{"id":4404,"date":"2013-12-07T08:38:19","date_gmt":"2013-12-07T08:38:19","guid":{"rendered":"https:\/\/www.revistarambla.com\/la-obc-y-los-planetas-de-holst-vida-mas-alla-de-la-tierra\/"},"modified":"2019-09-30T18:42:13","modified_gmt":"2019-09-30T16:42:13","slug":"la-obc-y-los-planetas-de-holst-vida-mas-alla-de-la-tierra","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/la-obc-y-los-planetas-de-holst-vida-mas-alla-de-la-tierra\/","title":{"rendered":"LA OBC Y LOS PLANETAS DE HOLST: VIDA M\u00c1S ALL\u00c1 DE LA TIERRA"},"content":{"rendered":"

\t\"alt\"El pasado<\/span> fin de semana<\/span> tuvimos<\/span> el placer de presenciar<\/span> un concierto<\/span> de lo m\u00e1s<\/span> vigorizante<\/span>, moderno<\/span> y bien<\/span> conjuntado<\/span> en el Auditori<\/span> de Barcelona. Para empezar<\/span>, la OBC<\/span> nos obsequi\u00f3<\/span> con una<\/span> primicia<\/span> en todo<\/span> el Estado<\/span>: las<\/span> Dance figures <\/em>de George Benjamin,<\/p>\n

\t\u00a0<\/p>\n

\t\u00a0<\/p>\n

<\/p>\n

\t\u00a0<\/p>\n

\tEl pasado<\/span> fin de semana<\/span> tuvimos<\/span> el placer de presenciar<\/span> un concierto<\/span> de lo m\u00e1s<\/span> vigorizante<\/span>, moderno<\/span> y bien<\/span> conjuntado<\/span> en el Auditori<\/span> de Barcelona. Para empezar<\/span>, la OBC<\/span> nos obsequi\u00f3<\/span> con una<\/span> primicia<\/span> en todo<\/span> el Estado<\/span>: las<\/span> Dance figures <\/em>de George Benjamin, que<\/span> fechan<\/span> de 2004. El compositor ingl\u00e9s<\/span> articul\u00f3<\/span> nueve<\/span> piezas<\/span> que<\/span> bien<\/span> podr\u00edan<\/span> servir<\/span>, tal<\/span> y como<\/span> apunta<\/span> el t\u00edtulo<\/span>, de acompa\u00f1amiento<\/span> para<\/span> danzas<\/span> contempor\u00e1neas<\/span>.<\/strong><\/p>\n

\t\u00a0<\/p>\n

\t\"alt\"<\/span><\/p>\n

\t\u00a0<\/p>\n

\tAs\u00ed<\/span> pues<\/span>, esta<\/span> primera<\/span> elecci\u00f3n<\/span> orquestal<\/span> ya<\/span> prefigur\u00f3<\/span> una<\/span> entrada<\/span> al mundo<\/span> de la m\u00fasica<\/span> como<\/span> banda<\/span> sonora<\/span> fundamental: desde<\/span> el suspense de las<\/span> cuerdas<\/span> de Spell, <\/em>que<\/span> se estira<\/span> hasta<\/span> la llegada<\/span> subrepticia<\/span> del \u00f3rgano<\/span> en Recit<\/span><\/em>, pasando<\/span> por<\/span> el juego<\/span> de espejos<\/span> entre<\/span> maderas<\/span> y metales<\/span> (In the mirror<\/em>) brutalmente<\/span> interrumpido<\/span> por<\/span> los bramidos<\/span> de los oboes y los alaridos<\/span> de los violines<\/span> (Interruptions<\/em>), hasta<\/span> Song<\/em> y el intento<\/span> desesperado<\/span> de las<\/span> sordinas<\/span> que<\/span> se estrellan<\/span> contra una<\/span> demoledora<\/span> orquesta<\/span> en Hammers.<\/em><\/p>\n

