{"id":10142,"date":"2016-10-02T07:44:22","date_gmt":"2016-10-02T05:44:22","guid":{"rendered":"https:\/\/www.revistarambla.com\/?p=10142"},"modified":"2021-04-06T20:41:22","modified_gmt":"2021-04-06T18:41:22","slug":"tamariz-los-ultimos-bises-del-violinista-brujo","status":"publish","type":"post","link":"https:\/\/www.revistarambla.com\/en\/tamariz-los-ultimos-bises-del-violinista-brujo\/","title":{"rendered":"Juan Tamariz: Los \u00faltimos bises del violinista brujo"},"content":{"rendered":"<p style=\"text-align: left;\">Tach\u00e1n, tach\u00e1n. El tel\u00f3n rojo del <a href=\"https:\/\/es.teatrebarcelona.com\/teatre-tivoli\">teatro Tivoli de Barcelona<\/a> se abri\u00f3 puntualmente para ofrecer el show de la gira \u2018Magia potagia\u2026y m\u00e1s!\u2019, que a priori se intuye como la verdadera despedida de Juan Tamariz de los escenarios (en 2015 el espect\u00e1culo tambi\u00e9n se vend\u00eda como \u201clas \u00faltimas funciones\u201d). La culminaci\u00f3n a una prol\u00edfica etapa en los plat\u00f3s televisivos donde se forj\u00f3 carisma y credibilidad en los 80.<\/p>\n<p style=\"text-align: left;\">A punto de cumplir 74 a\u00f1os y una trayectoria singular \u2013se qued\u00f3 a un curso de licenciarse en Ciencias F\u00edsicas y dirigi\u00f3 dos cortos cinematogr\u00e1ficos-, su magia es estudiada en facultades de Bellas Artes de los Estados Unidos. As\u00ed pues, como ya no tiene que demostrar nada, lo sigue compartiendo.<\/p>\n<figure id=\"attachment_10144\" aria-describedby=\"caption-attachment-10144\" style=\"width: 700px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/10\/tamarid-2.jpg\"><img decoding=\"async\" class=\"wp-image-10144 size-full\" src=\"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/10\/tamarid-2.jpg\" alt=\"JUAN TAMARIZ\" width=\"700\" height=\"406\" srcset=\"https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/10\/tamarid-2.jpg 700w, https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/10\/tamarid-2-300x174.jpg 300w, https:\/\/www.revistarambla.com\/wp-content\/uploads\/2016\/10\/tamarid-2-500x290.jpg 500w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><figcaption id=\"caption-attachment-10144\" class=\"wp-caption-text\">Juan Tamariz Foto: Roger Batalla<\/figcaption><\/figure>\n<p style=\"text-align: left;\">Durante dos horas y media (\u201cla primera parte, la segunda y el descanso\u201d, porque como \u00e9l admite le gusta ser ordenado) reparti\u00f3 risas y hechicer\u00eda, truco y trato. Magia humor\u00edstica o humor m\u00e1gico, la realidad fascinante de su ilusionismo real. El veterano trovador madrile\u00f1o, un cruce entre el druida y el bardo de \u2018Ast\u00e9rix y Ob\u00e9lix\u2019 y el duende de los comodines, cautiv\u00f3 con cuerdas, naipes, cenizas y dedos (m\u00e1s una mini-c\u00e1mara sobre la mesa de operaciones), sin varitas, palomas, espadas, polvos m\u00e1gicos o ases en las mangas.<\/p>\n<p style=\"text-align: left;\">Despu\u00e9s de la era Copperfield y su efectismo hollywoodiense, -recientemente reforzada con dos entregas de la pel\u00edcula \u2018Ahora me ves\u2019-, en la que prima la est\u00e9tica espectacular, Tamariz vuelve a poner las cosas en su lugar, reivindicando las ra\u00edces de su oficio, es decir, el retorno a la infancia y la licencia para las travesuras. Ense\u00f1\u00f3 su p\u00f3cima manual, artesana y autodidacta sin desvelar los ingredientes: el encanto est\u00e1 en el secreto.<\/p>\n<p style=\"text-align: left;\">Acompa\u00f1ado por el m\u00e9dium-mago Al\u00e1n y la colombiana Consuelo Lorgia, su mujer desde el 2008 y procedente de una larga estirpe familiar en la nigromancia, exprimi\u00f3 al m\u00e1ximo la complicidad con el p\u00fablico: cuatro besos a las mujeres que iban de voluntarias (\u201ccada uno liga como puede\u201d) y chascarrillos jocosos, propios del surrealismo de Monty Pithon o Tip y Coll. Todo blanco y sin malicia ni compinches en las primeras filas.<\/p>\n<p style=\"text-align: left;\">Arlequ\u00edn o buf\u00f3n (en el buen sentido de la palabra), record\u00f3 que en esta corte hay \u201coficios dispares\u201d tales como firmar cartas los lunes y martes o ser obispo, y reserv\u00f3 la parte final para homenajear sus maestros: Juan Ant\u00f3n y Jos\u00e9 Frakson. De ellos aprendi\u00f3 que la magia es, b\u00e1sicamente, pasi\u00f3n, convicci\u00f3n y comunicaci\u00f3n, y que el aplauso f\u00e1cil s\u00f3lo sirve para hinchar el ego con el futuro riesgo de una explosi\u00f3n. Por eso es un mito humilde que acab\u00f3 aplaudiendo el p\u00fablico al que hab\u00eda encandilado.<\/p>\n<p style=\"text-align: left;\">Como broche oro, el juego de la triple coincidencia que ide\u00f3 hace veinte a\u00f1os y con el que dos barajas mezcladas hasta la saciedad acaban apareciendo en el mismo orden. Niaanoniaano y, cu\u00e1l guitar hero, agitando su atronador viol\u00edn en el aire. T\u00f3calo otra vez, Juan.<\/p>","protected":false},"excerpt":{"rendered":"<p>Tach\u00e1n, tach\u00e1n. El tel\u00f3n rojo del teatro Tivoli de Barcelona se abri\u00f3 puntualmente para ofrecer el show de la gira \u2018Magia potagia\u2026y m\u00e1s!\u2019, que a priori se intuye como la verdadera despedida de Juan Tamariz de los escenarios (en 2015 el espect\u00e1culo tambi\u00e9n se vend\u00eda como \u201clas \u00faltimas funciones\u201d). La [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,62],"tags":[],"class_list":["post-10142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","category-teatro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Juan Tamariz: Los \u00faltimos bises del violinista brujo - Revista Rambla<\/title>\n<meta name=\"description\" content=\"La verdadera despedida de Juan Tamariz de los escenarios (en 2015 el espect\u00e1culo tambi\u00e9n se vend\u00eda como \u201clas \u00faltimas funciones\u201d). 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