{"id":4478,"date":"2013-12-17T16:21:15","date_gmt":"2013-12-17T16:21:15","guid":{"rendered":"https:\/\/www.revistarambla.com\/mercedes-march-la-paloma-es-una-sala-canalla\/"},"modified":"2019-09-30T02:56:04","modified_gmt":"2019-09-30T00:56:04","slug":"mercedes-march-la-paloma-es-una-sala-canalla","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/mercedes-march-la-paloma-es-una-sala-canalla\/","title":{"rendered":"MERCEDES MARCH: \u201cLA PALOMA ES UNA SALA CANALLA\u201d"},"content":{"rendered":"

\t\"alt\"La due\u00f1a<\/span> de “La Paloma”<\/span>, m\u00edtica<\/span> sala<\/span> de baile<\/span> de Barcelona, clama<\/span> por<\/span> la apertura<\/span> del centenario<\/span> local, clausurado<\/span> por<\/span> el Ayuntamiento<\/span> hace<\/span> siete<\/span> a\u00f1os<\/span>.<\/p>\n

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\tLa due\u00f1a<\/span> de “La Paloma”<\/span>, m\u00edtica<\/span> sala<\/span> de baile<\/span> de Barcelona, clama<\/span> por<\/span> la apertura<\/span> del centenario<\/span> local, clausurado<\/span> por<\/span> el Ayuntamiento<\/span> hace<\/span> siete<\/span> a\u00f1os<\/span>.<\/strong><\/p>\n

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\t“Contemplar<\/span> la ausencia<\/span> de vida<\/span> en un lugar<\/span> nacido<\/span> para<\/span> la diversi\u00f3n<\/span> y el baile<\/span> resulta<\/span> casi<\/span> tan desolador<\/span> como<\/span> contemplar<\/span> las<\/span> ruinas<\/span> de algo<\/span> hermoso”<\/span><\/strong>. De esta<\/span> forma tan po\u00e9tica<\/span> comienza<\/span> el escrito<\/span> que<\/span> la due\u00f1a<\/span> de La Paloma<\/span>, Mercedes March, ha elaborado<\/span> para<\/span> el cierre<\/span> del libro<\/span> de fotograf\u00edas<\/span> dedicadas<\/span> a este<\/span> local, fundado<\/span> como<\/span> sala<\/span> de baile<\/span> en 1903, y que<\/span> est\u00e1<\/span> en la memoria<\/span> sentimental de varias<\/span> generaciones<\/span> de barceloneses<\/span>. El fot\u00f3grafo<\/span> Antoine Passerat<\/span> se qued\u00f3<\/span> enamorado<\/span> de esta<\/span> sala<\/span> cuando<\/span> lleg\u00f3<\/span> a Barcelona en 1996. Passerat<\/span> recuerda<\/span> que<\/span> muchos<\/span> de sus<\/span> compatriotas<\/span> franceses<\/span> conocieron<\/span> La Paloma<\/span> a trav\u00e9s<\/span> de la pel\u00edcula<\/span> L’auberge<\/span> espagnole<\/span><\/em> (2002), de C\u00e9dric<\/span> Klapisch<\/span>, que<\/span> recoge<\/span> unas<\/span> escenas<\/span> en el local. Mercedes March aprovech\u00f3<\/span> la ocasi\u00f3n<\/span> de la publicaci\u00f3n<\/span> del libro<\/span> para<\/span> explicarnos<\/span> como<\/span> est\u00e1<\/span> el contencioso<\/span> por<\/span> la clausura<\/span> de la sala<\/span>, clausura<\/span> que<\/span> fue<\/span> declarada<\/span> ilegal<\/span> en 2010 por<\/span> los tribunales<\/span>.<\/p>\n

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\tTIGRE<\/span>, 27<\/strong><\/p>\n

