{"id":4750,"date":"2014-02-08T14:53:01","date_gmt":"2014-02-08T14:53:01","guid":{"rendered":"https:\/\/www.revistarambla.com\/un\/"},"modified":"2019-09-30T18:42:02","modified_gmt":"2019-09-30T16:42:02","slug":"un","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/un\/","title":{"rendered":"UNA HISTORIA DE AMOR ENTRE UTE LEMPER Y NERUDA"},"content":{"rendered":"

\t\"alt\"Las musas<\/span> ya<\/span> estaban<\/span> ah\u00ed<\/span> cuando<\/span> ella<\/span> entr\u00f3<\/span> con su<\/span> vestido<\/span> rojo<\/span>. En el Palau de la M\u00fasica<\/span> es<\/span> f\u00e1cil<\/span> verlas<\/span> deambular<\/span> entre<\/span> los palcos<\/span> o columpi\u00e1ndose<\/span> de las<\/span> magn\u00edficas<\/span> ara\u00f1as<\/span> modernistas<\/span> que<\/span> lo iluminan<\/span>. Ute Lemper<\/span> lo sabe<\/span> y por<\/span> eso<\/span> este<\/span> s\u00e1bado<\/span> las<\/span> ha venido<\/span> a visitar<\/span><\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\tLas musas<\/span> ya<\/span> estaban<\/span> ah\u00ed<\/span> cuando<\/span> ella<\/span> entr\u00f3<\/span> con su<\/span> vestido<\/span> rojo<\/span>. En el Palau de la M\u00fasica<\/span> es<\/span> f\u00e1cil<\/span> verlas<\/span> deambular<\/span> entre<\/span> los palcos<\/span> o columpi\u00e1ndose<\/span> de las<\/span> magn\u00edficas<\/span> ara\u00f1as<\/span> modernistas<\/span> que<\/span> lo iluminan<\/span>. Ute Lemper<\/span> lo sabe<\/span> y por<\/span> eso<\/span> este<\/span> s\u00e1bado<\/span> las<\/span> ha venido<\/span> a visitar<\/span> con un regalo<\/span> perfecto: doce<\/span> canciones<\/span> compuestas<\/span> por<\/span> ella<\/span> y Marcelo Nisinman<\/span> sobre<\/span> los c\u00e9lebres<\/span> poemas<\/span> de amor de Pablo Neruda<\/span>. El Festival Mil.leni ha convocado<\/span> a esta<\/span> reconocida<\/span> artista<\/span> alemana<\/span> que<\/span> ha brillado<\/span> en escenarios<\/span> de todo<\/span> el mundo<\/span> con sus<\/span> interpretaciones<\/span> del cabaret berlin\u00e9s<\/span>, para<\/span> el estreno<\/span> de su<\/span> nuevo<\/span> espect\u00e1culo<\/span> “Forever: The Love Poems of Pablo Neruda”<\/span>.<\/strong><\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\tEl sonido<\/span> del bandone\u00f3n<\/span> abri\u00f3<\/span> el camino<\/span> a los versos del laureado<\/span> poeta<\/span> chileno<\/span>, que<\/span> junto<\/span> a viol\u00edn<\/span>, piano, contrabajo<\/span>, guitarra<\/span> y percusi\u00f3n<\/span> se acercaron<\/span> al flamenco, al jazz, al tango y a la chanson de Jacques Brel<\/span> durante<\/span> una<\/span> hora<\/span> y media de concierto<\/span>. Ute Lemper<\/span> introdujo<\/span> el espect\u00e1culo<\/span> como<\/span> un homenaje<\/span> a los poemas<\/span> de amor de Neruda<\/span>, aunque<\/span> hizo<\/span> menci\u00f3n<\/span> tambi\u00e9n<\/span> de la faceta<\/span> m\u00e1s<\/span> pol\u00edtica<\/span> y reivindicativa<\/span> del escritor<\/span>. “Para \u00e9l<\/span> la poes\u00eda<\/span> es<\/span> un acto<\/span> de paz”<\/span> anunci\u00f3<\/span> al empezar<\/span> la funci\u00f3n<\/span>. Acto<\/span> seguido<\/span>, la m\u00fasica<\/span> emprend\u00eda<\/span> viaje<\/span>. A ritmo<\/span> de tango, nos situ\u00e1bamos<\/span> en las<\/span> Islas<\/span> Marshall donde<\/span> durante<\/span> los a\u00f1os<\/span> `70 Neruda<\/span> le dedicaba<\/span> a su<\/span> enamorada<\/span> algunos<\/span> de sus<\/span> m\u00e1s<\/span> bellos<\/span> versos. Lemper<\/span> interpret\u00f3<\/span> en castellano<\/span> los primeros<\/span> poemas<\/span>, para<\/span> luego<\/span> incorporar<\/span> tambi\u00e9n<\/span> versiones<\/span> en ingl\u00e9s<\/span> y en franc\u00e9s<\/span>. La artista<\/span> prefiri\u00f3<\/span> dejar<\/span> afuera<\/span> su<\/span> lengua<\/span> materna<\/span> porque<\/span>– manifest\u00f3<\/span>– “las<\/span> adaptaciones<\/span> de sus<\/span> textos<\/span> en alem\u00e1n<\/span> no me gustan<\/span> nada”.<\/p>\n