\t\u00a0<\/p>\n

\tDesgranado<\/span> el segundo<\/span> bloque<\/span> de estos<\/span> fragmentos<\/span> (Alone, Olicantus<\/span>, Whirling<\/em>), la elegante<\/span> Mireia<\/span> Farr\u00e9s<\/span> lider\u00f3<\/span> el Concierto<\/span> para<\/span> trompeta<\/span> y orquesta<\/span><\/em> de Hummel, y nos record\u00f3<\/span> la sobriedad<\/span> y frescura<\/span> de este<\/span> instrumento<\/span> tan poco<\/span> habitual como<\/span> solista<\/span>. El Auditori<\/span> pudo<\/span> oler<\/span> los tiernos<\/span> brotes<\/span> del romanticismo<\/span> m\u00e1s<\/span> primerizo<\/span>. La alegr\u00eda<\/span>, la energ\u00eda<\/span> y la vivacidad<\/span> rossinianas<\/span> se manifestaron<\/span> en todo<\/span> su<\/span> estallido<\/span> primaveral<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tMenci\u00f3n<\/span> aparte<\/span> merece<\/span> Oblivion<\/em>, la peque\u00f1a<\/span> joya<\/span> de Astor Piazzola<\/span> que<\/span> nos regal\u00f3<\/span> la joven<\/span> trompetista<\/span> en los bises<\/span>. Y, para<\/span> terminar<\/span>, empez\u00f3<\/span> el viaje<\/span> astrol\u00f3gico<\/span> por<\/span> Los Planetas<\/span><\/em> de Holst<\/span>. Y pudo<\/span> comprobarse<\/span> que<\/span> no s\u00f3lo<\/span> influyeron<\/span> a La<\/em> guerra<\/span> de les galaxias<\/span><\/em> (en el poema<\/span> sinf\u00f3nico<\/span> dedicado<\/span> a Marte<\/span> es<\/span> clamoroso<\/span>), sino<\/span> que<\/span> esta<\/span> suite representa<\/span>, en gran<\/span> medida<\/span>, el punto<\/span> de partida<\/span> de las<\/span> bandas<\/span> sonoras<\/span> de las<\/span> pel\u00edculas<\/span> desde<\/span> la segunda<\/span> mitad<\/span> del siglo<\/span> pasado<\/span> hasta<\/span> nuestros<\/span> d\u00edas<\/span>.<\/p>\n

\t\u00a0<\/p>\n

\tA partir<\/span> de la m\u00fasica<\/span> y, por<\/span> si<\/span> no fuera<\/span> suficiente<\/span>, con la gu\u00eda<\/span> de los subt\u00edtulos<\/span> que<\/span> definen<\/span> el car\u00e1cter<\/span> de estas<\/span> piezas<\/span> inici\u00e1ticas<\/span>, Holst<\/span> estableci\u00f3<\/span> sin saberlo<\/span> los paradigmas<\/span> emocionales<\/span> que<\/span> han<\/span> tallado<\/span> esta<\/span> rama<\/span> de la m\u00fasica<\/span> cl\u00e1sica<\/span>\u00a0 con una<\/span> forma inequ\u00edvoca<\/span> de entender<\/span>, entre<\/span> otros<\/span>, el imaginario<\/span> de la paz<\/span> (de la mano<\/span> del bals\u00e1mico<\/span> Venus), el de la alegr\u00eda<\/span> (con la \u00e9pica<\/span> heroica<\/span> de J\u00fapiter<\/span>) o el de la m\u00edstica<\/span> neptuniana<\/span>, que<\/span> tan on\u00edricamente<\/span> nos recuerda<\/span> a estos<\/span> mundos<\/span> de fantas\u00eda<\/span> del cine americano<\/span> que<\/span>, con el coro<\/span> femenino<\/span> final, ya<\/span> nos manda<\/span> virtualmente<\/span> a la Tierra Media de El Se\u00f1or<\/span> de los Anillos<\/span><\/em>.<\/p>","protected":false},"excerpt":{"rendered":"

El pasado fin de semana tuvimos el placer de presenciar un concierto de lo m\u00e1s vigorizante, moderno y bien conjuntado en el Auditori de Barcelona. Para empezar, la OBC nos obsequi\u00f3 con una primicia en todo el Estado: las Dance figures de George Benjamin, \u00a0 \u00a0<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,65],"tags":[],"class_list":["post-4404","post","type-post","status-publish","format-standard","hentry","category-cultura","category-musica"],"yoast_head":"\nLA OBC Y LOS PLANETAS DE HOLST: VIDA M\u00c1S ALL\u00c1 DE LA TIERRA - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/la-obc-y-los-planetas-de-holst-vida-mas-alla-de-la-tierra\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA OBC Y LOS PLANETAS DE HOLST: VIDA M\u00c1S ALL\u00c1 DE LA TIERRA - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"El pasado fin de semana tuvimos el placer de presenciar un concierto de lo m\u00e1s vigorizante, moderno y bien conjuntado en el Auditori de Barcelona. 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