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\tEl t\u00edtulo<\/span> del libro<\/span>, lujosamente<\/span> editado<\/span> por<\/span> Blume<\/span>, es<\/span> “Tigre<\/span>, 27”,<\/strong> por<\/span> el n\u00famero<\/span> de la calle<\/span> donde<\/span> est\u00e1<\/span> La Paloma<\/span>, calle<\/span> que<\/span> se conoce<\/span> por<\/span> esta<\/span> sala<\/span> de fiestas. El fot\u00f3grafo<\/span> pas\u00f3<\/span> diez<\/span> a\u00f1os<\/span> visitando<\/span> la sala<\/span>, y las<\/span> fotos ahora<\/span> publicadas<\/span> corresponden<\/span> al periodo<\/span> de 2003 a 2006. La Paloma<\/span> se cerr\u00f3<\/span> en 2007, pero<\/span> el proyecto<\/span> del libro<\/span> continu\u00f3<\/span>, para<\/span> publicarse<\/span> ahora<\/span>, con la sala<\/span> a\u00fan<\/span> cerrada<\/span>. \u00bfPero<\/span> cu\u00e1l<\/span> fue<\/span> la primera<\/span> impresi\u00f3n<\/span> que<\/span> se llev\u00f3<\/span> Passerat<\/span> al llegar<\/span> a la calle<\/span> Tigre<\/span>, 27?: “Llegu\u00e9<\/span> a la sala<\/span> con un amigo. Al ver<\/span> las<\/span> cortinas<\/span> rojas<\/span> de terciopelo<\/span>, te<\/span> preguntas<\/span> como<\/span> un lugar<\/span> como<\/span> este<\/span> sigue<\/span> existiendo<\/span>. Yo<\/span> fui<\/span> por<\/span> la tarde<\/span>, cuando<\/span> van las<\/span> personas de la tercera<\/span> edad<\/span>, y me fascin\u00f3<\/span>. Fue<\/span> este<\/span> ambiente<\/span> el que<\/span> me choc\u00f3<\/span>, ver<\/span> una<\/span> multitud<\/span> de personas bailando<\/span> muy<\/span> bien<\/span>. En esa<\/span> primera<\/span> visita<\/span> ya<\/span> hice<\/span> una<\/span> foto<\/span>, a una<\/span> pareja<\/span> bes\u00e1ndose<\/span> apasionadamente<\/span>. Pens\u00e9<\/span>. \u00a1Qu\u00e9<\/span> bonito!, despu\u00e9s<\/span> de tantos<\/span> a\u00f1os<\/span> de relaci\u00f3n…<\/span> imagin\u00e9<\/span>. Pero<\/span> claro<\/span>, el se\u00f1or<\/span> me dijo<\/span> airado<\/span>: “\u00bfQu\u00e9<\/span> hace<\/span>?… que<\/span> no es<\/span> mi mujer”<\/span>. Me pareci\u00f3<\/span> maravilloso<\/span>. Despu\u00e9s<\/span>, a eso<\/span> de las<\/span> 21 horas<\/span>, llegaban<\/span> los j\u00f3venes<\/span> y la m\u00fasica<\/span> electr\u00f3nica<\/span> comenzaba<\/span> a sonar. Este<\/span> cruce<\/span> de generaciones<\/span> me maravillaba<\/span>, los j\u00f3venes<\/span> compart\u00edan<\/span> un tiempo<\/span> la m\u00fasica<\/span> de baile<\/span> cl\u00e1sica<\/span> con sus<\/span> mayores<\/span>, para<\/span> pasar<\/span> m\u00e1s<\/span> tarde<\/span> a lo \u00faltimo<\/span> que<\/span> sonaba<\/span> en Europa<\/span>. Yo<\/span> ven\u00eda<\/span> de Nueva<\/span> York, donde<\/span> la mezcla<\/span> de gentes<\/span> es<\/span> muy<\/span> com\u00fan<\/span>, pero<\/span> no como<\/span> en La Paloma<\/span>. No s\u00f3lo<\/span> era un tema<\/span> de edad<\/span>, tambi\u00e9n<\/span> de diferentes<\/span> sectores<\/span> o tribus<\/span> urbanas<\/span>. All\u00ed<\/span> iban<\/span> los mejores<\/span> DJ, se celebraban<\/span> las<\/span> fiestas gay, las<\/span> bodas<\/span> gitanas<\/span> o incluso<\/span> veladas<\/span> de boxeo<\/span>. Yo<\/span> soy franc\u00e9s<\/span>, y me parece<\/span> que<\/span> ustedes<\/span> no valoran<\/span> lo que<\/span> tienen<\/span>, y es<\/span> una<\/span> pena<\/span> tener<\/span> este<\/span> patrimonio<\/span> de la ciudad<\/span> cerrado<\/span>. Picasso, Dal\u00ed<\/span> o m\u00e1s<\/span> cercano<\/span> en el tiempo<\/span>, Almod\u00f3var<\/span>, pasaron<\/span> por<\/span> La Paloma”<\/span><\/strong>.<\/p>\n