\t\u00a0<\/p>\n

\tLos diferentes<\/span> idiomas<\/span> construyeron<\/span> durante<\/span> el concierto<\/span> barcas<\/span> con las<\/span> que<\/span> viajar<\/span> de Par\u00eds<\/span> a Buenos Aires, de Buenos Aires a Nueva<\/span> York y de Nueva<\/span> York nuevamente<\/span> a Barcelona. Ute Lemper<\/span> se iba<\/span> transformando<\/span> as\u00ed<\/span>, en cada<\/span> escala<\/span>, en Edith Piaff<\/span>, en una<\/span> tanguera<\/span> portuaria<\/span> o en una<\/span> cantante<\/span> de jazz de alguna<\/span> taberna<\/span> de Brooklyn.<\/p>\n

\t\u00a0<\/p>\n

\tUn momento<\/span> destacado<\/span> lo constituy\u00f3<\/span>, sin duda<\/span>, el vendaval<\/span> desatado<\/span> por<\/span> el bandone\u00f3n<\/span> y el viol\u00edn<\/span> cuando<\/span> la artista<\/span> interpret\u00f3<\/span> una<\/span> apasionada<\/span> canci\u00f3n<\/span> sobre<\/span> el viento<\/span> en la emblem\u00e1tica<\/span> isla<\/span> negra<\/span> del poeta<\/span>. La ovaci\u00f3n<\/span> espont\u00e1nea<\/span> que<\/span> coron\u00f3<\/span> la pieza<\/span> sacudi\u00f3<\/span> el Palau y abri\u00f3<\/span> los corazones<\/span> del p\u00fablico<\/span> para<\/span> recibir<\/span> con expectativa<\/span> los \u00faltimos<\/span> temas<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tLa sorpresa<\/span> lleg\u00f3<\/span> con los bises<\/span>, cuando<\/span> la cantante<\/span> alemana<\/span>, tras<\/span> despedirse<\/span> de Pablo, decidi\u00f3<\/span> volver<\/span> a sus<\/span> ra\u00edces<\/span>. Calz\u00e1ndose<\/span> el bomb\u00edn<\/span> negro<\/span>, Ute Lemper<\/span> retomaba<\/span> la interpretaci\u00f3n<\/span> que<\/span> en los a\u00f1os<\/span> ochenta<\/span> la hizo<\/span> famosa<\/span>– el papel<\/span> de “Lola” de Marlene Dietrich en la pel\u00edcula<\/span> “El \u00e1ngel<\/span> azul”<\/span>– y se pasaba<\/span> al cabaret. El viaje<\/span> terminaba<\/span>, pues<\/span>, en Berl\u00edn<\/span>, donde<\/span> la artista<\/span>, lejos<\/span> ya<\/span> de Chile y los versos de amor, se convert\u00eda<\/span> en una<\/span> glamourosa<\/span> <\/em>estrella<\/span> de burdel<\/span> para<\/span> deslumbrar<\/span>, con su<\/span> desparpajo<\/span>, a las<\/span> musas<\/span> que<\/span> la observaban<\/span> desde<\/span> las<\/span> candelas modernistas<\/span>.<\/p>","protected":false},"excerpt":{"rendered":"

Las musas ya estaban ah\u00ed cuando ella entr\u00f3 con su vestido rojo. En el Palau de la M\u00fasica es f\u00e1cil verlas deambular entre los palcos o columpi\u00e1ndose de las magn\u00edficas ara\u00f1as modernistas que lo iluminan. Ute Lemper lo sabe y por eso este s\u00e1bado las ha venido a visitar \u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-4750","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nUNA HISTORIA DE AMOR ENTRE UTE LEMPER Y NERUDA - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/un\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"UNA HISTORIA DE AMOR ENTRE UTE LEMPER Y NERUDA - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"Las musas ya estaban ah\u00ed cuando ella entr\u00f3 con su vestido rojo. En el Palau de la M\u00fasica es f\u00e1cil verlas deambular entre los palcos o columpi\u00e1ndose de las magn\u00edficas ara\u00f1as modernistas que lo iluminan. 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