/span>, que<\/span> yo<\/span> resum\u00ed<\/span> en esta<\/span> frase<\/span> que<\/span> se convierte<\/span> en el lema<\/span> de toda<\/span> su<\/span> breve<\/span> vida<\/span> y de tantos<\/span> parecidos<\/span> a \u00e9l<\/span>) ya<\/span> es<\/span> algo<\/span> que<\/span> va<\/span> m\u00e1s<\/span> all\u00e1<\/span> de mi libro<\/span> y de Bonnot<\/span>, muchos<\/span> j\u00f3venes<\/span> se reconocen<\/span> y se identifican<\/span> en esa<\/span> frase<\/span>. Y claro<\/span>, para<\/span> m\u00ed<\/span> ha sido<\/span> una<\/span> satisfacci\u00f3n<\/span> enorme<\/span>, si<\/span> se toma<\/span> en cuenta<\/span> que<\/span> a los 22 a\u00f1os<\/span> luch\u00e9<\/span> en las<\/span> barricadas<\/span> de Bolonia<\/span>, cuando<\/span> los carabineros<\/span> abrieron<\/span> fuego<\/span> en la calle<\/span> matando<\/span> a un estudiante<\/span> de medicina<\/span> que<\/span> participaba<\/span> en el movimiento<\/span> de protesta<\/span> contra la corrupci\u00f3n<\/span> del poder<\/span>, y en reacci\u00f3n<\/span> a ese<\/span> crimen<\/span> (y al cabo<\/span> de tantas<\/span> matanzas<\/span> por<\/span> el “terrorismo<\/span> de estado”<\/span>, o sea, bombas<\/span> puestas<\/span> en manifestaciones<\/span> sindicales<\/span>, en lugares<\/span> p\u00fablicos<\/span>, en trenes<\/span> y plazas) por<\/span> tres<\/span> d\u00edas<\/span> tomamos<\/span> todo<\/span> el centro<\/span> de la ciudad<\/span>, hasta<\/span> que<\/span> nos mandaron<\/span> en contra los tanques<\/span>, por<\/span> primera<\/span> y \u00fanica<\/span> vez<\/span> en la historia<\/span> de la posguerra<\/span>; por<\/span> lo que<\/span> esto<\/span> no es<\/span> algo<\/span> que<\/span> pertenezca<\/span> a mi vida<\/span> “literaria”<\/span>, sino<\/span> a mi vida<\/span> real.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfHoy<\/span> Jules Bonnot<\/span> ser\u00eda<\/span> uno<\/span> m\u00e1s<\/span> de los j\u00f3venes<\/span> indignados<\/span> que<\/span> se movilizan<\/span> en Europa<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tNo creo<\/span>. Cada<\/span> historia<\/span> personal tiene<\/span> su<\/span> \u00e9poca<\/span>, y hoy<\/span> los indignados<\/span> me parece<\/span> que<\/span> conocen<\/span> muy<\/span> bien<\/span> el pasado<\/span>: Bonnot<\/span> puede<\/span> seguir<\/span> siendo<\/span> un ejemplo<\/span> de dignidad<\/span> y sensibilidad<\/span> a flor<\/span> de piel<\/span> que<\/span> lo llev\u00f3<\/span> a la violencia<\/span>, y su<\/span> decisi\u00f3n<\/span> de tomar<\/span> las<\/span> armas<\/span> es<\/span> la demostraci\u00f3n<\/span> de c\u00f3mo<\/span> suicidarse<\/span> muy<\/span> temprano<\/span>. Los j\u00f3venes<\/span> que<\/span> hoy<\/span> se movilizan<\/span> tienen<\/span> una<\/span> instrucci\u00f3n<\/span> superior, saben<\/span> muy<\/span> bien<\/span> lo que<\/span> pasa<\/span> con los bancos<\/span> y la especulaci\u00f3n<\/span> financiera<\/span> y los pa\u00edses<\/span> fiscales<\/span>, o sea, el verdadero<\/span> poder<\/span> mundial<\/span>, pero<\/span> no tienen<\/span> los medios<\/span> y la fuerza<\/span> para<\/span> abrir<\/span> fisuras<\/span> en esta<\/span> pesadilla<\/span>, y al final, se quedan<\/span> en la impotencia<\/span> total. En