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\t\"alt\"El libro<\/span> son un conjunto<\/span> de im\u00e1genes<\/span> que<\/span> tratan<\/span> de reproducir<\/span> el ambiente<\/span> de La Paloma<\/span>. Para fotografiar<\/span> con la poca<\/span> luz<\/span> artificial del local, el fot\u00f3grafo<\/span>, que<\/span> trabaj\u00f3<\/span> con pel\u00edcula<\/span>, tuvo<\/span> que<\/span> forzar<\/span> los carretes<\/span> de 400 ISO a 800, 1.6000 o 3.200 ISO, lo que<\/span> produce una<\/span> gran<\/span>\u00a0saturaci\u00f3n<\/span> del color y mucho<\/span> grano<\/span>, que<\/span> ayuda<\/span> a recoger<\/span> la atmosfera<\/span> y unas<\/span> im\u00e1genes<\/span> muy<\/span> sensoriales<\/span> que<\/span> m\u00e1s<\/span> que<\/span> ense\u00f1ar<\/span>, evocan<\/span>, como<\/span> en una<\/span> enso\u00f1aci\u00f3n<\/span>. Pero<\/span> de la poes\u00eda<\/span> pasamos<\/span> a lo m\u00e1s<\/span> prosaico<\/span>.<\/p>\n

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\t\u00bfQUIERE<\/span> EL AYUNTAMIENTO<\/span> QU\u00c9<\/span> ABRAMOS<\/span> O NO?<\/strong><\/p>\n

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\tEsta<\/span> es<\/span> la pregunta<\/span> que<\/span> se hace<\/span> Mercedes March, y a\u00f1ade<\/span>: “S\u00ed<\/span> hay voluntad<\/span> pol\u00edtica<\/span>, se podr\u00eda<\/span> abrir<\/span>. Una<\/span> sala<\/span> con m\u00e1s<\/span> de 100 a\u00f1os<\/span>, no se le puede<\/span> mirar<\/span> como<\/span> un local que<\/span> acaba<\/span> de abrir<\/span>. \u00bfQuiere<\/span> el Ayuntamiento<\/span> qu\u00e9<\/span> abramos<\/span> o no? No sabemos<\/span> a qu\u00e9<\/span> atenernos<\/span> y cu\u00e1l<\/span> ser\u00e1<\/span> nuestro<\/span> futuro<\/span>, y de los cien<\/span> trabajadores<\/span> que<\/span> ten\u00edamos<\/span>. Hay una<\/span> sentencia<\/span> de marzo<\/span> de 2010 que<\/span> declar\u00f3<\/span> improcedente<\/span> el cierre<\/span> de La Paloma<\/span>. Desde<\/span> entonces<\/span> estamos<\/span> negociando<\/span> con el Ayuntamiento<\/span> y nos tienen<\/span> mareados<\/span> de un sitio<\/span> para<\/span> otro<\/span>. Tardas<\/span> tres<\/span> meses<\/span> para<\/span> que<\/span> te<\/span> reciba<\/span> un t\u00e9cnico<\/span>. No quer\u00eda<\/span> decirlo<\/span>, pero<\/span> ya<\/span> es<\/span> tiempo<\/span>, creo<\/span> que<\/span> nos est\u00e1n<\/span> dando<\/span> un trato<\/span> desp\u00f3tico<\/span>, manteniendo<\/span> esta<\/span> incertidumbre<\/span>. La ley<\/span> debe<\/span> ser<\/span> igual<\/span> para<\/span> todos<\/span>, pero<\/span> los lugares<\/span> singulares<\/span> deben<\/span> tener<\/span> un trato<\/span> singular. <\/strong><\/p>\n

