{"id":4457,"date":"2013-12-15T01:21:37","date_gmt":"2013-12-15T01:21:37","guid":{"rendered":"https:\/\/www.revistarambla.com\/miguel-ricart-y-la-bestia\/"},"modified":"2019-09-30T02:56:32","modified_gmt":"2019-09-30T00:56:32","slug":"miguel-ricart-y-la-bestia","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/miguel-ricart-y-la-bestia\/","title":{"rendered":"MIGUEL RICART Y LA BESTIA"},"content":{"rendered":"

\t\"alt\"La presencia<\/span> de la fiera<\/span> siempre<\/span> ha despertado<\/span> una<\/span> at\u00e1vica<\/span> atracci\u00f3n<\/span>, similar a ese<\/span> v\u00e9rtigo<\/span> casi<\/span> irresistible que<\/span> nos empuja<\/span> al vac\u00edo<\/span> cuando<\/span> nos encontramos<\/span> al borde<\/span> de los precipicios<\/span>. La imagen<\/span> de la bestia<\/span> encerrada<\/span> nos fascina<\/span>, sentimos<\/span> su<\/span> compulsivo<\/span> deambular<\/span> por<\/span> la jaula<\/span>, su<\/span> rugido<\/span> salvaje<\/span>, el movimiento<\/span> pesado<\/span> de sus<\/span> miembros<\/span> capaces<\/span> en solo un instante<\/span> de convertirse<\/span> en garras<\/span>, la negritud<\/span> sanguinolenta<\/span> de sus<\/span> fauces<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/p>\n

\t\u00a0<\/p>\n

\tLa presencia<\/span> de la fiera<\/span> siempre<\/span> ha despertado<\/span> una<\/span> at\u00e1vica<\/span> atracci\u00f3n<\/span>, similar a ese<\/span> v\u00e9rtigo<\/span> casi<\/span> irresistible que<\/span> nos empuja<\/span> al vac\u00edo<\/span> cuando<\/span> nos encontramos<\/span> al borde<\/span> de los precipicios<\/span>. La imagen<\/span> de la bestia<\/span> encerrada<\/span> nos fascina<\/span>, sentimos<\/span> su<\/span> compulsivo<\/span> deambular<\/span> por<\/span> la jaula<\/span>, su<\/span> rugido<\/span> salvaje<\/span>, el movimiento<\/span> pesado<\/span> de sus<\/span> miembros<\/span> capaces<\/span> en solo un instante<\/span> de convertirse<\/span> en garras<\/span>, la negritud<\/span> sanguinolenta<\/span> de sus<\/span> fauces<\/span>. Pero<\/span>, sobre<\/span> todo<\/span>, lo que<\/span> m\u00e1s<\/span> nos embriaga<\/span> es<\/span> el presentimiento<\/span> de su<\/span> posible<\/span> huida<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEncontrarse<\/span> con la bestia<\/span> en libertad<\/span> es<\/span> enfrentarse<\/span> cara<\/span> a cara<\/span> con lo impredecible<\/span>, lo irracional<\/span>, la esencia<\/span> salvaje<\/span> de una<\/span> naturaleza<\/span> transformada<\/span> en amenaza<\/span>. Ella desata<\/span> nuestros<\/span> terrores<\/span> m\u00e1s<\/span> \u00edntimos<\/span>, relatados<\/span> durante<\/span> siglos<\/span> de cuentos<\/span> infantiles<\/span>, da<\/span> sentido<\/span> a nuestros<\/span> p\u00e1nicos<\/span>, explica<\/span> nuestros<\/span> miedos<\/span>. Por<\/span> ello<\/span>, frente<\/span> a la alima\u00f1a<\/span> todo<\/span> est\u00e1<\/span> permitido<\/span> con tal<\/span> de devolverla<\/span> a su<\/span> jaula<\/span> y recuperar<\/span> el orden<\/span> trastornado<\/span>. Incluso<\/span> desenjaular<\/span> a nuestra<\/span> propia<\/span> fiera<\/span>, la interior o la colectiva<\/span>, regresando<\/span> al tiempo<\/span> antediluviano<\/span> de la jaur\u00eda<\/span>. Es<\/span> as\u00ed<\/span> como<\/span> rostros<\/span> an\u00f3nimos<\/span> y desencajados<\/span> acosan<\/span> bajo<\/span> la ardiente<\/span> luz<\/span> de las<\/span> antorchas<\/span> a la criatura<\/span> informe<\/span> creada<\/span> por<\/span> Frankenstein. O persiguen<\/span> a los siniestros<\/span> instintos<\/span> de Peter K\u00fcrten<\/span> por<\/span> las<\/span> angustiosas<\/span> callejuelas<\/span> del D\u00fcsseldorf<\/span> de entreguerras<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tEstos<\/span> d\u00edas<\/span>, una<\/span> vez<\/span> m\u00e1s<\/span>, el monstruo<\/span> anda<\/span> suelto<\/span>. Miguel Ricart<\/span> deambula<\/span> por<\/span> las<\/span> calles<\/span> como<\/span> un apestado<\/span> y todos<\/span> se apresuran<\/span> a se\u00f1alar<\/span> a la bestia<\/span>. Es<\/span> cierto<\/span> que<\/span> no huy\u00f3<\/span> de ninguna<\/span> jaula<\/span>. Abandon\u00f3<\/span> la prisi\u00f3n<\/span> de Herrera de la Mancha<\/span> despu\u00e9s<\/span> de haber<\/span> pasado<\/span> en su<\/span> celda<\/span> 21 a\u00f1os<\/span>. Es<\/span> cierto<\/span> que<\/span>, incluso<\/span>, fue<\/span> retenido<\/span> dos a\u00f1os<\/span> m\u00e1s<\/span> de lo que<\/span> en justicia<\/span> le correspond\u00eda<\/span>. Pero<\/span> poco<\/span> importa<\/span> que<\/span> haya<\/span> cumplido<\/span> su<\/span> pena<\/span>, el Rubio es<\/span> de ese<\/span> tipo<\/span> de fieras<\/span> que<\/span> lleva<\/span> la maldad<\/span> impregnada<\/span> en la piel<\/span> y todos<\/span> se horrorizan<\/span> al pensar<\/span> que<\/span> pueda<\/span> pasar<\/span> junto<\/span> a ellos<\/span> la aborrecible<\/span> criatura<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tSu presencia<\/span> es<\/span> la del \u00edncubo<\/span> que<\/span> profan\u00f3<\/span> la inocencia<\/span> de tres<\/span> ni\u00f1as<\/span> y seg\u00f3<\/span> sus<\/span> vidas<\/span>. El horror convertido<\/span> hace<\/span> dos d\u00e9cadas<\/span> en la catarsis<\/span> colectiva<\/span>, encarnaci\u00f3n<\/span> de todos<\/span> los p\u00e1nicos<\/span>, angustia<\/span> retransmitida<\/span> en directo<\/span> por<\/span> la televisi\u00f3n<\/span>. El espect\u00e1culo<\/span> del miedo<\/span> y la abominaci\u00f3n<\/span> que<\/span> hoy<\/span> debe<\/span> continuar<\/span> con la implacable fuerza<\/span> de las<\/span> maldiciones<\/span>. Por<\/span> eso<\/span> es<\/span> preciso<\/span> cubrir<\/span> con sal<\/span> la tierra<\/span> por<\/span> la que<\/span> ande<\/span>, sin dudas<\/span> ni<\/span> remordimientos<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tMiguel Ricart<\/span> fue<\/span> condenado a 120 a\u00f1os<\/span> y ni<\/span> viviendo dos vidas<\/span> pagar\u00eda el sufrimiento sembrado. Porque el monstruo<\/span>, a diferencia de otros criminales, nunca paga. Jos\u00e9 Amedo, por<\/span> ejemplo, solo pas\u00f3 en prisi\u00f3n<\/span> 6 de los 118 a\u00f1os<\/span> a los que<\/span> fue<\/span> sentenciado. Y aunque entre las<\/span> v\u00edctimas del entramado criminal que<\/span> promovi\u00f3 tambi\u00e9n est\u00e9 la inocente mirada de Nagore Otegu, apagada a los tres<\/span> a\u00f1os<\/span> de vida, nadie mostr\u00f3 repulsi\u00f3n por<\/span> su<\/span> presencia<\/span> en las<\/span> calles<\/span>, ni<\/span> impidi\u00f3 que<\/span> el subcomisario se transformara en una<\/span> estrella medi\u00e1tica al salir del presidio.<\/p>\n

