{"id":2490,"date":"2012-11-19T15:10:00","date_gmt":"2012-11-19T14:10:00","guid":{"rendered":"https:\/\/www.revistarambla.com\/jose-manuel-rambla\/"},"modified":"2021-12-08T17:58:10","modified_gmt":"2021-12-08T16:58:10","slug":"jose-manuel-rambla","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/jose-manuel-rambla\/","title":{"rendered":"Bailando las cataratas"},"content":{"rendered":"

\"\"<\/p>\n

La Directora de la compa\u00f1\u00eda, Maria Rovira, ha confiado esta vez en el talento de uno de los bailarines de Tr\u00e0nsit, Reinaldo Ribeiro, para la creaci\u00f3n y direcci\u00f3n de esta pieza. La idea surgi\u00f3 durante un viaje a Argentina cuando el joven director qued\u00f3 impactado por la fuerza y la energ\u00eda de las Cataratas de Iguaz\u00fa que dan el nombre a esta obra de peque\u00f1o formato. El objetivo era tratar de plasmar, mediante los cuerpos de cuatro bailarines, esos r\u00edos que confluyen en uno solo. Ese flujo que se alimenta de muchas corrientes y, de repente, llega a un salto al vac\u00edo.<\/p>\n

El autor, que es de origen brasile\u00f1o y est\u00e1 acostumbrado a crear sin subvenciones, \u00a0reflexiona sobre el proceso de creaci\u00f3n dentro del complicado marco social en el que vivimos, donde el arte siempre encuentra barreras, pesimismo y ocupa siempre el \u00faltimo lugar: \u201cEstamos obligados a ese vac\u00edo, pero \u00bfC\u00f3mo evitarlo? No s\u00e9 yo si navegar a contracorriente. Me siento en ese v\u00e9rtigo, siendo arrastrado sin poder salir\u2026[\u2026]\u2026Cerrar los ojos y confiar en ti siguiendo tus valores sin dejar que la corriente te haga dudar en este declive constante. Cuando llegamos a tierra ver qu\u00e9 piedras removemos y donde nos podemos agarrar. En una \u00e9poca donde nos toca volver a reconocernos, es importante tocar esa nada para poder resurgir\u201d<\/p>\n

En el escenario, un lin\u00f3leo blanco. El bailar\u00edn se muestra como un humano natural, crudo y emocional.<\/p>\n","protected":false},"excerpt":{"rendered":"

La Sala Muntaner estrena el pr\u00f3ximo martes 20 de noviembre Puerto Iguaz\u00fa, la nueva creaci\u00f3n de danza contempor\u00e1nea de la compa\u00f1\u00eda Tr\u00e0nsit Dansa<\/p>","protected":false},"author":37,"featured_media":33421,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,62],"tags":[],"class_list":["post-2490","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-teatro"],"yoast_head":"\nBailando las cataratas - Revista Rambla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistarambla.com\/en\/jose-manuel-rambla\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bailando las cataratas - Revista Rambla\" \/>\n<meta property=\"og:description\" content=\"La Sala Muntaner estrena el pr\u00f3ximo martes 20 de noviembre Puerto Iguaz\u00fa, la nueva creaci\u00f3n de danza contempor\u00e1nea de la compa\u00f1\u00eda Tr\u00e0nsit Dansa\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistarambla.com\/en\/jose-manuel-rambla\/\" \/>\n<meta property=\"og:site_name\" content=\"Revista Rambla\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revistarambla\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-11-19T14:10:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-08T16:58:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2012\/11\/Screenshot-2021-06-07-at-12-58-58-ESPANOL-pdf.png\" \/>\n\t<meta property=\"og:image:width\" content=\"850\" \/>\n\t<meta property=\"og:image:height\" content=\"606\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Ariadna Rogero\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:site\" content=\"@revistarambla\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ariadna Rogero\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/\"},\"author\":{\"name\":\"Ariadna Rogero\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#\\\/schema\\\/person\\\/25237fac14c57c75609d1fab050bc99e\"},\"headline\":\"Bailando las cataratas\",\"datePublished\":\"2012-11-19T14:10:00+00:00\",\"dateModified\":\"2021-12-08T16:58:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/\"},\"wordCount\":256,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revistarambla.com\\\/wp-content\\\/uploads\\\/2012\\\/11\\\/Screenshot-2021-06-07-at-12-58-58-ESPANOL-pdf.png\",\"articleSection\":[\"Cultura\",\"Teatro\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/\",\"url\":\"https:\\\/\\\/www.revistarambla.com\\\/jose-manuel-rambla\\\/\",\"name\":\"Bailando las cataratas - 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