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\tLa Paloma<\/span> tiene<\/span> forma de de nave industrial porque<\/span> fue<\/span> una<\/span> antigua<\/span> fundici\u00f3n<\/span> donde<\/span>, por<\/span> ejemplo<\/span>, se fundieron<\/span> algunas<\/span> de las<\/span> piezas<\/span> de la estatua<\/span> de Col\u00f3n<\/span> del puerto<\/span> de Barcelona. Los lavabos<\/span> de la sala<\/span> est\u00e1n<\/span> en lo que<\/span> eran<\/span> las<\/span> carboneras<\/span> de la fundici\u00f3n<\/span>. En los a\u00f1os<\/span> ochenta<\/span>, la especulaci\u00f3n<\/span> urban\u00edstica<\/span> puso<\/span> en peligro<\/span> La Paloma<\/span>, pero<\/span> la actual due\u00f1a<\/span> luch\u00f3<\/span> por<\/span> ella<\/span>, incluso<\/span> consigui\u00f3<\/span> arrancar<\/span> de los consistorios<\/span> de la \u00e9poca<\/span> que<\/span> fuera<\/span> un local protegido<\/span>. El incumplimiento<\/span> de la normativa<\/span> sobre<\/span> ruidos<\/span> fue<\/span> lo que<\/span> adujo<\/span> el gobierno<\/span> municipal del PSC<\/span> para<\/span> cerrar<\/span> la sala<\/span> en diciembre<\/span> de 2006, la Noche<\/span> de Fin de A\u00f1o<\/span> de 2007 fue<\/span> el \u00faltimo<\/span> d\u00eda<\/span> en que<\/span> la sala<\/span> permaneci\u00f3<\/span> abierta<\/span>. En marzo<\/span> de 2013, la prensa<\/span> anunci\u00f3<\/span> un pacto<\/span> con el nuevo<\/span> gobierno<\/span> municipal que<\/span>, para<\/span> evitar<\/span> ir<\/span> a juicio<\/span>, lleg\u00f3<\/span> a un acuerdo<\/span> con los due\u00f1os<\/span> de La Paloma<\/span> y se anunciaba<\/span> la pronta<\/span> reapertura<\/span>, cosa<\/span> que<\/span> no sucedi\u00f3<\/span>. Se hicieron<\/span> muchas<\/span> reformas<\/span> de aislamiento<\/span> ac\u00fastico<\/span>, pero<\/span> en el tiempo<\/span> transcurrido<\/span>, las<\/span> normas<\/span> han<\/span> cambiado<\/span>, siendo<\/span> m\u00e1s<\/span> restrictivas<\/span>. Aislar<\/span> un lugar<\/span> hist\u00f3rico<\/span>, donde<\/span> no puedes<\/span> destruir<\/span> la decoraci\u00f3n<\/span> original, es<\/span> muy<\/span> complicado<\/span> y costoso<\/span>, si<\/span> no se cuenta<\/span> con ayudas<\/span>. Me pregunto<\/span> qu\u00e9<\/span> pasar\u00eda<\/span> si<\/span> esta<\/span> sala<\/span> perteneciera<\/span> a algunos<\/span> de los grandes<\/span> grupos<\/span> de ocio<\/span> de la ciudad…<\/span> La Paloma<\/span>, adem\u00e1s<\/span>, daba<\/span> ambiente<\/span> al barrio y muchos<\/span> negocios<\/span> de los alrededores<\/span> viv\u00edan<\/span> de ella<\/span>.<\/p>\n