este<\/span> sentido<\/span>, es<\/span> la peor<\/span> \u00e9poca<\/span> en la historia<\/span> de la humanidad<\/span>: una<\/span> inmensa<\/span> mayor\u00eda<\/span> no encuentra<\/span> la manera<\/span> de oponerse<\/span> a una<\/span> \u00ednfima<\/span> minor\u00eda<\/span> de obscenamente<\/span> ricos<\/span>, el 1%, que<\/span> controlan<\/span> todas<\/span> las<\/span> riquezas<\/span> y todos<\/span> los medios<\/span> de informaci\u00f3n<\/span>. Mientras<\/span>, algunos<\/span> de los verdaderamente<\/span> desesperados<\/span> se dejan<\/span> arrastrar<\/span> por<\/span> las<\/span> religiones<\/span> integristas<\/span>, convirti\u00e9ndose<\/span> en “m\u00e1rtires”<\/span> y haciendo<\/span> el juego<\/span> a los poderosos<\/span>. No s\u00e9<\/span> si<\/span> se nota que<\/span> hacia<\/span> el presente<\/span> soy muy<\/span> pesimista<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"Su novela<\/span> se public\u00f3<\/span> en Italia en 1994, ha tardado<\/span> en llegarnos<\/span> a Espa\u00f1a<\/span>, y todo<\/span> gracias<\/span> a una<\/span> peque\u00f1a<\/span> y joven<\/span> editorial como<\/span> Hoja<\/span> de Lata<\/span>. La edici\u00f3n<\/span> y la traducci\u00f3n<\/span> son magn\u00edficas<\/span>, por<\/span> cierto<\/span>. \u00bfC\u00f3mo<\/span> fue<\/span> la experiencia<\/span> de trabajar<\/span> con ellos<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tHa sido<\/span> y sigue<\/span> siendo<\/span> una<\/span> experiencia<\/span> maravillosa<\/span>, por<\/span> fin encontr\u00e9<\/span> una<\/span> realidad<\/span> editorial de personas apasionadas<\/span> que<\/span> hacen<\/span> milagros<\/span> con su<\/span> gran<\/span> fuerza<\/span> de voluntad<\/span> y una<\/span> buena<\/span> organizaci\u00f3n<\/span>, es<\/span> la prueba<\/span> que<\/span> una<\/span> editorial peque\u00f1a<\/span> puede<\/span> conseguir<\/span> m\u00e1s<\/span> resultados<\/span> porque<\/span> creen<\/span> en su<\/span> trabajo<\/span>. He tenido<\/span> mucha<\/span> suerte<\/span>, encontrando<\/span> las<\/span> amigas<\/span> y los amigos de Hoja<\/span> de Lata<\/span>, despu\u00e9s<\/span> de varios<\/span> libros<\/span> m\u00edos<\/span> publicados<\/span> en Espa\u00f1a<\/span> y abandonados<\/span> a su<\/span> destino<\/span>. Espero<\/span> que<\/span> sea el comienzo<\/span> de una<\/span> larga<\/span> relaci\u00f3n<\/span> amistosa<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfConoce<\/span> Espa\u00f1a<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tS\u00ed<\/span>, me invitaron<\/span> a presentar<\/span> la novela<\/span> en la Semana<\/span> Negra<\/span> de Gij\u00f3n<\/span>, que<\/span> adem\u00e1s<\/span> fue<\/span> fundada<\/span> por<\/span> mi gran<\/span> amigo Paco<\/span> Taibo<\/span> II, y en Gij\u00f3n<\/span> estoy<\/span> en mi casa, es<\/span> la ciudad<\/span> que<\/span> mejor<\/span> conozco<\/span> de Espa\u00f1a<\/span>, donde<\/span> fui<\/span> no s\u00e9<\/span> cuantas<\/span> veces<\/span>, y ah\u00ed<\/span> vive otro<\/span> gran<\/span> amigo m\u00edo<\/span>, Luis Sep\u00falveda<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00bfEn qu\u00e9<\/span> est\u00e1<\/span> trabajando<\/span> ahora<\/span>?<\/strong><\/p>\n