\t\u00a0<\/p>\n

\tPero sus casos, claro, no son iguales. La muerte sembrada por Amedo, como la crueldad aplicada por el torturador, estaba guiada por una l\u00f3gica interna, incluso en sus errores colaterales de cuerpos inocentes. M\u00e1s a\u00fan, la mayor de todas las l\u00f3gicas marca su letal desarrollo, la raz\u00f3n de Estado. Ricart, sin embargo, fue movido por la sinraz\u00f3n, por la irracionalidad salvaje, por el instinto de la bestia. Por ello, Soledad Becerril nos advierte de que, aunque haya cumplido su pena, es preciso que siga sintiendo en la piel el rechazo de la sociedad hasta que la tierra cubra su boca. De este modo, la Defensora del Pueblo nos confirma que el Rubio no pertenece a ese pueblo por cuyos derechos se encarga de velar. Es una alima\u00f1a que precisa ser eternamente sometido a una vigilancia no invasiva, una bestia a la que no debemos escuchar, ni mirar, ni permitir cobijo, un monstruo errante sin derecho al pan ni al agua.<\/p>\n

\t\u00a0<\/p>\n

\tPagada su pena, el asesino de Alc\u00e0sser no tiene m\u00e1s destino que la eterna huida. \u00c9l le puso rostro al horror que nos atenaza. Y por eso no hay que dejarle m\u00e1s ma\u00f1ana que el acorralamiento perpetuo, la muerte inmisericorde, o ese aguij\u00f3n desesperado que el escorpi\u00f3n dirige a sus propias entra\u00f1as cuando se halla acosado por el cerco insuperable de las llamas.<\/p>","protected":false},"excerpt":{"rendered":"

La presencia de la fiera siempre ha despertado una at\u00e1vica atracci\u00f3n, similar a ese v\u00e9rtigo casi irresistible que nos empuja al vac\u00edo cuando nos encontramos al borde de los precipicios. La imagen de la bestia encerrada nos fascina, sentimos su compulsivo deambular por la jaula, su rugido salvaje, el movimiento […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,58],"tags":[],"class_list":["post-4457","post","type-post","status-publish","format-standard","hentry","category-actualidad","category-estado-espanol"],"yoast_head":"\nMIGUEL RICART Y LA BESTIA - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/miguel-ricart-y-la-bestia\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MIGUEL RICART Y LA BESTIA - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"La presencia de la fiera siempre ha despertado una at\u00e1vica atracci\u00f3n, similar a ese v\u00e9rtigo casi irresistible que nos empuja al vac\u00edo cuando nos encontramos al borde de los precipicios. 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