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\tLa Paloma<\/span> es<\/span> esencia<\/span> de Barcelona, incluso<\/span> fue<\/span> declarada<\/span> por<\/span> la gu\u00eda<\/span> Lonely Planet, en 2005, como<\/span> la mejor<\/span> sala<\/span> de baila<\/span> del mundo<\/span>, pero<\/span> por<\/span> encima<\/span> de eso<\/span>, lo importante<\/span> es<\/span> la alegr\u00eda<\/span> y fiesta que<\/span> proporcion\u00f3<\/span> a varias<\/span> generaciones<\/span> de barceloneses<\/span> y forasteros<\/span>. Los “palomiteros”<\/span> es<\/span> el nombre<\/span> cari\u00f1oso<\/span> con el que<\/span> se conoc\u00edan<\/span> a los mayores<\/span> que<\/span> iban<\/span> las<\/span> tardes<\/span> a bailar<\/span>. La media de edad<\/span> era de unos<\/span> 70 a\u00f1os<\/span>. Muchos<\/span> encontraban<\/span> all\u00ed<\/span> la mejor<\/span> medicina<\/span>, y con la que<\/span> est\u00e1<\/span> cayendo<\/span>, dudo<\/span> que<\/span> la encontraran<\/span> en la Seguridad<\/span> Social. Sobre<\/span> los “palomiteros”<\/span> nos cuenta<\/span> Mercedes March: “La Paloma<\/span> era tambi\u00e9n<\/span> una<\/span> sala<\/span> canalla<\/span> y pecaminosa<\/span>, era curioso<\/span> ver<\/span> como<\/span> se flirteaba<\/span> y se arreglaban<\/span> para<\/span> venir”<\/span><\/strong>. Sobre<\/span> esto<\/span> escribe<\/span> la propia<\/span> March en el libro<\/span> citado<\/span>: “…, no imaginaban<\/span> su<\/span> d\u00eda<\/span> a d\u00eda<\/span> sin esa<\/span> dosis<\/span> de esperanza<\/span> que<\/span> les empujaba<\/span> a arreglarse<\/span> y salir<\/span> de casa en busca<\/span> de la ilusi\u00f3n<\/span> del gozo<\/span> eterno”<\/span><\/strong>.<\/p>\n

\t\u00a0<\/p>\n

\tTengo<\/span> un amigo que<\/span> me dice que<\/span> estamos<\/span> dirigidos<\/span> por<\/span> mediocres<\/span> y quieren<\/span> hacer<\/span> una<\/span> ciudad<\/span> mediocre, y no le falta<\/span> raz\u00f3n<\/span>. Vemos<\/span> como<\/span> las<\/span> Ramblas<\/span> y el Paseo<\/span> de Gracia<\/span> se convierten<\/span> en bulevares<\/span> impersonales<\/span> como<\/span> cualquier<\/span> otro<\/span> paseo<\/span> del mundo<\/span>. Las franquicias<\/span> abundan<\/span>, donde<\/span> se apuesta<\/span> m\u00e1s<\/span> por<\/span> el dise\u00f1o<\/span> de los espacios<\/span> que<\/span> por<\/span> la calidad<\/span> del producto<\/span> o del servicio<\/span>, trabajadores<\/span> muchas<\/span> veces<\/span> contratados<\/span> en condiciones<\/span> precarias<\/span>. Pero<\/span> incluso<\/span> el dise\u00f1o<\/span> es<\/span> prefabricado<\/span>, de falso<\/span> hist\u00f3rico<\/span>, de cart\u00f3n<\/span> piedra<\/span>, vamos<\/span>. La cultura<\/span> y el patrimonio<\/span> hist\u00f3rico<\/span> es<\/span> tambi\u00e9n<\/span> un motor econ\u00f3mico<\/span> y empresarial<\/span> para<\/span> el pa\u00eds<\/span>, en cambio<\/span> se apuesta<\/span> por<\/span> el ocio<\/span> globalizado<\/span>, por<\/span> proteger<\/span> a las<\/span> grandes<\/span> cadenas<\/span>, marcas<\/span> y corporaciones<\/span>, en detrimento<\/span> de lo genuino<\/span> y lo que<\/span> hace<\/span> a esta<\/span> ciudad<\/span> \u00fanica<\/span> y original.<\/p>","protected":false},"excerpt":{"rendered":"

La due\u00f1a de “La Paloma”, m\u00edtica sala de baile de Barcelona, clama por la apertura del centenario local, clausurado por el Ayuntamiento hace siete a\u00f1os. \u00a0 \u00a0 \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,76],"tags":[],"class_list":["post-4478","post","type-post","status-publish","format-standard","hentry","category-actualidad","category-barcelona"],"yoast_head":"\nMERCEDES MARCH: \u201cLA PALOMA ES UNA SALA CANALLA\u201d - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/mercedes-march-la-paloma-es-una-sala-canalla\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MERCEDES MARCH: \u201cLA PALOMA ES UNA SALA CANALLA\u201d - 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