\t\u00a0<\/p>\n

\tAhora<\/span> acabo<\/span> de escribir<\/span> un libro<\/span> que<\/span> saldr\u00e1<\/span> en Italia en mayo, por<\/span> mi editor Feltrinelli<\/span>, pero<\/span> acaba<\/span> de ser<\/span> publicado<\/span> en M\u00e9xico<\/span>, adonde<\/span> voy<\/span> ahora<\/span> para<\/span> presentarlo<\/span>. Se titula<\/span> Mahahual<\/span> –un Para\u00edso<\/span> no reciclable<\/span>– historias<\/span>, leyendas<\/span> y an\u00e9cdotas<\/span> de Quintana<\/span> Roo<\/span><\/em>, un mixto<\/span> de diario<\/span> de viajes<\/span> sobre<\/span> esos<\/span> lugares<\/span> y narraci\u00f3n<\/span> de su<\/span> interesante<\/span> pasado<\/span> de rebeld\u00eda<\/span> maya<\/span>, ataques<\/span> de corsarios<\/span> ingleses<\/span>, y sobre<\/span> todo<\/span> la vida<\/span> de otra<\/span> estupenda<\/span> mujer<\/span> de los a\u00f1os<\/span> veinte<\/span>, una<\/span> \u00e9poca<\/span> que<\/span> en M\u00e9xico<\/span> ha desatado<\/span> las<\/span> mejores<\/span> pasiones<\/span> sociales<\/span> e individuales<\/span> y una<\/span> extraordinaria<\/span> creatividad<\/span> cultural, en la cual<\/span> hubo<\/span> mujeres protagonistas<\/span> que<\/span> se adelantaron<\/span> a la historia<\/span> local y hasta<\/span> mundial<\/span>. Una<\/span> parte<\/span> del libro<\/span> est\u00e1<\/span> dedicada<\/span> al desastre<\/span> ecol\u00f3gico<\/span> causado<\/span> por<\/span> el pl\u00e1stico<\/span>: en las<\/span> costas<\/span> y en los arrecifes<\/span> de Mahahual<\/span> y toda<\/span> esa<\/span> parte<\/span> del Yucat\u00e1n<\/span> llegan<\/span> toneladas<\/span> de basura<\/span> flotante<\/span> que<\/span> las<\/span> corrientes<\/span> del Atl\u00e1ntico<\/span> arrastran<\/span> de Norte y Sur Am\u00e9rica<\/span> y tambi\u00e9n<\/span> de \u00c1frica<\/span> y Europa<\/span>, y hay que<\/span> conocer<\/span> esta<\/span> realidad<\/span> para<\/span> reflexionar<\/span> sobre<\/span> nuestro<\/span> estilo<\/span> de vida<\/span>, en el cual<\/span> una<\/span> enorme<\/span> parte<\/span> del pl\u00e1stico<\/span> que<\/span> no reciclamos<\/span> llega<\/span> al mar y viaja<\/span> por<\/span> millas<\/span> y millas<\/span> hasta<\/span> los arrecifes<\/span> del Mar Caribe<\/span>.<\/p>\n

\t\"alt\"El testamento<\/span> de Jules Bonnot<\/span> que<\/span> recrea<\/span> Pino<\/span> Cacucci<\/span> en su<\/span> novela<\/span> dice as\u00ed<\/span>: <\/strong><\/p>\n

\t\u00a0<\/p>\n

\t“Ten\u00eda<\/span> el derecho<\/span> de vivir<\/span> aquella<\/span> felicidad<\/span>. No me lo hab\u00e9is<\/span> concedido<\/span>. Y entonces<\/span> ha sido<\/span> peor<\/span> para<\/span> m\u00ed<\/span>, peor<\/span> para<\/span> vosotros<\/span>, peor<\/span> para<\/span> todos…<\/span> \u00bfDeber\u00eda<\/span> lamentar<\/span> lo que<\/span> he hecho<\/span>? Quiz\u00e1s<\/span>. Pero<\/span> no tengo<\/span> remordimientos<\/span>. Arrepentimientos<\/span>, s\u00ed<\/span>; pero<\/span>, en cualquier<\/span> caso<\/span>, ning\u00fan<\/span> remordimiento…”<\/span>. Jules Bonno<\/span><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Una ma\u00f1ana del 11 de diciembre de 1911, en Par\u00eds se utiliz\u00f3 por primera vez un autom\u00f3vil en el atraco a un banco. En el interior del veh\u00edculo iba la “Banda de Bonnot”. Jules Bonnot, considerado el enemigo p\u00fablico n\u00ba. 1 en la Francia de la \u00e9poca, \u00a0 \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60],"tags":[],"class_list":["post-4770","post","type-post","status-publish","format-standard","hentry","category-libros"],"yoast_head":"\n\u201cEN CUALQUIER CASO, NING\u00daN REMORDIMIENTO\u201d - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/en-cualquier-caso-ningun-remordimiento\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cEN CUALQUIER CASO, NING\u00daN REMORDIMIENTO\u201d - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Una ma\u00f1ana del 11 de diciembre de 1911, en Par\u00eds se utiliz\u00f3 por primera vez un autom\u00f3vil en el atraco a un banco. 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